How to draw your own portrait. How to draw a realistic portrait from a photograph

Drawings of a person's face, a portrait is the most complex look visual arts. Learn to draw a portrait of a person correctly, even with a simple pencil, requires not only time to learn, but also talent. The difficulty of drawing a portrait of a person lies in the ability to convey the emotional state of a person, his facial expressions, the depth of his gaze, etc. To do this, you need to correctly draw the eyes, accurately repeat the shape of the person’s lips and other features of his face.
How to draw a portrait of a person if you have no experience? It is quite possible to learn a simple technique for drawing a person’s face on your own, but first you can try draw a person's face step by step, with a simple pencil. Perhaps not the first time, but with a strong desire, you will definitely be able to draw a real portrait of a person.

1. The overall contour of a person’s face is most important.

To draw correctly portrait of a man It is important to accurately make the first contour, the contour of the face. Without pressing hard on the pencil, repeat this oval of the person's face in your drawing. You may have to draw it several times, repeating this step again. Do not spare paper, draw until this outline is correct form and symmetrical. If you want to draw the same portrait as in my drawing, be patient and diligent.

2. Marking the main parts of a person’s face

Exactly in the center, draw a horizontal line dividing the portrait into two parts, and just below another parallel line. From the center of the bottom line, draw perpendicular line, and mark where the tip of the nose will be located on the face. When drawing these lines, do not press hard on the pencil. Don't forget to draw the ears.

3. Eyes are the main part of the portrait

Drawing a person's face step by step is simple and fun. The main thing is to definitely take the first steps. At this stage it will be much easier to draw, but you need to be extremely careful and careful. We probably need to sharpen the pencil sharper, we will now need to make thin lines.
The eyes on a person's face are the most important part of a portrait. So let's start drawing this portrait step with them. Draw the eyes using smooth, oval lines, but first place marks (dots) for the lateral, upper and lower borders of each eye. Draw the pupils, line of the mouth and initial contours hair.

4.Draw the outlines of the eyebrows, mouth and lips

This step will be the most difficult, but after it the portrait of the person will be almost complete. Draw something that is easy to draw first. Draw the eyebrows and finish drawing the outline of the hair. Now let's draw a little more complex element human face - lips. It’s easier to draw the lower lip, so let’s start with it, and the upper lip will be mirror image the bottom one, only it is divided in half in the center. Don't draw too wide a mouth or thick lips.
Start drawing the nose from its tip, in the form of a “tick”, and two arcs along the edges. Now draw a line from the right eyebrow, slightly deviating to the right.
Using an eraser, carefully remove from your drawing of a person's face extra contour lines and look, you get a real portrait of a person.

5. The drawing of the man's face is almost finished

If you have reached this stage and are quite happy with your drawing of a person, then you a real artist and apparently you can draw a lot of other beautiful things. Starting from this step, you have earned a rest, and therefore you will not have to draw any more difficult things in your portrait of a person. You will only need to draw eyebrows, eyelids, hair and draw the ears in more detail.

6. Portrait of a man. Creating shadows in a drawing

Now you have a real drawing of a person’s face, all that remains is to make a portrait, as real artists do. That is, add shadows to the drawing with a soft simple pencil, making the picture of the face three-dimensional. This effect can only be achieved by creating shadows and contrasts.
On the face and hair, many areas need to be shaded with darker and denser light. This effect will give the face greater realism and depth.
Now you know how draw a portrait person and you can try to draw a portrait from a photograph. Don’t try to draw a portrait of a person “from life”; only artists can do this. If you manage to convey the main similarities and express them in your drawing main feature human - that's already good. And if the portrait resembles the person in the photo, then you can be sure that you have real talent.

The lesson on how to draw a portrait of a person is an addition to the lesson on how to draw a person in full height. Draw first standing man, and then, using this lesson, you can draw a person’s face in detail.

The drawing of a person's face is, first of all, the eyes. It is this element of the portrait that needs to be given the most attention. In this lesson you can learn how to draw eyes in detail.

Each person's nose has unique characteristics, so it is impossible to give precise advice on how to draw the nose of a girl, child or man. You can only make an abstract or, as they say, “academic” drawing of the nose.

If you decide to draw a person's face, it is important to achieve a similarity in the person's portrait and accurately draw any facial features. But eyes and lips are the most important elements of facial design.

It is difficult to draw a ballerina, because you need to convey the grace and elegance of the dancer’s movements. To make it easier for you to draw a ballerina, this lesson is done step by step.

Let's try to draw a hockey player in motion, with a stick and a puck, step by step. You might even be able to draw your favorite hockey player or goalie.

In this lesson we learn how to draw anime comics in manga style with a pencil. Every anime fan wants to be able to draw manga, but it is not easy for everyone, since drawing a person is difficult, especially anime in motion.

Anime style human face drawing eyes are the basis of this style. The eyes always have a distorted, enlarged size, and the person's facial features bear only a rough resemblance to the person's actual face.

The first thing to do is draw an oval HEAD, not the oval of the face and not the opened cranium, but the COMPLETE head. To be more precise, the head looks like an upside-down egg.

Exactly in the middle we draw a vertical, straight line (axis of symmetry). She will help us draw symmetrically all parts of the face.

A portrait with one eye larger than the other and at different heights will look strange. Brrrrr... Therefore, we will align everything relative to the middle of the face.

Divide the length of the entire head into two equal parts. Draw a horizontal line. On this line we will draw the eyes, but a little later. First, let's find the location of all the other parts.

At the top of the head we make a notch that defines the hair growth line, i.e. This is where the forehead will begin. We do this approximately “by eye”. The remaining part will be the face.

Divide the length of the face into three equal parts. The first line, as I said, is the beginning of the hair, the second is the eyebrows, the third is the edge of the nose.

On the eye line, the one that is exactly in the middle of the HEAD, draw eyes. Please note that the distance between the eyes is equal to the length of one eye.

Our pupils are not located exactly in the middle of the eye, but are slightly hidden under the upper eyelid.

Draw the nose. We have already decided on the length, all that remains is to decide on the width. Typically, the width of the wings of the nose is equal to the distance between the eyes. Don't forget to check the symmetry of your face i.e. measure the distance from the right and left sides to the line in the middle.

To draw a portrait of a person with a pencil, aspiring artists do not necessarily have to complete courses, become students at an art academy, or take private drawing lessons. Drawing a person’s face is not difficult, the main thing is not to be lazy and develop your skills.

The main thing in the article

Do-it-yourself pencil portrait of a person: what will you need?

To draw a portrait of a person you will need:

• simple pencils;
• a sheet of white A4 paper;
• eraser;
• stationery knife;
• scotch.

Learning to draw portraits of people with a pencil: where to start?

There should be no unnecessary objects on the working surface. Take a sheet of white paper, place it vertically or horizontally in front of you and secure it at the edges with tape. Remember that you cannot tilt the sheet while drawing. You only work with your hand.

Use a pencil from Koh-i-Noor medium soft HB or soft B.

An improperly sharpened pencil affects the quality of the drawing. Do not sharpen pencils with a sharpener, but use a utility knife. This method of sharpening a pencil allows you to expose the rod as much as possible and make it sharp. By properly sharpening a simple pencil, you will be less distracted from the process and draw longer.

For training, use a regular sheet of A4 paper. In the future, if you like to draw, buy professional drawing paper, such as drafting paper, kraft paper.

How to learn to draw a portrait of a person with a pencil?

To begin, take a photo of the person whose face you want to draw. Look at it carefully. A person's face on a piece of paper consists of geometric shapes, which change their shape during the drawing process. Remember that people's faces are disproportionate. Therefore, during detailed drawing of parts of the face, this must be taken into account.

To learn how to draw a portrait of a person with a pencil, you need to make sketches on paper.

How to draw a portrait of a person with a pencil for beginners step by step

The process of drawing a person's face with a pencil can be divided into the following stages:

• drawing the general contour of the face;
• marking the main parts of the face inside the oval;
• drawing eyes;
• drawing eyebrows, drawing nose and mouth;
• detailed drawing: wrinkles, shadows, moles, hair, etc.

Getting started: building the head and general contour of the face

To draw correctly general outline face, you need to know quite a bit of human anatomy. To begin, draw an oval, which will be narrower at the bottom than at the top. Next, change the outlines individually.

Marking parts of the face and working with planes

Full face

1. The skull and jaw are an oblate sphere; to put it roughly, the face in this position resembles egg, inverted with the narrow part facing down. Draw such an oval and draw two perpendicular lines through its middle.
2. The horizontal line is the eye line. Divide its right and left parts in half. This will be the middle of the eyes (pupils).
3. Divide the lower part of the vertical line into 5 equal segments. The tip of the nose will be located at the 2nd mark from above, and the mouth will be between the 2nd and 5th marks.
4. Divide the upper part of the vertical line into 4 equal segments. The hair should be on 2 sections from above. The bottom of the ears should be at the level of the tip of the nose, and the top should be at the level of the eyelids.

Artists use small tips to draw portraits:

• the width of the face consists of 5 segments equal to the width of the eyes;
• the distance between the eyes is approximately equal to the width of one eye;
• The width of the chin is equal to the length of the eye.

These standards are adjusted individually.

Profile

1. The profile also resembles an egg in shape, but its sharp part is shifted to the corner.
2. Divide the drawn figure with two perpendicular lines.
3. The ear is behind the vertical line. The depth of the skull is drawn individually.
4. The correct location of the nose, eyes, eyebrows has already been discussed in the “Full Face” subsection.

Detailing the face: drawing eyes, contours of eyebrows, nose, lips, ears

Eyes

Since the shape of the eyes is different for each person, it is impossible to accurately describe this process. The middle of the eye is already marked. Now draw two arcs on the right and left, which you will later “turn” into eyes.

Key points to pay attention to when drawing eyes:

• the outer part of the eye is always slightly higher than the inner part;
• the arches of the eyes are rounded closer to the inside of the eye and narrowed to the outside;
• if a person looks straight, then the iris of his eye is always slightly covered by the upper eyelid;
• eyelashes always begin to draw from the eyelid;
• the lower eyelashes are always shorter than the upper ones;
• do not forget that the tear ducts, lower and upper eyelids should be drawn around the eye.

Very often, beginners, having drawn one eye, stop looking at the photograph and copy the second eye from their drawing. Don't forget that people's faces are not proportional. The second eye will be a couple of millimeters wider/narrower, higher/lower. The eyelid above the right eye may be lower than that above the left. All these little details must be carefully copied from the photograph.

If you draw a face in profile, then the eye here will resemble the shape of an arrowhead with convex and concave sides. The iris is hard to see from the side, but when drawing a portrait, you need to draw it so that the eye does not look strange.

Brows

The widest part of the eyebrow is often closest to the bridge of the nose. Don't start drawing the hairs right away. Define the shape of the eyebrows. If you draw a face in profile, then their shape will resemble a comma.

Nose

The easiest way to draw a nose is illustrated in the picture. Draw a circle, then add wings and “backs” to it. At the very end, all that remains is to outline the nostrils with a pencil.

There is a more complex one, but realistic way drawing this part of the face. As shown in the picture, draw a polyhedron. The shape of the polyhedron changes depending on the position of the face. Next, start rounding the geometric shape.

Lips

Start drawing the lips from the inside line, where the lower and upper lips meet. This line will never be perfectly straight; it always consists of several curved lines.

The inner line of the mouth is always darker in the drawing than the outer contours of the lips, and upper lip often smaller than the bottom.

If you draw a face in profile, then never draw the tip of the lip sharply upward. Draw the middle line of the lips first straight or down, and then lift it up.

Ears

The human ear can be represented in the form of the letter C. Do not forget that the ear has a rim and an inner part that resembles an arc, and a lobe. Be sure to draw these main parts of the ear.

Hatching and halftone development

It seems that you are already at the finish line, but the portrait is completely unrealistic. Hatching and working out halftones is something you can’t do without when drawing a portrait of a person.

First of all, determine where the light falls on your face and where the darkest places are. Apply strokes to the face in one direction - from top to bottom. To give the skin a matte look, blend the lines with your finger or a regular napkin. To lighten areas in the portrait, use an eraser.

Highlighting and darkening areas of the face

Highlighting and darkening areas of the face is necessary to make the face on a sheet of paper look voluminous and not flat:

• If you need to lighten an already painted area, use an eraser.
• Start sketching out areas of the face with light lines. Don't press too hard on the pencil.
• Apply lines in layers. The more lines, the darker the area of ​​the face will be.

How to draw portraits of people with a pencil from different angles: full face, profile, head turn

We figured out how to draw the full face and profile of a person.

1. If you draw a person from the back, then you may not be able to see all parts of his face.
2. When the face is turned almost in profile, the midline of the lips is very small, the line of the neck merges with the line of the chin. Also visible is part of the cheek, behind which the person's nostril is shown.
3. When a person turns his back almost to you, you can clearly see the line of the eyebrows, the cheekbone, the line of the neck, which tends to the ear (if this part is not covered by hair).
4. When you turn a person's face more, you see eyelashes, a small part of the eyebrow, the ridge of the lower eyelid and the tip of the nose.

How to draw a portrait of a person correctly with a pencil: the basics and secrets of the skill

1. The focus should be on the person's eyes.
2. Try to draw not only the head, but also the shoulders, neck decoration, collar, etc.
3. Never start drawing small parts without correctly marked contours.
4. When tracing the contours, do not press hard on the pencil, draw with barely noticeable lines.
5. Pay special attention to the proportions of the person's head.

How to draw a portrait of a person with a pencil: video tutorials

The person whose portrait you decide to draw will definitely appreciate your efforts. You can give such a gift to yourself. If you are afraid of the amount of work ahead, practice drawing individual parts of the face. In the future it will be easier for you to draw a portrait of a person with a pencil.

We can now take a closer look at the details. And we'll start with the face. A person’s face is the first thing we pay attention to in any situation, and this also applies in a certain way to art: the observer will first of all look at the face with your characteristic features. Putting a face on paper, especially drawing lively expressions, is definitely worth the effort.

In this tutorial we will introduce the main components drawing a face - proportions, features and perspective, and in the following lessons we will look in more detail at various facial expressions.

1. Facial proportions

Full face:

In this position, the skull will be a flat circle, to which the outline of the jaw is added, which overall forms an egg shape, pointed at the bottom. Two lines perpendicular to the center divide the “egg” into four parts. To distribute facial features:

- Mark the midpoints of the left and right halves of the horizontal line. There will be eyes at these points.

— Divide the vertical bottom line into five equal parts. The tip of the nose will be at the second point from the center. The lip fold will be at the third point from the center, one point lower from the tip of the nose.

- Divide the top half of the head into four equal parts: the hairline (if the person does not have a receding hairline) will be located between the second and third point from the center. The ear will be located between the upper eyelid and the tip of the nose (if the face is at the same level). When a person looks up or down, the position of the ears changes.

It is useful to know that the width of the face is the width of five eyes or slightly less. The distance between the eyes is equal to the width of one eye. It is not typical for people to have wide-set or too close-set eyes, but it is always noticeable (wide-set eyes give a person an innocent, childish expression, while narrow-set eyes arouse suspicion in us for some reason). The distance between the lower lip and chin is also equal to the width of one eye.

Another measure criterion is the length index finger above thumb. In the diagram below, all lengths are marked in accordance with this criterion: ear height, distance between hair growth level and eyebrow level, distance from eyebrows to nose, distance from nose to chin, distance between pupils.

Profile:

From the side, the shape of the head also resembles an egg, but pointed to the side. The center lines now divide the head into an anterior (face) and posterior (skull) portion.

From the side of the skull:

- The ear is located directly behind the center line. In size and location, it is also located between the upper eyelid and the tip of the nose.
- The depth of the skull varies between the two dotted lines (as shown in Step 4).

From the face:

— Facial features are positioned the same way as in the front view.

— The deepening of the bridge of the nose either coincides with the center line or is located slightly higher.

— The most prominent point will be the level of the eyebrow (1 point from the center).

2. Facial features

Eyes and Eyebrows

The eye is built from two simple arches, shaped like an almond. There are no strict rules here, since eye shapes can be completely different, but there are general recommendations :

— The outer corner of the eyes is higher than the inner corner, and not vice versa.

— If you compare an eye with an almond, the rounded part of the pupil will be from the inner corner, decreasing towards the outer corner.

Eye Details

— The iris of the eye is partially hidden behind the upper eyelid. It crosses the lower eyelid only when the person looks down or squints (the lower eyelid rises).

- The eyelashes curve outward and are shorter on the lower eyelid (in fact, you don't have to draw them every time).

— If you want to depict the oval of the tear duct in the inner corner of the eye, and also show the thickness of the lower eyelid, it completely depends on your preferences; an excess of details does not always look appropriate. Adding such details is proportional to the complexity of the drawing.

- The same can be applied to drawing the crease of the eyelid - it adds expressiveness and makes the look less anxious. I think it's best not to add a fold if you're doing a stylized design or your design is too small.

The eye in profile resembles the shape of an arrowhead (the sides can be concave or convex), with a slight marking of the upper eyelid and, optionally, the lower. In life, we do not see the iris in profile, but we see the white of the eye. When I was working on the lesson, many people said that “it looks strange,” so the iris still needs to be designated.

As for the eyebrows, it's easiest to draw them after the eyes to follow the curve of the upper eyelid. Most of The length of the eyebrow looks inward, and its tip is always a little shorter.

In profile, the shape of the eyebrow changes - it becomes like a comma. This “comma” continues the level of the eyelashes (where they bend). Sometimes the eyebrow appears to be one with the eyelashes, so you can also draw one curve for the top of the eye and the border of the eyebrow.

The nose is usually wedge-shaped - it is easier to visualize and give three-dimensionality before adding details.

The septum and sides of the nose are flat, which will be noticeable in the finished drawing, but already at the sketching stage it is necessary to mark them in order to subsequently distribute the details correctly. In our wedge, the lower flat part is a truncated triangle connecting the wings and the tip of the nose. The wings curve towards the septum to form the nostrils - note that when viewed from below, the lines forming the sides of the septum are in the foreground, parallel to the face. The septum protrudes lower than the wings (when viewed straight on), which means that at a ¾ angle the far nostril will not be visible accordingly.

The hardest part of drawing a nose can be deciding which parts of the nose to leave out for a natural-looking result. You won't always have to draw the entire wing of the nose (where it meets the face), and in most cases the drawing will look better if you just draw the bottom of the nose. The same goes for the four lines of the nasal septum, where they connect to the face - in most cases it will be better if you draw only the lower part of the nose (wings, nostrils, septum) - you can alternately cover the lines with your finger to make sure . If the head is turned ¾, it becomes necessary to complete the lines of the bridge of the nose. You will need to do a lot of observation and trial and error to recognize the unique features of the nose. Caricaturists have this feature - you need to carefully examine the outlines of the noses to understand why they are depicted this way. We will return to this issue again in future lessons.

Lips

Tips for depicting the mouth and lips:

— First you need to draw the lip fold, since this is the linearst and darkest of the three almost parallel lines that form the mouth. In fact, it is not a solid straight line - it consists of several implicit curves. In the picture below you can see exaggerated examples of the movement of the mouth line - note that they follow the line of the upper lip. This line can be “softened” in several ways: the hollow above the lip can be narrower (to distinguish the corners) or so wide that it becomes invisible. It can also be the other way around - the lower lip is so full that it creates the feeling of pouting. If you find it difficult to stay symmetrical at this stage, try starting from the center and drawing one line on each side.

- The upper corners of the lips are more noticeable, but you can soften them by creating two wide curves, or soften them so much that they are no longer noticeable.

- The lower lip certainly resembles a regular curve, but it can also be almost flat or quite rounded. My advice is to denote the lower lip with at least a regular dash under the lower border.

— The upper lip is almost always narrower than the lower lip, and it protrudes less forward. If its outline is outlined, it should be more clearly expressed, since the lower lip already stands out with its shadow (it should not exceed the size of the lip).

— In profile, the lips resemble the shape of an arrowhead, and the protrusion of the upper lip becomes obvious. The shape of the lips is also different - the upper one is flat and located diagonally, and the lower one is more rounded.

— The lip fold in profile deviates downward, starting from the intersection of the lips. Even if a person smiles, the line goes down and rises again in the area of ​​the corners. Never raise the line level when drawing in profile.

Ears

The main part of the ear (if drawn correctly) is shaped like a letter WITH from the outside and the shape of an inverted letter U from the inside (the border of the upper ear cartilage). Smaller ones are often drawn U above the earlobe (you can put your finger to your ear), which goes further into a smaller letter WITH. Ear details are depicted around the ear opening itself (but not always), and their shapes can be completely different from person to person. different people. The drawing can be stylized - for example, in the picture below there is an ear in its general view resembles elongated “@” symbols.

When the face is turned to the front, the ears are depicted in profile accordingly:

- The lobe, previously marked in the shape of an inverted U, is now visible separately - the same thing when you look at the plate from the side and then see its bottom as if it were closer to you.

— The shape of the ear opening resembles a drop and stands out against the general background of the ear.

— The thickness of the ear from this angle depends on its proximity to the head, this is another individual factor. However, the ear always protrudes forward - this is how it happened during evolution.

When viewed from behind, the ear appears separate from the body, essentially a lobe connected to the head via a canal. Don't underestimate the size of the canal - its function is to make the ears protrude forward. In this view, the canal is heavier than the lobe.

3. Angles

Since the head is based on a circle, where facial features are outlined, changing the angle of the head is easier than it seems at first glance. However, it is even more important to observe the position of people's heads in different angles in life, to remember all the protrusions and depressions that overlap each other in the most unexpected way. The nose undoubtedly recedes significantly from the head (the eyebrows, cheekbones, center of the lips and chin also protrude); at the same time, the eye sockets and sides of the mouth form some depressions in our “circle”.

When you and I drew a face from the front and in profile, we simplified the task to a two-dimensional image where all the lines were flat. For all other angles, we will need to shift our thinking to a three-dimensional world and realize that the shape of an egg is in fact an egg, and the lines we used earlier to place facial features intersect this egg like the equator and meridians on a globe: at the slightest changing the position of the head we will see that they are round. Positioning facial features is just drawing intersecting lines at a certain angle - now there are three of them. We can again divide the head into upper and lower parts, "cutting" our "egg", but now we need to keep in mind: the components closest to us look thicker. The same applies to drawing a face up or down.

Man looking down

— All features curve upward, and the ears “rise.”

— Since the nose protrudes forward, its tip drops below the original mark, so it seems that it is now closer to the lips, and if a person lowers his head even lower, the nose will partially cover the lips. From this angle there is no need to draw additional details of the nose - the bridge of the nose and wings will be enough.

— The arches of the eyebrows are quite flat, but can become curved again if the head is tilted too far.

- The upper eyelids of the eyes become more expressive, and it is enough to just slightly change the position of the head so that they completely hide the orbits of the eyes.

— The upper lip is almost invisible, and the lower lip is enlarged.

Man looking up

- All lines of facial features tend downward; the ears also move downwards.

— The upper lip is visible in full (which does not happen in the full face). Now the lips appear pouty.

- The eyebrows arch more and the lower eyelid rises, making the eyes appear squinted.

- The lower part of the nose is now fully visible, both nostrils are clearly visible.

Man turns around

1. When we see a person almost completely turned away, the only visible features that remain are the brow ridges and cheekbones. The neck line overlaps the jaw line and is located next to the ear. When a person turns, we also see eyelashes.
2. Also, when turning, we can see part of the eyebrow line and the protrusion of the lower eyelid; the tip of the nose also appears directly from behind the cheek.
3. When a person turns almost in profile, the eyeballs and lips appear (although the fold between the lips is small), and the line of the neck merges with the line of the chin. We can still see part of the cheek covering the wing of the nose.

It's time to practice

Use the quick sketch method, sketching out facial expressions that you notice around you in a coffee shop or on the street.

Don’t try to detail all the features and don’t be afraid to make mistakes, the main thing is to convey features from different angles.

If you find it difficult to draw in volume, take a real egg (you can boil it, just in case). Draw three lines down the center and add dividing lines. Observe and sketch the egg contour lines With different sides- this way you will feel how the lines and the distances between them will behave from different angles. You can outline the facial features on the surface of the egg along the main lines and watch how they change in size as the egg rotates.

We will draw a portrait of a girl from this photograph.

Step 1.

To begin with, it is advisable, even when drawing from life, to take a photograph and look at the photo, as during the long process of drawing, the emotions on the face may change. on the sheet we determine where the head will be located in the sheet and outline the shoulders relative to it

Step 2.

Let's draw 2 main axes: vertical - the middle of the face, which also determines the rotation of the head, horizontal - the axis of the eyes (approximately the middle of the face)

Step 3.

Let's visually divide the face into 4 equal horizontal parts (you can leave a little space at the top, as this part will go to the back of the head and hair): forehead, eyebrow line and lip line.

Step 4.

Mark 3 identical segments on the eye line (2 eyes and the distance between them)

Step 5.

Let's outline the middle line of the face - imagining that this is a cross-section, thereby letting ourselves understand what shape the face is.

Step 6.

Don’t forget to erase the marks from the previous stage each time, as they will distract you in the future. Let's determine that the corners of the lips are the middle of the eyes.

Step 7

Let's outline the smile and the shape of the bridge of the nose

Step 9

Let's complete the rest of the skull. We will also draw horizontal lines from the corners of the eyes and the tip of the nose - you can use them to navigate where the ear is located

Step 10

Let's draw the shape of the nose according to all the rules of anatomy, so that in the future it will be easier to draw shadows

Step 11

Let's start drawing the lips, the upper lip in most cases is simply copied from life or a photo, as it is original for everyone, but we also focus on the triangles - they symmetrically coincide with the lines under the nose, on lower lip determine the middle and draw an oval according to the shape of the lips

Step 12

We connect the oval with the corners, do not forget to look at nature, mark the place of the bend under the lips for the chin

Step 13

We outline the shape of the cheeks (cheekbones), and begin drawing the eyes. We always remember that the eye is, first of all, a ball, so we first outline it

Step 14

Now, as if enveloping this ball, we outline the shape of the eyes, comparing with nature

Step 15

We do the same with the other eye, and also do not forget about perspective. ovals indicate the protruding places of the eyelids

Step 16

To prevent the drawing from looking at you with a blank stare, you can add pupils, easily outlining them. We also start drawing the eyebrows

Step 17

We clarify the line of the eyebrows, comparing with nature, you can add a couple of folds on the face, but the main thing is not to get carried away with them, otherwise they will come out too obvious and nature may be offended. we outline the shape of the hair, but don’t focus on it, because drawing each hair will not only not improve your drawing, but can even ruin it - because it will definitely take more attention from the audience than the face itself

Step 18

Do not completely erase the auxiliary lines, shade the dark areas of the face

Step 19

We correct the eyebrows and nose, also do not forget to compare with nature, I advise you to move a short distance to see the work as a whole

Step 20.

outline the shoulders and curls, lightly shade the shadows

Step 21

Add a little more shadows, refine the shapes, adjust the clothes

Step 22

And the most important thing. We move a meter away from the drawing and begin to actively compare it with nature or a photo. this is the most main point in a portrait drawing, because it determines your ability to grasp small details. For beginners, my advice is to quickly move your gaze from drawing to nature and back, do this until you notice changes. also at this moment it will be clear which areas of the face are the darkest - we shade them more actively. And after careful work with eyes and hands - a signature!