Whisper timid analysis. Analysis of the poem feta whisper, timid breathing
A.A.Fet
Whisper. Timid breathing...
Whisper, timid breathing.
The trill of a nightingale,
Silver and sway
Sleepy stream.
Night light, night shadows,
Endless shadows
A series of magical changes
Sweet face
There are purple roses in the smoky clouds,
The reflection of amber
And kisses and tears,
And dawn, dawn!..
ANALYSIS
This poem is especially interesting because for it A.A. Fet received the most reproaches from critics and the most praise and admiration from readers. Literary critics reproached the poet for being too descriptive and lacking action as such. Strange. Then what attracted the sophisticated reader to him? It was the average person who, if he did not see, then felt here what eluded the professional.
So, the first stanza... Romantic landscape. Brevity, measuredness, and parallelism of action are achieved through the use of non-union. The metaphor “silver” and the epithet “sleepy” convey the stillness, calm, and static nature of the stream. Its metallic luster and smooth, as if polished, surface are described. The first quatrain is like an indication of the place of action. But there is already a hint of human presence - a “whisper”.
The second stanza demonstrates the time of action - it is night. “Shadows without end” - apparently shadows in motion. And this is not a lonely contemplator of nature. There are at least two people. Then you can guess that this is a meeting of two lovers. The epithet “darling” indicates that a person loves someone. Perhaps he is loved. Since the facial changes are “magical” (also an epithet), it means they are favorable to him.
The last stanza is hidden description feelings. The "purple of the rose" metaphor explicitly states that sunrise is approaching. The luminary itself is not yet visible, but it will be orange, bright, burning, as indicated by the metaphor “reflection of amber.” The multi-union here helps to reveal the speed, the swiftness with which the fresh morning grows. And hence farewell kisses and, of course, tears, since the dawn promises parting.
On the topic: methodological developments, presentations and notes
Workshop "Comparative analysis of the poem "Silence" by F.I. Tyutchev and the poem of the same name by O.E. Mandelstam
Workshop for 11th grade....
Analysis of the poem by A.S. Pushkin's "Winter Road". Analysis of Yesenin's poem "Powder". Comparative analysis of S.A. Yesenin's poem "Powder" with the given poem by A.S. Pushkin "Winter Road".
Poem by A. S. Pushkin “ Winter road" is one of the wonderful works of the Russian poet. When you read this poem, you involuntarily imagine sad and at the same time mysterious Russian...
M.Yu. Lermontov. Poem "Borodino". Analysis of the poem.
This lesson development is intended for teachers of Russian language and literature. She will help teach a lesson on the topic "The poem "Borodino""...
The poem “Whisper, Timid Breathing...”, which we will analyze, was written in the first period of Fet’s work (1840-1850s). In total, three stages can be distinguished, and the perception of nature in the poems created in each of them shows differences in the worldview.
IN early work The author's expression of feelings is imbued with the joy of feeling oneself united with the world. Spiritual uplift and the desire to achieve harmony illuminate not only his existence, but earthly existence as a whole, with a higher meaning. The lyrical hero considers the main thing to be the perception of life in the light of the aesthetic ideal, since beauty is the ideal essence of the world. He sees the artist’s merit in searching for her signs in nature, art, and the female form. In the second period (1870s), the image of the lyrical hero in Fet's poetry changes. The life-affirming dominant in his mood disappears, he acutely experiences the gap between ideal and reality. A harmonious worldview returns in the 80s; in the beauty and diversity of the world there are grounds for not getting tired of listening to the “Quiet splash of everyday waves” (“Heavy in the silence of the night...”, 1892).
In the analyzed poem “Whisper, timid breathing...” the love experiences of the lyrical hero are expressed through parallelism with the landscape. Natural and human are equally beautiful; looking at one, you can understand the inexpressible shades of the other. The interpenetration of these principles makes it possible to describe the situation and sensations in a simple listing of signs, mixing the sounds of whispers and nightingale trills, the sight of a sweet face and a silvery stream. Until the final phrase of this miniature, each line ends with a comma, which allows the poem to be perceived as a single statement. At the same time, it is divided into three stanzas (quatrains of multi-foot trochee, three tetrameters, the last one - trimeter).
In the first, the contours of the experience are barely outlined: in the landscape and psychological state the lyrical hero is not certain what the epithets convey: timid, sleepy, but it is beautiful (“silver”), changeable (“swaying”), is the eve of an open manifestation of feelings (while it is a whisper):
Whisper, timid breathing,
The trill of a nightingale,
Silver and sway
Sleepy stream...
The mention of the nightingale’s singing adds a poetic tone to the picture, but at the same time it also concretizes it. With barely noticeable strokes, the image of the first, timid, conflicting meeting, taking place on the bank of a stream on a spring night, is created. In the second quatrain, the dominant in the experience is revealed. Muted tones are used to describe it, but “magical changes” can occur in it. While there are “endless shadows”, nocturnal sadness, anticipation of a distant dawn:
Night light, night shadows,
Endless shadows
A series of magical changes
Sweet face.
Rising intonation is important in anticipating the ending. The listing of details and signs creates in the reader’s mind the idea that the voice of the lyrical hero is acquiring sonority. There is an evolution in the landscape and in the world of human feelings, which, in addition to sound, is helped by color and emotional details: whispers, trills of a nightingale - exclamation; silvery water, “endless shadows”, “smoky clouds” - “the purple of a rose,/The reflection of amber”; “timid breathing” - “And kisses and tears”:
There are purple roses in the smoky clouds,
The reflection of amber
And kisses and tears,
And dawn, dawn!
The dawn, illuminating the world of shadows, becomes a statement of the eternal rebirth of nature and a metaphor for the triumph of love. The “a” sounding in this word is the tonic of the entire poem - the rhymes of all three stanzas are built on this assonance: in the first, both female and male (breath - swaying, nightingale - stream), in the second and third - male (ends - faces, amber - dawn). Roll call with other assonances (in the first line “o” - whisper, timid, silver, sleepy; in the second “e” - light, shadows, shadows again, magical changes), as well as with combinations of vowels with semi-vowels (timid oh breath ye, Kolykhan ye, hand ya- first quatrain; night Ouch, night s, changed th- second; joint in the third - “lobzan” and I And"") and alliterations built on sonorants (in the first stanza - t R e l and with l Ovya, se R fuck R o and co l ykhan ye with nn Wow R uchya; in the second - n very good n Ouch, n very good n those n and those n and without n tsa, in l sheb n s from m e n e n th m And l Wow l itza; in the third - yes pl oh, junction pu R pu R R ozy, otb l Yes I n that R I, l obzani I, With l Yes, for R I am for R I), gives the poetic text musicality. The miniature turns into a hymn to the beauty of earthly life.
The jubilant mood of the finale is created thanks to the motif of the sun's rays breaking through the clouds. Their image is reduced by diminutive form(“In the smoky clouds there is the purple of a rose...”), and nothing dims the light, the dawn floods the whole world - both nature and inner life a lyrical hero experiencing delight, experiencing a feeling of happiness.
Parallelism with landscape makes it possible to show the dynamics of states, limited to their “reflections.” This indicates spiritual subtlety, careful attitude to feelings (there is only one explicit, open assessment in the poem: in front of the lyrical hero “ cute face"). In addition, the closure of the psychological and natural planes, giving one, united reflection, allows us to depict the world in its unity and integrity. He evokes admiration from the lyrical hero; he seems sweet, magical, and beautiful. This concludes the analysis of the poem “Whisper, timid breathing...” by Fet.
Analysis of the poem Whisper timid breathing according to plan
1. History of creation. The poem "Whisper, Timid Breath" (1850) is one of the most famous works. It most clearly revealed the main features of the poet’s talent. However, after its publication, the poem was heavily criticized. Fet was accused of pointlessness and too obvious hints at intimate relationships. In 1856, the poet seriously revised the work and published its final version.
2. Genre of the poem- a combination of landscape and love lyrics.
3. The main theme of the work- loving union against the backdrop of nature. Fet describes a transitional state when night gives way to dawn. The poet was convinced that there is an inextricable connection between nature and man. Therefore, in the poem “timid breathing” alternates with “trills of a nightingale”, “night shadows” - with “changes in a sweet face”.
The lovers seem to merge with nature. A distinctive feature of Fet's work is the absence of a lyrical hero. Only hints are given about people through “whispers”, “kisses”, “tears”. The reader must introduce himself big picture. The entire work as a whole is a series of half-hints, separately presented elusive states. Short chopped lines are not intended to describe the picture, but to create in the reader a certain feeling of involvement in what is happening.
4. Poem composition consistent. It is a miniature of three stanzas.
5. Size of the product- multi-foot trochee with cross rhyme.
6. Expressive means. home distinguishing feature poems - a complete absence of verbs. Dynamics is achieved through the continuous alternation of nouns hinting at movement (“swaying”, “changes”). No less burden lies on the epithets ("night", "magical", "smoky").
Fet uses very beautiful metaphors: “silver of the stream”, “purple of the rose”. A special smoothness and melody of the work appears in the second stanza due to the lexical flow: “night light, night shadows, endless shadows.” The poem, unhurried in rhythm, ends with both a solemn exclamation and an ellipsis (“dawn, dawn!..”), which emphasizes the strength and incompleteness of the lovers’ bliss. The lexical repetition of the conjunction “and” reinforces this impression.
7. The main idea of the work. Fet was a staunch supporter of the theory of “pure art”. The poem "Whisper, Timid Breath" itself testifies in defense of this theory. Describing the light, elusive states of nature and man, as well as the connection between them, the poet strives to create the same sensations in readers. Fet's task is just to give a hint, to give an incentive. The whole picture will inevitably arise in the soul of every person with a rich imagination.
A. Fet is known not only for his poems about the unity of man and nature, but also for his love lyrics. But among the rest, “Whisper, Timid Breath” should especially be highlighted, the analysis of which is presented below. Literary critics consider it “Fetov’s” because it was written in a special manner, characteristic only of Afanasy Afanasyevich, and reveals all his poetic talent.
Lyrics by A. A. Fet
In the analysis of “Whisper, Timid Breath” one can consider the features of the poet’s work. IN early poems the poet admired feminine beauty, further central place occupied landscape lyrics. All of Fet's work is permeated with the spirit of romanticism, although the poet himself did not consider himself an adherent of this direction.
Most of the poems were based on admiration for nature. In some, landscape lyrics are intertwined with the theme of love. This is not surprising, because, according to Fet, man was inseparable from nature. In the analysis of “Whisper, Timid Breath,” it should be emphasized that this particular poem is an excellent example of how landscape and love lyrics are surprisingly harmoniously combined.
This verse alternates between descriptions of the surrounding world and sensory experiences. And this creates a complete lyrical picture. The lines reflect the intimate feelings that can exist between lovers. And the alternating scenes of night and dawn complement the experiences of the lyrical hero. And all this emphasizes the poet’s opinion that man and the world must be in harmony.
Features of the composition
Also, one of the points of analysis of “Whisper, Timid Breath” is the composition of the poem. In terms of grammar, it is one sentence divided into three stanzas. But it seems to the reader as a single component due to the integrity of the composition, which has a beginning, a climax and an end.
It is written in iambic tetrameter. The type of rhyme is cross, which gives the poem a leisurely and measured rhythm.
The basis of the poem is a comparison of two plans - general and private. Against the backdrop of nature, the love story of two people is shown. Rotating natural phenomena complement the love lyrical component.
Image of nature
In the analysis of “Whisper, Timid Breath” by Afanasy Fet, it is necessary to consider in detail the image of nature. In this poem, the world around us is shown in harmony with man, or rather, with his beloved. The first stanza shows a nightingale, whose beautiful trills sound over a sleepy stream. This can be compared to the fact that in a person’s life love appears like a beautiful nightingale song that awakens him.
The second stanza does not depict any natural phenomena. It is only said that all the shadows of the night cause changes on the hero’s dear face. And in the third stanza, the dawn is painted in all colors, which appears like a haze, which then flares up more and more brightly. This is similar to how the feelings of lovers become stronger and brighter human life.
Love lyrics
In the analysis of “Whispers, timid breathing, trills of a nightingale” it is necessary to consider love line in a poem. The poet does not name names, there are not even any pronouns. But the reader understands that we're talking about about the secret meetings of two lovers, thanks to the fact that the hero calls the face cute.
Why are the meetings secret? The heroes meet at night, and at dawn they are forced to say goodbye. At the very beginning of the meeting, there is a feeling of awkwardness and timidity between them, which happens with pure and sincere feelings.
And when the sun rises they have to part. But these feelings only flare up more, like the dawn. This poem shows how man and nature can exist in harmony.
Color epithets
In a brief analysis of “Whisper, Timid Breath,” one can write that color epithets play a big role in giving expressiveness to a work. At the very beginning, the poet uses muted colors to add more mystery to the meetings and show the emergence of feelings.
Then there is a gradual increase in expression. The colors become brighter, just as lovers become bolder in their expressions of feelings. This color contrast shows the development of the narrative, which does not appear grammatically in any way.
Sound coloration
The poet creates not only a visual, but also a sound picture. Color epithets are complemented by sound design. The first stanza conveys the nightingale trills, in the next stanza a feeling of absolute silence is created.
And again, the poet, thanks to contrast, gives sound to the plot. But it is worth noting that all sounds organically complement the lyrical component of the poem.
Features of expressive means
Distinctive feature of this poem is that it lacks verbs. This simple form lines - a challenge to society, which at that time reacted negatively to such a “verbless” poem. Using only nouns gives a smooth, measured rhythm.
But, despite the absence of verbs, each line represents a complete action. At first glance, it may seem to the reader that there is no plot or development of action in the poem. In fact, this is not so, the poet described his feelings. No portraits lyrical heroes, the poet only points out that the play of light and shadow is displayed on the hero’s sweet face. There is a hidden action in nouns, a feeling of dynamism arises. This creates plot development.
The poet also used other literary tropes. This a large number of epithets, personification and metaphor. The last sentence especially stands out in its emotional tone. This is facilitated by both repetition and exclamation. The repetition of voiceless consonants gives the lines a melodious quality. All of the above means of expressiveness add tenderness and lyricism to the poem.
Criticism of the poem
In an analysis based on Fet’s “Whisper, Timid Breath,” one should also talk about how the work was received by the public. Some poets and writers spoke ambiguously about him. The main reason is the peculiarity of writing, namely the absence of verbs.
Some felt that the poem had no plot and said that the topic chosen by the poet was narrow and limited. They also complained about the lack of any events. There were jokes that if you read it starting from the end, nothing will change. People behind the images of sensations did not see the gradual increase in expression. They failed to notice the harmony and integrity of the composition.
The work was also criticized for the fact that the poet did not give a specific subject description. And the reader only had to guess what was being said in this or that line. The phrases are written in a chopped style; some critics did not notice the smoothness and leisurely musicality of the poem.
But there is an opinion that this creation was received unfavorably by some poets and writers due to the fact that the poet touched on the topic of intimacy of feelings. And although this is not stated directly, the reader can guess thanks to hints. But this does not make Fet’s creation any less refined and elegant, nor does it lose a drop of its lyricism.
A. A. Fet in his work praised not only the beauty and grandeur of nature. But the poet also described feelings in his work. But for him, man and the world around him are one whole, which is reflected in this poem. It was brief analysis according to the plan of “Whispers, Timid Breathing”.
Analysis of the poem by A.A. Feta “Whisper, timid breathing...”
One of Fet's most famous miniatures. It was written and published in 1850 in the magazine “Moskvityanin” (“Whisper of the Heart…”). The poem appeared in a modified form in 1956 and immediately won the hearts of readers. Its twelve lines are passed strong feeling, and economically chosen words draw bright pictures. Contemporaries recalled that L. Tolstoy really liked this work, who said about the ending: “This is for a small circle of gourmets in art.” Readers today cannot help but be surprised that the poem, filled with movement from beginning to end, is written without a single verb, and the 36 words that it consists of are 26 of them nouns.
Fet’s miniature “Whisper, Timid Breathing...”, which was perceived by contemporaries as an innovative work, became a textbook. Nature and feelings are fused together in it. The poem, especially in the last lines (the poet always had strong endings), sounds like a real hymn to nature and love. The words in it are selected in such a way that each of them is a hint, and when combined together they create a system of hints that have subtext and produce a special impression. Researchers point to the features of impressionism in Fet's lyrics. Impressionism, as you know, is most clearly expressed in creativity French artists: K. Monet, E. Monet, E Degas, O. Renoir, who loved to depict objects from a special angle and in unusual lighting. The impressionistic style is felt in the poem “Night light, night shadows, shadows without end” and plays a crucial role in depicting the picture of night vision, which ends with the sunrise.
In addition to the analysis of the poem “Whisper, timid breathing...” is also available:
- “The First Lily of the Valley”, analysis of Fet’s poem
- “Storm”, analysis of Fet’s poem
- “Butterfly”, analysis of Fet’s poem
- “What a night! How clean the air is...", analysis of Fet's poem
- “Autumn Rose”, analysis of Fet’s poem
- “Swallows are gone...”, analysis of Fet’s poem
- “Sad Birch...”, analysis of Fet’s poem
