Comparative characteristics of Olga and Tatyana Larin based on the novel by Eugene Onegin (Pushkin A.S.). Comparison of Olga and Tatyana (Eugene Onegin) What do Olga and Tatyana have in common

One of the key secondary characters of the work is the younger sister of the main character Tatyana Olga Larina.

The poet presents Olga in the image of a sweet, obedient girl, embodying femininity and grace, with blue eyes, a light smiling face, a slender figure and light curls.

The girl is distinguished by her cheerfulness, flirtatiousness, without experiencing emotional distress, captivating the men around her with her charm. However, Olga’s inner world is not rich in spiritual content, since the girl lives without thinking about life’s problems, hiding her lack of spirituality and emptiness.

From the author’s point of view, this type of woman is widespread and is a reflection of the typical portrait of romantic heroines of love stories, characterized by simplicity, spontaneity, living by force of habit and incapable of any reasoning or discussion.

Olga, like all similar women, repeat, as a rule, the fates of their mothers, based on the continuation of family traditions and inheriting the practical experience of the older generation.

The heroine faces the same life as her mother, the criteria of which are housekeeping, raising children, and caring for her husband. From early childhood, Olga is ready for the role of a faithful wife and a good mother, having received the education necessary for this life in the form of studying French, playing music, embroidery, and housekeeping skills, so the girl does not expect any troubles or difficulties in the future.

The storyline of the novel in verse is based on the poet's creation of a love triangle between Olga, Lensky and the main character Onegin.

The young, poetically minded soul of Lensky is passionately in love with a young beauty, but Olga, being a naive and simple-minded child, unwittingly becomes guilty of the death of her lover, since she allows herself to flirt with Onegin, whom Lensky is forced, being a decent person, to challenge to a duel, which became for the latter fatal.

Without feeling guilty and briefly experiencing the death of her beloved Lensky, Olga meets a military officer at a ball, whom she later marries and repeats the fate of her mother, becoming a portly lady.

Using the image of Olga Larina in the work, the poet places a clear emphasis on the individuality and sensuality of the complex character of the main character of the novel, Tatyana Larina, who is the complete opposite of her younger sister.

Essay about Olya Larina

The great poet of all eras A.S. Pushkin created several female characters in his novel Eugene Onegin. One of the main images is Olga Larina. The image of the girl is closely connected with the poet Lensky. Olga was Tatiana's sister. Olga’s unique and cheerful disposition and cuteness set off Tatyana’s quiet character and originality.

The heroine had a flighty character and spent more time with Lensky. Among society, the poet was considered her fiancé. She spent more time at social events and loved to dance and have fun. Tatyana, on the contrary, was silent and preferred to spend time alone with a book in her hands. Outwardly, Olga was a beautiful girl with blue eyes, shiny and golden curls and a wonderful smile. And her voice simply mesmerized those around her.

Despite her beauty and cheerful disposition, the main character Onegin finds flaws in the girl. He characterizes her as a girl with a round face and compares her to the moon, showing her stupidity. According to Onegin and the author himself, apart from her appearance, Olga did not have a rich inner world. The poverty of Olga's soul was based on lack of spirituality and complacency.

Among the villagers, Olga was considered a simple, playful, frivolous and carefree girl. She had great vitality and longed for fun and celebration. Like any young girl, Olga was too impressionable to praise. Therefore, Evgeniy managed to quickly interest the girl.

At a ball in the Larins' house, the hero began to court Olga. The heroine began to reject the poet’s attention and feelings. After such an attitude towards himself, Lensky became inflamed with intense jealousy. He mistakenly assumed that Olga was peculiar and cunning. In fact, due to the underdevelopment and limitations of her soul, for Olga, signs of attention were of great importance. Jealous Lensky challenged Onegin to a duel. Before the duel, looking into Olga’s eyes, the poet felt remorse. Despite his true feelings, the heroine did not love the poet. The girl was not capable of deception, nor of deep feelings. The girl perceived love as a hobby and a way of self-affirmation. After her tragic death in a duel, the girl did not grieve for long and fell in love with a military man, whom she later married. In the novel, Olga's distinguishing feature is her flirtatiousness.

Option 3

One of the main characters of the unique work “Eugene Onegin” is Olga, whom we meet through Lensky, who was inflamed with ardent love for her.

He was delighted with her bright, completely innocent image, and therefore he liked to spend all his free time with her. In secular society he was considered the girl's groom. And although the author shows us a portrait of Olga, filled with purity and beauty, he still does not consider her ideal. He even describes her appearance and character very briefly and inexpressively. Pushkin shows us the image of a written beauty without a flaw. It is Onegin who helps us understand the reason for this discrepancy. He sees a lack of life in the girl’s features, which is a consequence of lack of spirituality and lack of conflict. Of course, Onegin’s opinion cannot be considered from an objective point of view, because, as we see, Olga is simple and direct. She is constantly flirtatious, and she likes praise, like any woman, from men. That is why Onegin was able to easily capture her attention at the ball. The girl is not preoccupied with any problems, and therefore she lives for her own pleasure, fluttering like a butterfly from one item she likes to another.

Olga is kind, but spiritually poor. This is what confuses Onegin, and maybe for someone she will be a wonderful wife, but not for him and not for the author. After all, Eugene and the writer himself first of all valued a rich inner world in people, and not ostentatious charm. Due to the fact that she is limited in spirituality, she is simply not capable of high feelings. Lensky, whom she never rejected and even agreed to marry, simply forgets and dances all evening with Onegin. And this lack of spirituality prevents her from understanding why her boyfriend left the ball so early. Overwhelmed by jealous thoughts, Lensky decided to look at his beloved for the last time before the duel. However, he sees that Olga is not tormented by her conscience about her behavior, and she is just as cheerful and carefree. When Lensky tragically dies in a duel, we see that Olga was not particularly worried. Soon she begins to accept the advances of one young lancer.

In the image of Olga, the author showed the type of coquette women who are cheerful and often playful throughout their lives. They do not have deep feelings for men towards them. Their life path is carefree and frivolous. However, here Olga’s frivolity most likely comes from nature. And if we add to all these qualities a superficial perception of current events and ease of judgment, then we get an ordinary and popular female image, quite seductive, but not deep.

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STATE OF MIND:

Tatyana: was withdrawn and silent, removed from society and even from her family: “she seemed like a stranger in her own family.” She liked peace and solitude more, in which she found a certain comfort, which was also decorated with her dreams. She was still a child at heart. She fell in love with the “deceptions of Richardson and Rousseau” - with novels that replaced everything for her. With their help, she created her own world, fictional and ideal, not like the real world.

She didn’t understand THEM and THEY didn’t understand her - Tatyana

was completely different from secular girls. Having fallen in love with Onegin, she suffered, worried, suffered, like the heroine of the French novels on which Tatyana grew up.

Olga: When reading the description of Olga in the novel, an image of easy ease is created. She is always cheerful, “like the morning”; simple-minded, “like the life of a poet,” simple. Even her movements and voice were light, and she was characterized by “ruddy freshness.” However, Onegin believed that “Olga has no life in her features.” She was not alarmed by anything - Pushkin in the novel does not talk about any of her mental anguish or tragedies. “Like windy hope, playful, carefree, cheerful.” At one ball, her frivolous attitude and frivolity, quite typical of many society ladies, are especially revealed: “Barely out of diapers, a coquette, a flighty child! She already knows cunning, she’s already learned to change.” Olga reacted quite simply to Lensky’s death: “Yawning, she did not cry for long. Alas! The young bride of her sadness is unfaithful. The other one caught her attention.” And soon she got married.

Tatyana: Pushkin loved her very much, he could not stop writing about her. Even if we compare the description, the poet gave a more voluminous description of the older sister, several times more than the younger one. Pushkin treated her very tenderly, with love and understanding: “Tatyana, dear Tatyana! With you now I shed tears.” And he admits, apologizing to the reader: “Forgive me, I love my dear Tatyana so much.”

Olga: In the very first lines of Olga’s description, Pushkin gives her a very pleasant description. However, he considers her flighty, frivolous, and eventually admits that he is very tired of her. Pushkin enclosed all her beauty in her appearance, but there was nothing left for her soul. She was not a bad person for the poet, he just saw her as empty.

COMMUNICATION, RELATIONS WITH SOCIETY:

Tatyana: The society to which her sister was drawn was alien to her. Since childhood, she “was a child herself; she didn’t want to play or jump in a crowd of children, and often sat alone all day silently by the window.” Even in the family, she felt like she didn’t belong; she didn’t consider the interests of society similar to her own. And “from the most lullaby days, thoughtfulness is her friend.” She was not looking for other friends.

Olga: She fit into secular society, was sociable, cheerful, in childhood the nanny gathered a wide circle of all her friends for Olga, they played happily. She belonged in this society, loved evenings, balls, was flirtatious with guys, friendly with her friends.

INDIVIDUALITY:

Tatyana: absolutely not like others. Even her name was used for the first time on the pages of a Russian novel. While others preferred fun, Tatyana chose solitude and reflection. She was incomprehensible to everyone, she tried to understand herself and life, she was often sad, she was “wild” (as the author writes) in the sense that “alien, unknown to people. She was an excellent dreamer.

Olga: Pushkin says that Olga is “as sweet as the kiss of love, eyes like the sky, blue, smile, flaxen curls, movements, voice, light figure - everything in Olga...” However, you will meet such a person in any novel, there are plenty of them, that’s why she Pushkin was immensely tired of it. He had met her more than once on the pages of books. Olga is the same as everyone else, influenced by public opinion and the desire to join secular society.

INTERESTS, FAVORITE ACTIVITIES, EDUCATION:

Olga: loved fun, holidays, balls, activities of the secular youth of that time, games and amusements, entertainment, fashion, girlfriends. Raised by society, adjusted to its laws.

Other works on this topic:

1. Tatyana is Pushkin’s favorite heroine in his novel “Eugene Onegin”. She is the ideal of a real Russian girl, the poet’s ideas about the Russian national are connected with her...
2. Work on comparative reasoning always begins with the question “on what basis is the comparison made?” Tatyana and Olga Larin have such a basis, because they are sisters...
3. Larina’s sisters, Tatyana and Olga, grew up in the same social environment. Although they were siblings, there were striking differences between them. There's only one similarity...
4. Olga was Tatyana Larina’s younger sister and represented the opposite of her, both externally and internally. Olga was a very beautiful girl of secular appearance. She led an active lifestyle...
5. The complete opposite of Tatyana is her younger sister Olga. If from childhood Tatyana was “wild, sad, silent, like a forest deer, timid,” then Olga “was always like...
6. When comparing the Larin sisters, we can only talk about differences, because the only similarity they had was their surname. Olga is a young, carefree, loving and energetic girl....

Pushkin introduces two heroines into the novel - sisters Tatyana and Olga. But this elusive image of a thin girl that appears in the reader’s imagination is like the antipode of Olga’s younger sister, whose features can be found in any novel of that time. The frivolity of the verse in which Olga is described suddenly gives way to serious intonation:

Allow me, my reader,
Take care of your older sister.
And she appears on the pages of the novel.
Not your sister's beauty,
Nor the freshness of her rosy cheeks,
She wouldn't attract anyone's attention.
Dick, sad, silent,
Like a forest deer is timid,
She is in her own family
Seemed like a stranger to the girl

This is not the heroine to whom the novel is dedicated. There is another, to whom “we willfully dedicate the tender pages of the novel.” Olga’s beauty is familiar, but Tatyana’s is different, memorable. But Pushkin still notes some kinship between the sisters. And besides the external similarity (“movement, voice, light body” is inherent in both), there is a spiritual unity between them:

...friend of many years,
Her dove is young,
Her dear confidante...

Tatyana is not round and not red-faced, she is pale, but at the same time there is life in her features. Pale is Tatyana’s constant epithet: “pale color”, “pale beauty”. Already being a princess, eclipsing the “brilliant Nina Voronskaya” in the world. Tatiana is still the same “old Tanya, poor Tanya” “sits unkempt, pale.” Pushkin does not give a direct description of Tatyana’s appearance, does not compare himself to a painter with his specific image of an object, but “relying on a specific force, conveys the impression made by the object.” The poet creates an image using a method inherent only in verbal art. The image is conveyed through impressions, sensations, and the attitude of the author. 3. The time has come, she fell in love.

The image of the moon in “Eugene Onegin” is inextricably linked with the internal experiences of the main character. Tatyana is under the influence of the moon when, seeing her
...two-horned face...
In the sky on the left side,
She trembled and turned pale.”
Illuminated by the moon,
Tatiana writes a letter to Onegin.
And my heart ran far
Tatyana, looking at the moon...
Suddenly a thought appeared in her mind...
...the moon is shining on her.
Leaning on her elbows, Tatyana writes.

Tatyana writes without a lamp. Her state of mind takes her far from the world of reality that daylight generates. This is the highest degree of abstraction.
Tatiana's letter is in front of me;
I cherish it sacredly,
I read with secret longing
And I can’t read enough.

It should be noted that Tatiana’s letter is a translation from French. Writing in French and thinking in a foreign language is an indicator of high education, which is typical for any Russian nobleman of that time. Of course, there was no original in French, and the letter is “a mythical translation from the wonderful original of Tatiana’s heart.” Researchers of Pushkin’s work, in particular Lotman, argue that “a whole series of phraseological clichés go back to Rousseau’s “New Heloise.” For example, “This is the will of heaven; I’m yours,” “...The soul of inexperienced excitement.

for example, “This is the will of heaven; I’m yours,” “...The soul of inexperienced excitement. Coming to terms with time (who knows?).” Pushkin defines such clichés as Gallicisms:
Gallicisms will be sweet to me,
Like the sins of past youth,
Like Bogdanovich's poems.

In addition to the influence of Rousseau’s “Heloise,” Tatiana may have read poetry by the French poetess. Tatyana understands what she is dooming herself to if Onegin divulges the secret of the letter. Both “shame” and “contempt” will really fall on Tatyana. In the 19th century, it was a shame to write to a young stranger declaring your love. But Tatyana writes with a firm hand, this is her choice. She always decides her own destiny. Subsequently, the decision about the wedding and moving to Moscow depended only on her.

me with tears of spells
The mother begged; for poor Tanya
All the lots were equal... The mother did not order, but begged. Tatyana is sure that after reading the letter, Evgeny will not reject her: “Even if you keep a drop of pity, you will not leave me.” So, she knew that they would love her. Intuition? Or is it not confidence at all, but hope, a prayer. Belinsky will say: “Onegin did not recognize his soul mate; Tatyana recognized her own soul in him, not as in its full manifestation, but as in its potential...” Tatyana guessed about this possibility. At the beginning of the letter, Tanya’s self-evident unity with her loved ones appears in childish innocence. Yes, Tatyana saw Eugene briefly, several times, she listened to him carefully, but is this enough for the emergence of real high love? Who is this stranger to whom Tanya turns to you? He is much older than the 18-year-old heroine, he was raised in the capital. She is right:

In the wilderness, in the village, everything is boring for you.
She can only “Think everything, think about one thing
And day and night until we meet again.

Essay on the topic “Comparative characteristics of Olga and Tatyana” 4.67 /5 (93.33%) 6 votes

Pays much less attention to Olga than to Tatyana. Tatyana Larina is described with all psychologism, in contrast to Olga, who is a typical heroine of Western sentimental novels. He treats Tatyana with sympathy, but describes her character without embellishment. Tatyana is a heroine who is beautiful, first of all, with her soul. She learns from her mistakes, unlike Onegin, she knows how to change, but at the same time she is true to her principles. Tatyana expresses all the features of an ideal Russian woman according to A. The girl is close to the author in thoughts and worldview.

Olga is unlike her sister. Her image emphasizes the depth of Tatyana’s image, contrasting a cheerful, silly girl with a thoughtful woman with a huge and complex inner world. Tatyana initially appears as a dreamer detached from the world, but as her image unfolds, we see that Tatyana is a realist and not insensitive. Olga, who initially attracted the reader with her cheerful disposition, reveals herself to us as a carefree girl who does not understand serious things. The author describes Olga as a porcelain doll - an ideal girl, cheerful, beautiful... but nothing else. Olga has a poor inner world, and although she also has positive qualities, the image of Tatyana is still a real woman with whom you can connect your destiny, start a family and raise children. With Olga you can only have fun and have a short romance. skillfully describes the cloying image of Olga. A woman full of virtues is a picture, not a living person. He thinks so, and he skillfully expressed his opinion by describing the female characters of the novel, the heroes of which chose Tatyana.

In conclusion, we can say that I conveyed the depth of Tatiana’s image, showing it through the prism of Olga’s image. Both images are found today, but, unfortunately, there are fewer spiritually deep ones. Monotony is boring, Tatyana’s image is not the only true one, you just need to strive so that your worldview and principles are closer to the ideal and do not harm either you or others.

It is also important that even the morally pure Tatyana also turned out to be a victim of that “disease” of the entire nobility, which Klyuchevsky would later call “intercultural inter-mind.” Evgeniy really suffered seriously from this “disease”. Symptoms of the “disease” are contempt for one’s culture, loss of roots. In Europe, the Russian nobleman was not accepted; he was still alien. And it turned out that a whole generation stood in the middle of the river, because both banks turned out to be strangers. Tatyana, nevertheless, remained, unlike Evgeny, on a moral high ground: “but I was given to another and I will be faithful to him forever.” She remained a “Russian soul.” The closeness to the people and the simple village wisdom absorbed from the nanny’s stories had an impact here. Even if she finds herself in high society, Tatyana remains internally a real Russian woman who truly understands the importance of duty. Her morality, despite the all-encompassing “illness” of the nobility, comes from the people, from provincial simplicity, but no less honest and wise simplicity.