Analysis of Nikolai Gumilyov’s poem “The Magic Violin. Report: Analysis of Gumilyov's poem "The Magic Violin"

Analysis of Gumilyov’s poem “The Magic Violin”

The poem “The Magic Violin” is key to Gumilyov’s entire work. He valued this poem so much that he did not even include it in the collection “Romantic Flowers” so that the poem would be published for the first time in such an authoritative magazine as “Libra”.

The poem is an appeal from a sophisticated poet to a young one who knows only about the happiness of creativity. without seeing the other side of the coin. This other side of the coin is shown by the sophisticated poet.

In the image of a violin, poetic talent appears before us, which is both a deadly spell and the highest bliss. The lyrical hero tells the young poet that a true poet has no right to rest, he must always create, otherwise “ mad wolves in a bloodthirsty frenzy, they will grab your throat with their teeth, stand with their paws on your chest.” He also believes that he must serve poetry without hope of recognition, without hope of being understood, without hope of fame. A real poet is not afraid of anything. He will go his way and die a “glorious death, terrible death violinist.”

The poem is very musical due to the combination of consonant sounds “vl”: “own the magic violin”

The poem is written in pentameter anapest together with eight-foot trochee. The rhyme is used both masculine and feminine, the rhyme is cross. Gumilyov uses epithets (“dark horror,” “mad bow”), inversions (“Immediately mad wolves in a bloodthirsty frenzy will grab your throat with their teeth, stand with their paws on your chest”), comparison (“the cold will wrap around your body like a cloth”), personification (“We must forever sing and cry to these strings”), oxymoron (“Don’t ask for this happiness that poisons the worlds”)

These are figuratively - means of expression give the work expressiveness.

In this poem lyrical hero proclaims creativity as a form of self-immolation. I think that Gumilyov himself believed in the poet’s fatal destiny and was ready to accept death with his characteristic heroism.

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People are subject to different passions, and he knew about this, perhaps better than others. Since childhood, he was fond of poetry and could no longer imagine his life without rhymed lines that lay in even rows on paper. Perhaps that's why he could find common language with creative people and understood that for such hobbies sometimes you have to pay with the most valuable thing a person has - his soul.

The question of what exactly constitutes talent - a reward from the gods or a temptation from the devil - is relevant at all times. Nikolai Gumilyov, who wrote a poem in 1910, also wondered about it. Judging by the meaning the poet put into this work, he sincerely believed: any passions, even if they are caused by great ideas and good intentions, are called to serve Satan.

From the first lines of his poem, the author warns his hero - an inexperienced young man - against the temptation to pick up the most ordinary violin. The poet knows from his own experience how difficult it will be to part with the illusion of one’s own superiority, which can subsequently ruin the life of every person.
“You don’t know, you don’t know what this violin is, what the dark horror of the beginner of the game is!”, - the poet warns his invisible interlocutor against temptation, already realizing that it is already pointless to desire this. He sees that young musician “The serene light of the eyes has disappeared forever”- the first sign that the soul is overcome by passions. The need for music becomes so strong that no one and nothing can tame it. “We must forever sing and cry to these strings, eternal strings”, - the poet notes, perfectly imagining what fate awaits young man, if he discovers a world of magical sounds that can replace reality for him.

Once a person takes the path of creativity, he ceases to control his desires. He becomes a slave to notes and a crying violin, which replaces his communication with the outside world. The same thing, according to Gumilyov, happens with poets and artists if they are truly talented and dedicated to their work. But the author does not wish a similar fate for the young man with whom he is conducting his secret dialogue. After all, passions have never been able to make anyone truly happy. “And the bride will cry, and the friend will think”, - this is the finale of everyone who completely devotes himself to creativity. However, the temptation to feel like a god is very great, so the author understands the futility of his attempts to protect an inexperienced creature from taking a dangerous path. “Here, wield a magic violin, look into the eyes of monsters and die a glorious death, the terrible death of a violinist!”, - the poet admonishes the hero of his poem, realizing that convincing him otherwise is the same as giving up poetry himself.

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The article will comprehensively examine the famous poetic work and analyze Gumilyov’s poem “The Magic Violin.” An attempt will be made to understand the author's intentions.

Subject

The theme of this poetry is eternal. It is characteristic not only of N. Gumilyov’s work, but also of all world literature. Moreover, in his poems, each poet expresses himself first and foremost, and only then the thought that inspired him. An analysis of Gumilev’s poem “The Magic Violin” allows us to understand how deep and varied the inner world of this bright poet, theorist of Acmeism, is.

Form

It should be noted that the work was written by the author in the form of a dedication to V. Bryusov. But what did N. Gumilev want to convey? Despite the fact that in fact in the poem we're talking about about the violinist and the violin, in fact this is an ordinary allegory, which the astute reader will immediately guess. An analysis of Gumilev’s poem “The Magic Violin” makes it clear why the author chose this particular one artistic technique. Bryusov is a poet of symbolism who perceives music as some kind of higher force or element. It is like divine purity and is the basis of any creativity. In addition, it is very important that the image of the violin has many similarities with the image of the lyre, which is considered a symbol of poetry.

Symbolism

An analysis of Gumilev’s poem “The Magic Violin” shows the inconsistency of the author himself. Creativity consists of two components that are inseparable. The first of them is the pure spirit and enthusiastic beginning, which the author of the work conveys through the image of a sweet child and a benevolent teacher. But the other side is external world, which is filled with evil “spirits” and “wolves”. An analysis of Gumilyov’s poem “The Magic Violin” allows us to understand that he himself describes the process of creation using an oxymoron and an antithesis. For the author, creativity is not only a whim, but also a cross that every person accepts voluntarily, since he cannot imagine his life without creative activity.

Motives

An analysis of N. Gumilev’s poem “The Magic Violin” shows how important continuity in creativity is to him. We see how the teacher carefully and with trepidation in his hands hands over his favorite violin little boy who is just beginning his journey. In this case, the image of the author fades into the background and becomes secondary. The first place is occupied by the creativity, spiritual life and fullness of the poet.

There is no denying the clear motif of death that is present in the poem. Calling the boy to fearlessness and courage, the author tells him not to be afraid, but to die, if necessary, “the glorious death of a violinist.”

An analysis of N. S. Gumilyov’s poem “The Magic Violin” demonstrates a vivid image of the road, which the author presents as difficult path to its origins through dense forests. What is the poet's main message? Become creative person- this means voluntarily taking the most dangerous path, full of trials, while possessing only your talent - the “magic violin”.

What world surrounds us in the poem? N. Gumilyov sees everything in the ancient Russian flavor, full of secrets, myths and legends, which necessarily comes to life under the cover of night. The leading images of the work are wolves, but why? The fact is that the author presents the world as ruthless, but very free and proud. That is why wolves are the best symbol in this case. However, as we read the poem, we understand that the wolves are those who took the poet’s dangerous path, but did not pass it, but turned into a monster, taking revenge on everyone for their own stupidity and mistakes. These are werewolves who were unable to walk their path with dignity, they wish harm to every new daredevil.

All artistic media, which the author very skillfully and expressively uses, are necessary in order to more deeply reveal the main idea of the poem. What is it? The fact is that the poet’s path is dangerous, that all too often we see the tragedies of little people, that creativity often causes spiritual death, despite its life-giving power. But maybe it's inner world those who give up and voluntarily turn into a werewolf?

Despite the fact that the topic is lively and bright, the author still narrates slowly and smoothly, so that his speech flows and does not thunder. He succeeds in this thanks to the use of unconventional techniques and long lines. It is interesting that the rhythm of the verse and its content clearly contradict each other. Thanks to this unusual combination, there is a feeling of a certain fatality, the fate of fate.

Analysis of Gumilyov’s poem “The Magic Violin”

In the image of a violin, poetic talent appears before us, which is both a deadly spell and the highest bliss. The lyrical hero tells the young poet that a true poet has no right to rest, he must always create, otherwise “mad wolves in a bloodthirsty frenzy will grab your throat with their teeth, stand with their paws on your chest.” He also believes that he must serve poetry without hope for recognition, without hope of being understood, without hope of fame. A true poet is not afraid of anything. He will go his own way and die “a glorious death, the terrible death of a violinist.”

The poem is very musical due to the combination of consonant sounds “vl”: “own the magic violin”

These figurative and expressive means give the work expressiveness.

In this poem, the lyrical hero proclaims creativity as a form of self-immolation. I think that Gumilyov himself believed in the poet’s fatal destiny and was ready to accept death with his characteristic heroism.

The theme of the poet and poetry is one of the eternal, cross-cutting themes in world literature. Almost every poet at one time or another expressed his own point of view on the problems of creativity: why he creates, what makes him write, where does poetic talent come from. And, of course, like this bright poet, N.S. Gumilyov, the theorist of Acmeism, could not help but abandon his thoughts on this topic.

The poem is written in the form of a dedication to Valery Bryusov. And although the poem is about a violin and a violinist, that is, about music, the reader can easily unravel this allegory. Bryusov is a poet of symbolism, for whom music is special supernatural power, embodying the element of “pure movement”, the fundamental principle of creativity. And the image of a violin is closest to the image of a lyre - a symbol of poetry.

The violin, that is, the creativity in Gumilyov’s poem is essentially contradictory. Creativity combines two sides: an enthusiastic beginning, embodied through the image of a boy and a sweetheart, cheerful teacher; And dark side, embodied in the surrounding world, where the “spirits of hell” and “rabid wolves” live. Gumilev describes the creative process with the help of antitheses and oxymorons: “dark horror”, “happiness that poisons the worlds”,

“royal sounds”, “sing and cry”. Creativity is a cross that the poet voluntarily accepts and must bear, for he lives only when he creates:

You will get tired and slow down, and for a moment the singing will break through,

And you won’t be able to scream, move or breathe,

The motive of continuity of creativity is important: the teacher passes the “magic violin” to a cute boy. The image of the poet himself is secondary in comparison with the description of the creativity, the life of the poet, which is impossible without poetry. The motive of death from creativity is strong:

Here, wield a magic violin, look into the eyes of monsters and die a glorious death, the terrible death of a violinist!

The image of a road is clearly visible - a path through dense forests. To recognize oneself as a poet, according to Gumilev, therefore, to go out onto a road full of dangers with only one “magic violin” in one’s hands.

The world of Gumilyov’s poem is the ancient Russian world, the world of myths and secrets, the world of “happiness that poisons the worlds.” The world is ruthless, but free and proud, which is why wolves are chosen as one of the leading images of the poem. The wolves in the poem are precisely werewolves who did not go through the road and did not pass the test, went into the forest and took revenge for their failures in life:

Immediately the rabid wolves in a bloodthirsty frenzy will grab your throat with their teeth and stand with their paws on your chest.

Then you will understand how viciously everything that sang laughed,

A belated but powerful fear will look into your eyes.

All artistic and expressive means (and epithets: “mad bow”, “terrible death”, and metaphors “the serene light of eyes has disappeared forever”, “mortal cold will envelop”) serve to reveal the main idea of the poem: we are talking about the tragedy of poets, about the destruction of creativity , but at the level of rhythm the emotions do not spill out. Slowness and fluency of speech is created through the use of long, unconventional lines of trochaic octameter. The rhythm of the poem conflicts with its content. This combination creates the impression of fatality, the inevitability of fate: the poet’s death is inevitable.

The general ideological and philosophical concept of Gumilyov, given in the poem, can be expressed as follows: “The poet lives only as long as he is able to create.”