Was there a way out of the situation for the heroes of M. Gorky "At the Depths"


I dedicate Konstantin Petrovich Pyatnitsky

M. Gorky


Characters:
Mikhail Ivanov Kostylev, 54 years old, hostel owner. Vasilisa Karpovna, his wife, 26 years old. Natasha, her sister, 20 years old. Medvedev, their uncle, policeman, 50 years old. Vaska Pepel, 28 years old. Klesch Andrey Mitrich, mechanic, 40 years old. Anna, his wife, 30 years old. Nastya, girl, 24 years old. Kvashnya, dumpling seller, about 40 years old. Bubnov, cap maker, 45 years old. Baron, 33 years old.

Satin Actor

approximately the same age: about 40 years old.

Luke, wanderer, 60 years old. Alyoshka, shoemaker, 20 years old.

Crooked goiter Tatar

hook makers

A few tramps without names or speeches.

Act one

A cave-like basement. The ceiling is heavy, stone vaults, smoked, with crumbling plaster. Light from the viewer and, from top to bottom, from a square window with right side. The right corner is occupied by Ash’s room, fenced off by thin partitions, near the door to this room - Bubnov’s bunk. In the left corner there is a large Russian stove; in the left stone wall there is a door to the kitchen where Kvashnya, Baron, Nastya live. Between the stove and the door against the wall there is a wide bed covered with a dirty chintz curtain. There are bunks everywhere along the walls. In the foreground, near the left wall, is a stump of wood with a vice and a small anvil attached to it, and another, lower than the first. On the last one, in front of the anvil, sits Tick, trying on keys to old locks. At his feet are two large bunches of different keys, mounted on wire rings, a damaged samovar made of tin, a hammer, and filings. In the middle of the shelter there is a large table, two benches, a stool, everything is unpainted and dirty. At the table, by the samovar, Kvashnya is in charge, the Baron is chewing black bread, and Nastya is on a stool, reading a tattered book, leaning on the table. Anna is coughing on the bed, covered with a canopy. Bubnov, sitting on his bunk, tries on old, torn trousers on a hat blank, clamped in his knees, figuring out how to cut them. Near it are tattered cardboard from under a hat for visors, pieces of oilcloth, rags. Satin has just woken up, lies on the bunk and growls. On the stove, invisible, the Actor is fiddling and coughing.

The beginning of spring. Morning.

Baron. Further! Kvashnya. No, I say, darling, get away from me with this. I say, I experienced it... and now I won’t walk down the aisle for a hundred baked crayfish! Bubnov (to Satin).

Why are you grunting?

Kvashnya. So that I, I say, am a free woman, my own mistress, and fit into someone’s passport, so that I give myself to a man in a fortress no! Even if he were an American prince, I wouldn’t think of marrying him. Tick. You're lying! Kvashnya. Wha-oh? Tick. You're lying! Get married to Abramka... Baron (grabs the book from Nastya and reads the title).“Fatal love”... (Laughs.) Nastya (extending his hand). Give...give it! Well... don't spoil it!

The Baron looks at her, waving the book in the air.

Kvashnya (Tick). Baron You're a red goat! You're lying there! How dare you say such a bold word to me?(hitting Nastya on the head with a book). Nastya You're a fool, Nastya...(takes away the book). Give... Tick. Great lady!.. And you will get married to Abramka... that’s just what you’re waiting for... Kvashnya. Certainly! Of course... of course! You beat your wife half to death... Tick. Shut up, old dog! It's none of your business... Kvashnya. Ahh! You can't stand the truth! Nastya Baron. Began! Nastya where are you?(without raising his head). Eh?.. Go away! Anna(poking his head out from behind the curtain). The day has begun! For God's sake... don't shout... don't swear! Tick. I started whining! Anna . Every single day... let me at least die in peace! Bubnov. The noise of death is not a hindrance... Kvashnya (approaching Anna). And how did you, my mother, live with such evil? Anna . Leave... leave me alone... Kvashnya. Oh well! Eh... you're so patient!.. Isn't your chest feeling lighter? Baron. Kvashnya! Time to go to the market... Kvashnya. Let's go now! (To Anna.) Do you want some hot lady dumplings? Anna . No need... thanks! Why should I eat? Baron Kvashnya. And you eat. Hot softens. I’ll put it in your cup and leave it... whenever you want, eat it! Let's go, master... (I tick.) Uh, unclean spirit... (He goes into the kitchen.) Anna (coughing). God...

(quietly pushes Nastya in the back of the head).

Come on... you fool! Nastya (mumbling). Go away... I'm not bothering you. The Baron, whistling, goes after Kvashnya. Satin (rising up on the bunk). Who beat me yesterday? Bubnov. Do you care?.. Satin. Let’s put it this way... Why were you beaten? Bubnov. Did you play cards? Satin. Played... Bubnov. That's why they beat me... Satin. M-bastards... Actor (poking his head out of the stove). One day you will be completely killed... to death... Satin. And you are a fool. Actor. Why? Satin. Because you can't kill twice. Actor (after a pause). Baron I don’t understand... why not? I don’t have time to clean up... I’m going to the market with Kvashnya. Actor. This doesn’t concern me... at least go to hard labor... and it’s your turn to take revenge... I won’t work for others... Baron. Well, to hell with you! The wall will sweep... Hey, you, fatal love! Wake up! (Takes the book from Nastya.) Nastya (getting up). What do you need? Give it to me! Mischievous! And also master... Baron (giving the book). Nastya! Sweep the floor for me, okay? Nastya (going into the kitchen). It’s very necessary... of course! Kvashnya Baron (at the door from the kitchen to Baron). And you go! They will leave without you... Actor! They ask you, just do it... you won’t break, tea! Actor. Well... I always... don't understand... (takes baskets out of the kitchen on a yoke. They contain pots covered with rags). Something is hard today... Satin. As soon as you were born a baron... Kvashnya (To the Actor). Just look, sweep! (He goes out into the vestibule, letting Baron go ahead of him.) Actor (getting off the stove). It's harmful for me to breathe dust. (With pride.) My body is poisoned by alcohol... (Thinks while sitting on the bunk.) Satin. Organism... organon... Anna . Andrey Mitrich... Tick. What else? Anna . Kvashnya left me dumplings there... take it and eat it. Bubnov. Did you play cards? Tick ​​(approaching her). And you won't? Anna . I don’t want... What do I need to eat? You are a worker... you need... Tick. Are you afraid? Don't be afraid... maybe more... Anna . Go eat! It’s hard for me... apparently, soon... Bubnov. Did you play cards? Tick ​​(moving away). Nothing... maybe you'll get up... it happens! (Goes into the kitchen.) (loudly, as if suddenly waking up). Yesterday, at the hospital, the doctor told me: your body, he says, is completely poisoned by alcohol... Satin (smiling). Organon... Actor (persistently). Not an organon, but an or-ga-ni-zm... Satin. Sicambre... (waves his hand at him). Eh, nonsense! I'm saying seriously... yes. If the body is poisoned... it means it is harmful for me to sweep the floor... to breathe dust... Satin. Macrobiotics... ha! Bubnov. Why are you muttering? I don’t understand... why not? Satin. Words... And then there is trans-scedental... Bubnov. What's this? Satin. I don't know... I forgot... Bubnov. Why are you talking?

Satin. So... I'm tired, brother, of all human words... all our words are tired! I have heard each of them... probably a thousand times...

Satin. I love incomprehensible, rare words... When I was a boy... I served in the telegraph office... I read a lot of books... Bubnov. Were you also a telegraph operator? Satin. Was... (Grinning.) There are very good books... and many interesting words... I was educated person... You know? Bubnov. I've heard it... a hundred times! Well, he was... how important!.. I was a furrier... I had my own establishment... My hands were so yellow from paint: I tinted the furs, so, brother, my hands were yellow up to the elbows ! I already thought that I wouldn’t wash it until I die... so I’ll die with yellow hands... And now here they are, my hands... just dirty... yes! Satin. So what? Bubnov. And nothing more... Satin. What do you mean? Bubnov. So... just for consideration... It turns out that no matter how you paint yourself, everything will be erased... everything will be erased, yes! Satin. Ah... my bones hurt! Bubnov. Did you play cards? (sits with his arms around his knees). Education is nonsense, the main thing is talent. I knew the artist... he read the roles according to the rules, but could play the characters in such a way that... the theater crackled and swayed from the delight of the audience... Satin. Bubnov, give me a penny! Bubnov. I only have two kopecks... Actor. I say talent, that's what a hero needs. And talent is faith in yourself, in your strength... Satin. Give me a nickel, and I will believe that you are a talent, a hero, a crocodile, a private bailiff... Tick, give me a nickel! Tick. Go to hell! There are a lot of you here... Satin. Why are you swearing? Because you don't have a penny, I know... Anna . Andrey Mitrich... I feel stuffy... difficult... Tick. What will I do? Bubnov. Open the door to the hallway... Tick. OK! You are sitting on the bunk, and I am on the floor... let me go to my place, and open the door... and I already have a cold... Bubnov (calmly). I don’t need to open the door... your wife asks... Tick ​​(sullenly). You never know who would ask for anything...

Satin. My head is buzzing... eh! And why do people hit each other on the head?

Bubnov. Did you play cards? Bubnov. They are not only on the head, but throughout the rest of the body. (Gets up.) Go and buy some thread... And for some reason our owners haven’t been seen for a long time today... as if they had died. (Leaves.) Anna coughs. Satin, with his hands under his head, lies motionless. (after looking around sadly, he approaches Anna). What? Badly? Anna . It's stuffy. Actor. Do you want me to take you out into the hallway? Well, get up. (He helps the woman get up, throws some junk over her shoulders and, supporting her, leads her into the hallway.) Well, well... hard! I am sick myself...poisoned with alcohol... Kostylev (at the door). (Humming something divine under his breath, he looks around the shelter suspiciously and tilts his head to the left, as if listening to something in Ash’s room.)

The tick fiercely jingles its keys and creaks its file, watching its owner from under its brows.

Are you creaking?

Tick. What? Kostylev. Are you creaking, I say?

Ah... that... what did I want to ask? (Quickly and quietly.) Wasn't your wife here?

Tick. I haven't seen... Kostylev (cautiously moving towards the door to Ash’s room). How much space do you take up for two rubles a month? The bed... you sit on your own... nope! For five rubles, by God! I'll have to throw fifty dollars at you... Tick. Throw a noose around me and crush me... You'll die soon, but you're still thinking about fifty dollars... Kostylev. Why push you? Who benefits from this? The Lord is with you, live, know, for your own pleasure... And I’ll throw fifty dollars on you, I’ll buy oil for the lamp... and my sacrifice will burn in front of the holy icon... And the sacrifice will go for me, as retribution for my sins , and for you too. After all, you yourself don’t think about your sins... well... Eh, Andryushka, you are an evil person! Your wife has withered away from your villainy... no one loves you, no one respects you... your work is creaky, restless for everyone... Tick ​​(screams).

Have you come to poison me?

Satin growls loudly. Kostylev (shuddering). Hey, father... Actor (enters). He sat the woman down in the hallway, wrapped her up... Kostylev. How kind you are, brother! That's good... it'll all count towards you... Actor. When? Kostylev. In the next world, brother... there everything, every deed of ours is counted... Actor. And here you would reward me for my kindness... Kostylev. How can I do this?

Actor. Rate half the debt...

Kostylev. Hehe! You keep joking, my dear, you keep playing... Can kindness of heart be compared with money? Kindness is above all good things. And your debt to me is indeed a debt! This means that you must compensate me for it... Your kindness to me, an old man, must be shown free of charge... Actor. You are a rogue, old man... (He goes into the kitchen.) The tick gets up and goes into the hallway. Kostylev (to Satin). Kostylev Creaky? He ran away, hehe! He doesn't love me... Satin. Who except the devil loves you...

Kostylev (chuckling).

What a scolder you are! And I love you all... I understand, my brothers, you are unfortunate, useless, lost... (Suddenly, quickly.) And... Vaska is at home? Satin. Look... (comes to the door and knocks). Vasya! Come on... you fool! The actor appears at the door from the kitchen. He's chewing something. He will open it, and she will be there...

The actor snorts.

Kostylev (restless, quietly). A? Who's there? You... what? Satin. What? Are you telling me? Kostylev. What did you say? Satin. This is me... to myself... Kostylev. Look, brother! Make jokes in moderation... yes! (Knocks hard on the door.) Basil!.. Ashes (opening the door). Kostylev Well? Why are you worried?(looking into the room). I... see you... Ash. Did you bring money? Kostylev. I have business for you... Ash. Did you bring the money? Kostylev. Which? Wait a minute... Ash. Money, seven rubles, for a watch well? Kostylev. What watch, Vasya?.. Oh, you... Ash. Well, look! Yesterday, in front of witnesses, I sold you a watch for ten rubles... I got three, give me seven! Why are you blinking your eyes? He hangs around here, bothers people... but doesn’t know his business... Kostylev. Shh! Don't be angry, Vasya... The clock, it... Satin. Stolen... Kostylev (sternly). I don't accept stolen goods... how can you... Ash (takes him by the shoulder). Why did you alarm me? What do you want? Kostylev. Yes... I don't care... I'll leave... if you're like that... Ash. Go, bring the money! Kostylev (leaves.) What rude people! Ay-ay... Actor. Comedy! Satin. Fine! This is what I love... Ash. Why is he here? Satin (laughing). Do not understand? He's looking for a wife... and why don't you kill him, Vasily?! Ash. I will ruin my life because of such rubbish... Satin. And you are clever. Then marry Vasilisa... you will be our master... Ash. Great joy! You will not only drink my entire household, but also, out of my kindness, you will drink me in a tavern... (Sits on the bunk.) The old devil... woke me up... And I had a good dream: as if I was catching a fish, and I got caught by a huge bream! This kind of bream, the kind that only happens in a dream... And so I’m leading it on a fishing rod and I’m afraid the line will break off! And I prepared a net... now, I think... Bubnov. Why are you muttering? Satin. This is not bream, but Vasilisa was... Actor. He caught Vasilisa a long time ago... Ash (angrily). Go to hell... and with her too! (enters from the hallway). Bubnov. Why are you muttering? Cold... doggy... Actor. Why didn't you bring Anna? Will freeze... Tick. Natasha took her into the kitchen... Actor. The old man will kick you out... (sitting down to work). Well... Natasha will bring... Satin. Basil! Give me a nickel... Satin. Many people get money easily, but few part with it easily... Work? Make sure that work is pleasant for me - maybe I will work... yes! May be! When work is pleasure, life is good! When work is a duty, life is slavery! (To the actor.) You, Sardanapalus! Let's go... Actor. Let's go, Nebuchadnezzar! I'll get drunk like... forty thousand drunkards... Ash (yawning). How's your wife? Tick. Apparently, soon... Ash. I'm looking at you, you're squeaking in vain. Tick. So what to do? Ash. Nothing... Tick. How will I eat? Ash. People live... Tick. These? What kind of people are they? Ragged, golden company... people! I’m a working man... I’m ashamed to look at them... I’ve been working since I was little... Do you think I won’t break out of here? I’ll get out... I’ll rip off the skin, and I’ll get out... Just wait... my wife will die... I lived here for six months... but it still feels like six years... Ash. No one here is worse than you... you are in vain to say... Tick. No worse! They live without honor, without conscience... Ashes (indifferently). Where are they - honor, conscience? On your feet, instead of boots, you can’t put either honor or conscience... Those who have power and strength need honor and conscience... Bubnov (enters). Uh... chilly! Ash. Bubnov! Do you have a conscience? Bubnov. Wha-oh? Conscience? Ash. Well, yes! Bubnov. What is conscience for? I'm not rich... Ash. So I say the same thing: the rich need honor and conscience, yes! And Kleshch scolds us: no, he says, we have a conscience... Bubnov. What did he want to do? Ash. He has a lot of his own... Bubnov. So he's selling? Well, no one here will buy it. I would buy broken cardboards... and even then on credit... Ashes (instructive). You're a fool, Andryushka! You should listen to Satin about conscience... otherwise Baron...

Mite. I have nothing to talk to them about...

Ash. They will be smarter than you... even though they are drunkards... Kostylev (sternly). Bubnov. And whoever is drunk and smart has two lands in him... Ash. Satin says: every person wants his neighbor to have a conscience, but, you see, it’s not beneficial for anyone to have one. And this is true... Natasha enters. Behind her is Luka with a stick in his hand, a knapsack over his shoulders, a bowler hat and a kettle at his belt. Luke. Good health, honest people! (smoothing his mustache). Ahh, Natasha! Bubnov (Luke). I was honest, but the spring before last... Natasha. Here's a new guest... Ash. What an interesting old man you brought, Natasha... Natasha. More interesting than you... Andrey! Your wife is in our kitchen... you, later, come for her. Tick. Okay... I'll come... Natasha. If only you could treat her more kindly now... it won't be long... Tick. I know... Natasha. You know... It's not enough to know, you understand. After all, dying is scary... Ash. But I’m not afraid... Natasha. How!.. Bravery... Bubnov (whistles). And the threads are rotten... Ash. Really, I'm not afraid! Even now I will accept death! Take a knife, strike against the heart... I’ll die without a sigh! Even with joy, because from a clean hand... Natasha (leaves). Well, you should start talking to others. Bubnov (drawn out). And the threads are rotten... Natasha (at the door in the hallway). Don't forget, Andrey, about your wife... Tick. OK... Ash. Nice girl! Bubnov. Girl nothing... Ash. Why is she with me... right? Rejects... All the same, he will disappear here... Bubnov. It will disappear through you... Ash. Why through me? I feel sorry for her... Kostylev (sternly). Bubnov. Like a wolf a sheep... Ash. You're lying! I really... feel sorry for her... It’s bad for her to live here... I see... Tick. Wait, Vasilisa will see you talking to her... Bubnov. Vasilisa? No, she won’t give up hers for nothing... the woman is fierce... (lies on the bunk). To hell with both of you... prophets! Tick. You'll see... just wait!.. Luke (in the kitchen, humming). It’s in the middle of the eyes... you can’t see the road... Tick ​​(going into the canopy). Look howls... too... Bubnov. Vasilisa? No, she won’t give up hers for nothing... the woman is fierce... Ash. And it’s boring... why is it boring for me? You live, you live, everything is fine! And suddenly you’ll definitely feel cold: it’ll become boring... Bubnov. Boring? Mm... Ash. Hey, hey! Luke (singing). Eh, and there’s no way to see the way... Ash. Old man! Hey! (looking out the door). It's me? Ash. You. Do not sing. Luka (exits). Don't you like it? Ash. When they sing well I love... Luke. Does that mean I'm not doing well?

Ash. That is...

Luke. Look! And I thought I sing well. This is how it always turns out: a person thinks to himself: “I’m doing well!” Grab and people are unhappy... Ash (laughing). Here! Right... Bubnov. You say it’s boring, but you want to laugh. Ash. What do you want? Crow... Luke. Is this boring for anyone? Ash. Get on all fours, bark like a dog! Baron. Fool! Are you a merchant? Or drunk? Ash. Well, bark! It will be funny for me... You are a master... there was a time when you didn’t consider our brother to be a person... and all that... Baron. Well, further! Ash. What? And now I’m going to make you bark like a dog - you will... won’t you? Baron. Well, I will! Blockhead! What pleasure can you get from this if I myself know that I have become almost worse than you? You would then force me to walk on all fours when I was no match for you... Bubnov. Right! Luke. And I will say good!.. Bubnov. What was was, but only trifles remain ... There are no gentlemen here... everything has faded away, one naked man remained... Luke. That means everyone is equal... And you, dear, were you a baron? Baron. What else is this? Who are you, kikimora? Luke (laughs). I saw the count and the prince... but this is the first time I’ve met the baron, and even then he’s spoiled... Ash (laughs). Baron! And you embarrassed me... Baron. It's time to be smarter, Vasily... Luke. Ehe-he! I’ll look at you, brothers, your life oh-oh!.. Bubnov. Such a life that you get up in the morning and howl... Baron. We lived better... yes! I... used to... wake up in the morning and, lying in bed, drink coffee... coffee! with cream... yes! Luke. And that's all people! No matter how you pretend, no matter how you wobble, but you were born a man, you will die a man... And that’s all, I see, smarter people They are becoming more and more interesting... and even though they live worse and worse, they want to get better... stubborn! Baron. Who are you, old man?.. Where did you come from? Luke. Me? Baron. Wanderer? Luke. We are all wanderers on earth... They say, I have heard, that our earth is also a wanderer in the sky. Baron (strictly). This is so, well, do you have a passport? Luke (not right away). Who are you, detective? Ash (joyfully). Clever, old man! What, Barosha, did you get it too? Bubnov. Well, yes, the master got it... Baron (confused). Well, what's there? I'm... kidding, old man! Brother, I don’t have any papers myself... Bubnov. You're lying! Baron. That is... I have papers... but they are no good. Luke. They, the pieces of paper, are all like that... they are all no good. Ash. Baron! Let's go to the tavern... Baron. Ready! Well, goodbye, old man... you rogue! Luke. Anything can happen, honey... Ash (at the door in the hallway). Well, let's go, shall we! (Leaves.)

The Baron quickly follows him.

Luke. In fact, was the man a baron? Bubnov. Who knows? Master, that's true... Even now, no, no, and suddenly he will show himself to be a master. I haven't gotten used to it yet, apparently. Luke. It is, perhaps, lordship - like smallpox... and a person will recover, but the signs remain... Bubnov. He’s okay after all... Only sometimes he kicks... like what about your passport... Alyoshka (enters drunk, with a harmony in his hands. Whistling). Hey residents! Bubnov. Why are you yelling? Alyoshka. Sorry! I'm a polite person... Bubnov. Have you been on a spree again? Alyoshka. As many as you like! Now assistant bailiff Medyakin kicked me out of the station and said: so that, he says, on the street there is no smell of you... no, no! I am a person with character... And the owner snorts at me... And what is the owner? F-fe! There’s just one misunderstanding... He’s a drunkard, the owner... But I’m the kind of person who... I don’t want anything! I don’t want anything and Sabbath! Here, take me for a ruble for twenty! But I don’t want anything.

Nastya comes out of the kitchen.

Give me a million I don’t want it! And so that by me, a good man, my comrade commanded... drunkard, I don’t want it! Don't want!

Nastya, standing at the door, shakes her head, looking at Alyoshka.

Luke (good-naturedly). Eh, boy, you're confused... Bubnov. Human stupidity... Alyoshka (lays down on the floor). Here, eat me! But I don’t want anything! I'm a desperate person! Explain to me who am I worse? Why am I worse than others? Here! Medyakin says: don’t go outside, I’ll beat you in the face! And I’ll go... I’ll go and lie down in the middle of the street, crush me! I don't wish for anything!.. Nastya. Unhappy!.. he’s still young, and yet... he’s breaking down like that... Alyoshka (seeing her, he kneels down). Young lady! Mamzel! Parle France... price list! I went on a spree... Nastya (whispers loudly). Vasilisa! Vasilisa (quickly opening the door to Alyosha). Are you here again? Alyoshka. Hello... please... Vasilisa. I told you, puppy, not to let your spirit be here... and you came again? Alyoshka. Vasilisa Karpovna... would you like me... to play a funeral march? Vasilisa (pushes him on the shoulder). Out! Alyoshka (moving towards the door). Wait... you can't do that! Funeral march... recently learned! Fresh music... wait! you can not do it this way! Vasilisa. I'll show you... you can't... I'll set the whole street against you... you're a damn pagan... you're too young to bark about me... Alyoshka (running out). Well, I'll leave... Vasilisa (To Bubnov). Don't let him set foot here! Do you hear? Bubnov. I'm not your keeper here... Vasilisa. And I don’t care who you are! You live out of mercy don’t forget! How much do you owe me? Bubnov (calmly). Didn't count... Vasilisa. Look, I'll count! Alyoshka (opening the door, shouts). Vasilisa Karpovna! And I’m not afraid of you... n-I’m not afraid! (Hides.)

Luka laughs.

Vasilisa. Who are you?.. Luke. Passing... wandering... Vasilisa. Are you spending the night or living? Luke. I'll take a look there... Vasilisa. Patchport! Luke. Can... Vasilisa. Let's! Luke. I'll bring it to you... I'll drag it to your apartment... Vasilisa. Passerby... too! A rogue would say... getting closer to the truth... Luke (sighing). Oh, and you are not kind, mother...

Vasilisa goes to the door to Ash’s room.

Alyoshka (whispers, looking out from the kitchen). Gone? A? Vasilisa (turns to him). Are you still here?

Alyoshka, hiding, whistles. Nastya and Luka laugh.

Bubnov (Vasilisa). He is not here... Vasilisa. Whom? Bubnov. Vaska... Vasilisa. Did I ask you about him? Bubnov. I see... you look everywhere... Vasilisa. I keep order, understand? Is this why you haven’t got a sweep yet? How many times have I ordered it to be clean? Bubnov. Revenge actor... Vasilisa. I don't care who! But if the orderlies come and impose a fine, then I... all of you out! Bubnov (calmly). How will you live? Vasilisa. So that there is no speck! (Goes to the kitchen. Nastya.) Why are you hanging around here? Is your mug swollen? Why are you standing there? Sweep the floor! Have you seen Natalya? Was she here? Nastya. I don't know... I haven't seen... Vasilisa. Bubnov! Was your sister here? Bubnov. And... she brought him... Vasilisa. Was this... at home? Bubnov. Basil? There was... She was talking to Kleshch here, Natalya... Vasilisa. I'm not asking you with whom! Dirt everywhere... dirt! Oh you... pigs! To keep it clean... hear! (Quickly leaves.) Bubnov. How much atrocity there is in this woman! Luke. Serious butterfly... Nastya. You will go wild in such a life... Tie every living person to a husband like hers... Bubnov. Well, she's not very tightly attached... Luke. Is she always so... torn? Bubnov. Always... You see, I came to my lover, but he’s not there... Luke. It's a shame, then. Oho-ho! How much it different people He controls the earth... and frightens each other with all sorts of fears, but there is no order in life... and there is no purity... Bubnov. Everyone wants order, but there is a lack of reason. However, we need to sweep... Nastya!.. You should get busy... Nastya. Well yes, of course! I'm here for you, maid... (Pause.) I'll get drunk today... I'll get so drunk! Bubnov. And that's the thing... Luke. Why are you, girl, thirsty? Just now you were crying, now you’re saying, “I’ll get drunk!” Nastya (defiantly). And if I get drunk, I’ll cry again... that’s all! Bubnov. A little... Luke. For what reason, tell me? After all, without a reason, a pimple won’t pop up...

Nastya is silent, shaking her head.

So... Ehe-he... gentlemen! And what will happen to you?.. Well, at least I’ll leave a litter here. Where is your broom?

Bubnov. Behind the door, in the hallway...

Luka goes into the hallway.

Nastenka!

Nastya. A? Bubnov. Why did Vasilisa rush at Alyosha? Nastya. He said about her that Vaska was tired of her and that Vaska wanted to leave her... and take Natasha for himself... I’ll leave here... to another apartment. Bubnov. What? Where? Nastya. I'm tired... I'm superfluous here... Bubnov (calmly). You are superfluous everywhere... and all the people on earth are superfluous...

Nastya shakes her head. He gets up and quietly goes into the hallway. Medvedev enters. Behind him Luke with a broom.

Medvedev. It's like I don't know you... Luke. Do you know all the other people? Medvedev. I should know everyone in my precinct... but I don’t know you... Luke. This is because, uncle, not all of the land fits in your plot... there’s only a little left to cover it... (Goes into the kitchen.) Medvedev (approaching Bubnov). That’s right, my plot is small... at least worse than any big one... Now, before being relieved from duty, I took the shoemaker Alyoshka to the unit... He lay down, you know, in the middle of the street, plays the accordion and yells: I don’t want anything, I don't wish for anything! Horses ride here and there is movement in general... they can be crushed by wheels and so on... A violent guy... Well, now I... introduced him. Loves chaos... Bubnov. Are you coming to play checkers in the evening? Medvedev. I'll come. Hmmm... What... Vaska? Bubnov. Nothing... everything is the same... Medvedev. So... he lives? Bubnov. Why shouldn't he live? He can live... Medvedev (doubting). Can?

Luka goes out into the hallway with a bucket in his hand.

Hmmm... there's a conversation going on... about Vaska... haven't you heard?

Bubnov. I hear different conversations... Medvedev. About Vasilisa, it’s like... didn’t notice? Bubnov. What? Medvedev. So... in general... Maybe you know, but are you lying? After all, everyone knows... (Strictly.) You can't lie, brother... Bubnov. Why should I lie! Medvedev. That's it! Ah, dogs! They are talking: Vaska and Vasilisa... they say... what do I need? I'm not her father, I'm her uncle... Why laugh at me?..

Included Kvashnya.

What kind of people have become... everyone laughs... A-ah! You've come...

Kvashnya. My dear garrison! Bubnov! He pestered me again at the market to get married... Bubnov. Go ahead... what? He has money, and he is still a strong gentleman... Medvedev. Me? Ho-ho! Kvashnya. Oh, you gray one! No, you don’t touch me for this, for my sore spot! This, my dear, happened to me... for a woman to get married is like jumping into an ice hole in winter: I did it once, I remember it for the rest of my life... Medvedev. You wait... husbands they are different. Kvashnya. Yes, I’m all the same! When my dear hubby died, there was no hope for him, so I sat alone all day with joy: I sit and still can’t believe my happiness... Medvedev. If your husband beat you... in vain you should have complained to the police... Kvashnya. I complained to God for eight years, but he didn’t help! Medvedev. Now it is forbidden to beat wives... now there is strictness and law and order in everything! You can’t beat anyone in vain... they beat you for the sake of order... Luke (introduces Anna). Well, we crawled... oh you! And is it possible to walk alone in such a weak group? Where is your place? Anna (pointing). Thank you grandpa... Kvashnya. Here she is, married... look! Luke. The butterfly is of a very weak composition... It walks along the canopy, clings to the walls and groans... Why are you letting it go alone? Kvashnya. We didn’t notice, sorry, father! And her maid, apparently, went for a walk... Luke. You're laughing... but is it really possible to abandon a person like that? Whatever it is, it is always worth its price... Medvedev. Supervision is needed! What if he dies? This will be a mess... You have to watch! Luke. That's right, Mr. Under... Medvedev. Hmmm... although I... am not quite under yet... Luke. W-well? And visibility is the most heroic!

There is noise and trampling in the hallway. Muffled screams can be heard.

Medvedev. No way scandal? Bubnov. It seems... Kvashnya. Go have a look... Medvedev. And I have to go... Oh, service! And why do they separate people when they fight? They themselves would stop... because you get tired of fighting... Let them beat each other freely, as much as each one wants... They would fight less, because they would remember the beatings longer... Bubnov (getting off the bunk). Talk to your boss about this... Kostylev (opening the door, shouts). Abram! Go... Vasilisa is killing Natasha... go!

Kvashnya, Medvedev, Bubnov rush into the hallway. Luka, shaking his head, looks after them.

Anna. Oh my God... Poor Natasha!

/ / / What is the meaning of Maxim Gorky’s play “At the Lower Depths”?

Maxim Gorky's play "" can be safely classified as a work of philosophical orientation, because it raises problems that are inherent both to the whole society as a whole and to an individual person. With this work, Gorky tried to convey to us his life position, which was reflected in the main characters of the play.

One of the main, system-forming images of the play was the old man. With his arrival, everything “spinned” in a new way. The residents of the shelter received a ghostly hope of rising from the bottom. Luke gave them compassion, pity, the words that everyone wanted to hear. But as subsequent events showed, this “sweet lie” became fatal for many.

I believe that only dying Anna needed all this untruth. Throughout her short life, she knew neither joy nor peace. The girl dies at the age of thirty, crushed by her difficult fate. The residents of the shelter have turned their backs on her and do not want to interfere in the affairs of death. Only Anna was the only one who required some kind of support and pity, which she found in the form of Luka.

More about more tragic story we learn about life by getting acquainted with the image of the Actor. He was a former theater servant, but after quitting his job, he slid to the very bottom of his life. The actor turned into a heavy drunkard. In alcohol he found solace and an explanation for all his failures. The actor was so weak morally that it was easier for him to continue drinking than to try to rise from the bottom of his life. With the appearance of Luka, he learns about a hospital for people suffering from alcoholism, and that treatment there is provided free of charge. Inspired by this news, the Actor does not drink alcohol for the whole day, during which he manages to earn a few coins, which he is very proud of. His hopes will collapse the moment he finds out that there is no hospital. The actor commits suicide. Having taken his own life, he still did not understand that it was not a matter of the hospital, you just need to believe in yourself and your strength.

For Ashes, Luke “drew” new world And new life in Siberia. He advises going there with Natasha. Of course, these words inspire Ash. At the end of the work, Ash ends up in Siberia, but only in the status of a convict. I think that after returning from hard labor, he is unlikely to be able to live a new life.

The only one who emerged victorious in this intricacy human destinies, was the wife of the owner of the shelter Vasilisa. With the help of Ash, she solved a lot of her problems in one go. Having persuaded the latter to kill her husband, it was for this crime that Ash was sent to hard labor, Vasilisa got rid of her hated husband, took revenge on her lover Ash and her rival Natalya. After this, she becomes the sole owner of the shelter.

No less exciting was the fate of Satin. The amazing thing is that this man sank to the bottom of his life own initiative. His life position was to do nothing. Passivity and apathy towards everything have become very convenient for Satin, and he does not want to leave it. Luke tried to show him another one, active side life. Satin agrees with this. But all the changes occur only in words; in reality, the dreams are opposed by the character of the hero, with whom, unfortunately, he does not want to fight.

Summing up his play, Maxim Gorky shows us the passivity and apathy that disgust him in life. He does not advise looking for a solution to your problems in a bottle. Only through real actions can you overcome even the most difficult life situations and find a way out of a hopeless situation. In addition, “sweet lies” can give an erroneous idea of ​​​​what is happening, which, as a rule, leads to serious consequences. In my opinion, each of us should listen to these tips of the great writer and follow them in our lives.

A notable phenomenon of Russian literature at the beginning of the 20th century was Gorky’s play “At the Lower Depths”. What explained its exceptional success? The combination of extremely realistic image people who have reached the last degree of squalor, despair and lawlessness, with the glorification of Man and his truth. For the first time, a hitherto unseen world of thieves, tramps, cheaters, that is, people who had sunk to the “bottom” of life, appeared before the eyes of the public. And in it, as in an overturned mirror, was reflected the world from which these people were cast down. Gorky's play was imbued with a protest against the social unrest of capitalist society and a passionate call for fair and peaceful life. “Freedom at any cost is its spiritual essence,” this is how K. S. Stanislavsky defined the idea of ​​the play, who staged it on the stage of the Moscow Art Theater.
The gloomy life of the Kostylevo doss house is depicted by Gorky as the embodiment of social evil. The fate of the inhabitants of the “bottom” is a formidable indictment against the unjust social order. The people living in this cave-like basement are victims of an ugly and cruel order, in which a person ceases to be a person, turning into a powerless creature, doomed to drag out a miserable existence. The inhabitants of the "bottom" are thrown out of normal life due to the wolf laws that reign in society. Man is left to his own devices. If he stumbles, gets out of line, then he faces inevitable moral, and often physical death. Lack of faith in justice forced Satin to independently take revenge on the scoundrel who killed his sister. This revenge led him to prison, which determined him future fate. Bubnov is forced to leave home, leaving the workshop to his wife and her lover, since he did not hope for protection from representatives of the law. Of course, the people who find themselves in the Kostylev shelter are not at all ideal. They make mistakes, do stupid things, but they do not deserve to be thrown to the bottom of life by society without providing any support. Vaska Pepel, the son of a thief, born in prison, is doomed to follow in the footsteps of his parent, because no other path has been ordered for him. The hard work and perseverance of Kleshch, who did not want to accept the fate of a homeless shelter, did not help him rise from the “bottom” of life.
Turning to the depiction of the life of the urban lower classes, the playwright touched upon current problem modernity: what is the way out of this situation, what is the salvation of the people of the “bottom”? According to Gorky himself, the main question of the play is what is better: truth or compassion? Is it necessary to use lies like Luke? Will the passive-compassionate humanism of a comforting lie be healing for the inhabitants of the shelter? Its bearer, pitying and comforting people, is the wanderer Luke in the play. He sincerely sympathizes with the victims of life, humiliated and insulted people, selflessly strives to alleviate their suffering and help them. He promises dying Anna life in paradise after death, where she will rest from earthly suffering. The old man advises Ash and Natasha to start a new life in the golden country of Siberia. He tells the actor about a free hospital for alcoholics, the address of which he has forgotten, but will definitely remember, giving this drunken person hope of returning to his former life.
Luke's position is the idea of ​​compassion for man, the idea of ​​sublime deception, which allows man to bear the burden of the "low truths" encountered on his thorny path. Luke himself formulates his position. Turning to Ash, he says: “...what do you really need?.. Think about it, maybe it’s just for you.” Then he talks about the “righteous land.” Luka doesn’t believe in her, he knows that she doesn’t exist. He is too short-sighted to see this land that Satine foresees. Luke is ready to welcome any idea if it can console a person, alleviate his suffering even for a minute. He does not think about the consequences of a lie that will sooner or later be revealed. Trying to protect a person, Luka at the same time does not believe in him, for him all people are insignificant, weak, pathetic, in need of consolation: “I don’t care! I respect swindlers too, in my opinion, not a single flea is bad: they’re all black, everyone is jumping."
Thus, the main feature of Luke's ideology is the feature of slavery. And in this, Luka is similar to Kostylev, the philosophy of patience echoes the philosophy of oppression, the point of view of a slave - with the point of view of the owner, Gorky puts this thought into the mouth of Satin: “Whoever is weak in soul and who lives on other people’s juices, those need a lie... Some people need it.” supports, others hide behind her... And who is his own master, who is independent and does not take someone else’s - why does he need lies?” Luke's humanism is based on passive compassion, which, while bringing momentary relief, deepens the gap between a person's dream of happiness and his real hopeless situation. The Actor, who learned that the old man had lied and that there was no hospital, which means there was no hope for the future, could not bear this breakup. There is only one way out - suicide. Instead of happy life in Siberia, which Luka promised Ash, he ends up in hard labor for the murder of Kostylev. This means that Luke’s comforting lies only worsen the situation of the outcasts.
Luke's lies lead the night shelters into a world of illusions, which deprives them of their last strength to fight social evil, social injustice, because of which Kostylevo dosshouses exist. The antipode of Luke - Satin verbally refutes the philosophy of comforting lies: “Lies are the religion of slaves and masters,” “Truth is the god of a free man.” He believes in a person, in his ability to withstand the truth, no matter how bitter it may be. “Man is the truth,” says the hero. Unlike Luke, Satin is demanding of people and believes that a person can do anything, since everything depends on his deeds and ideas. He does not need to be consoled by lies born of pity. To feel sorry for a person means to humiliate him by disbelief in his ability to achieve his happiness, it means to seek support in all types of deception and lies that replace the missing will to live. Under the dark and gloomy arches of the shelter, among the pitiful, unfortunate, homeless tramps, words about Man, about his calling, strength and beauty sound like a solemn hymn. “Man - this is the truth! Everything is in man, everything is for man! Only man exists, everything else is the work of his hands and brain! Man! This is magnificent! It sounds... proud!”
Man himself is the creator of his own destiny, hidden within him are the forces with the help of which he is able to overcome the most severe hardships, the treachery of fate, the injustice of the world, his own mistakes and the social ills of society. Pity and compassion are wonderful qualities that are very necessary for all of us, but only a truthful, adequate understanding of one’s mistakes and capabilities can give a person a chance to overcome his evil lot and become truly free and happy.


Falling to the bottom of society is as easy as passing two bytes. To do this, you do not need to have special knowledge or skills. Just remain human, think not only about everyday things, but also speak out philosophical themes- not everyone can do this. After all, a person who is at the bottom has only three options: slide into the abyss, turn into a philosopher, or rise from the ashes.

The legacy of Maxim Gorky

Alexey Maksimovich Peshkov cherished the dream that the world would be inhabited by “new people.” People who are impeccable in terms of intellectual and physical development, manners and principles. These new people are distinguished by fearlessness and thirst for freedom, they don’t care about any obstacles, they can achieve anything they want. And even if their goals are beyond the realm of possibility, they can do it.

During this time, he managed to write 5 novels, 10 novellas, 18 stories and essays, 16 plays and published 3 cycles of journalistic articles. The writer, novelist and playwright was nominated 5 times for Nobel Prize in the field of literature. He became known as one of the most famous Russian thinkers and writers. He left behind a rich legacy, and one of the pearls of his collection is the play “At the Bottom.”

"At the bottom"

The play “At the Bottom” saw the world in 1902. Before publishing the material, the author for a long time I couldn't choose which title to go with. He had a choice among several options: “The Bottom”, “Nochlezhka”, “At the Bottom of Life”, “Without the Sun”. Ultimately, the play received the short and laconic title “At the Bottom.” Two years after its release, in 1904, the play was awarded the Griboyedov Prize.

The first performance based on the work was staged on December 18, 1902 at the Moscow Art Theater. IN Soviet time The production delighted the audience 9 times. Last time it could be seen in 1956. But this did not detract from her success. More than once the play was staged abroad in cities such as Berlin, Krakow, Helsinki, Paris, Tokyo, New York, London, Tunisia. From 1996 to the present, more than 20 productions have been staged in different countries peace. The play was filmed 10 times not only by domestic cinema, but also in Hungary, Japan and France.

What attracted the public so much to this play: the problem moral choice; the realization that each person has his own truth; or the very image of the bottom in the play “At the Bottom” touched the strings human soul? Let's try to figure it out.

M. Gorky, “At the Lower Depths”: summary

The events of the work take place in a place like a flophouse. The lodging house is the property of M.I. Kostylev. People live here who have long sunk to the bottom of society. Some of them still believe that they can get out of this hell and change their destiny for the better, while others have long given up and slipped into the farthest channels of the “bottom.”

Between the residents of the shelter difficult relationships. They have different destinies, different views on life, so it’s difficult for them to find mutual language, because of which quarrels constantly arise. The owner's wife, Vasilisa, loves Vaska Pepla, who earns his living by stealing. She persuades the thief to kill her husband so that they will be free and no one will bother them. Only Vaska does not reciprocate Vasilisa’s feelings, since he has long been in love with her younger sister Natalya. Vasilisa notices this and mercilessly beats Natalya, which is why she ends up in the hospital. After being discharged, she no longer returns to the shelter.

What next does the work that M. Gorky created (“At the Depths”) tell about? Summary even in the second part it is tragic. Appears among the guests new person Luke, who inspires everyone that life will get better. But when a conflict arises between Kostylev and Vaska, as a result of which Vaska accidentally kills Kostylev and the thief is arrested, Luka miraculously disappears. The actor, who had become attached to Luka and believed him, is upset by his disappearance and hangs himself in the yard. The reader is struck by the final phrase of the work, uttered by Satin after he learned of the death of the Actor: “What a fool, he just ruined the song.”

People of the bottom

The people of the bottom in Gorky's play "At the Depth" are the most ordinary. They got into a difficult situation life situation. The main characters of the work:

  • Mikhail Kostylev is in charge of the shelter.
  • Vasilisa is Kostylev’s wife, loves the thief Ash.
  • Natalya, Vasilisa’s sister, suffers beatings from her older sister and disappears after leaving the hospital.
  • Luke is a wanderer who suddenly appears and disappears, skillfully comforting everyone with lies.
  • Vaska Pepel is a thief who wants to change his destiny.
  • Mite is an ordinary hard worker who wants to return to his past life.
  • The Baron is an impoverished aristocrat, confident that the best moments of his life are in the past.
  • Satin is a sharper, he is sure that the main thing for a person is spiritual freedom
  • Actor - once actually performed on big stage, currently a drunkard who couldn't think of anything better to do than commit suicide.

Play Analysis

Why did Gorky write “At the Lower Depths”? Analysis of this work shows that among the moral dirt of outcasts of society there is a small smoldering ember that unobtrusively hisses: “Man is proud, man is good!” This is especially clearly visible when guests face a small problem.

Truth or lie?

The problem of moral choice in Gorky's play “At the Lower Depths” is very acute. What should people believe? A sweet lie or a bitter truth, with which Gorky spiced up his play “At the Depths”? The analysis shows that the wanderer Luke is the master of sweet lies in the work; he is sure that people need to be told what they want to hear. He reassures all the inhabitants of the shelter. Gives you faith that there is a chance to change your life if you do this or that. But when he suddenly disappears, everyone becomes uneasy. The guests feel abandoned, and the Actor, who believed Luke’s words more than anyone else, commits suicide.

The truth in Gorky’s play “At the Lower Depths” is personified by its hero, Satin. This man is not best representative human race- he is dishonest, likes to drink, gets into fights, and looks to the future with pessimism. But there is a little more knowledge and understanding of what is happening. It is from him that the simple truth comes: “You need to be proud of being a human being.” Satin is not a charismatic personality who can lead a crowd, he is not a revolutionary, not a psychologist or a politician - he simply pointed out the obvious, which lit a special spark in the eyes of every inhabitant who had not yet completely despaired. And it will not fade away when Satin disappears, as happened with Luke’s beautiful lie.

The image of the bottom in the play “At the Bottom”

What else can be said about this creation of a classic of Russian literature? Why is it so captivating even to our contemporaries? Maybe because the topic raised by Alexei Maksimovich is relevant at all times?

The play written by M. Gorky (“At the Depths”) can rightfully be called social and philosophical. Here social life and philosophical reflections do not intersect, but complement each other perfectly, making the play full-fledged, lively and real work. The image of the bottom in the play “At the Bottom” represents the harsh reality of the lower strata of society. There are no fictitious facts here, but only real life, such as she is. The fate of the outcasts, those who no longer have a chance to rise. For the first time in world drama, the hopeless fate of “ former people" In the sticky darkness of the musty basement, crippled people, disfigured by fate, gathered. Every day they desperately fight for their existence. Some people have enough strength to survive, while others surrender to the embrace of death. The only ray of hope in this pitchless darkness was brought by Luke, who reassured people and then disappeared. It’s difficult not to give up in such a situation, but Satin’s words instill in people faith not in the future, but in their own human dignity. The image of the bottom in the play “At the Bottom” is a torture chamber, where His Majesty disappointment acts as the executioner. It mercilessly beats people who have long been covered in dirt.

The image of the bottom in the play “At the Bottom” is something dark and hopeless, but with a person inside. And where there is a person, there will always be a little hope, because a person is wonderful.

The truth is always recognizable

The public reacted ambiguously to the play written by M. Gorky (“At the Depths”). People have always been alien to the suffering of the lower class of society. But the truthfulness of his story, the characters and fates of his heroes became recognizable not only in the Soviet Union, but throughout the world - from America to Japan.

Never feel useless

subject to influences that may

awaken noble feelings in you.

D. Ruskin

I The miserable life of representatives of the “bottom” of the play by M. Gorky.
II Everyone is given the right to choose between the life of a Man and the life of a tradesman,

thief, sharper.

- what is the salvation for people who have fallen to the “bottom”

1. The carriers of theories - Luke, Satin:

a) “... a person must respect himself...”;

- “We must respect a person! Don’t feel sorry... don’t humiliate with pity..."

(A. M. Gorky)

b) “... don’t do anything! Just burden the earth!..”;

c) “... whoever really wants it will find it!..”.

- social injustice cannot be tolerated

2. Bubnov – the bearer of the “truth of fact” and the inhabitants of the “bottom”:

a) “... people all live... like chips floating down a river... building a house,

and the chips away...";

b) “all people on earth are superfluous...”;

c) “and I will die... and you... why regret it?”

3. “There must be a righteous land in the world...” And if not? (Actor, Ash, Tick...)

- the world of the “bottom” is devastated

- the path of reconciliation with reality is untenable

III “Everything is in Man, everything is for Man! "(M. Gorky)

Quotes for essays.

1. “... my task is to awaken a person’s pride in himself, to tell him that he is the best, the most significant, the most precious in life and that besides him there is nothing worthy of attention.”

A. M. Gorky

2. “... from the consolations of the cunning Luke, Satin concluded about the value of every person.”

A. M. Gorky

3. “Only man exists, everything else is the work of his hands and his brain! Human! It's great! That sounds… proud!”

A. M. Gorky