Baruzdin Sergey Alekseevich biography of children. Sergey Baruzdin: Poems. The simplest thing

Baruzdin Sergey Alekseevich - poet, prose writer.

His father, being the deputy head of Glavtorf in Moscow, wrote poetry. Not without the influence of his father, Sergei began to become interested in poetry, publishing his first poems first in a wall newspaper, then in the large-circulation “Industry Headquarters”, in “Pionerskaya Pravda”, the magazine “Pioneer”, “Friendly Guys”. They were noticed by N.K. Krupskaya, at that time Deputy People's Commissar of Education, and she sent the young poet to the literary studio of the Moscow House of Pioneers. “I was fourteen when the war began and when the day before I was at my next lesson at the House of Pioneers. The war was already underway when I was fifteen... In the Red Army I served as a private in artillery reconnaissance... On the Oder bridgehead, in the Oppeln region, near Breslau, in the battles for Berlin, on the Elbe, and then in the dash to Prague, we, seventeen-eighteen-year-old guys, understood a lot...” (Baruzdin S. People and Books. M ., 1978. pp. 320-321).

Learning is not the sweetest thing.

Baruzdin Sergey Alekseevich

After demobilization, he worked and at the same time studied at evening school, then by correspondence at the Literary Institute. M. Gorky.

In 1950 he published his first poetry collection. for children “Who Built This House” and a collection of poems together with A.G. Aleksin “Flag”; in 1951 - a collection of stories “About Svetlana”, then a story in verse about a first-grader Galya and her friends. The poems are warmed by the author's personal attitude towards his characters.

In 1956 he published a book for children, Step by Step. Sat. are dedicated to the education of schoolchildren. poems “Who is studying today” (1955), the story “Lastochkin the Younger and Lastochkin the Elder” (1957).

L. Kassil characterized Baruzdin’s poems for children as follows: “Important in meaning, tightly coordinated...” (Baruzdin S. Your friends are my comrades. M., 1967. P.6). Baruzdin's talent is characterized by philosophy, parable-likeness, and rhetorical formulation in verse for children of their main thoughts. By talking with the child not only confidentially, but also seriously, the author strives to awaken in him the most important civic qualities - hard work, humanity, internationalism, a sense of duty and justice. The prose is even more problematic, the plots reveal the severity of conflicts; Baruzdin combined poetry and prose into the book “On Different Differences” (1959).

Addressing the little reader in books of the 1960s, Baruzdin turns to journalism: “A soldier was walking down the street,” “The country where we live,” “The country of Komsomol.” In the story for children “A Soldier Walked Down the Street,” the author teaches young readers the first lessons of patriotism. In the book “The Country Where We Live,” the narrator, together with his 5-year-old interlocutor, flies around the whole country on an airplane, they see the Urals, and Siberia, and Kamchatka, and Far East, and the hero understands that our country is both large and rich. The author skillfully and tactfully introduces little interlocutors into the complex web of difficult everyday problems: “Big Svetlana. Little stories" (1963), "Valya-Valentin. Poems" (1964), " Snowing... Stories" (1969).

In Baruzdin's books, a child comprehends the diverse beauty of life, learns kindness and the joy of being kind. About friendship between Soviet and Indian peoples narrated in the book Traveling Gifts (1958). Here, in the stories “Ravi and Shashi” and “How Snowball Got to India,” the author has a serious conversation with the little reader about the friendship of peoples, about human responsiveness and solidarity. In the small but capacious and instructive story “Not Tomorrow,” as in the stories “The First of April - One Day of Spring” and “New Yards,” the author poses to schoolchildren questions of conscience and duty, selfish acquisitiveness and work for the common good.

He wrote poetry (terrible in my opinion), military prose(none), children's books (very cute, but nothing more). His real calling and all-consuming passion lay elsewhere - he was Chief Editor, and this is a rare craft.

That night there was an earthquake in Dushanbe. My colleague and I, returning from visiting, did not notice him.

The hotel lobby, despite the late or rather early hour, was buzzing with an excited crowd. Our boss sat on the sidelines, clutching a bulky package to his chest.

- How are you safe? - excitedly

he grew up.

- Seems Yes. And what?

- Like what? Five points! Didn't you feel anything?

- It swayed a little. But we decided that these were the natural consequences of a friendly meeting. What are you holding in your hands, Sergei Alekseevich?

- Books. These were the only ones I took, getting out of the room.

There were books

for the Nurek Library, and the Nurek Library was reputed to be the second passion of the editor-in-chief of the magazine "Friendship of Peoples" Sergei Alekseevich Baruzdin. A unique collection of books with autographs of the authors - oh, where is it now? It’s unlikely that the books would have been rolled out - the militants preferred Marlboro or Camel, but N

Urek and Rogun and the Vakhsh valley remained the territory of hostilities for so long that in this orthodox inferno it is unlikely that the books of the infidels survived.

Baruzdin, fortunately, did not find out about this.

He wrote poetry (terrible, in my opinion), military prose (nothing), children's books (very cute, but nothing more). His

his real calling and all-consuming passion lay elsewhere - he was the editor-in-chief, and this is a rare craft. Take my word for it: over many decades, I have had exactly 19 editors-in-chief in journalism, but for only three it was a profession. Egor Yakovlev in "Journalist", Anatol

y Golubev in “Smena”, Sergei Baruzdin in “Friendship of Peoples”. They are all different: Yakovlev is a satrap who knew how to make a person work to the limit of his strength, which he did not suspect; Golubev is a gentleman, he didn’t seem to interfere in anything, but he selected and placed people in such a way that the editorial machine is cool

it was as if she was on her own; Baruzdin was an athlete.

He became the editor-in-chief Soviet times very early - at 39 years old. He got a dull magazine called " mass grave fraternal literature." And with the passion of an ambitious athlete, Baruzdin entered into competition with the recognized whales of the then

his sea of ​​thick magazines - “New World”, “Znameny”, “October”. And it’s not that he won this marathon, but he made the magazine respect himself. Under Baruzdin, the magazine published " Different days war" by Konstantin Simonov and the later novels of Yuri Trifonov, the best things by Vasil Bykov and the scandalous novel of Anatoly Ryb

akova; Estonian, Lithuanian, Georgian novelists found world fame, published in Russian in "Friendship of Peoples". All this was worth painful explanations in Kitaisky Proezd, where our censors sat, and on Old Square, where the Central Committee was located. He had to maneuver, humiliate himself, but there was no chance

so that he could set one of us up. Having gone to the front as a boy, mortally ill, even at 50 he looked like a very old man, he knew how to take a blow like no one else.

He had a strange, wasteful habit: after each issue of the magazine he wrote by hand Thanksgiving letters everyone

Sergei Alekseevich Baruzdin is a Soviet writer, poet and prose writer, author of many works for children. Since 1938, S. Baruzdin published in the newspaper “Pioneer”. In 1943, at the age of 17, he was drafted into the war, after which in 1958 he graduated from the Literary Institute. Gorky. The name of S. Baruzdin is associated with the Writers' Union, where he worked as the secretary of the board for many years.

Baruzdin’s poems for children are imbued with a sense of patriotism (“Step by Step”), in which he addresses such topics as respect for elders and the ability to be responsible for one’s words (“Poems about a man and his words”). Particularly notable in his work is a small selection of poems about the girl Gala and her mother, who works at a factory and attends evening school: “Mom also studies,” “Mom does her homework,” “Galya wakes up,” “As Galya counted the raven.” main idea of these poems, united by one theme - the importance of continuous education for a person, the labor education of youth, the formation in children moral basis and an example to follow.

Sergei Alekseevich Baruzdin was born July 22, 1926 in Moscow. His father, being the deputy head of Glavtorf in Moscow, wrote poetry.

Not without the influence of his father, Sergei began to become interested in poetry, publishing his first poems first in a wall newspaper, then in the large-circulation “Industry Headquarters”, in “Pionerskaya Pravda”, the magazine “Pioneer”, “Friendly Guys”. They were noticed by N.K. Krupskaya, at that time Deputy People's Commissar of Education, she sent the young poet to the literary studio of the Moscow House of Pioneers. “I was fourteen when the war began and when the day before I was at my next lesson at the House of Pioneers. The war was already underway when I was fifteen... In the Red Army I served as a private in artillery reconnaissance... On the Oder bridgehead, in the Oppeln area, near Breslau, in the battles for Berlin, on the Elbe, and then in the dash to Prague we, seventeen-eighteen-year-old boys understood a lot...” (Baruzdin S. People and Books. M., 1978. P. 320-321).

After demobilization, he worked and at the same time studied at evening school, then by correspondence at the Literary Institute. M. Gorky.

In 1950 published the first collection of poetry for children, “Who Built This House,” and a collection of poems together with A.G. Aleksin “Flag”; in 1951- a collection of stories “About Svetlana”, then a story in verse about a first-grader Galya and her friends. The poems are warmed by the author's personal attitude towards his characters.

In 1956 published a book for kids “Step by Step”. The collection of poems “Who is studying today” is dedicated to the education of schoolchildren ( 1955 ), the story “Swallow the Younger and the Swallow the Elder” ( 1957 ).

Baruzdin's talent is characterized by philosophy, parable-likeness, and rhetorical formulation in verse for children of their main thoughts. By talking with the child not only confidentially, but also seriously, the author strives to awaken in him the most important civic qualities - hard work, humanity, internationalism, a sense of duty and justice. The prose is even more problematic, the plots reveal the severity of conflicts; Baruzdin combined poetry and prose into the book “About Different Differences” ( 1959 ).

Addressing the little reader in books from the 1960s, Baruzdin turns to journalism: “A soldier was walking down the street,” “The country where we live,” “The country of Komsomol.” In the story for children “A Soldier Walked Down the Street,” the author teaches young readers the first lessons of patriotism. In the book “The Country Where We Live,” the narrator, together with his 5-year-old interlocutor, flies around the whole country on an airplane, they see the Urals, and Siberia, and Kamchatka, and the Far East, and the hero understands that our country is big and rich . The author skillfully and tactfully introduces little interlocutors into the complex web of difficult everyday problems: “Big Svetlana. Little stories" ( 1963 ), “Valya-Valentin. Poetry" ( 1964 ), "It's Snowing... Stories" ( 1969 ).

In Baruzdin's books, a child comprehends the diverse beauty of life, learns kindness and the joy of being kind. The friendship of peoples is described in the book “Gifts-Travelers” ( 1958 ). Here, in the stories “Ravi and Shashi” and “How Snowball Got to India,” the author has a serious conversation with the little reader about the friendship of peoples, about human responsiveness and solidarity. In the small but capacious and instructive story “Not Tomorrow”, as in the stories “The First of April - One Day of Spring”, “New Yards”, the author poses to schoolchildren questions of conscience and duty, selfish acquisitiveness and work for the common good.

In the novel for adults “Repetition of the Past” ( 1964 ) Baruzdin significantly supplemented the artistic chronicle of the Great Patriotic War. The author shows how romantically minded but homely boys who have not experienced the blows of fate grow into courageous soldiers. The press also noted the originality of the composition of the novel, its action begins and ends in 1961 - the year of Yuri Gagarin's flight, and between this frame - the years of the Great Patriotic War, with each year given a special chapter.

The theme of war is also developed in Baruzdin’s books “Her Name is Elka”, “Tales of Women” ( 1967 ). The image of women in war is the theme of this book. It tells about a teenage girl who, at the beginning of the war, took part in the battles near Naro-Fominsk and died heroically while performing a combat mission. The story “Tasya,” named after her heroine, outlines the path of a woman who was wounded, lost a child, but heroically went through the entire war. In the story “Believe and Remember,” the heroine is a home front worker during the war, a participant in the heroic post-war reconstruction National economy.

Baruzdin acted as a literary historian. He devoted many interesting articles to the works of E. Asadov, A. Barto, L. Voronkova, A. Vergelis, M. Isakovsky, K. Kalchev, V. Kataev, A. Keshokov and other writers. The book “Notes on Children's Literature” contains articles about more than 60 writers.

In 1978 the book “People and Books” was published (republished in 1982). Required a reissue and came out in 1985 Baruzdin’s book “Writer. Life. Literature"; expanded reissue released in 1990- here are portraits of M. Karim, O. Gonchar, N. Gribachev, G. Gulia, M. Dudin, M. Bazhan, S. Orlov, T. Pulatov, A. Yugov and many others. Understanding the spiritual essence of this or that artist for Baruzdin is the key to his work; the judgments of the author of the book are especially valuable and interesting here.

Over a quarter of a century of work in literature, the circulation of Baruzdin’s books amounted to more than 30 million copies, they were published in more than 50 languages ​​of the world. The writer was also involved in translations, translated poetry and prose - works by A. Aripov, Sh. Beishenaliev, G. Boyko, G. Vieru, Sh. Rashidov, G. Yushkov.

In 1953-1955 worked in the editorial office of the Pioneer magazine; then the editorial work was continued in the magazine “Friendship of Peoples”, where, as editor-in-chief, Baruzdin did a lot for publication in Russian best works writers of the peoples of the USSR. He also worked actively in the leadership of the USSR Joint Venture and on its board.

Once upon a time there lived a father

Very kind,

I just came late

And he took his work home.

This made his mother angry.

These lines belong to the Soviet writer and poet Sergei Baruzdin. Simple and artless, but at the same time warm, like summer rain, they remain in our memory for a long time.

Creativity of Sergei Baruzdin

The writer lived and worked at a time when literature was under close censorship supervision. All published works were supposed to glorify Soviet power. Rarely has any writer managed to create a work that is not politicized, but Sergei Baruzdin did it.

All his work is illuminated warm light humanity and love for people. He did not read morals and sermons, he showed both with his creativity and his life how to live so that it would be good not only for himself, but for all the people around him. He was called a true friend of children.

Throughout his life, the writer wrote more than 200 books for children and adults. Total circulation his works number about 100 million copies. Books were published in approximately 70 languages ​​of the world. His work was highly appreciated by Nadezhda Krupskaya and Lev Kassil, Konstantin Simonov and Maria Prilezhaeva.

Sergey Baruzdin: biography

He was born in Moscow in 1926. Dad wrote poetry and also taught his son to love poetry. Everything turned out very well: his works were published in the school wall newspaper, and then in the Pioneer magazine and the Pionerskaya Pravda newspaper. drew attention to young talent and sent him to the literary studio of the House of Pioneers.

New acquaintances with interesting people, doing what you love - life was easy and beautiful, but everything changed, and the familiar world collapsed in a few hours when the Great Patriotic War began. A few months after this, my father died. Grief and death quickly burst into the world of fantasies and dreams of the young poet.

Sergei was only 14 years old, and he was eager to go to the front, but for obvious reasons they did not take him there. A year after the start of the war, having credited himself with a couple of years, he had already fought in artillery reconnaissance, participated in the defense of Moscow, captured Berlin and liberated Prague. He was awarded orders and medals. More valuable than all other awards was the medal “For the Defense of Moscow.”

After the war he entered the school named after M. Gorky. After graduating, he was the editor of the magazines “Pioneer” and “Friendship of Peoples”. Worked on the board of the USSR Writers' Union. Sergei Baruzdin died on March 4, 1991.

Magazine "Friendship of Peoples"

At the age of 39, Baruzdin became the editor of not the most popular publication in the Soviet Union. The magazines they read were " New world", "October", "Banner". “Friendship of Peoples” was called “a mass grave of fraternal literature,” and this publication was absolutely not in demand.

But thanks to Sergei Baruzdin, it began to publish K. Simonov, Y. Trifonov, V. Bykov, A. Rybakov and other not only well-known, but also unknown authors. Many national writers and poets became popular only after publications in Friendship of Peoples. Baruzdin always had problems with censorship, but he knew how to protect writers and defend his position.

Baruzdin was able to make “Friendship of Peoples” one of the most beloved and read in the Soviet Union. The truth, no matter how bitter it may be, has become one of the features that distinguishes the magazine. Its pages perfectly combined Russian and translated literature.

Sergey Baruzdin: books

The development of the writer’s personality was greatly influenced by the war. He went to the front when he was just a boy, but came back as a soldier who had seen a lot. At first he wrote about the war. These were stories, but the writer did not describe horrors, but funny stories that happened to him and his comrades at the front.

In 1951, the author wrote a book that is one of his business cards. This is a trilogy about the girl Svetlana. At the beginning of the book, she is three years old, the girl is just getting acquainted with the huge world that surrounds her. IN short stories incidents from her life are described. Simply and clearly, Baruzdin teaches the reader important things: responsibility for an action, respect for elders, helping older people and much more.

Almost fifteen years after the war he wrote autobiographical novel"Repetition of the past." The book covers a large period of time: peacetime, years of confrontation and post-war time. Baruzdin wrote about how hard it was for yesterday’s schoolchildren and schoolgirls during the war, and how early home boys and girls became warriors defending their homeland. Truthfulness and sincerity - that's distinctive features this book. At first it was written for an adult reader, and later it was remade for children by Sergei Baruzdin.

This author wrote poetry and prose, as well as journalism. He has many books for children in which he introduces them to the history of our homeland: “A Soldier Walked Down the Street” and “The Country Where We Live.” Books have also been published about the Great Patriotic War: “Tonya from Semenovka” and “Her name is Elka.” There were also works about animals: “Ravi and Shashi” and “How Snowball Got to India.” In addition, a collection of literary essays entitled “People and Books” should be noted.

Creativity of E. Asadov, A. Barto, L. Voronkova, L. Kassil, M. Isakovsky and many others Soviet writers and poets become closer and more understandable after reading essays about their lives written by Sergei Baruzdin.

Basic principles

• Do not under any circumstances distort the existing reality.
• Good must triumph.
• Do not use complex sentences in works - everything must be written in simple language, understandable even to the smallest reader.
• A sense of duty, justice, internationalism.
• To awaken the best and most humane feelings in your readers.