Metaphors in the names of literary works. Problem analysis of the novel "One Flew Over the Cuckoo's Nest"
On the surface of the plot is a story about Her and Him. But, definitely, the semantic load of the work goes far beyond the romantic.
The theme of the soul and the tragedy of life choices is touched upon.
The time of development of the plot is the period before Lent, Maslenitsa. But this is not just a reality of reality, it is a symbol of “duality”, inconsistency: at the junction of the semi-pagan Maslenitsa, which survived in Russian culture, and the Orthodox strict Lent of a person, the bearer of a mentality in which East and West are mixed, the natural inconsistency of nature is revealed, leading to tragedy.
Details indicate the complex, ambiguous, “dual”, contradictory character of the main character. For her luxurious beauty, in the oriental spirit, they call her: “The Maiden Tsar, the Shamakhan Queen,” but at the same time, she consciously chose an apartment in a house opposite the Cathedral of Christ the Savior. However, in the interior of the rooms, instead of an icon, the central place is occupied by the image of a barefoot Leo Tolstoy. The subtleties of appearance and setting seem to prepare the reader for an understanding of her inner world, her personality, in which “Moscow, Astrakhan, Persia, India” coexist.
Bunin subtly hints that contradictory principles, a combination of East and West, generally coexist in the soul of a Russian person. It is not without reason that it is written about the capital, the head of the state, Moscow: “A strange city...St. Basil and the Savior on Bor, Italian cathedrals - and something Kyrgyz in the tips of the towers on the Kremlin walls...”
The heroine surprisingly coexisted contrasting feelings: worldly and sublime, the ability to rejoice in earthly and spiritual joys (“... she ate a whole box of chocolate a day, at lunches and dinners... she loved pies with burbot fish soup, pink hazel grouse in deep-fried sour cream, sometimes she said: “No I understand how people won’t get tired of it all their lives, having lunch and dinner every day,” but she herself had lunch and dinner with a Moscow understanding of the matter. Her obvious weakness was only good clothes, velvet, silk, expensive fur...”), but at that. At the same time, she is receptive to the world of creativity, how else, other than love for Griboyedov, can she explain the desire to find his house in Moscow, or a visit to Chekhov’s grave? An ambiguous phrase is uttered: “What a disgusting mixture of leafy Russian style and the Art Theater!”, Referring either to monument to the writer, or to his work...
She, on the one hand, is able to admire the terrible moral beauty: “Pre-Petrine Rus'! The archbishop was buried. And just imagine: the coffin is an oak log, as in ancient times, the gold brocade seems to be forged, the face of the deceased is covered with white “air”, sewn with large black script - beauty and horror,” but at the same time she is attracted by the bright church singing. The Marfo-Mariinsky Convent, the Novodevichy, and the Conception Monasteries beckon, but at the same time he goes “to lunch in Prague, the Hermitage, the Metropol, after dinner to the theaters, to concerts, and then to the Yar, to “Strelna.”
Before us is a young, healthy, developed personality, with, of course, a multifaceted, complex character and inner world, in which conflicting feelings struggle. How is this characteristic of our mentality... And at the junction of winter and spring, paganism and Orthodoxy, she is overtaken by one of the most difficult tests in life, the test of love.
The key moment for understanding the denouement of the plot, in my opinion, is when the heroes are talking at dinner on the eve of the fateful day and She starts a strange conversation, as if by the way quoting a Russian chronicle legend about the Murom prince Paul and his pious wife, in which there is a motive of temptation and deliverance . The story of the princely couple has become a symbol of love and fidelity. Why was this topic suddenly raised, and what kind of response did She want to hear in response? The hero in love, listening to her story about the snake, replies:
“I jokingly made scary eyes:
- Oh, what horror!
I am sure, from the heroine’s point of view, this story about the snake and eternal fidelity was told consciously; perhaps she wanted to hear words from him in response that would confirm her in the idea of his sound, serious attitude towards their feelings and readiness for trials, for heights feelings. But in response, alas, she receives only a playful, humorous answer.
Why did the hero react in this manner?
Is it really a frivolous attitude towards her? I think he was simply in love, so in love that it no longer mattered to him what she told him, any information was perceived as something familiar, natural, familiar, the only thing that mattered to him was that she was with him, and that was happiness: “ And tomorrow and the day after tomorrow everything will be the same, I thought - all the same torment and all the same happiness... Well, still happiness, great happiness!
But, alas, the heroes’ understanding of happiness turned out to be too different...
The music of Beethoven’s “Moonlight Sonata”, a symbol of the elements, passion, restlessness, rebellion, premonition, awakens everything hidden, subconscious in her soul, touches pain points... As a result, the contradictory soul, in which dark and light, earthly and sublime struggled, chooses for itself a difficult path of cleansing and getting away from vanity.
Perhaps this was a justified decision for the heroine... She understands that she is equally interested in multidirectional spheres, but she cannot separate the seeds from the chaff, and, therefore, in the broad Christian sense, she finds herself in a vanity of vanities, on the path not of creation, but confusion, and where this road can lead... She understands that she cannot make her lover happy.
But how painfully sometimes these “right decisions” hit those who bare their soul, putting their love on the altar... I believe that in the finale Bunin clearly expressed his opinion about the soul of the Russian person, if there is a choice between feelings and holiness, as it were He didn’t like Russians much, according to Bunin, he will always choose God.
Kuprin always put a person’s feelings first. “Man came into the world for immense freedom of creativity and happiness” -
these words from Kuprin’s essay could be taken as an epigraph to his entire
creativity.
A great lover of life, he believed that life would get better and dreamed
that the time will come when all people will be happy.
bracelet" is a wonderful story about unrequited great love, love,
"which repeats itself only once every thousand years."
In the story "Garnet Bracelet" Kuprin creates several
symbolic images on which the foundation of the narrative is built and
which carry the entire ideological meaning of the story.
"In mid-August, before the birth of the new month, suddenly the
disgusting weather, which is so typical on the northern coast
Black Sea" - the beginning of the story can be called the first symbol. Description
cloudy, damp, generally very bad weather, and then its sudden
change for the better makes a huge difference.
If under "young"
month" to understand the main character of the story Vera Nikolaevna Sheina, wife
leader of the nobility, and under the weather all her life, it turns out gray,
but a very real picture. "But by the beginning of September the weather suddenly
changed completely unexpectedly. Quiet, cloudless days immediately arrived,
so clear, sunny and warm, which were not even in July." Where is this
change is that very sublime and fatal love that is being discussed
speech in the story.
The next symbol should be called Princess Vera Nikolaevna. Kuprin
describes her as independent, regal calm, cold
beauty: "...Vera took after her mother, a beautiful Englishwoman, with her tall, flexible
figure, gentle but cold face, beautiful, although rather
big hands, like you see in ancient miniatures." Vera
Nikolaevna, a noble, amazing woman, symbolizes a person
worthy of true, “holy” love.
Kuprin assigns considerable importance to the “fat, tall, silver
the elder" - General Anosov. It was he who was given the task of forcing Vera
Nikolaevna react to the love of the mysterious G.S.Zh.
more seriously.
With his thoughts about love, the general helps his granddaughter
I could look at my own life with Vasily from different angles
Lvovich.
He owns the prophetic words: "...maybe your
the path of life, Verochka, was crossed by exactly the kind of love that
women dream and which men are no longer capable of." General
Anosov symbolizes the wise older generation. Entrusted to him by the author
draw a very important conclusion that is of great importance in this story:
conveys his confidence to Vera Nikolaevna.
The reason for the quick end to a story that lasted more than eight years was a gift for the day
birth of Vera Nikolaevna. The role of this gift was
a new symbol of the very love that General Anosov believed in, and about
every woman dreams of - a garnet bracelet.
He is valuable to Zheltkov
because it was worn by his “late mother”, in addition, an antique bracelet
has its own history: according to family legend, it has the ability to impart a gift
foresight for women wearing it and protects from violent death... And
Vera Nikolaevna actually unexpectedly predicts: “I know that
this man will kill himself." Kuprin compares the five garnets of the bracelet with "five
scarlet, bloody lights,” and the princess, looking at the bracelet, anxiously
exclaims: “Exactly blood!” The love that the bracelet symbolizes is not
subject to any laws and regulations. She can go against everyone
foundations of society: Zheltkov is only a poor little official, and Vera
Nikolaevna is a princess. But this circumstance does not bother him, he still loves her,
realizing only that nothing, not even death, will make his beautiful
feeling: "...Yours before death and after death, your humble servant."
Unfortunately,
Vera Nikolaevna understood the meaning of the bracelet too late.
She's overcome
anxiety. "And all her thoughts were riveted to that unknown man,
which she has never seen and is unlikely to see, to this funny “Pe Pe Zhe”.
The princess remembers the words of General Anosov again and again and is tormented
the hardest question for her: what was it: love or madness?
Zheltkov’s last letter puts everything in its place. He likes. Loves
hopelessly, passionately and goes in his love to the end.
He accepts his
feeling as a gift from God, as great happiness: “It’s not my fault, Vera Nikolaevna, what to God
It was your pleasure to send me, as great happiness, love for you." And not
curses fate, but he leaves this life, leaves with great love in his heart,
You can read books in different ways. Running your eyes over the letters, putting together what is written on the paper into a single whole. Or go further: having understood what the writer said, connecting your erudition, knowledge about life, the world, then an analytical approach to the text arises. Analyzing, trying to understand understatements, focusing on your reader’s impressions, or remembering how the author lived, what views he held at the time of creation of the work, for a more accurate interpretation. Or consider in detail the references to other works present in the text, word sequences, epithets and metaphors, behind which, undoubtedly, stands the author’s worldview and perception of reality, expressed in words. These are well-known directions, “ways” of analyzing a literary text.
One of the most important parts in a literary work is its title or title. This part is the most important because it is the title that gives the reader a clear understanding of what the work will be about, or after reading the reader can understand what topic the author was trying to convey to the reader. Very often, the title of a work explains to the reader the topic that the author was trying to convey to him, because usually writers put much more meaning into the title of their works than just the goal of naming their literary creation. An excellent example is the works of Bunin and Kuprin, in which these authors already say a lot with the help of the title.
These authors in their works have always tried to achieve understanding by the reader, an understanding of their thoughts and ideas that they are trying so hard to convey to their readers. Very often the theme of such works is the same people, in their simplest, everyday form, in which they appear to us in our everyday life. The authors very often touched upon the themes of human character and its interaction in human society. Thus, the authors tried to convey to the reader the idea that in our society problems very often arise that are caused precisely by human characters, because of which conflicts arise.
Also, very often the authors touch on the themes of sublime, not mundane, everyday thinking, which is inherent in most people. The authors think about things that are fundamental concepts of all human life. Such topics usually include the themes of life and death, the finitude of life, and what awaits a person after death. They said that something would definitely happen, that it would not all be in vain. Very often the titles of their works represent an inverted, metaphorically reworked theme, which the author, in fact, discusses in his work; an example is the same title of Bunin’s work “Dark Alleys”. In this work, the author presents the idea of human greed, the worst aspects of human character, all those dark things that, unfortunately, very often appear in the human world.
Thus, we see that Bunin and Kuprin wrote their works with very metaphorical titles.
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In general, our study of linguistic units with metaphorical meaning will lie in the plane of stylistic semasiology. In this branch of linguistic sciences, various figures of speech (in particular tropes) are analyzed from the point of view of the semantic transformations occurring in them and their stylistic function. The semantic interpretation of the material allows us to consider figures of speech of any grammatical nature in this regard, that is, without the influence of whether they are expressed by a separate word, phrase, or possibly a whole sentence.
The title of the play, "The House Where Hearts Break," already contains a phrase with a metaphorical meaning - we, of course, mean the phrase "hearts break." This is an example of a simple metaphor, as I.V. calls this type. Arnold (2). However, we will not consider the study by I.V. Arnold as the basis for characterizing metaphors, we will only briefly touch on the basic simple division of words and free phrases with metaphorical meaning. In the above analysis of the English version of the play, this expression, “Heartbreak House,” is written in two words: “Heartbreak House.” This is an illustrative example from the point of view of comparative analysis of two languages. English word formation is fundamentally different from a similar process in the Russian language for the simple reason that English is an analytical language, and Russian is an inflectional language.
But let us return directly to the definition of the components of the “hearts are broken” metaphor. The word “heart,” in our opinion, is a carrier of imagery, since it was used by B. Shaw not in a direct “literal” meaning, but in a figurative, and therefore metaphorical, meaning. In general, expressions such as “you broke my heart”, “broken heart”, which are closest to the option under consideration, and expressions “the heart is crying”, “the heart is groaning” are quite often used both in prose and poetry, and half of those presented options can be found in the phraseological dictionary. We consider it unnecessary to give an example of the use of any of these expressions in the works of writers and poets. The image of a loving heart, a broken heart, etc., are frequent characteristic images in the work of any writer working in the “writing field.” Consequently, we found out that the given metaphor is not the author’s occasionalism, but quite the contrary, it is a vivid example of a poetic metaphor (in relation to the classification of O.S. Akhmanova (5)). In other words, this metaphor can be called a figurative general language, or more precisely, a general stylistic metaphor the figurative, figurative nature of which is clearly felt by the speaker.
The choice of such a vividly figurative metaphor included in the title is not accidental for the author. Shaw himself notes this in the preface to the play, saying that in the drama he shows two forces opposed to each other. Allegorically, they can be called "Heartbreak House" and "Horseback Hall" ("House where hearts break" and "Arena where horses are broken"). The inhabitants of the "House" are intellectuals, the inhabitants of the "Manege" are businessmen. The social struggle is depicted by the playwright as a clash of these two forces.
It is quite obvious that the metaphorical reading of the expression “hearts break” differs from the literal one: the expression, which in its literal meaning is used for the physical characteristics of, say, sick people, when read figuratively, identifies a different class of inanimate objects, however, having in its semantics a hint of existence, in as a result, none of the objects belonging to the class of internal organs can be distinguished in the same way as the “heart”, while expressing the same idea.
Correlating the studied linguistic figurative component - the metaphor “hearts are breaking” with the theory of M. Black (9), we can identify the so-called “focus” of the metaphor and its environment - the “frame”. And further we will make an attempt to explain why this “frame” in combination with this “focus” gives metaphorical imagery.
So, according to the substitutional concept, the focus of a metaphor (i.e., an explicitly metaphorical word inserted into the frame of the words' direct meanings) serves to convey a meaning that, in principle, could be expressed literally. We can conclude that the focus of this metaphor is the word "heart". The author uses it instead of another series of concepts (hopes, expectations, aspirations, etc.), which are abstract in contrast to the completely materialized concept of “heart”. A word is a substitute (or a means of conveying) not a separate impression received in the past, but a combination of general characteristics" (17, p. 46). This statement by Ivor A. Richards is the general formulation of the formation of metaphor.
The second component of the metaphor, which is simple in structure - “breaks”, is accordingly a frame. The new, different context of the word “heart”, that is, the focus of the metaphor, causes an expansion of the meaning of the focal word through the “frame”. The word that serves as the focus of the metaphor has not changed its meaning in the “system of generally accepted associations” (1, p. 165); it has only expanded its meaning.
Let us undertake to explain the above: “analogy” immediately comes to the reader’s mind, but a closer examination of the metaphor shows that analogy alone is not at all enough: the change in meaning occurs through contextual conditioning in the broad sense of the word “context”. It follows from this that when talking about the metaphorical phrase “hearts break,” we must take into account the rest of the “surroundings” - that is, the entire title of the play “Heartbreak House.”
In defense of the just given extended version of the metaphor, we can put forward the following statement by E. McCormack: “Metaphor in all its beauty can be realized only through an extended correlate” (34 p. 88). In our case, the correlate is expressed by the term “frame”. The entire aesthetic manifesto of B. Shaw can be summed up in the following words: “The expressiveness of the statement is the alpha and omega of style.” Style for Shaw is, first of all, a thought that absorbs life, returning to it realistic images that influence people’s consciousness.
This transition to the problem of imagery and style is generally not accidental in our work. The image is the source of basic semiotic concepts, the structure of which is created by the interaction of fundamentally different plans - the plane of expression and the plane of content. Metaphor is very often defined through an appeal to the image created by the figurative meaning of linguistic units. This image, in a narrow sense, serves as a compositional moment when creating the image of a literary hero, character, and sometimes an artistic symbol - as in our case. The image of a house where the hearts of both young and more mature people break was created by B. Shaw not without the help of metaphorical transfer, which served as a “tool” of imagery and symbolism along with other tropes. Let us take as proof the lines of N.I. Isachkina: “Shaw’s symbolism is dual - often it not only allows broad social generalizations to be consolidated in figurative form, but also masks the playwright’s contradictions and bewilderments” (18, p. 53). Further N.I. Isachkina, in her research work on the work of B. Shaw, comments on the use of the concept “heartbreak”. She says that it takes on a special meaning in the context of the entire play. Shaw treats the theme of a “broken heart” on two levels: on an everyday level, when the cause of “heartbreak” is unsuccessful love, and on a philosophical level, when its cause turns out to be historical timelessness.
Summarizing all the statements given earlier, we can draw the following picture: the concept of “Heartbreak House” is metaphorical due to the figurative, figurative meaning of the concept “heart”, which serves as a focal point and, with a certain contextual expansion, forms such a meaning that, on the one hand, is determined by the development of the play, the name of which is the metaphor in question, and on the other hand, reveals a figurative, to some extent even philosophical, concept of “House” as an expanded meaning.
Test
Discipline: “Methodology of Social and Cultural Activities”
Completed by student: Denisov Sergey Sergeevich
Groups: SKT / BZ441 - 1/u
Checked by: Candidate of Pedagogical Sciences, Associate Professor
Elena Nikolaevna Lvova
Saint Petersburg
1) Examples of the use of metaphors in everyday speech……………3
2) Example in the titles of works of art…………….4
3) Metaphors and figurative, attractive, vivid expressions in the names of objects in the urban environment……………………………..10
Catchy headlines in the media.
(newspapers, TV, internet)………………………………………………………………………………………..11
6) Forms of SKD using proverbs and sayings…………12
7) An example of two events for different target audiences with an analysis of the effectiveness of the means and methods used......15
Sources:
Examples of the use of metaphors in everyday speech.
Metaphor – (from the Greek “transfer”, “figurative meaning”) a speech turn in which the properties of one object (phenomenon, concept) are transferred to another.
Metaphors that we use in everyday life:
· burst out laughing
· hold your breath
· conscience gnawed
· toad strangles
Cats are scratching my soul
· fill your hand
· there is fire in the heart
· broke (no money)
· black gold (oil)
· nail head
· tongues of flame
· eyeball
bow of the ship
· airplane wing
· mountain of muscles
· peck (eat a little)
· melancholy stuck
There is a fire in the heart
heart injury
· to get on one's nerves
· road (stream, river) runs
· time is running
forest of hands
· sit on the phone
· don't croak
· very sharp eye
· hare (stowaway)
· eyes bulging
· chair leg
2) Example in the titles of works of art (justification for choice).
Painting
Salvador Dali is one of the most mysterious and strange geniuses of painting. The title of each painting is a strange interweaving of words and emotions.
"Giraffe on Fire"
According to the great artist himself, this painting is a kind of warning about the impending war.
· "The Face of War"
· "Flesh on the Stones"
Before us is a fairly powerful, well-fed woman, whom certainly no man will ever approach. Because there is nothing refined and feminine in this figure, except for the breasts, which are covered with a white sheet.
· "Enlightened Pleasures"
· 
"Retrospective Bust of a Woman"
· “Memory Persistence”
This picture is a kind of symbol of the transience and relativity of temporary space. Paradoxical as it may seem, the idea of painting this painting came to the artist when he was thinking about processed cheese.
"Woman with a Head of Roses"
· "Hypaxilogical sky"
Circus programs
I saw it with my own eyes and was impressed.
· “Starfish (2012)”
Already from the title of the performance it is clear that a maritime theme will run through the entire performance.
· “Fair of Ideas (2010)”
More than 30 original circus acts of various genres will be presented to the audience.
· "Magic Globe"
Music
Some of my favorite composers.
· Beethoven L.V. "Moonlight Sonata"
The sonata is subtitled “in the spirit of fantasy,” Beethoven wanted to emphasize that its form differs from the classical sonata form.
· Haydn F.J. "The Lame Demon" (opera); "Deceived Infidelity" (opera)
· Mozart V.A. "Magical flute"
The main theme of The Magic Flute - the way out of spiritual darkness into light through initiation - is the key idea of Freemasonry.
· ; "The Fake Simpleton"
Ballet
I was never interested in ballet, so I just looked through magazines on this topic.
· "Arm Sleeve" by Virgil Thomson
· “The Benevolent Cupid” by Cesare Pugni
· “Carnival of the Animals” by Camille Saint-Saens
Saint-Saëns doesn’t so much talk about animals as he notices different human types, and in a witty and very recognizable way!
· “Daughter of the Snows” Minkus A.L.
· “The Delight of the Muses” by Vuorinen M.Yu.
· “The Enchanted Forest” by Drigo R.E.
Sculpture
I saw something myself, something struck me with its originality.
· “Capitolian She-Wolf” (Etruscan bronze sculpture)
The story of the founders of Rome is like a fairy tale. Rulers must be different from ordinary people, and the brothers Romulus and Remus, sent along the river to their deaths, were saved and fed by a she-wolf.
· “Motherland” (Vuchetich E.V. and Nikitin N.V. in Volgograd)
· 
"Traffic Light Tree" (London)
· 
Skeletons in Love (Thailand)
Photo
On the website at the link above, masters of their craft show their work, where I buy amazing photographs and get inspiration.
· “The Dragon Tree” (Jeremy Cram)
· 
"A Handful of Happiness"
TV programs
These programs are very annoying, so compiling this list was not difficult.
· « False mirror"
· "Fashionable verdict"
· "School of Scandal"
· "Anatomy of Humor"
· "A fresh look"
Metaphors in the titles of literary works
Some things were read in the school curriculum, some came to my consciousness only now. In search of suitable titles for works I planned to read in the future.
· Mayakovsky V.V. "A cloud in pants"; "Sitting Over"
· Chekhov A.P. "Man in a Case"
· Andersen G.H. "Ugly duck"
· Saltykov-Shchedrin M.E. "Wild Landowner"; "The Wise Minnow"
· Stendhal “Red and Black”
· Tolstoy A. “Walking through torment”
· Turgenev I. “The Noble Nest”
· Gogol “Dead Souls”
The fact is that at the beginning of the 19th century, quite a lot of peasants from the central provinces of the Russian Empire fled to Bessarabia. The police were obliged to identify fugitives, but often without success - they took the names of the dead. As a result, not a single death was registered in Bendery for several years. An official investigation began, revealing that the names of the dead were given to fugitive peasants who did not have documents.
· Green “Running on the Waves”
· Forsh O.D. "Crazy Ship"
· Prishvin M. “Pantry of the Sun”
The name “Pantry of the Sun” is a multi-valued image. The “pantry of the sun” is not only peat, which can be used as a source of energy. This is all the protected northern nature, this is the kind heart of the people.
· Thackeray W. “Vanity Fair”
· Tefari N.A. "Fortress Soul"
· Dumbadze N. “Sunny Nights”
· Bondarev Yu. “Hot Snow”
Movies
Classic cinema, amazing plots and unreal acting.
· "Vanilla Sky"
· "Rain Man"
The screenwriter met with a man who suffered from a number of diseases (including cranial hernia, cerebellar damage and others) and, most surprisingly, was the owner of a simply phenomenal memory. He was able to reproduce about ninety-eight percent of all information he read or heard. The meeting impressed the screenwriter so much that he decided to write a story about a person of this kind. This is how the original idea for Rain Man came about.
· "Dirty Dancing"
3) Metaphors and figurative, attractive, vivid expressions in the names of objects in the urban environment.
I took the names of residential complexes in St. Petersburg (under construction and already completed).
One of the purposes of the name is to attract the attention of a potential buyer. There are a lot of names. Conventionally, for myself, I divided them into several groups.
1 – I really liked it and it’s pleasing to the ear:
· “Three Nine Kingdom”
· "Rowan Garden"
· "Wonders of the World"
· “Clear Yanino”
· "City of Childhood"
· "Vitamin"
· "Moroshkino"
· "Youth Quarter"
· “Firebird” (the houses are very bright in red and black colors. The name is justified)
· “Old Fortress” (all houses in fortress style)
2 – There is something in this:
· "Wonders of the World"
· "Three whales"
· "Alphabet"
· "Kalina-park"
· "Bogatyr"
· "Clean Stream"
· Three winds
3 – So-so:
· "Golden domes"
· "Seven Capitals"
· "Five Stars"
· "Greenland"
· "Moscow Quarter"
· "Medalist"
· "Sunny"
· "Spring"
· "Olympus"
· "Hospitable"
· "New Okkervil"
· "Duperhof club"
"Bagatelle"
5 – Stands apart:
The name of the complex “Peter the Great and Catherine the Great” was very attractive. I looked at the page. I was surprised! I don’t even know how to feel about this. “Peter the Great” is such a tall, skinny house, and the wide, fat “Catherine the Great” is built on the side. Imagination ran wild.
Catchy headlines in the media.
(newspapers, TV, internet)
· “The older, the younger”
· “The world is ruled by idiots”
· “Rastudy, my white birch tree”
· “Let’s be friends with Toms”
· “Eating mutually”
· “Black list of suitors”
· “Knights of a cool image”
· “The flu is not swine, but oil flu”
· “Smile and fall in love”
· "The Hunger Games"
· “The Earth for the peasants, the Moon for the astronauts.”
· “Come on, science”
· "Budget boar"
· “We must dare”
· “Gloomy card players”
Radio broadcasts:
· “The Well of Forgotten Wishes”
· “Morning on wheels”
· "Secret War"
"Night Appetite"
· “The whims of operetta”
· “Were on vinyl”
· “Walking across three seas”
· “Ships came into our harbor”
· "Book Turn"
· "Take it off immediately"
· "Culinary duel"
"Alone with everyone"
· “Ciphers of our body”
· "The main road"
· "Art Council"
· "Wild World"
· "School of Scandal"
· "Scampish notes"
· "Strange affair"
· "Ural dumplings"
· “It’s easy not to give up”
· "Dream Wars"
Internet:
· "I want so"
· The History of Pornography: “Sex in the Ancient World”
· "Live Dolls"
· “The most ridiculous weapon in history
· “Live alarm clock”
· Online Store of Vacation Packages
Related information.
