Relationship between Olga and Oblomov. Ilya Oblomov and Olga Ilyinskaya: comparative characteristics. Theme of love Test of love. Did Olga love Oblomov? Why Oblomov chose Pshenitsyna (Goncharov I. A.)

The love and relationship of Ilya Oblomov and Olga Ilyinskaya with quotes will prove that positive changes are possible only when a person confidently walks through life, without fear of difficulties.

First meeting

Ilyinskaya also constantly looked at her new acquaintance.

“As soon as Oblomov turned fearfully in her direction, hoping that she was not looking, he met her gaze, filled with curiosity, but so kind. The songs she performed touched a nerve.”

He wanted to stay at the estate longer, but due to excessive confusion, he decided to leave early. From that moment on, all his thoughts are occupied by Olya.

Falling in love changes people

“Olga’s persistent gaze did not leave Oblomov’s head.”

He wanted to visit her more often. Positive changes began to happen to the man. He began to follow more appearance, keeping order in the house. Oblomov continues to visit the Ilyinsky estate. Soon he confesses his love to Olga. Confused by the words she heard, she runs away from him. Out of embarrassment, Ilya does not appear at her house for a long time.

Oblomov constantly thinks about his beloved. The young lady dreams of knocking all the laziness out of him, weaning him from the habit of sleeping until lunch.

“She won’t fall asleep, she will show the goal, she will make you fall in love with what you fell out of love.”

Gradually she began to achieve her goals. Ilya was unrecognizable.

Development of the novel

“Their sympathy grew and developed. Olga blossomed along with her feelings. There was more light in the eyes, and grace in the movements.”

The lovers spend a lot of time together. “He is with her from morning to evening, reading, sending flowers, walking along the lake, in the mountains.” It happened that he could not sleep at night, his imagination drawing a portrait of Ilyinskaya.

Sometimes it seems to Oblomov that people are judging them, especially the girl. Ilya’s lack of confidence in his own appearance leads to him writing a letter to Olga with a proposal to stop meeting. This turn of events will upset her so much that Oblomov will understand how strong her feelings are. “I love differently. I’m bored without you, leaving for a long time is painful. I learned, saw and believe that you love me.” The sincerity of his beloved makes him think about marriage.

"Oblomovism" conquers love

Oblomov periodically told Olga that he did not trust her love. And when he said that the wedding date needed to be postponed due to financial instability in the estate, she decided to end the affair. She is once again convinced that this man will not become her reliable support. “I loved what I wanted to have in you, I loved the future Oblomov!

Since 1847, Goncharov had been pondering the horizons of a new novel. " An ordinary story"was the first part of a trilogy that captured the life of Russian society at different stages of its development. In 1859, the novel “Oblomov” was published, and ten years later “The Break” was published.
In the novel Oblomov, Goncharov showed with stunning convincingness the conditions that led his hero to spiritual collapse. Oblomov grew up as a man incapable of any work; only painful daydreaming developed in him. He either imagined himself as an invincible commander, or a great thinker, or famous artist. Oblomov’s spiritual needs slowly died, his humane impulses and sound judgments became fruitless. But it is not comic hero(remember Gogol’s Manilov). There are, undoubtedly, traits of tragedy in the image of Oblomov. The fact is that Oblomov is a man of amazing spiritual purity, sensitive to beauty, incapable of falsehood. This is how he appears, for example, in his relationship with Olga Ilyinskaya.
The whole story of Oblomov’s love for Olga is self-sacrifice. He is truly in love with her, and breaking up with her is his greatest shock, and then his most painful memory. And, nevertheless, he is happy when he finds out that Olga did not die, that her fate was arranged. Indeed, from the very beginning, Oblomov was worried by the thought that he would not be able to provide her with material well-being, that his “Oblomovism” would destroy her too. It was then, out of concern for a loved one, and not for any of his own benefits, that Oblomov became active for the first time. Active to the detriment of oneself. He writes a letter to Olga, where he explains that he is unworthy of her and should not accept any sacrifices from her. Decisiveness appeared, found the right words, when it came to the main thing, to the secret. This instant transformation of the hero is simply amazing. It separates “Oblomovism” even more sharply from Oblomov’s humanity and ability to self-sacrifice.
It is Olga who awakens these living forces of character in Oblomov. She is distinguished by her will, simplicity and clarity of thinking. She lives an intense spiritual life, full of noble aspirations to bring good to people. Olga fell in love with Oblomov and was imbued with the determination to extract him. kind person from the Oblomov quagmire. And she spares no effort to fulfill her intention.
But if Oblomov’s feelings for Olga are sincere and artless, then in Olga’s feelings we can sense a consistent calculation. After all, Stolz set a task for her (even before she met the Oblomovs) - to lift the couch potato out of bed and drag him into the world. Olga, even in moments of passion, does not forget about her high mission: “she liked this role guiding star, a ray of light that it will pour over the stagnant lake and be reflected in it.” She enjoys feeling her power over a person. It turns out that Olga loves in Oblomov not Oblomov himself, but her own reflection. But what does Olga offer Oblomov in exchange for him lying on the sofa? What light, what radiant ideal? Alas, the program for Oblomov’s awakening in Olga’s clever head is completely exhausted by Stoltsev’s horizon: read newspapers, bother about organizing the estate, go to the order. Everything is the same as what Oblomov and Stolz advise. As a result, the love of Oblomov and Olga, having flared brightly, quickly fades.
Olga’s rational-experimental love is contrasted with Agafya Matveevna Pshenitsyna’s spiritual-heartfelt love, not controlled by any external idea. Under the cozy roof of her home, Oblomov finds the desired peace and consolation. Goncharov found here surprisingly precise and touching details to show how a downtrodden creature, completely absorbed in worries about its daily bread, suddenly, imperceptibly for itself, passes into the world boundless love and self-sacrifice, elevating oneself, as it were, to a higher spiritual level. Agafya Matveevna realized that with the advent of Ilya Ilyich, her life took on meaning. Oblomov, of course, saw and appreciated her love, but he also understood all the bitterness of this love.
The dignity of Ilya Ilyich lies in the fact that he is devoid of complacency and is aware of his spiritual decline. The closer we get to the end of the novel, the more we grow, if not sympathy, then pity for Oblomov. We feel sorry for this suffering and dying hero, endowed with true and deep humanity.

The main character of the novel, Ilya Ilyich Oblomov, has been leading an absolutely inactive life for a number of years, constantly lying at home on the sofa, practically not going anywhere and devoting time only to daydreaming. Oblomov never ceases to dream about life in his possessions, in Oblomovka, together with his future family, he is definitely going to get married and have children in the future. However, year after year passes, and Ilya Ilyich does not even try to find any real bride, he dreams of some ideal woman, but does nothing to meet her.

But thanks to his active and energetic friend Andrei Stolts, Oblomov became acquainted with young Olga Ilyinskaya while staying at the dacha in the summer. Olga sings beautifully, and Ilya Ilyich is greatly impressed by her performance of the aria; he cannot help but cry. Oblomov does not hide his sincere admiration for Olga; she seems to him the ideal to which he has always strived; after just a few meetings, Ilya Ilyich is sure that he is in love with this girl and has always been waiting for her.

As for Olga herself, she heard a lot about Oblomov from Stolz even before they met. Andrei said that Ilya definitely needs to be helped to overcome his apathy and force him to live differently, because he has many virtues, such as kindness, honesty, breadth of soul, decency, tenderness. When a girl actually meets this man, she becomes captivated by the idea of ​​his transformation and the desire to resurrect him for real life. Olga, who actually doesn’t have life experience, believes that love for her will really be able to change Oblomov and make him completely different.

Ilya Ilyich actually becomes much more active, it also seems to him that Olga and her love gave him new life, he is ready to act and move on for the sake of his beloved. Oblomov makes an official proposal to the girl, she accepts him without hesitation, at this moment both believe that they will be happy together in the future.

But as soon as the infinitely lazy, timid and indecisive Ilya Ilyich is required to perform at least some specific actions as a groom, he is completely lost and begins to doubt whether he should change his destiny so dramatically. Even submitting a marriage application to the ward becomes a problem for him; he is never able to get there, no matter how much he tries. Next, Oblomov thinks about how to ask Olga’s hand in marriage from her aunt, who is the girl’s guardian, since she no longer has parents.

He understands that his aunt will ask about him financial situation, O money matters, about the state of the estate, while Ilya Ilyich is absolutely not ready for this, he has not visited his estate for many years and has no idea how things are going there and what income he can count on. He keeps putting it off important conversation, referring to Olga to any reasons invented by himself.

The girl sees Ilya’s weakness more and more clearly, his complete lack of confidence in himself and in the future, she begins to understand that she was mistaken in her choice. In addition, Olga is convinced that Oblomov is again returning to his previous way of life, that he again sleeps for a long time after lunch, which she tried to wean him from. The girl feels with bitterness and pain that all her efforts were in vain and she will not be able to do anything with this person.

During last conversation Olga openly announces to Ilya Ilyich that she hoped that he would still be able to live at least for her sake, but he had already died spiritually a long time ago, so they should separate; they have no future together. Oblomov is in despair, but he also understands that there is no need to continue the relationship further, they will bring nothing but pain and disappointment to both of them. When reading the novel, there is no doubt that the separation of these two was indeed natural; they would never have been able to build a full-fledged, harmonious family, as Olga subsequently developed with Ilya Ilyich’s best friend Andrei Stolts.

Introduction

Goncharov’s novel “Oblomov” can rightfully be called a work about love, which reveals different faces this wonderful feeling. It is not surprising that the leading storyline The book is the novel between Olga and Oblomov - an example of bright, all-encompassing, romantic, but obviously tragic love. Literary researchers have different assessments of the role of these relationships in the fate of Ilya Ilyich: some believe that Olga was a bright angel for the hero, capable of pulling him out of the abyss of “Oblomovism,” while others point to the selfishness of the girl, for whom duty stood above feelings. To understand Olga’s role in Oblomov’s life, let’s consider their love story from the very beginning until separation.

The beginning of the relationship between Oblomov and Olga

The love story of Oblomov and Olga begins in the spring, during the blooming of lilacs, the revival of nature and the emergence of new wonderful feelings. Ilya Ilyich met the girl at a party, where Stolz introduced them. At first glance, Oblomov saw in Olga the embodiment of his ideal, harmony and femininity, which he dreamed of seeing in his future wife. Perhaps, the germs of a future feeling arose in the soul of Ilya Ilyich already at the moment of meeting the girl: “From that moment, Olga’s persistent gaze did not leave Oblomov’s head. In vain he lay down on his back at full height, in vain he took the laziest and most restful poses - he couldn’t sleep, and that’s all. And the robe seemed disgusting to him, and Zakhar was stupid and unbearable, and the dust and cobwebs were unbearable.”

Their next meeting took place at the Ilyinskys’ dacha, when Ilya Ilyich’s accidental “Ah!”, revealing the hero’s admiration for the girl, and his random movement, which confused the heroine, made Olga herself think about Oblomov’s attitude towards her. And after a few days, a conversation took place between them, which became the beginning of the love between Oblomov and Ilyinskaya. Their dialogue ended with the hero’s timid confession: “No, I feel... not music... but... love! - Oblomov said quietly. “She instantly left his hand and changed her face. Her gaze met his gaze, fixed on her: this gaze was motionless, almost insane, it was not Oblomov who looked at him, but passion.” These words disturbed the peace in Olga’s soul, but the young, inexperienced girl could not immediately understand that a strong, wonderful feeling began to arise in her heart.

The development of the novel between Olga and Oblomov

The relationship between Oblomov and Olga developed as something independent of the heroes, but dictated by the will of higher powers. The first confirmation of this was their chance meeting in the park, when both were glad to see each other, but still could not believe their happiness. The symbol of their love was a fragile, fragrant branch of lilac - a delicate, tremulous flower of spring and birth. The further development of the relationship between the characters was rapid and ambiguous - from bright flashes of vision in a partner of his ideal (Oblomov for Oblomov) and a person who could become such an ideal (Oblomov for Olga) to moments of disappointment.

In moments of crisis, Ilya Ilyich despairs, afraid of becoming a burden for a young girl, fearing the publicity of their relationship, their manifestation not according to the scenario that the hero dreamed of long years. The reflective, sensitive Oblomov, still far from the final separation, understands that Olgino “I don’t love the real thing.” real love, and the future...", feeling that the girl sees in him not real person, but that distant lover he could become under her sensitive guidance. Gradually, the understanding of this becomes unbearable for the hero; he again becomes apathetic, not believing in the future and not wanting to fight for his happiness. The gap between Oblomov and Olga occurs not because the heroes stopped loving each other, but because, having freed themselves from the flair of their first love, they saw in each other not the people they dreamed of.

Why was the love story of Olga and Oblomov obviously tragic?

To understand why the relationship between Oblomov and Olga was doomed to break up, it is enough to compare the characters. The reader becomes acquainted with Ilya Ilyich at the beginning of the work. This is already an accomplished man of thirty years old, brought up “ indoor flower", from an early age, accustomed to idleness, tranquility and a measured life. And if in his youth Oblomov tried to act on a par with the active, purposeful Stolz, then his “greenhouse” upbringing and introverted, dreamy character after the first failure in his career led to alienation from the world around him. At the time of his acquaintance with Olga, Ilya Ilyich was completely mired in “Oblomovism”, he was too lazy to even get out of bed or write a letter, he gradually degraded as a person, plunging into the world of impossible dreams.

Unlike Oblomov, Olga appears as a bright, purposeful person, constantly developing and striving to discover more and more new facets of the world around her. Her friendship with Stolz is not surprising either, who, like a teacher, helps her develop, offers new books and quenches her thirst for immense knowledge. The heroine is beautiful not so much externally as internally, which is what attracted Ilya Ilyich to her.

The love of Oblomov and Olga is a combination of two opposites that were not destined to be together. Ilya Ilyich's feelings were more admiration than true love to the girl. He continued to see in her an ephemeral image of his dream, a distant and beautiful muse that would inspire him without forcing him to completely change. Whereas Olga’s love in Goncharov’s novel “Oblomov” was aimed precisely at this transformation, a change in her lover. The girl did not try to love Oblomov as he is - she loved another person in him, the one she could make of him. Olga herself considered herself practically an angel who would illuminate the life of Ilya Ilyich, only now an adult man wanted simple, “Oblomov” family happiness and was not ready for drastic changes.

Conclusion

The story of Oblomov and Olga is closely connected with nature - starting in the spring, it ends in late autumn, covering the lonely hero with the first snow. Their love did not go away and was not forgotten, changing forever inner world both heroes. Even many years after the separation, already married to Stolz, Olga tells her husband: “I don’t love him the same, but there is something that I love in him, to which I seem to have remained faithful and will not change, like others.” ..." Perhaps, if Oblomov had been younger, the girl would have been able to change his essence and make him her ideal, but true spontaneous love came into the hero’s life too late, and therefore was doomed to a tragic ending - the separation of lovers.

Using the example of Olga and Ilya Ilyich, Goncharov showed how important it is to love his individuality in another person, and not try to change him in accordance with a distorted, illusory image of the ideal that is close to us.

It will be useful for 10th grade students to read the chronology of the relationship between the two heroes of Goncharov’s novel before writing an essay on the topic “The love of Oblomov and Olga in the novel “Oblomov”.”

Work test

The main characters of I. A. Goncharov’s novel “Oblomov”. Despite the difference in characters and worldviews, these two were in love with each other, albeit not for long. The love of the heroes is beautifully described by the author. They met thanks to to the best friend Oblomov to Andrey Stoltz, who, worried about his friend’s future, asked Olga to get him out of the routine of idleness. The first meeting took place in the spring at a party where lilacs were blooming in the garden.

Spring itself is conducive to the beginning of new relationships. The second meeting took place at the Ilyinskys’ dacha. Even then, Oblomov realized that he had found his ideal of harmony and femininity. It is the kind of girl like Olga that he would like to see as his bride. She somehow miraculously managed to have a beneficial influence on him. She became a bright angel for him, managing to pull him out of the “Oblomovism” in which he had long been mired. Since they met, he didn't wear his threadbare robe as often, he began to notice dust and cobwebs in his house, and began to spend less time on the couch.

Even Stolz was surprised by such transformations in his friend. He was sincerely glad that Olga was able to influence someone who was naturally lazy and apathetic Oblomov. In his love for her, the hero was sincere and noble. He wished only the best for Olga. When Oblomov finally realized that he would not be able to play the role that she had given him for long, he honestly confessed to her in a letter. Olga loved him not for the person he was, but rather for the future Oblomov, as she wanted him to be. For her, love was, first of all, a duty, a duty, so these feelings did not last long.

Ilyinskaya managed to return Oblomov to real life, to “awaken” him, which no one had managed before. For this, one could already love her. But she stopped believing in him. Realizing that the “Oblomovism” in this person could not be defeated so easily, she gradually began to move away. As you know, she soon married the pragmatic Stolz, in whom she saw at least some kind of future. If Goncharov had written a sequel to his cult novel, then perhaps we would have read there that she left Stolz too. Because, having stopped believing the person, this girl pulled away.

Oblomov, in turn, found his quiet, modest happiness next to Agafya Pshenitsyna, who did not want to remake him and allowed him to remain in dreams, aimless thoughts and laziness. She decided and did everything for him, as for a small, infantile child, and Ilya Ilyich was satisfied with this state of affairs. This woman became a second Oblomovka for him, in which it was cozy, comfortable and warm. He understood perfectly well that his life was aimless and boring. He was even to some extent ashamed of his carelessness and worthlessness, but he could not change anything.

On the one hand, it seems that Olga spent several months with Oblomov in vain. On the other hand, the writer emphasizes that during this time they both became spiritually enriched and discovered new facets for themselves. After all, only by searching can you find your way. So the main characters of the work, through trial and error, found their family happiness.