Why did Miller offer Sokolov a drink? Essay: Dialogue between Andrei Sokolov and Muller as one of the culminating episodes of M. A. Sholokhov’s story “The Fate of Man. The meaning of the story's title

During the Great Patriotic War, Sholokhov, in military correspondence, essays, and the story “The Science of Hate,” exposed the anti-human nature of the war unleashed by the Nazis, revealed the heroism of the Soviet people and love for the Motherland. And in the novel “They Fought for the Motherland,” the Russian national character was deeply revealed, clearly manifested in the days of difficult trials. Recalling how during the war the Nazis mockingly called the Soviet soldier “Russian Ivan,” Sholokhov wrote in one of his articles: “The symbolic Russian Ivan is this: a man dressed in a gray overcoat, who, without hesitation, gave away the last piece of bread and front-line thirty grams of sugar to a child orphaned during the terrible days of the war, a man who selflessly covered his comrade with his body, saving him from inevitable death, a man who, gritting his teeth, endured and will endure all the hardships and hardships, going to the feat in the name of the Motherland.”

Andrei Sokolov appears before us as such a modest, ordinary warrior in the story “The Fate of a Man.” Sokolov talks about his courageous actions as if it were a very ordinary matter. He bravely performed his military duty at the front. Near Lozovenki he was tasked with transporting shells to the battery. “We had to hurry, because the battle was approaching us...” says Sokolov. “The commander of our unit asks: “Will you get through, Sokolov?” And there was nothing to ask here. My comrades may be dying there, but I’ll be sick here? What a conversation! - I answer him. “I have to get through and that’s it!” In this episode, Sholokhov noticed the main feature of the hero - a sense of camaraderie, the ability to think about others more than about himself. But, stunned by the explosion of a shell, he woke up already in captivity of the Germans. He watches with pain as the advancing German troops march to the east. Having learned what enemy captivity is, Andrei says with a bitter sigh, turning to his interlocutor: “Oh, brother, it’s not an easy thing to understand that you are not in captivity because of your own water. Anyone who has not experienced this on their own skin will not immediately penetrate into their soul so that they can understand in a human way what this thing means.” His bitter memories speak of what he had to endure in captivity: “It’s hard for me, brother, to remember, and even harder to talk about what I experienced in captivity. When you remember the inhuman torment that you had to endure there in Germany, when you remember all the friends and comrades who died, tortured there in the camps, your heart is no longer in your chest, but in your throat, and it becomes difficult to breathe...”

While in captivity, Andrei Sokolov exerted all his strength to preserve the person within himself, and not to exchange “Russian dignity and pride” for any relief in fate. One of the most striking scenes in the story is the interrogation of the captured Soviet soldier Andrei Sokolov by the professional killer and sadist Muller. When Müller was informed that Andrei had allowed his dissatisfaction with hard labor to show, he summoned him to the commandant’s office for questioning. Andrei knew that he was going to his death, but decided to “gather his courage to look into the hole of the pistol fearlessly, as befits a soldier, so that his enemies would not see at the last minute that it was difficult for him to part with his life...”.

The interrogation scene turns into a spiritual duel between the captured soldier and camp commandant Müller. It would seem that the forces of superiority should be on the side of the well-fed, endowed with the power and opportunity to humiliate and trample the man Muller. Playing with a pistol, he asks Sokolov whether four cubic meters of production is really a lot, and is one enough for a grave? When Sokolov confirms his previously spoken words, Müller offers him a glass of schnapps before the execution: “Before you die, drink, Russian Ivan, to the victory of German weapons.” Sokolov initially refused to drink “for the victory of German weapons,” and then agreed “for his death.” After drinking the first glass, Sokolov refused to take a bite. Then they served him a second one. Only after the third did he bite off a small piece of bread and put the rest on the table. Talking about this, Sokolov says: “I wanted to show them, the damned ones, that although I am perishing from hunger, I am not going to choke on their handouts, that I have my own Russian dignity and pride and that they did not turn me into a beast, no matter how hard we tried."

Sokolov’s courage and endurance amazed the German commandant. He not only let him go, but finally gave him a small loaf of bread and a piece of bacon: “That’s it, Sokolov, you are a real Russian soldier. You are a brave soldier. I am also a soldier and I respect worthy opponents. I won't shoot you. In addition, today our valiant troops reached the Volga and completely captured Stalingrad. This is a great joy for us, and therefore I generously give you life. Go to your block..."

Considering the scene of the interrogation of Andrei Sokolov, we can say that it is one of the compositional peaks of the story. It has its own theme - the spiritual wealth and moral nobility of Soviet people, its own idea: there is no force in the world capable of spiritually breaking a true patriot, making him humiliate himself before the enemy.

Andrei Sokolov has overcome a lot on his way. The national pride and dignity of the Russian Soviet man, endurance, spiritual humanity, indomitability and ineradicable faith in life, in his Motherland, in his people - this is what Sholokhov typified in the truly Russian character of Andrei Sokolov. The author showed the unbending will, courage, and heroism of a simple Russian man, who, in the time of the most difficult trials that befell his Motherland and irreparable personal losses, was able to rise above his personal fate, filled with the deepest drama, and managed to overcome death with life and in the name of life. This is the pathos of the story, its main idea.

During the Great Patriotic War, Sholokhov, in military correspondence, essays, and the story “The Science of Hate,” exposed the anti-human nature of the war unleashed by the Nazis, showing the heroism of the Soviet people and love for the Motherland. And in the novel “They Fought for the Motherland,” the Russian national character was deeply revealed, clearly manifested in the days of difficult trials. Recalling how during the war the Nazis mockingly called the Soviet soldier “Russian Ivan,” Sholokhov wrote in one of his articles: “The symbolic Russian Ivan is this: a man dressed in a gray overcoat, who, without hesitation, gave away the last piece of bread and front-line thirty grams of sugar to a child orphaned during the terrible days of the war, a man who selflessly covered his comrade with his body, saving him from inevitable death, a man who, gritting his teeth, endured and will endure all the hardships and hardships, going to the feat in the name of the Motherland.”

Andrei Sokolov appears before us as such a modest, ordinary warrior in the story “The Fate of a Man.” Sokolov talks about his courageous deeds as if it were a very ordinary matter. He bravely performed his military duty at the front. Near Lozovenki he was tasked with transporting shells to the battery. “We had to hurry, because the battle was approaching us...,” says Sokolov. - The commander of our unit asks: “Will you get through, Sokolov?” And there was nothing to ask here. My comrades may be dying there, but I’ll be sick here? What a conversation! - I answer him. “I have to get through and that’s it!” In this episode, Sholokhov noticed the main feature of the hero - a sense of camaraderie, the ability to think about others more than about oneself. But, stunned by the explosion of a shell, he woke up already in captivity of the Germans. He watches with pain as the advancing German troops march to the east. Having learned what enemy captivity is, Andrei says with a bitter sigh, turning to his interlocutor: “Oh, brother, it’s not an easy thing to understand that you are not in captivity of your own free will. Anyone who has not experienced this on their own skin will not immediately penetrate into their soul so that they can understand in a human way what this thing means.” His bitter memories speak of what he had to endure in captivity: “It’s hard for me, brother, to remember, and even harder to talk about what I experienced in captivity. When you remember the inhuman torment that you had to endure there in Germany, when you remember all the friends and comrades who died, tortured there in the camps, your heart is no longer in your chest, but in your throat, and it becomes difficult to breathe...”

While in captivity, Andrei Sokolov exerted all his strength to preserve the person within himself, and not to exchange “Russian dignity and pride” for any relief in fate. One of the most striking scenes in the story is the interrogation of the captured Soviet soldier Andrei Sokolov by the professional killer and sadist Muller. When Müller was informed that Andrei had allowed his dissatisfaction with hard labor to show, he summoned him to the commandant’s office for questioning. Andrei knew that he was going to death, but decided to “gather his courage to look into the hole of the pistol fearlessly, as befits a soldier, so that his enemies would not see at the last minute that it was difficult for him to part with life...” The interrogation scene turns into spiritual duel between a captured soldier and camp commandant Müller. It would seem that the forces of superiority should be on the side of the well-fed, endowed with the power and opportunity to humiliate and trample the man Muller. Playing

Fate... A mysterious word, the meaning of which I often wonder about. What is fate? The life you have lived, or what is yet to be experienced, your deeds or your dreams? Do you build your own destiny, or maybe someone predetermines it? And if it is determined...

In M. A. Sholokhov’s story “The Fate of a Man,” the reader is presented not just with history, but truly with the fate of a person who embodies the typical features of the national Russian character. Andrei Sokolov, a modest worker, father of a family, lived and...

Criticism has already written about the story’s peculiar ring composition. The meeting of the author-narrator with Andrei Sokolov and his adopted son Vanyusha at the crossing over the spring flooded river at the beginning and farewell at the end to the boy and stranger, but who has now become...

1. New!

   War... This is a terrible word for a person. He emanates coldness, pain, suffering. The Great Patriotic War, so recent and so distant, did not bypass anyone, penetrated into every family, and influenced the fate of every person. Many writers, poets...

2. New!

During the Great Patriotic War, Sholokhov, in military correspondence, essays, and the story “The Science of Hate,” exposed the anti-human nature of the war unleashed by the Nazis, revealed the heroism of the Soviet people and love for the Motherland. And in the novel “They Fought for the Motherland,” the Russian national character was deeply revealed, clearly manifested in the days of difficult trials. Recalling how during the war the Nazis mockingly called the Soviet soldier “Russian Ivan,” Sholokhov wrote in one of his articles: “The symbolic Russian Ivan is this: a man dressed in a gray overcoat, who without hesitation gave away the last piece of bread and the front-line thirty grams of sugar to a child orphaned during the terrible days of the war, a man who selflessly covered his comrade with his body, saving him from inevitable death, a man who, gritting his teeth, endured and will endure all the hardships and hardships, going to the feat in the name of the Motherland.”

Andrei Sokolov appears before us as such a modest, ordinary warrior in the story “The Fate of a Man.” Sokolov talks about his courageous actions as if it were a very ordinary matter. He bravely performed his military duty at the front. Near Lozovenki he was tasked with transporting shells to the battery. “We had to hurry, because the battle was approaching us...,” says Sokolov. - The commander of our unit asks: “Will you get through, Sokolov?” And there was nothing to ask here. My comrades may be dying there, but I’ll be sick here? What a conversation! - I answer him. “I have to get through and that’s it!” In this episode, Sholokhov noticed the main feature of the hero - a sense of camaraderie, the ability to think about others more than about oneself. But, stunned by the explosion of a shell, he woke up already in captivity of the Germans. He watches with pain as the advancing German troops march to the east. Having learned what enemy captivity is, Andrei says with a bitter sigh, turning to his interlocutor:

“Oh, brother, it’s not an easy thing to understand that you are not in captivity of your own free will. Anyone who has not experienced this on their own skin will not immediately penetrate into their soul so that they can understand in a human way what this thing means.” His bitter memories speak of what he had to endure in captivity: “It’s hard for me, brother, to remember, and even harder to talk about what I experienced in captivity. When you remember the inhuman torment that you had to endure there in Germany, when you remember all the friends and comrades who died, tortured there in the camps, your heart is no longer in your chest, but in your throat, and it becomes difficult to breathe...”

While in captivity, Andrei Sokolov exerted all his strength to preserve the person within himself, and not to exchange “Russian dignity and pride” for any relief in fate. One of the most striking scenes in the story is the interrogation of the captured Soviet soldier Andrei Sokolov by the professional killer and sadist Muller. When Müller was informed that Andrei had allowed his dissatisfaction with hard labor to show, he summoned him to the commandant’s office for questioning. Andrei knew that he was going to his death, but decided to “gather his courage to look into the hole of the pistol fearlessly, as befits a soldier, so that his enemies would not see at the last minute that it was difficult for him to part with his life...”

The interrogation scene turns into a spiritual duel between the Captured Soldier and the camp commandant, Müller. It would seem that the forces of superiority should be on the side of the well-fed, endowed with the power and opportunity to humiliate and trample the man Muller. Playing with a pistol, he asks Sokolov whether four cubic meters of production is really a lot, and is one enough for a grave? When Sokolov confirms his previously spoken words, Müller offers him a glass of schnapps before the execution: “Before you die, drink, Russian Ivan, to the victory of German weapons.” Sokolov initially refused to drink “for the victory of German weapons,” and then agreed “for his death.” After drinking the first glass, Sokolov refused to take a bite. Then they served him a second one. Only after the third did he bite off a small piece of bread and put the rest on the table. Talking about this, Sokolov says: “I wanted to show them, the damned ones, that although I am perishing from hunger, I am not going to choke on their handouts, that I have my own Russian dignity and pride and that they did not turn me into a beast, no matter how hard we tried."

Sokolov’s courage and endurance amazed the German commandant. He not only let him go, but finally gave him a small loaf of bread and a piece of bacon: “That’s what, Sokolov, you are a real Russian soldier. You are a brave soldier. I am also a soldier and respect worthy opponents. I won't shoot you. In addition, today our valiant troops reached the Volga and completely captured Stalingrad. This is a great joy for us, and therefore I generously give you life. Go to your block..."

Considering the scene of the interrogation of Andrei Sokolov, we can say that it is one of the compositional peaks of the story. It has its own theme - the spiritual wealth and moral nobility of Soviet people, its own idea: there is no force in the world capable of spiritually breaking a true patriot, making him humiliate himself before the enemy.

Andrei Sokolov has overcome a lot on his way. The national pride and dignity of the Russian Soviet man, endurance, spiritual humanity, indomitability and ineradicable faith in life, in his Motherland, in his people - this is what Sholokhov typified in the truly Russian character of Andrei Sokolov. The author showed the unbending will, courage, and heroism of a simple Russian man, who, in the time of the most difficult trials that befell his Motherland and irreparable personal losses, was able to rise above his personal fate, filled with the deepest drama, and managed to overcome death with life and in the name of life. This is the pathos of the story, its main idea.

During the Great Patriotic War, Sholokhov, in military correspondence, essays, and the story “The Science of Hate,” exposed the anti-human nature of the war unleashed by the Nazis, showing the heroism of the Soviet people and love for the Motherland. And in the novel “They Fought for the Motherland,” the Russian national character was deeply revealed, clearly manifested in the days of difficult trials. Recalling how during the war the Nazis mockingly called the Soviet soldier “Russian Ivan,” Sholokhov wrote in one of his articles: “Symbolic Russian Ivan -

this is what: a man dressed in a gray overcoat, who, without hesitation, gave the last piece of bread and thirty grams of front-line sugar to a child orphaned during the terrible days of the war, a man who selflessly covered his comrade with his body, saving him from imminent death, a man who , gritting his teeth, endured and will endure all hardships and hardships, going to the feat in. the name of the Motherland.”
Andrei Sokolov appears before us as such a modest, ordinary warrior in the story “The Fate of a Man.” Sokolov talks about his courageous deeds as if it were a very ordinary matter. He bravely performed his military duty at the front. Near Lozovenki

he was instructed to transport the shells to the battery. “We had to hurry, because the battle was approaching us...” says Sokolov. “The commander of our unit asks: “Will you get through, Sokolov?” And there was nothing to ask here. My comrades may be dying there, but I’ll be sick here? What a conversation! - I answer him. “I have to get through and that’s it!” In this episode, Sholokhov noticed the main feature of the hero - a sense of camaraderie, the ability to think about others more than about himself. But, stunned by the explosion of a shell, he woke up already in captivity of the Germans. He watches with pain as the advancing German troops march to the east. Having learned what enemy captivity is, Andrei says with a bitter sigh, turning to his interlocutor: “Oh, brother, it’s not an easy thing to understand that you are not in captivity of your own free will. Anyone who has not experienced this on their own skin will not immediately penetrate into their soul so that they can understand in a human way what this thing means.” His bitter memories speak of what he had to endure in captivity: “It’s hard for me, brother, to remember, and even harder to talk about what I experienced in captivity. When you remember the inhuman torment that you had to endure there in Germany, when you remember all the friends and comrades who died, tortured there in the camps - your heart is no longer in your chest, but in your throat, and it becomes difficult to breathe...”
While in captivity, Andrei Sokolov put all his strength into preserving the person within himself, and not exchanging “Russian dignity and pride” for any relief. One of the most striking scenes in the story is the interrogation of the captured Soviet soldier Andrei Sokolov by the professional killer and sadist Muller. When Müller was informed that Andrei had allowed his dissatisfaction with hard labor to show, he summoned him to the commandant’s office for questioning. Andrei knew that he was going to death, but decided to “gather his courage to look into the hole of the pistol fearlessly, as befits a soldier, so that his enemies would not see at the last minute that it was difficult for him to part with life...” The interrogation scene turns into a spiritual duel captured soldier with camp commandant Müller. It would seem that the forces of superiority should be on the side of the well-fed, endowed with the power and opportunity to humiliate and trample the man Muller. Playing with a pistol, he asks Sokolov whether four cubic meters of production is really a lot, and is one enough for a grave? When Sokolov confirms his previously spoken words, Muller offers him a glass of schnapps before the execution: “Before you die, drink, Russian Ivan, to the victory of German weapons.” Sokolov at first refused to drink “for the victory of German weapons,” and then agreed “for his death.” After drinking the first glass, Sokolov refused to take a bite. Then they served him a second one. Only after the third did he bite off a small piece of bread and put the rest on the table. Talking about this, Sokolov says: “I wanted to show them, the damned ones, that although I am perishing from hunger, I am not going to choke on their handouts, that I have my own Russian dignity and pride and that they did not turn me into a beast, no matter how hard we tried.”
Sokolov’s courage and endurance amazed the German commandant. He not only let him go, but finally gave him a small loaf of bread and a piece of bacon: “That’s it, Sokolov, you are a real Russian soldier. You are a brave soldier. I am also a soldier and I respect worthy opponents. I won't shoot you. In addition, today our valiant troops reached the Volga and completely captured Stalingrad. This is a great joy for us, and therefore I generously give you life. Go to your block..."
Considering the scene of the interrogation of Andrei Sokolov, one can say; that it is one of the compositional peaks of the story. It has its own theme - the spiritual wealth and moral nobility of Soviet people; his own idea: there is no force in the world that can spiritually break a true patriot, force him to humiliate himself before the enemy.
Andrei Sokolov has overcome a lot on his way. The national pride and dignity of the Russian Soviet man, endurance, spiritual humanity, indomitability and ineradicable faith in life, in his Motherland, in his people - this is what Sholokhov typified in the truly Russian character of Andrei Sokolov. The author showed the unbending will, courage, heroism of a simple Russian man, who, in the time of the most difficult trials that befell his homeland and irreparable personal losses, was able to rise above his personal fate, filled with the deepest drama, and managed to overcome death with life and in the name of life. This is the pathos of the story, its main idea.

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