Analysis of Yesenin’s poem “Birch. Plan for stylistic analysis of the poem “White Birch” by S. Yesenin

Wrote the poem "Birch" in 1913. By this time, he had already left the village of Konstantinovo, where he spent his childhood, and moved to Moscow. Big city with him perpetual motion leaves its mark on the author, but memories of his native village do not leave him and are embodied in his work.

The poem "Birch" refers to early works Yesenina. At that time he was only 18 years old and his talent as a poet was only gaining strength. At first glance, the poem seems simple - just four quatrains with a simple rhyme that are easy to remember. But the purpose of this poem is to imagine the image of a birch tree and Russian winter, to show all the beauty and return your soul to your native places. Therefore, the author uses simple metaphors and epithets.

The image of a birch tree was not chosen by chance. For Yesenin, as for many other poets whose works were dedicated to the Motherland, the birch tree symbolized spiritual purity. Therefore, going through a difficult period of his youth, in which he found himself far from his native places, the poet supports himself with his memories.

In this poem, he seems to mentally return to his home and native village. The phrase “under my window” clearly indicates to the reader that the author recalls the time when he lived in the village and watched how birch trees grew outside the windows, which bloomed in the summer and were covered with snow in the winter.

Yesenin makes the birch animate and gives it the qualities of a young woman who likes exquisite outfits and beautiful decorations. “She covered herself with snow” - as if indicating that the birch woman herself tried on this outfit, as if decorated with silver with white fringe on her hands. And nature itself helps her in this and makes her outfit even more refined and majestic - “the dawn sprinkles the branches with new silver.”

In works of Russian folklore, birch and willow have always been considered female trees. But the willow personified more sadness and sadness. Everyone is familiar with the expression “weeping willow”. Birch, on the contrary, personified positive emotions, which make your soul feel lighter. The Birches were told about their emotional experiences. Birch trees were remembered by those who were in foreign lands as something dear and closely connected with the Motherland.

That is why Yesenin gives birch such great importance. Birch will appear more than once in his works. In his work, the image of a birch tree united the Motherland and a woman - something that is important for every patriot who loves his Motherland.

Analysis of the poem by Berez Yesenin according to plan is brief. 5th grade

It is not for nothing that the author was nicknamed the singer of Russia, since his works - examples of his native land - are considered the main ones. And even where there is a description of the mysterious east, Sergei Yesenin constantly creates a parallel of overseas beauties and the calm, silent beauty of his homeland.

The work “Birch” was created by the poet in 1913, when Sergei Yesenin was only eighteen years old. He lives in the Russian capital, impressed by its scale and boundless bustle. But in his work, the author remains faithful to his native land of Konstantinovo and, having dedicated his work to an ordinary birch tree, it was as if he had mentally returned home to his forgotten dilapidated hut.

It seems that you can talk about a simple tree that stands near your house? But it is with this tree that the poet associates the most vivid and sensual moments of his childhood. Considering how the birch tree changes throughout the year, Sergei Yesenin became convinced that the tree is considered the main symbol of the country, and it is worthy of being captured in a poem.

This work is a little sad and tender, filled with subtlety and skill. The poet perceives a winter outfit made of light snow as silver, which sparkles and plays with all the colors of the rainbow when the morning sun rises.

For the poet, the memory of native land- this is sadness, because he knows that he will not return there very soon. That is why the work can be considered a kind of farewell not only to the native land, but also to childhood.

Analysis of the poem Birch according to plan

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“Birch” Sergei Yesenin

White birch
Below my window
Covered with snow
Exactly silver.

On fluffy branches
Snow border
The brushes have blossomed
White fringe.

And the birch tree stands
In sleepy silence,
And the snowflakes are burning
In golden fire.

And the dawn is lazy
Walking around
sprinkles branches
New silver.

Analysis of Yesenin’s poem “Birch”

It is not for nothing that the poet Sergei Yesenin is called the singer of Russia, since in his work the image of his homeland is key. Even in those works that describe mysterious eastern countries, the author constantly draws a parallel between overseas beauties and the quiet, silent charm of his native expanses.

The poem “Birch” was written by Sergei Yesenin in 1913, when the poet was barely 18 years old. At this time, he was already living in Moscow, which impressed him with its scale and unimaginable bustle. However, the poet remained faithful in his work native village Konstantinovo and, dedicating a poem to an ordinary birch tree, it was as if he was mentally returning home, to an old rickety hut.

It would seem, what can you tell about an ordinary tree that grows under your window? However, it is with the birch tree that Sergei Yesenin associates the most vivid and exciting childhood memories. Watching how it changes throughout the year, now shedding its withered leaves, now dressing in a new green outfit, the poet became convinced that the birch tree is an integral symbol of Russia, worthy of being immortalized in poetry.

The image of a birch tree in the poem of the same name, which is filled with slight sadness and tenderness, is written with special grace and skill. The author compares her winter outfit, woven from fluffy snow, to silver, which burns and shimmers with all the colors of the rainbow in the morning dawn. The epithets with which Sergei Yesenin awards the birch are amazing in their beauty and sophistication. Its branches remind him of brushes of snow fringe, and the “sleepy silence” enveloping the snow-dusted tree gives it a special appearance, beauty and grandeur.

Why did Sergei Yesenin choose the image of a birch tree for his poem? There are several answers to this question. Some researchers of his life and work are convinced that the poet was a pagan at heart, and for him the birch tree was a symbol of spiritual purity and rebirth. Therefore, in one of the most difficult periods of his life, cut off from his native village, where for Yesenin everything was close, simple and understandable, the poet is looking for a foothold in his memories, imagining what his favorite looks like now, covered with a blanket of snow. In addition, the author draws a subtle parallel, endowing the birch with the features of a young woman who is no stranger to coquetry and a love of exquisite outfits. This is also not surprising, since in Russian folklore the birch, like the willow, has always been considered a “female” tree. However, if people have always associated the willow with grief and suffering, which is why it got its name “weeping”, then the birch is a symbol of joy, harmony and consolation. Knowing Russian folklore very well, Sergei Yesenin remembered folk parables that if you go to a birch tree and tell it about your experiences, your soul will certainly become lighter and warmer. Thus, an ordinary birch tree combines several images at once - the Motherland, a girl, a mother - which are close and understandable to any Russian person. Therefore, it is not surprising that the simple and unpretentious poem “Birch”, in which Yesenin’s talent is not yet manifested in full force, evokes a wide range of feelings, from admiration to slight sadness and melancholy. After all, each reader has his own image of a birch, and it is to this that he “tryes on” the lines of this poem, exciting and light, like silvery snowflakes.

However, the author’s memories of his native village cause melancholy, since he understands that he will not return to Konstantinovo soon. Therefore, the poem “Birch” can rightfully be considered a kind of farewell not only to his home, but also to childhood, which was not particularly joyful and happy, but, nevertheless, one of the best periods of his life for the poet.

What is Russia most often associated with in the perception of most people? You can name different symbols. Foreigners will definitely remember vodka, matryoshka and balalaika. And even the bears that supposedly walk along our streets. But for a Russian person, the birch tree will undoubtedly be the closest. After all, it is the birch tree that is most pleasant to meet, “returning from distant wanderings.” After exotic trees, spreading palm trees and suffocating-smelling tropical plants, it is so pleasant to touch the cool white bark and breathe in the fresh smell of birch branches.

It is not for nothing that the birch tree was sung by almost all Russian poets. A. Fet, N. Rubtsov, A. Dementiev wrote about her. Songs, legends, tales were written about her. Time passed, power changed and political system, wars passed, mounds grew on former fields battles, and the birch tree has pleased hundreds of years with its bright face and continues to do so. “I love the Russian birch tree, sometimes bright, sometimes sad...” - the Russian Soviet poet Alexander Prokofiev wrote so simply and at the same time passionately about this most important symbol of Russia.

The remarkable 20th century lyricist Sergei Aleksandrovich Yesenin also contributed to the collection of works about birch. Growing up in the Ryazan province, in the village of Konstantinovo, in an ordinary peasant family, Sergei saw birch trees under his windows from childhood home. By the way, they are still growing, having outlived the poet by almost a hundred years.

Poem by Sergei Yesenin "White birch", at first glance, seems straightforward. Probably because of this apparent simplicity, everyone teaches it, starting with kindergarten. Indeed, only four quatrains, trochee tetrameter, no tricky, incomprehensible metaphors- this is what makes the perception of this poem so simplified.

But if we remember that any lyrical work designed not only to express the poet's feelings, but also to evoke a reciprocal emotional response from the reader, it becomes clear why this poem, written a century ago (in 1913), is still so familiar to many lovers and connoisseurs of Russian poetry.

The Yesenin birch appears in the form of a sleeping beauty:

Covered with snow
Exactly silver.

The personification used by the poet allows the reader to notice that the birch tree itself was covered with snow, and not the frost used its power. That's why brushes "blossomed with white fringe" themselves too. And here it is, a bright image - a beauty resting "in sleepy silence", and a rich beauty: after all, she covered herself with snow, "like silver", the brushes are decorated with white fringe, which was used only by representatives of high society, and the snowflakes in the birch dress are burning "in golden fire".

Of course, a Russian person who grew up on fairy tales about a princess sleeping in a crystal coffin will invariably imagine only such an image when reading this analysis of the poem. This drowsiness is explained by the time of year, because in winter all the trees “sleep”. Even the dawn appears slowly, as if afraid to disturb the peace of the Russian beauty:

And the dawn is lazy
Walking around
Sprinkles branches
New silver.

But Yesenin’s “sleepy birch trees” will appear in another work written a year later - in the poem “Good Morning!” . Here it is much more difficult to understand why, in the midst of summer, birch trees are also like a dream.

“We all come from childhood,” asserted French writer and aviator Antoine de Saint-Exupéry. Perhaps, watching the birch tree all my childhood "under your window", Seryozha Yesenin created one for himself image of a birch, which he carried through all his work and his entire short life.

Researchers of Yesenin’s work once calculated that 22 names of different trees appeared in his works. Probably, the poet himself did not think about this when he created his lyrical masterpieces. But for some reason, it was the birches that formed for him the very “land of birch chintz” that he left so early.

• “I left my home…”, analysis of Yesenin’s poem
• “You are my Shagane, Shagane!..”, analysis of Yesenin’s poem, essay
• “Letter to a Woman”, analysis of Yesenin’s poem

Analysis of Yesenin’s poem “Birch”

We begin our analysis of Yesenin’s poems by characterizing the poet as a person who passionately loves native land, the nature of your land, every grass, every tree growing near your home. “The white birch tree under my window” arouses the poet’s admiration, and he devotes a whole poem to it, as to his beloved woman. He admires the winter birch tree. It would seem how wonderful winter can be: bare trees, cold, emptiness. And Yesenin says that the tree was covered with “snow, like silver.” He sees her not as a frozen tree, but as a beauty with fluffy branches on which snow “tassels” hang like a “white fringe.” What a fascinating picture appears before the reader’s eyes! This poem is extremely lyrical. It is filled with epithets: the poet’s fire is “golden”, and the silence is sleepy; and metaphors: “snowflakes are burning”, “dawn, lazily walking around”, etc. This work glorifies not only the Russian birch, but also the long cold winter when the snow “showers the branches... with silver.” Thanks to Yesenin for helping us see the magic and beauty in her.

Analysis of Yesenin’s poem about winter “Winter Sings and Calls”

So simple, so familiar from childhood, Yesenin’s poem about winter, “Winter sings and cries”... It’s as if a grandmother, playing with her grandson in winter, recites Russian nursery rhymes to him: “Winter cries - ... lulls her to sleep,” or a Russian fairy tale about playful sparrows or small birds , tender, freezing in winter. It seems that the people themselves wrote this poem, so Yesenin is able to convey the charm of the Russian language and Russian folklore. Again, like a song, metaphors and epithets flow from the lips of the great poet. These are “shaggy forest”, “gray clouds”, “blizzard... spreading”, “orphan children”, the mad roar of a blizzard, the smiles of the sun, etc. The picture of nature in this poem, although winter, is very colorful. And again Yesenin amazes the reader. Analysis of the poem allows us to notice and admire the simplest things: floating clouds, blizzards, blizzards, birds, etc. Until what? beautiful land our...

Analysis of Yesenin’s poem about winter “Porosh”

In the poem “Porosh,” the great Russian poet Yesenin again sings of nature in winter: a dormant forest when a dream tells him a fairy tale, and a pine tree strewn with snow. He imagines her as an old woman tied with a white scarf. It seems to Yesenin that the pine tree “bent over like an old woman, leaning on a stick.” And again, the author has extraordinary metaphors, striking in their accuracy, lyricism, and harmony: “ringing under a hoof in the snow,” snow “spreading a shawl,” a road running “like a ribbon into the distance.” A few words, and the reader sees endless Russia, cold, snowy, but so beloved by the great poet.

Analysis of Yesenin’s poem about winter “I’m wandering through the first snow...”

In the poem “I’m wandering through the first snow...” Yesenin again returns to the theme of winter and Russian birch. He says that “the swans sat down in the meadow,” and not the snow lies in the fields. “The naked breasts of birches,” like those of a beloved woman, he wants to “press to his body.” Yesenin is a very original poet-singer of his Fatherland. Russian literature is unthinkable without his work. Such subtle, reverent poetry, filled with immense love for Russia, cannot but be considered great.

analysis of Yesenin's poem white birch

1. The poem refers to the lyrics of 1910-1913. , period difficult life poet, when he wrote more than 60 poems. It is the poet's first published poem (1914, under the pseudonym Ariston, magazine for children's reading Mirok).
   The main theme is to show the beauty of winter birch. Yesenin's stanza is a description of a winter birch with its inherent Russian signs and many subject details. The poem conveys a patriotic feeling of love for the Motherland, its modest, outwardly unassuming nature. The feeling of the Motherland is fundamental in all of Yesenin’s work. The nature glorified here is humanized: it breathes, moves, and grieves like a person. Traditionally chanted orally folk art birch is a through-line in the poet’s work. The author uses syllabic-tonic versification. We can assume the presence here of two-syllable feet, iambic meter. Further analyzing this poem, one notices precise (window - silver) rhymes, as well as unequal rhymes (circle - silver), open (fire - silence) and closed (border - fringe), masculine (silence - fire), but they are all crossed (abab). In terms of the number of stanzas, the poem is a quatrain.
   The main image of the work is winter birch(image-character). The poet animates her with the image of a woman. Also noticeable in the poem is the image of winter - a synonym for death and mortal melancholy in the poet’s work. Yesenin wanted to show the sadness of female decline.
   Yesenin sees the birch sharply, in certain lighting. As a result, one image associatively gives rise to another. The words forming the lines, taken individually, are not figurative. But, organized in a certain way, they create a poetic, figurative text and themselves become figurative. The poem refers to landscape lyrics. Contains mostly common words, but under the poet's pen they are emotionally effective. He has an amazingly keen and acutely keen view of nature. Based on the perfection of linguistic form, harmony of content and form, clarity, clarity, conciseness, grace, simplicity and harmony of verbal expression, it can be argued that the aesthetic function of language is manifested here.
   The poem is multicolored. It contains both the poet’s favorite colors (white, silver), which convey a joyful, fresh, elegiac and pensive perception of the world, and gold - a symbol of the bright, but already fading colors of autumn. Also striking is the play of colors, their subtle nuances, the transition of one color to another, their mixing and the formation of a new color based on them. Yesenin, when painting pictures of nature, always names the colors in which it is painted. He does this so that readers can better imagine what he writes about. Yesenin compares the snow-covered tassels of birch branches with white fringe. The poet twice compares snow with silver, but at the same time uses different primaries: in the first stanza, when the birch tree is covered with snow, as if with silver, there is a comparison, and in the last lines of the poem, when the dawn sprinkles the branches with new silver, there is also a comparison, but it is, as it were, hidden . The poet does not say that the dawn sprinkles the branches with snow, as if with silver. He immediately calls snow silver, hoping for our insight. This hidden comparison is a metaphor. The poet writes that snowflakes burn in golden fire. The word used here is burning in figuratively. This word is often used figuratively. We say, for example, the eyes are burning. Snowflakes, of course, cannot burn like firewood. And by the expression golden fire, the poet means the light of dawn. In winter, the sky is not lit up as brightly as in summer. The birch tree stands for a long time in sleepy silence - from dawn to evening. This is exactly how, it seems to us, we need to understand words - going around. First the dawn was in the east, and then in the west. Yesenin also calls the dawn lazy, this is because in winter the dawn begins later than in summer, as if he is lazy to get up early. And it doesn’t burn as brightly as in summer, as if it were too lazy to illuminate the sky. Despite the small volume of the work, its language is rich and national.
2. THE BIRCH EMBODISHES THE RUSSIAN BEAUTY
3. Well, that’s it, details that will be a little useful to you))))
   The author will convey the amazing beauty of birch, the symbol of Rus'.

   1. White - keyword (White angel, White church, white Rus', white clothes).