Kuprin "Garnet Bracelet": genre of the work. Nature in the destinies of literary heroes. (Based on the story “The Garnet Bracelet” by A.I. Kuprin.) The Garnet Bracelet is the theme of indifference

In literature in general, and in Russian literature in particular, the problem of the relationship between man and the world around him occupies a significant place. Personality and environment, individual and society - many Russian writers of the 19th century thought about this. The fruits of these reflections were reflected in many stable formulations, for example in the well-known phrase “Wednesday has eaten.” Interest in this topic intensified noticeably at the end of the 19th and beginning of the 20th centuries, during a turning point for Russia. In the spirit of humanistic traditions inherited from the past, Alexander Kuprin considers this issue, using all the artistic means that have become an achievement of the turn of the century.

The work of this writer was for a long time, as it were, in the shadows, overshadowed by bright representatives of his contemporaries. Today, the works of A. Kuprin are of great interest. They attract the reader with their simplicity, humanity, and democracy in the noblest sense of the word. The world of A. Kuprin’s heroes is motley and diverse. He himself lived a bright life, filled with diverse impressions - he was a military man, a clerk, a land surveyor, and an actor in a traveling circus troupe. A. Kuprin said many times that he does not understand writers who do not find anything more interesting than themselves in nature and people. The writer is very interested in human destinies, while the heroes of his works are most often not successful, successful people, satisfied with themselves and life, but rather the opposite. But A. Kuprin treats his outwardly unsightly and unlucky heroes with the warmth and humanity that has always distinguished Russian writers. In the characters of the stories “White Poodle”, “Taper”, “Gambrinus”, as well as many others, the features of a “little man” are discernible, but the writer not only reproduces this type, but reinterprets it anew.

Let's reveal Kupri's very famous story "The Garnet Bracelet", written in 1911. Its plot is based on a real event - the love of telegraph official P. P. Zheltkov for the wife of an important official, member of the State Council Lyubimov. This story is mentioned by Lyubimov’s son, the author of famous memoirs Lev Lyubimov. In life, everything ended differently than in A. Kuprin’s story -. the official accepted the bracelet and stopped writing letters; nothing more was known about him. The Lyubimov family remembered this incident as strange and curious. Under the pen of the writer, the story turned into a sad and tragic story about the life of a little man who was elevated and destroyed by love. This is conveyed through the composition of the work. It gives an extensive, leisurely introduction, which introduces us to the exposition of the Sheyny house. The story of extraordinary love itself, the story of the garnet bracelet, is told in such a way that we see it through the eyes of different people: Prince Vasily, who tells it as an anecdotal incident, brother Nikolai, for whom everything in this story seems offensive and suspicious. important, Vera Nikolaevna herself and, finally, General Anosov, who was the first to suggest that here, perhaps, lies true love, “of which women dream and of which men are no longer capable.” The circle to which Vera Nikolaevna belongs cannot admit that this is a real feeling, not so much because of the strangeness of Zheltkov’s behavior, but because of the prejudices that control them. Kuprin, wanting to convince us, the readers, of the authenticity of Zheltkov’s love, resorts to the most irrefutable argument - the hero’s suicide. In this way, the little man’s right to happiness is affirmed, and the motive of his moral superiority over the people who so cruelly insulted him, who failed to understand the strength of the feeling that was the whole meaning of his life, arises.

Kuprin's story is both sad and bright. It is permeated by a musical beginning - a piece of music is indicated as an epigraph - and the story ends with a scene when the heroine listens to music at a tragic moment of moral insight for her. The text of the work includes the theme of the inevitability of the death of the main character - it is conveyed through the symbolism of light: at the moment of receiving the bracelet, Vera Nikolaevna sees red stones in it and thinks with alarm that they look like blood. Finally, the theme of the clash of different cultural traditions arises in the story: the theme of the east - the Mongolian blood of the father of Vera and Anna, the Tatar prince, introduces into the story the theme of love-passion, recklessness; the mention that the sisters’ mother is English introduces the theme of rationality, dispassion in the sphere of feelings, and the power of the mind over the heart. In the final part of the story, a third line appears: it is no coincidence that the landlady turns out to be a Catholic. This introduces into the work the theme of love-admiration, which in Catholicism surrounds the Mother of God, love-self-sacrifice.

A. Kuprin's hero, a little man, faces the world of misunderstanding around him, the world of people for whom love is a kind of madness, and, faced with it, dies.

In the wonderful story “Olesya,” we are presented with a poetic image of a girl who grew up in the hut of an old “witch,” outside the usual norms of a peasant family. Olesya’s love for the intellectual Ivan Timofeevich, who accidentally visited a remote forest village, is a free, simple and strong feeling, without looking back or obligations, among tall pines, painted with the crimson glow of the dying dawn. The girl's story ends tragically. Olesya’s free life is invaded by the selfish calculations of village officials and the superstitions of ignorant peasants. Beaten and molested, Olesya and Manuilikha are forced to flee from the forest nest.

In Kuprin's works, many heroes have similar traits - spiritual purity, dreaminess, ardent imagination, combined with impracticality and lack of will. And they reveal themselves most clearly in love. All heroes treat women with filial purity and reverence. Willingness to give in for the sake of the woman you love, romantic worship, knightly service to her - and at the same time underestimating yourself, lacking faith in your own strengths. Men in Kuprin's stories seem to change places with women. These are the energetic, strong-willed “Polessia sorceress” Olesya and the “kind, but only weak” Ivan Timofeevich, the smart, calculating Shurochka Nikolaevna and the “pure, sweet, but weak and pitiful” second lieutenant Romashov. All these are Kuprin’s heroes with a fragile soul, caught in a cruel world.

Kuprin’s excellent story “Gambrinus,” created in the troubled year of 1907, breathes the atmosphere of revolutionary days. The theme of all-conquering art is intertwined here with the idea of ​​democracy, the bold protest of the “little man” against the black forces of arbitrariness and reaction. Meek and cheerful Sashka, with his extraordinary talent as a violinist and sincerity, attracts a diverse crowd of longshoremen, fishermen, and smugglers to the Odessa tavern. They greet with delight the melodies, which seem to be the background, as if reflecting public moods and events - from the Russo-Japanese War to the rebellious days of the revolution, when Sashka’s violin sounds with the cheerful rhythms of “La Marseilles”. In the days of the onset of terror, Sashka challenges the disguised detectives and the black-hundred “scoundrels in a fur hat,” refusing to play the monarchist anthem at their request, openly denouncing them of murders and pogroms.

Crippled by the tsarist secret police, he returns to his port friends to play for them on the outskirts the tunes of the deafeningly cheerful “Shepherd.” Free creativity and the power of the people's spirit, according to Kuprin, are invincible.

Returning to the question posed at the beginning - “man and the world around him” - we note that in Russian prose of the early 20th century a wide range of answers to it is presented. We have considered only one of the options - the tragic collision of a person with the world around him, his insight and death, but not a meaningless death, but containing an element of purification and high meaning.

Alexander Ivanovich Kuprin is a Russian writer who, without a doubt, can be classified as a classic. His books are still recognizable and loved by the reader, not only under the compulsion of a school teacher, but at a conscious age. A distinctive feature of his work is documentary, his stories were based on real events or real events became the impetus for their creation - among them the story “Garnet Bracelet”.

“The Garnet Bracelet” is a true story that Kuprin heard from friends while looking through family albums. The governor's wife made sketches for letters sent to her by a certain telegraph official who was unrequitedly in love with her. One day she received a gift from him: a gold-plated chain with a pendant in the shape of an Easter egg. Alexander Ivanovich took this story as the basis for his work, turning these meager, uninteresting data into a touching story. The writer replaced the chain with the pendant with a bracelet with five garnets, which, according to what King Solomon said in one story, mean anger, passion and love.

Plot

“The Pomegranate Bracelet” begins with preparations for the celebration, when Vera Nikolaevna Sheina suddenly receives a gift from an unknown person: a bracelet with five garnets flecked in green. On the paper note that came with the gift, it is indicated that the gemstone is capable of endowing the owner with foresight. The princess shares the news with her husband and shows a bracelet from an unknown person. As the action progresses, it turns out that this person is a petty official named Zheltkov. He first saw Vera Nikolaevna at the circus many years ago, and since then the suddenly flared up feelings have not faded away: even her brother’s threats do not stop him. However, Zheltkov does not want to torment his beloved, and he decides to commit suicide so as not to bring shame on her.

The story ends with the realization of the strength of the stranger’s sincere feelings, which comes to Vera Nikolaevna.

Love theme

The main theme of the work “Garnet Bracelet” is undoubtedly the theme of unrequited love. Moreover, Zheltkov is a shining example of selfless, sincere, sacrificial feelings that he does not betray, even when his loyalty cost his life. Princess Sheina also fully feels the power of these emotions: years later she realizes that she wants to be loved and love again - and the jewelry donated by Zheltkov marks the imminent appearance of passion. Indeed, she soon falls in love with life again and feels it in a new way.

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The theme of love in the story is frontal and permeates the entire text: this love is high and pure, a manifestation of God. Vera Nikolaevna feels internal changes even after Zheltkov’s suicide - she learned the sincerity of a noble feeling and willingness to sacrifice herself for the sake of someone who will give nothing in return. Love changes the character of the entire story: the princess’s feelings die, fade, fall asleep, having once been passionate and ardent, and turned into a strong friendship with her husband. But Vera Nikolaevna still continues to strive for love in her soul, even if this has become dulled over time: she needed time to let passion and sensuality come out, but before that her calmness could seem indifferent and cold - this puts a high wall for Zheltkov.

1. Zheltkov worked as a minor official in the control chamber (the author placed him there to emphasize that the main character was a small man). Kuprin does not even indicate his name in the work: only the letters are signed with initials. Zheltkov is exactly how the reader imagines a man of low position: thin, pale-skinned, straightening his jacket with nervous fingers. He has delicate facial features and blue eyes. According to the story, Zheltkov is about thirty years old, he is not rich, modest, decent and noble - even Vera Nikolaevna’s husband notes this. The elderly owner of his room says that during the eight years that he lived with her, he became like family to her, and he was a very nice person to talk to. “...Eight years ago I saw you in a box at the circus, and then in the first second I said to myself: I love her because there is nothing like her in the world, there is nothing better...” - this is how the modern fairy tale about Zheltkov’s feelings for Vera Nikolaevna, although he never cherished hopes that they would be mutual: “...seven years of hopeless and polite love...”. He knows the address of his beloved, what she does, where she spends her time, what she wears - he admits that he is not interested in anything but her and is not happy.
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3. Vera Nikolaevna Sheina inherited her mother's appearance: a tall, stately aristocrat with a proud face. Her character is strict, uncomplicated, calm, she is polite and courteous, kind to everyone. She has been married to Prince Vasily Shein for more than six years; together they are full members of high society, organizing balls and receptions, despite financial difficulties.
4. General Anosov is Anna’s godfather, his full name is Yakov Mikhailovich Anosov. He is fat and tall, good-natured, patient, hard of hearing, he has a large, red face with clear eyes, he is very respected for the years of his service, fair and courageous, has a clear conscience, always wears a frock coat and cap, uses a hearing horn and a stick.
5. Prince Vasily Lvovich Shein is the husband of Vera Nikolaevna. Little is said about his appearance, only that he has blond hair and a large head. He is very soft, compassionate, sensitive - he treats Zheltkov’s feelings with understanding, and is unshakably calm. He has a sister, a widow, whom he invites to the celebration.

Features of Kuprin's creativity

Kuprin was close to the theme of the character’s awareness of life’s truth. He saw the world around him in a special way and sought to learn something new; his works are characterized by drama, a certain anxiety, and excitement. “Educational pathos” is called the hallmark of his work.

In many ways, Kuprin’s work was influenced by Dostoevsky, especially in the early stages, when he writes about fatal and significant moments, the role of chance, the psychology of characters’ passions - often the writer makes it clear that not everything can be understood.

It can be said that one of the features of Kuprin’s work is a dialogue with readers, in which the plot is traced and reality is depicted - this is especially noticeable in his essays, which in turn were influenced by G. Uspensky.

Some of his works are famous for their lightness and spontaneity, poeticization of reality, naturalness and authenticity. Others are the theme of inhumanity and protest, the struggle for feelings. At some point, he begins to be interested in history, antiquity, legends, and thus fantastic stories are born with motives of the inevitability of chance and fate.

Genre and composition

Kuprin is characterized by a love of plots within plots. “The Garnet Bracelet” is further proof: Zheltkov’s note about the qualities of the jewelry is the plot within the plot.

The author shows love from different points of view - love in general terms and Zheltkov’s unrequited feelings. These feelings have no future: Vera Nikolaevna’s marital status, differences in social status, circumstances - everything is against them. This doom reveals the subtle romanticism invested by the writer in the text of the story.

The entire work is ringed by references to the same piece of music – a Beethoven sonata. Thus, the music that “sounds” throughout the story shows the power of love and is the key to understanding the text, heard in the final lines. Music communicates the unsaid. Moreover, it is Beethoven’s sonata at the climax that symbolizes the awakening of Vera Nikolaevna’s soul and the awareness that comes to her. Such attention to melody is also a manifestation of romanticism.

The composition of the story implies the presence of symbols and hidden meanings. So the fading garden implies the fading passion of Vera Nikolaevna. General Anosov tells short stories about love - these are also small plots within the main narrative.

It is difficult to determine the genre of “Garnet Bracelet”. In fact, the work is called a story largely due to its composition: it consists of thirteen short chapters. However, the writer himself called “The Garnet Bracelet” a story.

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It’s not for nothing that A.I. Kuprin’s story “” is a great work about a feeling that can neither be bought nor sold. This feeling is called love. Anyone can experience the feeling of love, regardless of their position in society, rank or wealth. In love there are only two concepts: “I love” and “I don’t love.”

Unfortunately, in our time it is increasingly rare to meet a person who is obsessed with the feeling of love. Money rules the world, pushing tender feelings into the background. More and more young people are thinking about a career first, and only then about starting a family. Many people marry for convenience. This is done only to ensure a comfortable existence.

In his work, Kuprin, through the mouth of General Anosov, laid down his attitude towards love. The general compared love with a great mystery and tragedy. He said that no other feelings or needs should be mixed with the feeling of love.

Ultimately, “not love” became a tragedy for the main character of the story, Vera Nikolaevna Sheina. According to her, there have been no warm loving feelings between her and her husband for a long time. Their relationship resembled a strong, loyal friendship. And this suited the spouses. They didn’t want to change anything, because it was convenient to live this way.

Love is a wonderful, but at the same time dangerous feeling. A man in love loses his mind. He begins to live for the sake of his lover or beloved. A person in love sometimes commits inexplicable actions that can have tragic results. A loving person becomes defenseless and vulnerable from external threats. Unfortunately, love cannot protect us from external problems; it does not solve them. Love brings happiness to a person only when it is mutual. Otherwise, love becomes a tragedy.

Zheltkov’s feelings for Vera Nikolaevna became the biggest tragedy in his life. Unrequited love ruined him. He put his beloved above everything in his life, but, not seeing reciprocity, he committed suicide.

Millions of works have been written about love. This multifaceted feeling has been sung by poets and writers, artists and performers in all centuries. But this feeling can hardly be understood by reading stories, listening to music, or looking at paintings. Love can only be fully felt when you are loved and love yourself.

The theme of love in A. I. Kuprin’s story “The Garnet Bracelet”

(“The disease of love is incurable...”)

Love... is stronger than death and the fear of death. Only by her, only by love does life hold and move.

I.S. Turgenev.

Love... A word denoting the most reverent, tender, romantic and inspired feeling inherent in a person. However, people often confuse love with being in love. A real feeling takes possession of a person’s entire being, sets all his forces in motion, inspires the most incredible actions, evokes the best motives, and excites the creative imagination. But love is not always joy, mutual feeling, happiness given to two. It is also disappointment from unrequited love. A person cannot stop loving at will.

Every great artist devoted many pages to this “eternal” topic. A.I. Kuprin did not ignore it either. Throughout his career, the writer showed great interest in everything beautiful, strong, sincere and natural. He considered love to be one of the great joys of life. His stories and stories “Olesya”, “Shulamith”, “Pomegranate Bracelet” tell about ideal love, pure, boundless, beautiful and powerful.

In Russian literature, perhaps, there is no work that has a stronger emotional impact on the reader than “The Garnet Bracelet.” Kuprin touches on the theme of love chastely, reverently and at the same time nervously. Otherwise, you can’t touch her.

Sometimes it seems that everything has been said about love in world literature. Is it possible to talk about love after “Tristan and Isolde”, after the sonnets of Petrarch and “Romeo and Juliet” by Shakespeare, after Pushkin’s poem “For the Shores of the Distant Fatherland”, Lermontov’s “Don’t Laugh at My Prophetic Melancholy”, after Tolstoy’s “Anna Karenina” and Chekhov's "Lady with a Dog"? But love has thousands of aspects, and each of them has its own light, its own joy, its own happiness, its own sadness and pain, and its own fragrance.

The story “The Garnet Bracelet” is one of the saddest works about love. Kuprin admitted that he cried over the manuscript. And if a work makes the author and reader cry, then this speaks of the deep vitality of what the writer created and his great talent. Kuprin has many works about love, about the expectation of love, about its touching outcomes, about its poetry, longing and eternal youth. He always and everywhere blessed love. The theme of the story “The Garnet Bracelet” is love to the point of self-abasement, to the point of self-denial. But the interesting thing is that love strikes the most ordinary person - the office official Zheltkov. Such love, it seems to me, was given to him from above as a reward for a joyless existence. The hero of the story is no longer young, and his love for Princess Vera Sheina gave meaning to his life, filled it with inspiration and joy. This love was meaning and happiness only for Zheltkov. Princess Vera considered him crazy. She did not know his last name and had never seen this man. He only sent her greeting cards and wrote letters signed G.S.Zh.

But one day, on the princess’s name day, Zheltkov decided to be bold: he sent her an antique bracelet with beautiful garnets as a gift. Fearing that her name may be compromised, Vera's brother insists on returning the bracelet to its owner, and her husband and Vera agree.

In a fit of nervous excitement, Zheltkov confesses to Prince Shein his love for his wife. This confession touches to the core: “I know that I can never stop loving her. What would you do to end this feeling? Send me to another city? All the same, I will love Vera Nikolaevna there just as much as I do here. Put me in jail? But even there I will find a way to let her know about my existence. There is only one thing left - death...” Over the years, love has become a disease, an incurable disease. She absorbed his entire essence without a trace. Zheltkov lived only by this love. Even if Princess Vera didn’t know him, even if he couldn’t reveal his feelings to her, couldn’t possess her... That’s not the main thing. The main thing is that he loved her with a sublime, platonic, pure love. It was enough for him to just see her sometimes and know that she was doing well.

Zheltkov wrote his last words of love for the one who had been the meaning of his life for many years in his suicide letter. It is impossible to read this letter without heavy emotional excitement, in which the refrain sounds hysterically and amazingly: “Hallowed be thy name!” What gives the story special power is that love appears in it as an unexpected gift of fate, poeticized and illuminating life. Lyubov Zheltkova is like a ray of light among everyday life, among sober reality and established life. There is no cure for such love, it is incurable. Only death can serve as deliverance. This love is confined to one person and carries destructive power. “It so happened that I am not interested in anything in life: neither politics, nor science, nor philosophy, nor concerns about the future happiness of people,” Zheltkov writes in a letter, “for me, all life lies in you.” This feeling crowds out all other thoughts from the hero’s consciousness.

The autumn landscape, the silent sea, empty dachas, and the grassy smell of the last flowers add special strength and bitterness to the story.

Love, according to Kuprin, is passion, it is a strong and real feeling that elevates a person, awakening the best qualities of his soul; it is truthfulness and honesty in relationships. The writer put his thoughts about love into the mouth of General Anosov: “Love should be a tragedy. The greatest secret in the world. No life conveniences, calculations or compromises should concern her.”

It seems to me that today it is almost impossible to find such love. Lyubov Zheltkova - romantic worship of a woman, knightly service to her. Princess Vera realized that true love, which is given to a person only once in a lifetime and which every woman dreams of, passed her by.

One of the most famous works of Alexander Kuprin is “Garnet Bracelet”. What genre is the story about the unrequited love of the modest official Zheltkov? More often this work is called a story. But it also contains features characteristic of the story. It turns out that defining the genre of “Garnet Bracelet” is not easy.

In order to do this, one should remember the content of Kuprin’s work, and also consider the features of both the story and the story.

What is a story?

This literary term refers to the composition of short prose. A synonym for this word is “short story”. Russian writers usually called their works stories. A short story is a concept that is more common in foreign literature. There is no significant difference between them. In both the first and second cases, we are talking about a work of small volume, in which there are only a few heroes. An important feature is the presence of only one storyline.

The structure of such a work is quite simple: beginning, climax, denouement. In Russian literature of the 19th century, a story was often called what today is commonly called a story. A striking example is the well-known works of Pushkin. The writer created several stories, the plot of which was allegedly told to him by a certain Belkin, and called them stories. In each of these works there are few characters and only one storyline. So why didn’t Pushkin call his collection “Belkin’s Stories”? The fact is that the literary terminology of the 19th century is somewhat different from the modern one.

But the genre of Chekhov’s works is beyond doubt. Events in the stories of this writer revolve around some seemingly minor incidents that allow the characters to look at their lives differently. There are no unnecessary characters in Chekhov's works. His stories are clear and concise. The same can be said about the prose of later authors - Leonid Andreev, Ivan Bunin.

What is a story?

A work of this genre occupies an intermediate position between a short story and a novel. In foreign literature, the concept of “story” is absent. English and French authors created either short stories or novels.

In Ancient Rus', any prose work was called a story. Over time, the term acquired a narrower meaning. Until the middle of the 19th century, it was understood as a work of small size, but larger than a story. There are usually significantly fewer heroes in the story than in the epic "War and Peace", but more than in Chekhov's "Wallet". Yet modern literary scholars sometimes find it difficult to determine the genre of a work written more than 200 years ago.

In the story, events revolve around the main character. Actions take place over a short period of time. That is, if the work tells how the hero was born, graduated from school, university, made a successful career, and then, closer to his seventieth birthday, died safely in his bed, then this is a novel, but not a story.

If only one day in the life of a character is shown, and the plot contains two or three characters, it is a story. Perhaps the clearest definition of a story is the following: “a work that cannot be called either a novel or a story.” What is the genre of "Garnet Bracelet"? Before answering this question, let's remember the content.

"Garnet bracelet"

A work can be confidently classified as a short story if it involves two or three characters. There are more heroes here.

Vera Sheina is married to a kind and well-mannered man. She doesn't care about the telegraph operator who regularly writes her love letters. Moreover, she had never even seen his face. Vera's indifference gives way to a feeling of anxiety, and then pity and regret after she receives a garnet bracelet as a gift from the telegraph operator.

The genre of this work could be easily determined if Kuprin had excluded from the narrative such characters as General Anosov, Vera’s brother and sister. But these characters are not just present in the plot. They, and especially the general, play a certain role.

Let us recall several stories included by Kuprin in “Garnet Bracelet”. The genre of a work can be determined in the process of its artistic analysis. And to do this, you should turn to the content again.

Crazy Love

The officer fell in love with the wife of the regimental commander. This woman was not attractive, and she was also a morphine addict. But love is evil... The romance did not last long. The experienced woman soon became tired of her young lover.

Garrison life is boring and monotonous. The military wife, apparently, wanted to brighten up her everyday life with thrills, and she demanded proof of love from her former lover. Namely, throw yourself under a train. He did not die, but remained disabled for life.

Love triangle

Another incident from garrison life is told in another story included in the “Garnet Bracelet.” Its genre could be easily determined if it were a separate work. It would be a classic story.

The wife of a brave officer, highly respected by the soldiers, fell in love with the lieutenant. A passionate romance ensued. The traitor did not hide her feelings at all. Moreover, her husband was well aware of her relationship with her lover. When the regiment was sent to war, she threatened him with divorce if something happened to the lieutenant. The man went to sapper work instead of his wife's lover. I checked the guard posts for him at night. He did everything to preserve the health and life of his opponent.

General

These stories are not given by chance. They were told to Vera by General Anosov, one of the most striking characters in “The Garnet Bracelet.” The genre of this work would not be in doubt if it were not for this colorful character. In that case it would be a story. But the general distracts the reader from the main storyline. In addition to the above stories, he also tells Vera about some facts from his biography. In addition, Kuprin paid attention to other minor characters (for example, Vera Sheina’s sister). This made the structure of the work more complex, the plot deeper and more interesting.

The stories told by Anosov make an impression on the main character. And his thoughts about love make the princess look differently at the feelings of the faceless telegraph operator.

What genre does “Garnet Bracelet” belong to?

It was said above that in literature previously there was no clear division between such concepts as story and story. But this was only the case at the beginning of the 19th century. The work discussed in this article was written by Kuprin in 1910. By that time, the concepts used by modern literary scholars had already been formed.

The writer defined his work as a story. Calling "The Garnet Bracelet" a story is incorrect. However, this mistake is forgivable. As one famous literary critic said, not without a bit of irony, no one can perfectly distinguish a story from a story, but philology students like to argue on this topic.