What is Oblomov’s ideal of happiness? Essay “How Ilya Ilyich Oblomov could have reached slavery. Auxiliary questions for the analysis of this episode

In St. Petersburg in the summer of 1856, a note from a guest is found in a hotel room: they say, I ask you not to blame anyone for anything, they will soon hear about me on the Liteiny Bridge. Typical suicide note!

And in fact, soon a man shoots himself on the Liteiny Bridge - in any case, a bullet-ridden cap was caught from the water.

At a dacha on a stone island, a young lady who sews while singing a revolutionary French song receives a letter from her maid that makes her cry. The young man tries to console her, but the lady blames him for the death of the one who sent this posthumous letter: this man leaves the stage because he loves Vera and his friend too much.

Therefore, the young lady's name is Vera. Her father is the manager of a large apartment building, her mother is a usurer and pawnbroker (gives money on collateral). High ideals are alien to Mama, she is stupid, evil and thinks only about profit. And her only goal is to marry Vera to a rich man. You need to lure suitors! For this purpose, Vera is dressed up, taught music, and taken to the theater.

When the son of the owner of the house begins to court a girl, the mother pushes her in every possible way to meet him.

Although the dissolute young man is not at all going to marry a pretty dark girl with beautiful black hair and expressive black eyes. He dreams of an ordinary affair, but Verochka pushes him away. The girl is determined and very independent: from the age of fourteen she takes care of the whole family, and from the age of sixteen she gives lessons at the boarding school where she herself studied. However, life with her mother is unbearable, and in those days it was impossible for a girl to leave home without parental permission.

And then fate comes to the aid of the freedom-loving girl: a teacher, medical student Dmitry Lopukhov, is hired to work with her brother Fedya. Verochka is shy at first, but then conversations about books and music, about what justice is, help them become friendly. Lopukhov is trying to find her a position as a governess, but not a single family wants to take responsibility for a girl who does not want to live at home. Then Lopukhov proposes a fictitious marriage to Verochka. She happily agrees.

To save Verochka, Lopukhov even quits the course shortly before its completion and earns extra money by giving private lessons and translations. This is how he manages to rent decent housing.

Here Verochka has a dream. This is no ordinary dream—like the other four dreams, it is important to the structure of the novel. The girl sees that she has been released from a damp and cramped basement. She is greeted by a beautiful woman - the embodiment of love for people. Vera Pavlovna promises to help her release other girls from the basements.

The mother is furious, but she can’t do anything: her daughter is married!

The young people live in different rooms and do not come to each other without knocking. This is a great companionship, but not marital love. Vera Pavlovna does not sit on her savior’s neck: she gives private lessons and runs the household. And now, finally, he opens his own sewing workshop. This is very important - this is how she fulfills her promise made in a dream. The girls don't just get paid for their work: they get a share of the income. In addition, the workers are very friendly: they spend their free time together and go on picnics.

Vera Pavlovna sees a second dream: about a field on which ears of corn grow. Besides the ears of grain, there are two types of dirt on the field: real and fantastic. Real dirt can give rise to something necessary and useful, but nothing worthwhile will come from fantastic dirt. This dream helps Vera Pavlovna understand and forgive her mother, whom only the circumstances of her life made so embittered and selfish. However, her worries about the “real dirt” helped Verochka learn and stand on her own feet.

Alexander Kirsanov begins to visit the Lopukhov family often. He is a graduate of the Faculty of Medicine, a man who paved the way for himself in life.

Kirsanov entertains Vera Pavlovna when Lopukhov is busy, taking her to the opera, which they love very much.

Vera Pavlovna feels some anxiety. She tries to make her relationship with her husband more passionate - but the anxiety does not leave her. Kirsanov, without explaining anything, stops visiting the Lopukhovs. He fell in love with his friend’s wife - and is trying to overcome his feeling: “out of sight, out of mind.” However, soon Kirsanov still has to visit the Lopukhovs: Dmitry fell ill, and Alexander begins to treat him.

Vera Pavlovna realizes that she herself is in love with Kirsanov. This helps her understand the third dream: a certain woman, somewhat similar to the opera singer Bosio, helps Verochka read the pages of her diary, which she actually never kept. Verochka is afraid to read the last pages of the diary, but Bosio reads them out loud to her: yes, the feeling that the heroine feels for her husband is just gratitude.

Smart, decent, “new” people are unable to find a way out of the situation, and in the end Lopukhov decides on a trick: a shot on the Liteiny Bridge.

Vera Pavlovna is in despair. But then Rakhmetov appears to her with a letter from Lopukhov. It turns out that Lopukhov did not commit suicide at all - he simply decided not to interfere with his wife and friend to connect their lives.

Rakhmetov is a “special” person. Once upon a time, Kirsanov recognized in him a “higher nature” and taught him to read “the right books.” Rakhmetov was very rich, but he sold his estate, appointed his own special scholarships, and he himself lives the life of an ascetic. He doesn't drink wine and doesn't touch women.

Once I even slept for a while, like a yogi, on nails to test my willpower. He has a nickname: Nikitushka Lomovoy. This is due to the fact that he walked with barge haulers along the Volga in order to better know the life of the people.

Chernyshevsky only hints at the main work of Rakhmetov’s life, but a quick-witted reader will realize that he is a revolutionary, “the engine of engines, the salt of the earth.”

Having received an explanation of what happened from Rakhmetov, Vera Pavlovna leaves for Novgorod, where a few weeks later she gets married to Kirsanov.

After some time, they receive greetings from abroad - Lopukhov reports that he is quite happy with life, since he has long wanted to live in solitude.

The Kirsanovs live a busy life and work a lot. Vera Pavlovna now has two workshops. With the help of Kirsanov, she begins to study medicine. In her husband, the heroine found both support and a loving friend who was not indifferent to her interests.

Vera Pavlovna's fourth dream. this is a historical gallery of female types from different times and peoples: a slave woman, a beautiful lady - also essentially a toy of the fantasy of a knight in love...

Vera Pavlovna sees herself: her facial features are illuminated by the light of love. The woman of the future is equal and free. She also sees the structure of the future society: huge houses made of crystal and aluminum, everyone is happy with free labor. We need to work for this wonderful future now.

The Kirsanovs gather a society of “new people” - decent, hardworking and professing the principles of “reasonable selfishness”. The Beaumont family soon fits into the circle of these people. Once upon a time, Ekaterina, then still Polozova, received sensible advice from Kirsanov about relations with a suitor for her hand: the richest bride in St. Petersburg almost married a scoundrel. But now she is happily married to “agent of an English firm” Charles Beaumont. However, he speaks excellent Russian - he allegedly lived in Russia until he was twenty, where he returned again.

The astute reader has already guessed that this is, of course, Lopukhov. The families soon became so friendly that they began to live in the same house, and Ekaterina Beaumont also set up a workshop, although she had enough money of her own. However, she wants to be useful to people and society, to build her life according to the laws of creative labor.

The circle of “new people” is expanding, and faith in a happy future for Russia is growing stronger.

1863, "Contemporary"

1867 (Geneva), 1906 (Russia)

"What to do?"- a novel by Russian philosopher, journalist and literary critic Nikolai Chernyshevsky, written in December - April, during his imprisonment in the Peter and Paul Fortress of St. Petersburg. The novel was written partly in response to Ivan Turgenev's novel Fathers and Sons.

History of creation and publication

Chernyshevsky wrote the novel while in solitary confinement in the Alekseevsky ravelin of the Peter and Paul Fortress, from December 14, 1862 to April 4, 1863. Since January 1863, the manuscript has been transferred in parts to the investigative commission in the Chernyshevsky case (the last part was transferred on April 6). The commission, and after it the censors, saw only a love story in the novel and gave permission for publication. The censorship oversight was soon noticed, and the responsible censor, Beketov, was removed from office. However, the novel had already been published in the magazine Sovremennik (1863, No. 3-5). Despite the fact that the issues of Sovremennik, in which the novel “What is to be done?” were published, were banned, the text of the novel in handwritten copies was distributed throughout the country and caused a lot of imitations.

“They talked about Chernyshevsky’s novel not in a whisper, not in a low voice, but at the top of their lungs in the halls, on the porches, at Madame Milbret’s table and in the basement pub of the Stenbokov Passage. They shouted: “disgusting,” “charming,” “abomination,” etc. - all in different tones.”

“For Russian youth of that time, it [the book “What is to be done?”] was a kind of revelation and turned into a program, became a kind of banner.”

The emphatically entertaining, adventurous, melodramatic beginning of the novel was supposed to not only confuse the censors, but also attract a wide mass of readers. The external plot of the novel is a love story, but it reflects new economic, philosophical and social ideas of the time. The novel is permeated with hints of the coming revolution.

• In the novel by N. G. Chernyshevsky “What to do?” aluminum is mentioned. In the “naive utopia” of Vera Pavlovna’s fourth dream, it is called the metal of the future. And this great future By now (mid XX - XXI centuries) aluminum has already reached.
• The “lady in mourning” who appears at the end of the work is Olga Sokratovna Chernyshevskaya, the writer’s wife. At the end of the novel we are talking about the liberation of Chernyshevsky from the Peter and Paul Fortress, where he was while writing the novel. He never received his release: on February 7, 1864, he was sentenced to 14 years of hard labor followed by settlement in Siberia.
• The main characters with the surname Kirsanov are also found in Ivan Turgenev’s novel “Fathers and Sons”.

Literature

• Nikolaev P. Revolutionary novel // Chernyshevsky N. G. What to do? M., 1985

Film adaptations

• 1971: Three-part teleplay (directors: Nadezhda Marusalova, Pavel Reznikov)

Notes

see also

Links

Categories:

• Literary works in alphabetical order
• Nikolai Chernyshevsky
• Political novels
• Novels of 1863
• Novels in Russian

Wikimedia Foundation.

2010.

See what “What to do? (novel)” is in other dictionaries:

- "What to do?" the philosophical question of various thinkers, religious figures, prophets, as well as literary works with this title: “What to do?” novel by Nikolai Chernyshevsky, his main work. "What to do?" book... ... Wikipedia The name of the famous socio-political novel (1863) by Nikolai Gavrilovich Chernyshevsky (1828 1889). The main question that in the 60s and 70s. XIX century was discussed in youth circles, there was, as the revolutionary P. N. Tkachev writes, “the question that ... ...

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Date of birth: June 16, 1965 Place of birth: Makeevka, Ukrainian SSR, USSR ... Wikipedia

That same morning, at a dacha on Kamenny Island, a young lady sits and sews, singing a lively and bold French song about working people who will be freed by knowledge. Her name is Vera Pavlovna. The maid brings her a letter, after reading which Vera Pavlovna sobs, covering her face with her hands. The young man who entered tries to calm her down, but Vera Pavlovna is inconsolable. She pushes the young man away with the words: “You are covered in blood! His blood is on you! It’s not your fault - I’m alone...” The letter received by Vera Pavlovna says that the person writing it is leaving the stage because he loves “both of you” too much...

The tragic outcome is preceded by the life story of Vera Pavlovna. She spent her childhood in St. Petersburg, in a multi-story building on Gorokhovaya, between Sadovaya and Semenovsky Bridge. Her father, Pavel Konstantinovich Rozalsky, is the manager of the house, her mother gives money as bail. The only concern of the mother, Marya Alekseevna, in relation to Verochka: to quickly marry her to a rich man. A narrow-minded and evil woman does everything possible for this: she invites a music teacher to her daughter, dresses her up and even takes her to the theater. Soon the beautiful dark girl is noticed by the owner’s son, Officer Storeshnikov, and immediately decides to seduce her. Hoping to force Storeshnikov to marry, Marya Alekseevna demands that her daughter be favorable to him, but Verochka refuses this in every possible way, understanding the true intentions of the womanizer. She somehow manages to deceive her mother, pretending that she is luring a suitor, but this cannot last long. Verochka's position in the house becomes completely unbearable. It is resolved in an unexpected way.

A teacher and final year medical student, Dmitry Sergeevich Lopukhov, has been invited to visit Verochka’s brother Fedya. At first, young people are wary of each other, but then they begin to talk about books, about music, about a fair way of thinking and soon feel affection for each other. Having learned about the girl’s plight, Lopukhov tries to help her. He is looking for her to become a governess, which would give Verochka the opportunity to live separately from her parents. But the search turns out to be unsuccessful: no one wants to take responsibility for the girl’s fate if she runs away from home. Then the student in love finds another way out: shortly before the end of the course, in order to have enough money, he leaves his studies and, taking private lessons and translating a geography textbook, proposes to Verochka. At this time, Verochka has her first dream: she sees herself released from a damp and dark basement and talking with an amazing beauty who calls herself love for people. Verochka promises the beauty that she will always release other girls from the basements, locked in the same way she was locked.

The young people rent an apartment, and their life is going well. True, their relationship seems strange to the landlady: “darling” and “darling” sleep in different rooms, enter each other only after knocking, do not show themselves to each other undressed, etc. Verochka has difficulty explaining to the landlady that this is how they should be be a relationship between spouses if they do not want to bore each other.

Vera Pavlovna reads books, gives private lessons, and runs the household. Soon she starts her own enterprise - a sewing workshop. The girls do not work in the workshop for hire, but are its co-owners and receive their share of the income, just like Vera Pavlovna. They not only work together, but also spend their free time together: they go on picnics and talk. In her second dream, Vera Pavlovna sees a field in which ears of corn grow. She sees dirt on this field - or rather, two dirt: fantastic and real. Real dirt is caring for the most necessary things (the kind with which Vera Pavlovna’s mother was always burdened), and ears of corn can grow from it. Fantastic dirt - caring for the superfluous and unnecessary; Nothing worthwhile grows out of it.

The Lopukhov couple often has Dmitry Sergeevich's best friend, his former classmate and spiritually close person to him, Alexander Matveevich Kirsanov. Both of them “made their way through their breasts, without connections, without acquaintances.” Kirsanov is a strong-willed, courageous man, capable of both decisive action and subtle feeling. He brightens up Vera Pavlovna's loneliness with conversations when Lopukhov is busy, takes her to the Opera, which they both love. However, soon, without explaining the reasons, Kirsanov stops visiting his friend, which greatly offends both him and Vera Pavlovna. They do not know the true reason for his “cooling”: Kirsanov is in love with a friend’s wife. He reappears in the house only when Lopukhov falls ill: Kirsanov is a doctor, he treats Lopukhov and helps Vera Pavlovna take care of him. Vera Pavlovna is in complete confusion: she feels that she is in love with her husband’s friend. She has a third dream. In this dream, Vera Pavlovna, with the help of some unknown woman, reads the pages of her own diary, which says that she feels gratitude to her husband, and not that quiet, tender feeling, the need for which is so great in her.

The situation in which three smart and decent “new people” find themselves seems insoluble. Finally Lopukhov finds a way out - a shot on the Liteiny Bridge. On the day this news was received, an old acquaintance of Kirsanov and Lopukhov, Rakhmetov, a “special person,” comes to Vera Pavlovna. The “higher nature” was awakened in him at one time by Kirsanov, who introduced the student Rakhmetov to books “that need to be read.” Coming from a wealthy family, Rakhmetov sold his estate, distributed the money to his scholarship recipients and now leads a harsh lifestyle: partly because he considers it impossible for himself to have something that an ordinary person does not have, partly out of a desire to cultivate his character. So, one day he decides to sleep on nails to test his physical capabilities. He doesn't drink wine, doesn't touch women. Rakhmetov is often called Nikitushka Lomov - because he walked along the Volga with barge haulers in order to get closer to the people and gain the love and respect of ordinary people. Rakhmetov’s life is shrouded in a veil of mystery of a clearly revolutionary nature. He has a lot to do, but none of it is his personal business. He is traveling around Europe, planning to return to Russia in three years, when he “needs” to be there. This “example of a very rare breed” differs from simply “honest and kind people” in that it is “the engine of engines, the salt of the earth.”

Rakhmetov brings Vera Pavlovna a note from Lopukhov, after reading which she becomes calm and even cheerful. In addition, Rakhmetov explains to Vera Pavlovna that the dissimilarity between her character and Lopukhov’s character was too great, which is why she was drawn to Kirsanov. Having calmed down after a conversation with Rakhmetov, Vera Pavlovna leaves for Novgorod, where a few weeks later she gets married to Kirsanov.

The dissimilarity between the characters of Lopukhov and Vera Pavlovna is also spoken of in a letter that she soon receives from Berlin. A certain medical student, supposedly a good friend of Lopukhov, conveys to Vera Pavlovna his exact words that he began to feel better after parting with her, because had a penchant for solitude, which was in no way possible during his life with the sociable Vera Pavlovna. In this way, love affairs are arranged to everyone's satisfaction. The Kirsanov family has approximately the same lifestyle as the Lopukhov family before. Alexander Matveevich works a lot, Vera Pavlovna eats cream, takes baths and is engaged in sewing workshops: she now has two of them. In the same way, there are neutral and non-neutral rooms in the house, and spouses can enter non-neutral rooms only after knocking. But Vera Pavlovna notices that Kirsanov not only allows her to lead the lifestyle that she likes, and is not just ready to lend her a shoulder in difficult times, but is also keenly interested in her life. He understands her desire to do something “that cannot be put off.” With the help of Kirsanov, Vera Pavlovna begins to study medicine.

Soon she has a fourth dream. Nature in this dream “pours aroma and song, love and bliss into the chest.” The poet, whose brow and thought are illuminated by inspiration, sings a song about the meaning of history. Vera Pavlovna sees pictures of the lives of women in different millennia. First, the female slave obeys her master among the tents of the nomads, then the Athenians worship the woman, still not recognizing her as their equal. Then the image of a beautiful lady appears, for whose sake the knight fights in the tournament. But he loves her only until she becomes his wife, that is, a slave. Then Vera Pavlovna sees her own face instead of the goddess’s face. His features are far from perfect, but he is illuminated by the radiance of love. The great woman, familiar to her from her first dream, explains to Vera Pavlovna what the meaning of women's equality and freedom is. This woman also shows Vera Pavlovna pictures of the future: citizens of New Russia live in a beautiful house made of cast iron, crystal and aluminum. They work in the morning, have fun in the evening, and “whoever has not worked enough has not prepared the nerve to feel the fullness of the fun.” The guidebook explains to Vera Pavlovna that this future should be loved, one should work for it and transfer from it to the present everything that can be transferred.

The Kirsanovs have a lot of young people, like-minded people: “This type has recently appeared and is quickly spreading.” All these people are decent, hardworking, with unshakable life principles and possessing “cold-blooded practicality.” The Beaumont family soon appears among them. Ekaterina Vasilievna Beaumont, née Polozova, was one of the richest brides in St. Petersburg. Kirsanov once helped her with smart advice: with his help, Polozova figured out that the person she was in love with was unworthy of her. Then Ekaterina Vasilievna marries a man who calls himself an agent of an English company, Charles Beaumont. He speaks Russian perfectly - because he allegedly lived in Russia until he was twenty. His romance with Polozova develops calmly: both of them are people who “don’t get mad for no reason.” When Beaumont meets Kirsanov, it becomes clear that this man is Lopukhov. The Kirsanov and Beaumont families feel such spiritual closeness that they soon settle in the same house and receive guests together. Ekaterina Vasilievna also sets up a sewing workshop, and the circle of “new people” thus becomes wider.

Retold

The novel by N. G. Chernyshevsky “What to do?” created by him in a chamber of the Peter and Paul Fortress in the period from 12/14/1862 to 04/04/1863. in three and a half months. From January to April 1863, the manuscript was transferred in parts to the commission on the writer’s case for censorship. The censorship did not find anything reprehensible and allowed publication. The oversight was soon discovered and censor Beketov was removed from his post, but the novel was already published in the Sovremennik magazine (1863, No. 3-5). The bans on the magazine's issues led to nothing and the book was distributed throughout the country in samizdat.

In 1905, under Emperor Nicholas II, the ban on publication was lifted, and in 1906 the book was published in a separate edition. The reaction of readers to the novel is interesting; they are divided into two camps. Some supported the author, others considered the novel devoid of artistry.

Analysis of the work

1. Social and political renewal of society through revolution. In the book, due to censorship, the author could not expand on this topic in more detail. It is given in half-hints in the description of Rakhmetov’s life and in the 6th chapter of the novel.

2. Moral and psychological. That a person with the power of his mind is able to create in himself new specified moral qualities. The author describes the whole process from small (the fight against despotism in the family) to large-scale, that is, revolution.

3. Women's emancipation, family morality. This theme is revealed in the history of Vera’s family, in the relationships of three young people before Lopukhov’s alleged suicide, in Vera’s first 3 dreams.

4. Future socialist society. This is a dream of a beautiful and bright life, which the author unfolds in Vera Pavlovna’s 4th dream. Here is a vision of easier labor with the help of technical means, i.e., technogenic development of production.

(Chernyshevsky writes a novel in a cell at the Peter and Paul Fortress)

The pathos of the novel is the propaganda of the idea of ​​​​transforming the world through revolution, preparing minds and waiting for it. Moreover, the desire to actively participate in it. The main goal of the work is the development and implementation of a new method of revolutionary education, the creation of a textbook on the formation of a new worldview for every thinking person.

Story line

In the novel, it actually covers up the main idea of ​​the work. It’s not for nothing that at first even the censors considered the novel to be nothing more than a love story. The beginning of the work, deliberately entertaining, in the spirit of French novels, aimed to confuse the censorship and, at the same time, attract the attention of the majority of the reading public. The plot is based on a simple love story, behind which the social, philosophical and economic problems of the time are hidden. The Aesopian language of the narrative is thoroughly permeated with the ideas of the coming revolution.

The plot is like this. There is an ordinary girl Vera Pavlovna Rozalskaya, whom her selfish mother is trying in every possible way to pass off as a rich man. Trying to avoid this fate, the girl resorts to the help of her friend Dmitry Lopukhov and enters into a fictitious marriage with him. Thus, she gains freedom and leaves her parents' house. In search of income, Vera opens a sewing workshop. This is not an ordinary workshop. There is no hired labor here; female workers have their share of the profits, so they are interested in the prosperity of the enterprise.

Vera and Alexander Kirsanov are mutually in love. To free his imaginary wife from remorse, Lopukhov stages suicide (it is with a description of it that the whole action begins) and leaves for America. There he acquires a new name, Charles Beaumont, becomes an agent of an English company and, fulfilling its assignment, comes to Russia to purchase a stearine plant from the industrialist Polozov. Lopukhov meets Polozov’s daughter Katya at Polozov’s house. They fall in love with each other, the matter ends with a wedding. Now Dmitry appears in front of the Kirsanov family. Friendship between families begins, they settle in the same house. A circle of “new people” forms around them, wanting to organize their own and social lives in a new way. Lopukhov-Beaumont's wife Ekaterina Vasilievna also joins the business and sets up a new sewing workshop. This is such a happy ending.

Main characters

The central character of the novel is Vera Rozalskaya. She is especially sociable and belongs to the type of “honest girls” who are not ready to compromise for the sake of a profitable marriage without love. The girl is romantic, but despite this, she is quite modern, with good administrative skills, as they would say today. Therefore, she was able to interest the girls and organize a sewing production and more.

Another character in the novel is Dmitry Sergeevich Lopukhov, a student at the Medical Academy. Somewhat withdrawn, prefers solitude. He is honest, decent and noble. It was these qualities that prompted him to help Vera in her difficult situation. For her sake, he quits his studies in his last year and begins private practice. Considered the official husband of Vera Pavlovna, he behaves towards her in the highest degree decent and noble. The apogee of his nobility is his decision to fake his own death in order to allow Kirsanov and Vera, who love each other, to unite their destinies. Just like Vera, it relates to the formation of new people. Smart, enterprising. This can be judged at least because the English company entrusted him with a very serious matter.

Kirsanov Alexander is the husband of Vera Pavlovna, Lopukhov’s best friend. I am very impressed by his attitude towards his wife. He not only loves her tenderly, but also looks for an activity for her in which she could realize herself. The author feels deep sympathy for him and speaks of him as a brave man who knows how to carry through to the end the work he has taken on. At the same time, he is an honest, deeply decent and noble person. Not knowing about the true relationship between Vera and Lopukhov, having fallen in love with Vera Pavlovna, he disappears from their house for a long time so as not to disturb the peace of the people he loves. Only Lopukhov’s illness forces him to appear to treat his friend. The fictitious husband, understanding the state of the lovers, imitates his death and makes room for Kirsanov next to Vera. Thus, lovers find happiness in family life.

(In the photo, the artist Karnovich-Valois in the role of Rakhmetov, the play "New People")

A close friend of Dmitry and Alexander, the revolutionary Rakhmetov, is the most significant hero of the novel, although he is given little space in the novel. In the ideological outline of the narrative, he played a special role and is devoted to a separate digression in chapter 29. An extraordinary man in every way. At the age of 16, he left university for three years and wandered around Russia in search of adventure and character development. This is a person with already formed principles in all spheres of life, material, physical and spiritual. At the same time, he has an ebullient nature. He sees his future life in serving people and prepares for this by tempering his spirit and body. He even refused the woman he loved, because love could limit his actions. He would like to live like most people, but he cannot afford it.

In Russian literature, Rakhmetov became the first practical revolutionary. Opinions about him were completely opposite, from indignation to admiration. This is the ideal image of a revolutionary hero. But today, from the position of knowledge of history, such a person could only evoke sympathy, since we know how accurately history has proven the truth of the words of the Emperor of France Napoleon Bonaparte: “Revolutions are conceived by heroes, carried out by fools, and scoundrels enjoy their fruits.” Perhaps the voiced opinion does not quite fit into the framework of the image and characteristics of Rakhmetov formed over decades, but this is indeed the case. The above does not in any way detract from Rakhmetov’s quality, because he is a hero of his time.

According to Chernyshevsky, using the example of Vera, Lopukhov and Kirsanov, he wanted to show ordinary people of the new generation, of whom there are thousands. But without the image of Rakhmetov, the reader might have formed a misleading opinion about the main characters of the novel. According to the writer, all people should be like these three heroes, but the highest ideal to which all people should strive is the image of Rakhmetov. And I completely agree with this.

In literature classes, as a rule, attention is not often paid to Chernyshevsky’s work “What is to be done.” This is partly correct: delving into the endless dreams of Vera Pavlovna, analyzing the plot, which serves only as a frame for the main idea of ​​the work, trying through the gnashing of teeth to make out the author’s not the most highly artistic and easy language, stumbling over almost every word - the exercise is long, tedious and not completely justified. From a literary point of view, this is not a good choice to consider. But what an influence this novel had on the development of Russian social thought of the 19th century! After reading it, you can understand how the most progressive thinkers of that time lived.

Nikolai Chernyshevsky was arrested and imprisoned in the Peter and Paul Fortress for his radical statements against the government in force at that time. His work was born there. The history of the novel “What to Do” began in December 1862 (its author completed it in April 1863). Initially, the writer conceived it as a response to Turgenev’s book “Fathers and Sons,” where he portrayed a man of a new formation - the nihilist Bazarov. Evgeniy suffered a tragic ending, but in contrast to him, Rakhmetov was created - a more perfect hero of the same mentality, who no longer suffered for Anna Odintsova, but was busy with business, and very productively.

In order to deceive the vigilant censors and the judicial commission, the author introduces a love triangle into the political utopia, which takes up most of the volume of the text. With this trick, he confused the officials, and they gave permission for publication. When the deception was revealed, it was already too late: the novel “What to Do” was distributed throughout the country in editions of Sovremennik and handwritten copies. The ban did not stop either the spread of the book or its imitation. It was removed only in 1905, and a year later individual copies were officially released. But for the first time in Russian it was published long before that, in 1867 in Geneva.

It is worth citing some quotes from contemporaries to understand how significant and necessary this book was for the people of that time.

The writer Leskov recalled: “They talked about Chernyshevsky’s novel not in a whisper, not quietly, but at the top of their lungs in the halls, on the porches, at Madame Milbret’s table and in the basement pub of the Stenbokov Passage. They shouted: “disgusting,” “charming,” “abomination,” etc. - all in different tones.”

The anarchist Kropotkin spoke enthusiastically about the work:

For Russian youth of that time it was a kind of revelation and turned into a program, became a kind of banner

Even Lenin awarded her his praise:

The novel “What is to be done?” completely plowed me deeply. This is a thing that gives a charge for life.

Genre

There is an antithesis in the work: the direction of the novel “What is to be done” is sociological realism, and the genre is utopia. That is, truth and fiction closely coexist in the book and give rise to a mixture of the present (objectively reflected realities of that time) and the future (the image of Rakhmetov, the dreams of Vera Pavlovna). That is why it caused such a resonance in society: people were sensitive to the prospects that Chernyshevsky put forward.

In addition, “What is to be done” is a philosophical and journalistic novel. He earned this title thanks to the hidden meanings that the author gradually introduced. He was not a writer either, he simply used a literary form that was understandable to everyone to disseminate his political views and express his deep thoughts about the just social structure of tomorrow. In his work, the journalistic intensity is obvious, philosophical issues are illuminated, and the fictional plot serves only as a cover from the close attention of the censors.

What is the novel about?

It's time to tell you what the book “What to do?” is about. The action begins with an unknown man committing suicide by shooting himself and falling into the river. He turned out to be a certain Dmitry Lopukhov, a progressive-minded young man who was pushed to this desperate act by love and friendship.

The essence of the backstory of “What to do” is this: the main character Vera lives with an ignorant and rude family, where her calculating and cruel mother has established her own rules. She wants to marry her daughter to the rich son of the owner of the house where her husband works as a manager. A greedy woman does not disdain any means, she can even sacrifice her daughter’s honor. A moral and proud girl seeks salvation from her brother’s tutor, student Lopukhov. He is secretly engaged in her education, pitying her bright head. He arranges her escape from home under the auspices of a fictitious marriage. In fact, young people live like brother and sister, there are no feelings of love between them.

The “spouses” often hang out with like-minded people, where the heroine meets Lopukhov’s best friend, Kirsanov. Alexander and Vera develop mutual sympathy, but cannot be together because they are afraid of hurting their friend’s feelings. Dmitry became attached to his “wife”, discovered a multifaceted and strong personality in her, and was involved in her education. The girl, for example, does not want to sit on his neck and wants to arrange her own life by opening a sewing workshop where women in trouble could earn honest money. With the help of true friends, she realizes her dream, and before us opens a gallery of female images with life stories that characterize a vicious environment where the weaker sex has to fight for survival and defend honor.

Dmitry feels that he is disturbing his friends and fakes his suicide so as not to stand in their way. He loves and respects his wife, but understands that she will only be happy with Kirsanov. Naturally, no one knows about his plans; everyone sincerely mourns his death. But from a number of hints from the author, we understand that Lopukhov calmly went abroad and returned from there in the finale, reuniting with his comrades.

A separate semantic line is the company’s acquaintance with Rakhmetov, a man of a new formation who embodies the ideal of a revolutionary, according to Chernyshevsky (he came to Vera on the day she received a note about her husband’s suicide). It is not the hero’s actions that are revolutionary, but his very essence. The author talks about him in detail, saying that he sold his estate and led a Spartan lifestyle in order to help his people. The true meaning of the book is hidden in his image.

The main characters and their characteristics

First of all, the novel is notable for its characters, and not for its plot, which was needed to distract the attention of the censors. Chernyshevsky in his work “What to Do” draws images of strong people, the “salt of the earth,” smart, decisive, brave and honest, people on whose shoulders the frantic machine of the revolution will later rush at full speed. These are the images of Kirsanov, Lopukhov, Vera Pavlovna, who are the central characters of the book. All of them are constant participants in the action in the work. But the image of Rakhmetov stands apart above them. In contrast with him and the trinity “Lopukhov, Kirsanov, Vera Pavlovna,” the writer wanted to show the “ordinariness” of the latter. In the last chapters, he brings clarity and literally spells out his plan for the reader:

“At the height at which they stand, all people should stand, can stand. Higher natures, which you and I cannot keep up with, my pathetic friends, higher natures are not like that. I showed you a slight outline of the profile of one of them: you see the wrong features.”

1. Rakhmetov- the main character of the novel “What is to be done?” Already in the middle of the 17th year he began his transformation into a “special person”; before that he was “an ordinary, good, high school student.” Having managed to appreciate all the “charms” of a free student life, he quickly lost interest in them: he wanted something more, meaningful, and fate brought him together with Kirsanov, who helped him take the path of rebirth. He began to greedily absorb knowledge from all sorts of fields, read books voraciously, train his physical strength through menial hard work, gymnastics, and lead a Spartan lifestyle to strengthen his will: refuse luxury in clothing, sleep on felt, eat only what ordinary people can afford. For his closeness with the people, determination, and developed strength among people, he acquired the nickname “Nikitushka Lomov”, in honor of the famous barge hauler, distinguished by his physical capabilities. Among his friends they began to call him a “rigorist” because “he accepted original principles in material, moral, and mental life,” and later “they developed into a complete system, which he strictly adhered to.” This is an extremely purposeful and fruitful person who works for the benefit of others’ happiness and limits his own, being content with little.
2. Vera Pavlovna- the main character of the novel “What to Do”, a beautiful dark-skinned woman with long dark hair. She felt like a stranger in her family, because her mother tried to get her married at any cost. Although she was characterized by calm, poise and thoughtfulness, in this situation she showed cunning, inflexibility and willpower. She pretended to favor the courtship, but in fact she was looking for a way out of the trap set by her mother. Under the influence of education and a good environment, she transforms and becomes much smarter, more interesting and stronger. Even her beauty blossoms, as does her soul. Now we have before us a new type of confident and intellectually developed woman who runs a business and provides for herself. This is the ideal of a lady, according to Chernyshevsky.
3. Lopukhov Dmitry Sergeevich- medical student, husband and liberator of Vera. He is distinguished by composure, sophisticated intelligence, cunning, and at the same time responsiveness, kindness, and sensitivity. He sacrifices his career to save a stranger, and even limits his freedom for her sake. He is prudent, pragmatic and restrained; those around him value his efficiency and education. As you can see, under the influence of love, the hero also becomes a romantic, because he again radically changes his life for the sake of a woman, staging suicide. This act reveals him to be a strong strategist who calculates everything in advance.
4. Alexander Matveevich Kirsanov- Vera's lover. He is a kind, intelligent, sympathetic young man, always ready to help his friends. He resists his feelings for his friend’s wife and does not allow him to destroy their relationship. For example, he stops visiting their house for a long time. The hero cannot betray Lopukhov’s trust; both of them “made their way with their breasts, without connections, without acquaintances.” The character is decisive and firm, and this masculinity does not prevent him from having subtle tastes (for example, he loves opera). By the way, it was he who inspired Rakhmetov to the feat of revolutionary self-denial.

The main characters of “What is to be done” are noble, decent, and honest. There are not so many such characters in literature, there is nothing to say about life, but Chernyshevsky goes further and introduces an almost utopian character, thereby showing that decency is far from the limit of personal development, that people have become shallow in their aspirations and goals, that you can be even better, harder, stronger. Everything is learned by comparison, and by adding the image of Rakhmetov, the writer raises the level of perception for readers. This is exactly what, in his opinion, a real revolutionary looks like, capable of leading the Kirsanovs and Lopukhovs. They are strong and smart, but not mature enough for decisive independent action.

Subject

• Love theme. Chernyshevsky in the novel “What to Do” reveals a favorite motif of writers in a new role. Now the extra link in the love triangle self-destructs and sacrifices its interests to the reciprocity of the remaining parties. A person in this utopia controls his feelings as much as possible, and sometimes even seems to abandon them altogether. Lopukhov ignores pride, male pride, and feelings for Vera, just to please his friends and at the same time provide them with happiness without guilt. This perception of love is too far from reality, but we accept it due to the innovation of the author, who presented a well-worn topic in such a fresh and original way.
• Strength of will. The hero of the novel “What Is to Be Done” curbed almost all his passions: he gave up alcohol, the company of women, and stopped wasting time on entertainment, doing only “other people’s business or no one’s business in particular.”
• Indifference and responsiveness. If Vera’s mother, Marya Aleksevna, was indifferent to her daughter’s fate and thought only about the material side of the family’s life, then an outsider, Lopukhov, without any second thought sacrifices his bachelor’s peace and career for the girl. So Chernyshevsky draws a line between the old regime philistines with a petty greedy soul and representatives of the new generation, pure and unselfish in their thoughts.
• Revolution theme. The need for change is expressed not only in the image of Rakhmetov, but also in the dreams of Vera Pavlovna, where in symbolic visions the meaning of existence is revealed to her: it is necessary to bring people out of the dungeon, where they are imprisoned by conventions and a tyrannical regime. The writer considers enlightenment to be the basis of the new free world; it is with this that the heroine’s happy life begins.
• Theme of education. The new people in the novel What Is To Be Done are educated and smart, and they devote most of their time to learning. But their impulse does not end there: they try to help others and invest their strength in helping the people in the fight against centuries-old ignorance.

Issues

Many writers and public figures mentioned this book even after a while. Chernyshevsky understood the spirit of that time and successfully developed these thoughts further, creating a real memo to the Russian revolutionary. The issues in the novel “What to Do” turned out to be painfully relevant and topical: the author touched upon the problem of social and gender inequality, topical political problems and even imperfections of mentality.

• Women's question. The problems in the novel “What to Do” primarily concern women and their social disorder in the realities of Tsarist Russia. They have nowhere to go to work, nothing to feed themselves without a humiliating arranged marriage or even more humiliating earnings on a yellow ticket. The position of the governess is little better: no one will do anything to the owner of the house for harassment if he is a noble person. So Vera would have fallen victim to the officer’s lust if she had not been saved by progress in the person of Lopukhov. He treated the girl differently, as an equal. This attitude is the key to prosperity and independence of the weaker sex. And the point here is not about rabid feminism, but about the banal opportunity to provide for oneself and family in case the marriage did not work out or the husband died. The writer complains about the lack of rights and helplessness of women, and not about the underestimated superiority of one sex over the other.
• The crisis of the monarchy. Ever since the uprising on Senate Square in 1825, ideas about the failure of the autocracy had been ripening in the minds of the Decembrists, but the people were not ready for coups of such a scale. Subsequently, the thirst for revolution only strengthened and became stronger with each new generation, which could not be said about the monarchy, which fought against this dissent as best it could, but, as you know, by 1905 it itself was shaken, and in the 17th it voluntarily gave up its positions To the Provisional Government.
• The problem of moral choice. Kirsanov encounters her when he realizes his feelings for his friend’s wife. Vera constantly feels it, starting with a failed “profitable marriage” and ending with her relationship with Alexander. Lopukhov also faces a choice: leave everything as it is, or do what is fair? All the heroes of the novel “What to Do” stand the test and make an impeccable decision.
• The problem of poverty. It is the depressing financial situation that leads Vera’s mother to moral degradation. Marya Alekseevna cares about the “real dirt”, that is, she thinks about how to survive in a country where she is not considered anything without a title and wealth? Her thoughts are burdened not by excesses, but by worries about her daily bread. Constant need reduced her spiritual needs to a minimum, leaving neither space nor time for them.
• The problem of social inequality. Vera's mother, not sparing her daughter's honor, lures officer Storeshnikov to make him her son-in-law. There is not a drop of dignity left in her, because she was born and lived in a rigid hierarchy, where those who are lower are dumb slaves for those who are higher. She would consider it happiness if the master's son dishonored her daughter, as long as he got married after that. Such upbringing is abhorrent to Chernyshevsky, and he caustically ridicules it.

The meaning of the novel

The author created a role model for youth to show how to behave. Chernyshevsky gave Russia the image of Rakhmetov, in which most of the answers to the burning questions “what to do,” “who to be,” “what to strive for” were collected - Lenin saw this and took a number of actions that led to a successful coup, otherwise he would not have spoke so enthusiastically about the book. That is, the main idea of ​​the novel “What is to be done” is an enthusiastic hymn to a new type of active person who can solve the problems of his people. The writer not only criticized his contemporary society, but also suggested ways to resolve the conflict situations that tore him apart. In his opinion, it was necessary to do as Rakhmetov did: abandon selfishness and class arrogance, help ordinary people not only with words, but with rubles, participate in large and global projects that could really change the situation.

A real revolutionary, according to Chernyshevsky, is obliged to live the life that a simple person lives. People in power should not be elevated to a separate elite caste, as is often the case. They are servants of the people who appointed them. This is roughly how one can express the author’s position, which he conveyed to his “special” hero and which he wants to convey to the reader through him. Rakhmetov is the accumulation of all the positive qualities of, one might say, a “superman”, like Nietzsche. With its help, the idea of ​​the novel “What is to be done” is expressed - bright ideals and a firm determination to defend them.

Nevertheless, Chernyshevsky warns the reader that the path of these people, “to which they are calling you,” is thorny and “poor in personal joys.” These are people trying to be reborn from a person into an abstract idea, devoid of personal feelings and passions, without which life is difficult and joyless. The writer warns against admiring such Rakhmetovs, calling them ridiculous and pathetic, because they are trying to embrace the immensity, to exchange a fate full of earthly blessings for duty and unrequited service to society. But meanwhile, the author understands that without them, life would completely lose its taste and “sour.” Rakhmetov is not a romantic hero, but a very real person, whom the creator examines from different angles.