Description of the painting “Three Bears” by I. Shishkin. First come first served Coloring paintings morning pine forest

The painting by the famous artist I. I. Shishkin depicts an early morning in the forest. The pine forest is awakening from sleep, the sun has not yet fully come out and has not yet had time to warm up the clearing. Tall green pines are shrouded in thick fog.

The mother bear and three brown bear cubs had already woken up and went out to frolic in the forest clearing. The clubfooted bear cubs, still very small, climbed onto a huge fallen tree. It was uprooted from the ground, apparently after a recent hurricane.

One, the most agile bear cub, climbed to the very top of the broken trunk. He watches the second bear cub, who sat down in the middle of the trunk and looks at the bear. The third, apparently the smallest of them, stands on another broken part of a mighty tree, his gaze directed deep into the forest.

A large, brown bear closely monitors the mischievous cubs. She knows that the forest is fraught with many dangers and is ready to protect her children at any time.

When you look at a picture, it’s as if you are immersed in it. You feel the cool breath of the green forest, hear the forest rustles and sounds made by animals, birds and insects.

The plot of the film turned out to be lively and quite realistic. Wildlife delights, and funny little bear cubs touch you and make you want to be in a clearing and play with them.

Essay on the painting Morning in a Pine Forest by Shishkin

In front of me is a creation by I. Shishkin “Morning in a Pine Forest” (sometimes called “Morning in a Pine Forest”). This painting can truly be called the most famous masterpiece, because everyone, both children and adults, undoubtedly knows this beautiful painting.

With unprecedented trepidation, care and tenderness, the artist masterfully painted every needle of the mighty pine trees, every root and twig. Inspired by the power and grandeur of nature, he breathed into his creation the unprecedented realism and magic of an ordinary forest morning.

The painting depicts the morning hours in a pine thicket. Nature is just waking up after a cool night, cold dew has fallen on the grass and trees, the air is clean and fresh. The air is still cold, but it’s about to warm up, and the smell of rotten grass and pine needles will spread throughout the forest. Surely the day will be hot, and therefore this cool morning is truly wonderful.

There is silence in the gloomy forest, only occasionally the cry of an early bird cuts through the wilderness.

Giant pine trees, majestically reaching into the sky, greet the first rays of the sun sliding across the treetops with their bushy branches. Sunrise is the awakening and beginning of a new day. And all of nature is looking forward to his arrival.

Warm golden and yellow shades are mesmerizing, contrasting brightly with the dark palette of the gloomy forest, which creates the image of a mysterious, mysterious forest, as if straight from the pages of Russian folk tales. Muted, calm tones do not irritate the eyes, but rather delight the eye.
In the center of the picture are the main characters, without whom the painting would lose its charm.
The she-bear and her three brave cubs, having woken up with the first rays of the sun, are already in full swing in the forest, prowling in search of food.

Mischievous kids started a game - they jump and climb on a fallen pine tree trunk, as if they were playing tag. The furry animals look completely defenseless, but under the supervision of their vigilant mother, they are safe. Huge fallen trees, like heroes defeated in battle, lie high with their gnarled thick roots reared up, showing with all their appearance their former strength and power.

The brown mother grumbles with displeasure, trying to pacify the naughty child, but the nimble little hooligans do not take their mother’s angry growls seriously.

Looking at the picture, it’s as if you are inhaling the aroma of the forest, its pine freshness, you feel the shady coolness of the forest, you hear the rustle of the breeze, the cracking of branches under the strong paws of animals.

Together with the inspired creator, imbued with the beauty of Russian nature, the viewer will involuntarily hold his breath, amazed by the deep mystery of life and joy that radiates from the landscape.

This essay is assigned in grades 2, 5, 3, 7.

Essay “Morning in a pine forest” based on Shishkin’s painting, grade 5

You’ve probably been familiar with Shishkin’s painting “Morning in a Pine Forest” since childhood. Even if you are not deeply interested in art, almost everyone is familiar with this picture, thanks to its image on the candy. A mother bear with three cubs against the backdrop of a pine forest.

Shishkin’s idea was suggested to him by his friend, also an artist. And he even had a hand in adding bears to the landscape. They turned out so well that the artists both signed the painting. However, Tretyakov, who later acquired this painting, left only Shishkin’s signature and covered up the second signature. Considering that the main style of writing is still closer in spirit to Shishkin.

And, indeed, Shishkin very accurately conveyed the general atmosphere of the awakening forest. We can observe the rays of the rising morning sun, which just touches the treetops. In the depths of the picture, the forest is shrouded in morning fog. And its lightness and airiness conveys to the observer a freshness that is usually still present at this time of day.

In the foreground is a whole bear family. A mother bear and three little bear cubs frolicking on a large fallen tree. It can be assumed that they just crawled out of the den after a night's sleep. They are not yet so playful and sleepy, but the mother does not sleep and watches the area and her pets, growling a little at her careless offspring.

The picture is very positive both in its motif and colors. The artist very accurately conveyed the atmosphere of awakening nature.

2nd grade, 5th grade.

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Genre painting in all eras was considered the most vivid reflection of people's lives and the reality around them. That is why the interest of viewers in this type of fine art has always been so excessively great. And today I would like to show readers a magnificent gallery of subject paintings by the famous Russian artist-Itinerant Artist Konstantin Savitsky, who gave his descendants a piece of the history of Russia in the 19th century. And also talk about the legendary history of co-authorship with Ivan Shishkin, which Pavel Tretyakov personally annulled.

https://static.kulturologia.ru/files/u21941/219414246.jpg" alt=" “Morning in a pine forest.” Joint work by Ivan Shishkin and Konstantin Savitsky. Tretyakov Gallery." title=""Morning in a pine forest". Collaboration between Ivan Shishkin and Konstantin Savitsky. Tretyakov Gallery." border="0" vspace="5">!}

And, remembering this talented master, one cannot help but mention one sensitive story from his life. Many people know that Savitsky is the author of the famous bears depicted in Shishkin’s canvas “Morning in a Pine Forest.” Initially, even in the corner of the canvas there were two autographs - Shishkin and Savitsky. However, the name of the second author was erased with his own hand by Pavel Tretyakov, who bought “Morning” for his gallery.

https://static.kulturologia.ru/files/u21941/219417441.jpg" alt="Hunter.

And the incident with the removal of the second autograph most likely occurred due to the fact that when purchasing the painting, Tretyakov saw only Shishkin’s signature, while Savitsky signed it a little later. Therefore, when the painting was delivered to the gallery, the indignant patron of the arts ordered turpentine to be brought and erased the second signature with his own hand. This act of Tretyakov did not in any way affect the friendship of the two artists. Ivan Shishkin then gave a quarter of the fee, that is, the amount of a thousand rubles, to Savitsky for co-authorship.

https://static.kulturologia.ru/files/u21941/219416499.jpg" alt="Dark people.

During that difficult period in his friend’s life, Ivan Ivanovich made an entry in his diary, noting that providence makes the artist suffer, nurturing God’s gift in him. And this was true. In his life, Konstantin Apollonovich had to experience the bitterness of loss more than once, but his favorite work always saved him.

A few pages from the artist's biography

Konstantin Apollonovich Savitsky (1844-1905) was a man of exceptional intelligence and talent, a brilliant Russian genre realist painter, academician, member of the Association of Traveling Art Exhibitions, and the first director of the Penza Art School. He had the opportunity to live and work in an era of political and social troubles, which was directly reflected in his works.

Strong, memorable images of ordinary people from the people - peasants, workers and soldiers - became the main characters of his works.

https://static.kulturologia.ru/files/u21941/219417709.jpg" alt=""Requiem service on the 9th day at the cemetery." (1885). Author: K.A. Savitsky." title=""Requiem service on the 9th day at the cemetery." (1885).

By that time, Konstantin was definitely dreaming of the St. Petersburg Academy of Arts, and three years later he left the boarding school and entered the historical painting class as a volunteer. However, he was forced to leave almost immediately after admission. This was due to the insufficient preparation of the gifted young man, who aspired to become a real painter.

Two years of persistent self-study and Savitsky is again a student at the Academy. Now the talented young artist is successfully mastering the academic course and very soon becomes one of the best students of the academy, having received six silver and one gold medals for competitive works.

https://static.kulturologia.ru/files/u21941/219417940.jpg" alt=""To war." (1888).

Returning to St. Petersburg in 1883, Savitsky began teaching at the Technical Drawing School in St. Petersburg, then at the Moscow School, and finally moved to Penza, where he became the first director of a painting gallery and city art school. And it should be noted that in this position the painter proved himself to be a very professional manager. Konstantin Apollonovich personally developed a curriculum for his students, who, as a result of their training, received excellent preparation that allowed the best graduates of the school to be admitted to the Academy of Arts without entrance exams.

Painting: 1889
Canvas, oil.
Size: 139 × 213 cm

Description of the painting “Three Bears” by I. Shishkin

Artist: Ivan Ivanovich Shishkin, Konstantin Apollonovich Savitsky
Title of the painting: “Morning in a pine forest”
Painting: 1889
Canvas, oil.
Size: 139 × 213 cm

In our country, you will not find a second such “hit” canvas, the plot of which is present on a rare grandmother’s bedspread, an embroidered little thought, a tablecloth, plates and even on wrappers with cute clubtoes. Memories of parents, chocolates and the moves of PR people - this is what does not allow us to forget about I. Shishkin’s painting “Morning in a Pine Forest” or, in common parlance, “Three Bears”.

But only Shishkin? The bears were painted on canvas by K. Savitsky, who at first depicted two clubfooted bears, and then raised their number to four. Previously, it was believed that Shishkin, despite his rather significant successes in animal painting, was not able to depict bears, so he simply exploited poor Savitsky and did not even allow him to sign the picture. In fact, the artists were friends, and the bears appeared after the latter said that the canvas was not dynamic. Shishkin could draw anyone, but not bears, so he gave Savitsky the opportunity to revive the picture and put a signature. The collector P. Tretyakov was not so loyal: he bought the painting from Shishkin, which means that the authorship is his, so there can be no Savitskys here. In general, the inscription was erased and “Morning in a Pine Forest” began to be considered one of the key paintings in the work of one of the most outstanding Russian landscape painters.

The “Teddy Bear” candies with Shishkin’s reproduction on the candy wrapper gave the name to the painting “Three Bears”. The delicacy that appeared was filled with almonds and cocoa beans, it was expensive, but it was so tasty that even the agitator of everyone and everything, V. Mayakovsky, could not resist and wrote that if you want “Bears,” then put a certain amount of money into a savings book. This is how “Teddy Bear” became “Three Bears” (and there are four of them in the picture), candy became one of the signs of the USSR, and I. Shishkin became a people’s artist.

True, he was a singer of the nature of his native land even before the “Bears”. The artist wanted and knew how to surprise, first of all, with landscapes, which he painted so brilliantly that he earned the reputation of a master of detail. Only here you will see a haze of fog, as if floating among the branches of hundred-year-old pines, soft and cozy moss on boulders, clear water of a stream, morning or evening coolness, midday heat of summer. What’s interesting is that all of the artist’s paintings are partly epic, but always monumental. At the same time, Shishkin is not pretentious, he is simply a person who sincerely admires the majestic nature of his native land and knows how to portray it.

“Morning in a Pine Forest” pacifies with the balance of its composition. Three bear cubs look very harmonious with their mother bear, and you just want to apply divine proportion to the two halves of a fallen pine tree. This picture is like a random shot on an old camera that a tourist managed to take after searching for true virgin nature for so long.

And if you look at the coloring of the picture, it’s as if the artist is trying to capture all the richness of the colors of the dawn time. We see air, but it is not the usual shade of blue, but rather blue-green, a little cloudy and foggy. The predominant colors that surrounded the clubfooted inhabitants of the forest are green, blue and sunny yellow, reflecting the mood of awakened nature. The bright flickering of golden rays in the background seems to hint at the sun that is about to illuminate the earth. It is these glares that give the picture solemnity; it is they that speak of the realism of the fog above the ground. “Morning in a Pine Forest” is another confirmation of the tactility of Shishkin’s paintings, because you can even feel the cool air.

Look closely at the forest. Its appearance is conveyed so realistically that it becomes clear: this is not a forest clearing, but a deep thicket - a true concentration of living nature. The sun had just risen above her, the rays of which had already managed to make their way to the top of the tree crowns, splashing them with gold and again hiding in the thicket. The damp fog, which has not yet cleared, seems to have awakened the inhabitants of the ancient forest.

The cubs and the mother bear woke up, developing their vigorous activity. Satisfied and well-fed bears have been exploring the world around them since the very morning, exploring the nearest fallen pine tree, and the mother bear is watching the babies, who are touchingly clumsily climbing the tree. Moreover, the mother bear watches not only the cubs, but also tries to catch the slightest sounds that could disturb their idyll. It’s simply amazing how these animals, painted by another artist, were able to revive the compositional design of the painting: the fallen pine tree seemed to be created for this bear family, busy with their important affairs against the backdrop of a remote and wild corner of Russian nature.

The painting “Morning in a Pine Forest” reveals the mastery of realistic images and its quality, which is in many ways superior to modern digital technology. Every blade of grass, every ray of sun, every pine needle was written by Shishkin lovingly and reverently. If the foreground of the canvas depicts a fallen pine tree with bears climbing on it, then in the background there is an ancient forest. Bear cubs and the rest of nature evoke calming positive emotions in every person. Animals, like toy animals, fill the beginning of a new day with kindness and set us up for positive thinking. Looking at these cute animals, it’s hard to believe that they are predators by nature and cannot be capable of cruelty. But that’s not even the main thing. Shishkin focuses the viewer's attention on the harmony of sunlight that comes from the background of the painting with bear cubs in the foreground. Visually draw a line through them - and you will certainly notice that these are the brightest objects in the picture, and everything else, including the irregularly shaped pine tree, is just complementary touches.

It seems that “Morning in a Pine Forest” depicts real, living bears in some kind of fantastic landscape. The Vyatka forest, from which nature is copied, says researchers, is very different from the Shishkin forest. I just wonder if bears exist there now, because for a century the painting has been nurturing the aesthetic and moral taste of people, asking them to take care of the surrounding nature.

Essay plan:

I.I. Shishkin is a landscape artist.
Early summer morning.
Foreground:
- forest;
- a tree broken by a storm;
- funny teddy bears;
- caring mother;
Background (fog).
My attitude to this picture.

Ivan Ivanovich Shishkin is an outstanding Russian landscape artist. He created many paintings in which he glorifies the beauty and poetry of his native lands. Endless forest expanses, birch and oak groves flooded with sunlight, mighty ship pines….

His canvases amazingly accurately and realistically depict a diverse plant world, which seems to come to life under the master’s brush, breathes, gives us freshness and coolness, evokes evening sadness or, conversely, awakens the bright joy of contemplating beauty. The painting “Morning in a Pine Forest” is known and loved by many of us since childhood. No wonder it is considered one of Shishkin’s best works.

The painting depicts a large family of bears. One early summer morning, three little bear cubs and their mother bear went out for a walk. The sun is just rising. It gently illuminates the tops of huge pines. Thick fog envelops the forest. It will soon dissipate from the sun's rays. In the small clearing where the bears had gathered, it had almost melted.

The animals wandered into a coniferous forest and accidentally discovered an old withered tree that had broken during a recent storm. Its trunk broke into two parts with a crash, and huge roots even turned up the ground.

The cubs depicted in the picture are brown in color. They are not quite big yet, mischievous, club-footed. Two of them have white collars around their necks. The bravest of them climbed almost to the very top of the trunk of a broken tree and hung on its very edge, clinging to the rough bark with his claws, in danger of falling into the ravine. And the second one has only reached the middle.

He probably also wants to climb higher, but he’s scared. Here he is, clumsy, and sat on a tree, helplessly looking at the mother bear, not knowing what to do next. The third, the most careful one, climbed onto the other half of the broken tree, which fell onto the slope of the ravine, but did not roll into it, but caught its branches on the trunk of a neighboring pine tree. The bear cub cautiously stood on its hind legs, slightly tilted its head and listened to the sounds of the waking forest, peering into the thick fog. There, in the fog, tall, green pines sway and rustle.

The she-bear is large, shaggy, brown in color. Like any mother, she worries about her mischievous cubs, who are playful and restless. She even growls and probably warns them that they might fall out of the tree and should be careful. Or maybe she noticed some danger and wants to warn her children about it. It's time to finish the morning walk and go deep into the forest. She rushes from one bear cub to another, the dark green grass beneath her is trampled.

The artist skillfully conveys the atmosphere of the early morning in the forest. Soft diffused light falls through the dense crowns of trees and seems golden. In the background, the fog stands like a veil, through which the slender trunks of pine trees can be seen. Thanks to the slightly blurred background, the viewer's attention is focused on the bear family.

I really like this picture because it depicts a fun and lively subject, and the bear cubs are so cute and funny. I just want to play with them, stroke their soft brown fur!

MOSCOW, January 25 - RIA Novosti, Victoria Salnikova. 185 years ago, on January 25, 1832, Ivan Shishkin was born, perhaps the most"народный" русский художник.!}

During Soviet times, reproductions of his paintings hung in many apartments, and the famous bear cubs from the painting “Morning in a Pine Forest” migrated to candy wrappers.

Ivan Shishkin’s paintings still live their own life, far from the museum space. What role did Vladimir Mayakovsky play in their history and how Shishkin’s bears ended up on the wrappers of pre-revolutionary sweets - in the RIA Novosti material.

"Get a savings book!"

In Soviet times, the design of the candy wrapper did not change, but “Mishka” became the most expensive delicacy: in the 1920s, a kilogram of candy was sold for four rubles. The candy even had a slogan: “If you want to eat Mishka, get yourself a Savings Book!” This phrase from the poet Vladimir Mayakovsky even began to be printed on wrappers.

Despite the high price, the delicacy was in demand among buyers: the artist and graphic artist Alexander Rodchenko even captured it on the Mosselprom building in Moscow in 1925.

In the 1950s, the “Bear Bear” candy went to Brussels: the “Red October” factory participated in the World Exhibition and received the highest award.

Art in every home

But the story of “Mornings in a Pine Forest” was not limited to sweets. Another popular trend during Soviet times was reproductions of classical works of art.

Unlike oil paintings, they were cheap and sold in any bookstore, so they were available to almost every family. “Morning in a Pine Forest” and “Rye,” another popular painting by Ivan Shishkin, adorned the walls of many Soviet apartments and dachas.

“Bears” also ended up on tapestries—a favorite detail of Soviet people’s interiors. Over the course of a century, “Morning in a Pine Forest” has become one of the most recognizable paintings in Russia. True, a casual viewer is unlikely to immediately remember its real name.

In exchange for drugs

The works of Ivan Shishkin are popular with robbers and scammers. On January 25, employees of the Ministry of Internal Affairs of Belarus discovered a work of art stolen in Russia in the car of drug couriers. The painting "Forest. Spruces" from 1897 was stolen in 2013 from the Vyaznikovsky Historical and Art Museum in the Vladimir region. According to preliminary information, drug couriers brought the canvas to Belarus at the request of a potential buyer from Europe. The cost of the painting could reach two million dollars, but the attackers planned to sell it for 100 thousand euros and three kilograms of cocaine.

Last year, criminal investigation officers suspected a 57-year-old woman of stealing the painting “Preobrazhenskoe” from 1896. The woman received this work from a famous collector for sale, however, according to investigators, she appropriated it.