What colors to mix to get beige color. How to get white color from paints - is it possible?

Red and green combined give a dark brown color. But its shade and intensity depend on the chosen proportions. the main role in this combination belongs to the color green. The darker it is and the greater the proportion used, the more intense the brown color, even black.

If you mix blue and green, what color will you get?

Blue and green - we get the color of turquoise or sea wave. The more intense the blue tone, the more dominant it will be in the shade, approaching turquoise. The predominance of green makes the shade of sea wave greenish. With an equal proportion of colors, a rich blue tint is obtained.

If you mix yellow and green, what color will you get?

Combining yellow and green, we get a light green or light green tone. In order for it to work out, the proportions of the colors must be the same. By adding green to yellow, we get an olive tint; if there is very little yellow, we get deep green with a blue tint, that is, it all depends on the proportion.

In addition, primary colors can produce many other shades. For example, when combining red and blue you get purple. Which, depending on the proportion we use, can range from a light, almost transparent lavender shade to a rich purple. Yellow and red produce a vibrant orange hue.

Advice! If you try to mix all three main shades at the same time, you will get an indefinite dirty brown color with a blue tint, it is called complex.

By experimenting with primary colors, taking into account the basic rules of color, you can achieve any desired shade.

How to mix colors - video

When taking their first steps in working with decor, most artists are faced with the problem of the lack of many shades in standard sets paints Yes and in Everyday life The need to obtain different tones arises quite often: from choosing the color to paint the walls in the house to choosing the perfect eye shadow. However, do not be upset if your existing arsenal of paints does not contain the necessary element. Remember, with only three available basic colors: yellow, blue and red, you can get any shade existing in nature. So, to get orange, you just need to mix two basic colors: red and yellow, and also become familiar with some of the nuances that artists use when mixing paints.

First, let's prepare everything you need. You need to bring:

  1. surface for mixing (for example, a palette);
  2. yellow and red paint;
  3. brushes;
  4. canvas or other work surface on which the resulting material is planned to be applied (watercolor paper, pastel paper, etc.).
The result of mixing yellow and red from paint

To ensure the final color is perfect, before starting work, make sure that the surface is cleaned of foreign particles (lint, dust particles, brush hairs, etc.). You also need to immediately decide which method you plan to obtain the desired orange tone. If mixing is done on paper, the final shade is obtained by overlapping the tone after applying one layer of composition to another. If you mix colors on a palette or jars, the result is a separate new tone.

Receiving process

To get the orange color by combining shades on paper, you first need to decide what you want to get in the end. Because if you apply yellow on top of red, the resulting tone will be darker than if you apply red on top. It is also important to ensure that the mixing brush is clear of any extraneous shades, because... the presence of paint of a different color on the brush hairs can give a completely unexpected result.
The same rule must be followed if you are planning to get the necessary Orange color in dry painting. Just apply layers of red and yellow on top of each other and then rub together. The resulting shade will entirely depend on what color layer was applied on top: if the last layer was yellow, then the orange will be lighter, if red, a red-orange tone will be formed.

When mixing paints on a palette, the situation is somewhat simpler. You need to apply a little of one base paint and another to it, and then mix with a palette knife (a special small spatula). A regular brush will work, but again, make sure the brush is clean of other paints.

Completely different mixing rules must be followed if you are working with oil paints. To make the final color orange, you need to apply the yellow and red strokes very close to each other, then when you move a little distance away, you will see that you have achieved the desired effect.

Correct proportions

The proportions of red and yellow paints depend solely on what shade you want to get as a result. So, when mixing paints in equal proportions, the result is a classic orange color. In order for the final orange to be more golden or yellow-orange, yellow paint must predominate. While to get a rich fiery orange, more red should be added. You can also soften the resulting shade of orange by adding a little white paint, then you will get a lighter, pastel tone. But to darken the tonality, it is better not to use black, since it does not so much darken as it drowns out the color spectrum. To achieve a darker shade of orange, it is recommended to use a little dark gray.


Orange Spectrum Names

Conclusion

Receipt principle orange colors quite simple, just know the RGB model and mixing principles to make the most durable composition. The type of work, be it painting or decorating a room, does not change the method of obtaining orange flowers.

There can be many reasons for looking for the color green. For example, you want to paint the kitchen, draw a landscape, or make leaves for a plant out of plasticine, and buy required material no possibility. Then you have to look for the answer to the question of how to get

Color Basics

The science called coloristics studies colors, their features and combinations. Any artist, even a beginner, has an idea of ​​how to get a particular shade by mixing paints, and, naturally, knows how to get green.

You may not believe it, but all the objects around you are painted in only 3 colors. They are called basic. These are red, yellow and blue. By mixing these colors and using black and white, thousands of shades can be created: brown, purple, pink, orange and many more. By learning these basics, future artists will also learn how to produce the color green.

The color ring is used to visually study color. It is convenient to use it to determine which color needs to be mixed with which in order to obtain more complex shades. Moreover, changing the proportions of the initial colors also changes the final one. Paints from different companies may differ slightly in color - this also needs to be taken into account when mixing.

What should you mix?

We figured out that any color can be obtained by mixing red, blue and yellow. All that remains is to figure out what colors to mix to get green. For the answer, let's turn to the color ring. It clearly shows that the color we need is between yellow and blue. This means that they need to be mixed to get green. If you take paints in equal proportions, you will get the usual color, which can be found in a jar labeled “green”. But what happens if you change the amount of one of the colors?

Many shades

We have already talked about shades above, it remains to figure out what they are. This is what artists call colors that are very similar to the main one, but modified by adding other colors. Let's see what this looks like in practice.

We have already figured out how to get green by mixing blue and yellow in equal proportions. If the proportions change, the color will change. For example, adding blue to green will make the second “cooler”. This is the name of the shades that can be found on Adding yellow makes the color “warm”, for example light green. And if yellow paint add a lot, it will turn out lemony.

How to change color correctly?

Artists are often faced with more difficult task- how to get a green color that is much more interesting than the standard one. To do this, you can experiment. For example, adding black - it will make the green darker, like a swamp or coniferous, but in some cases this is necessary. You need to work with black very carefully. Even the smallest drop can make the color look muddy, so add it a little at a time. And white will make the shade lighter. At the same time, the brightness will decrease - the green will appear as if in a fog. The same recommendations apply to other colors.

In pursuit of interesting shades, some begin to add all the colors in a row to green. This is not worth doing. Colors located on the other side can easily ruin everything. That is, if you mix yellow and blue, try not to add red and its shades. Only those who have sufficient painting skills can do this correctly.

Psychology of green

Knowing how to get green can be useful in many areas of life. But before actively using it in the interior, decide whether it suits you from a psychological point of view.

Experts have long noticed that furniture can greatly influence a person’s mood. For example, red evokes passion or aggression, soft pink is suitable for frivolous pastime, and orange adds energy and positivity.

As for green, a lot depends on its brightness and saturation. Lighter colors allow you to relax and have a pleasant rest after a hard day at work, while rich emerald shades or light green will add vigor. Wherein dark colors make the interior more serious. But all psychologists are inclined to the same opinion - green is the most relaxing and calm color of all. If this is exactly what you need, actively use green in the interior.

How to get other colors?

Whatever your goals, it's unlikely that you can get by with just one color. Green can be successfully combined with many other shades, because in nature, leaves of this color serve as the background for irises, dandelions, forget-me-nots and poppies. Moreover, it all looks very harmonious. This means that green, if desired, can be successfully combined with any shades. But how to get them?

Red, yellow and blue are the main ones, as we found out above. They are complemented by black and white. A simple table will tell you what colors you can get by mixing.

The article gives a complete and detailed answer to the question of how to get green by mixing paints. This means that now you can easily cope with this task and create many amazing shades that are not in your paint palette.

"We touched on the basic principles of drawing - what you need to do to draw approximately what you want. And they did this using the example of pencil and paper. Why? Because it is easier than learning how to paint with paints, since in the case of using paints in addition to the problem " How should I draw this? the problem “” appears - so that what comes out is very similar to what was intended. And in this article we will try to give an accurate answer to this question.

How to get the right color? There are two ways. The first is traditional, using the well-known color wheel:

So, there are primary colors:

  • yellow
  • blue
  • red .

Which when mixed give

  • orange
  • green
  • violet
  • brown .

Moreover, the shades of mixed colors depend on the proportion of primary colors. And, using the color wheel, you can get the desired color like this:

  1. Take a certain amount of the main color (for example, blue )
  2. Add some second primary color (for example, yellow )
  3. Compare the result green with what you wanted to get
  4. Add one or another primary color to correct the shade.
  5. Or simply take the desired shade of green from a tube jar.

Why does the last point arise? take the desired shade from the jar? Because getting the desired color by mixing the main ones sometimes happens difficult.

Basically, to start, you can get the desired color using such a color wheel. However, as skill increases, the need for more precise color selection increases. Indeed, with the help of the described principles, it often turns out dirt. For example, it is very difficult to get a good violet color by mixing red And blue. Or is it difficult to get necessary shades green , orange, brown colors. That is, the principles do not take into account any factors that affect the result when mixing colors.

We are happy to tell you that these factors really exist, and, moreover, with their help you can cope with the problem of “dirt” and still learn how to get the right colors not by intuitive mixing, but by ordinary simple sequence of actions. This sequence and the reasons for the “dirtyness” of the standard color wheel were discovered not by us, but by Michael Wilcox. Who wrote the book " . How to get the color you really need". By the way, you can download this book by Michael Wilcox from the link Blue and yellow do not make green.

Naturally, it will not be possible to present all the material in the book in one article, so we will limit ourselves to the main points, and we recommend that you get the details from this very book by Michael Wilcox, “Blue and Yellow Don’t Make Green.”

So, how can you reliably and accurately get the color you want?

To do this, it is necessary to take into account an important theoretical point. Why do we see color? Because different objects (including paint pigment) have different surface, which reflects light differently from the sun or other light source. That is, the surface, for example, of a bathtub, has such a structure that it reflects all colors and absorbs nothing. And all the colors of the rainbow, as we know, form white. Accordingly, the bathtub appears white. On the other hand, the surface of soot has such a structure that it absorbs all the light falling on it. And soot does not reflect anything. As a result, we see black soot.

What happens if you mix white and soot? It will turn out beautiful grey color. Why? Because light is reflected from pieces of white completely, as white. And then it is partially absorbed by soot particles. The more soot in the white, the darker the gray it turns out - due to the fact that more and more white light reflected by the white particles is absorbed by the soot particles.

The exact same principle works for color pigments. Thus, red paint is red because it primarily reflects red color. Blue color looks blue, since the pigment in its composition absorbs all colors except blue. It “works” exactly the same way yellow color - the pigment absorbs most colors except yellow.

Next, we move on to mixing colors. So, for example, you take blue paint and red paint. Mix them and get dirt. Why? Because the reflected color is red ABSORBED blue pigment in the same way as all the falling color. Accordingly, the red pigment absorbs all the radiation is blue - because the nature of its surface is designed so that predominantly red pigment is reflected.

But you may ask: “What nonsense, because mixing blue And yellow we still get green, and according to your theory, it should also turn out to be dirt?” Well, if truly pure colors existed in nature, then we would see the formation of dirt. But there is one thing But, which makes it possible not only to mix colors, but also to carefully and reliably select the truly desired shade of color.

So, the pigment reflects more than just light. Light of the same wavelength is reflected in greater least. Thus, the red pigment mainly reflects red color. But nevertheless, all other colors are also reflected (for example, violet or orange). Exactly the same can be said about yellow color - the pigment predominantly reflects yellow, but nevertheless in a sufficiently large quantities may be reflected orange or green. WITH blue same thing - it can carry additional “harmonics” green or purple .

So there is Not three primary colors. Eat six primary colors:

  1. Mainly reflective paint red and to a lesser but significant extent orange .
  2. Paint that mainly reflects red and to a lesser (but significant) extent violet .
  3. A pigment that primarily reflects yellow and in addition green .
  4. A pigment that primarily reflects yellow and plus an additive orange .
  5. Mainly reflective material blue and partially violet .
  6. Material that reflects predominantly blue and partially green .

Well, have you already understood the principle of color formation?

It's very simple: you take yellow from point 3 and blue from point 6, mix these colors. Blue pigment neutralizes yellow, yellow pigment absorbs Blue colour. What color remains? Right, green! And not just green, but beautiful, bright and juicy green.

In the same way: by mixing blue from point 5 and red from point 2, you neutralize the blue and red colors, and a rich and rich color appears violet color.

And finally: by mixing yellow 4 and red 1, you get orange due to the fact that the red pigment will absorb radiation from the yellow pigment, and yellow will absorb the reflected radiation from the red pigment.

The result was NEW color circle of six primary colors:

The colors have arrows that indicate the path for optimal manifestation of the “mixed” color. Respectively, variety of shades is born as a result of one or another combination of these SIX primary colors. “Wrong” combinations (for example, blue 6 and red 1) produce dull shades of colors (for example, dirty purple). The combination of one “correct” color and one “wrong” color (for example, blue 6 and red 2) produces more pronounced shades (for example, a brighter purple). And finally, a combination of the "right" colors (for example, blue 5 and red 2) produces a clean and bright color(bright and beautiful purple).

Naturally, reading the article is not enough to master receiving desired color. It is best to read the book " Blue and yellow do not give green» Michael Wilcox plus do practical exercises on the selection of colors described in the book. But nevertheless, the answer to our question has been received.

Two color mixing tables

The color mixing table allows you to learn how to get the right one when mixing two or more colors and shades.

This table is used in various fields art - fine art, modeling, and others. Can also be used in construction when mixing paints and plasters.

Color Mixing Chart 1

Required Color Base Color + Mixing Instructions
Pink White + add a little red
Chestnut Red + add black or brown
Royal Red Red + add blue
Red Red + White to brighten, yellow to get orange-red
Orange Yellow + add red
Gold Yellow + a drop of red or brown
Yellow Yellow + white for lightening, red or brown for obtaining dark shade
Pale green Yellow + add blue/black for depth
Grass green Yellow + add blue and green
Olive Green + add yellow
Light green Green + add White yellow
Turquoise green Green + add blue
Bottle green Yellow + add blue
Coniferous Green + add yellow and black
Turquoise blue Blue + add a little green
White-blue White + add blue
Wedgwood blue White + add blue and a drop of black
Royal blue
Dark blue Blue + add black and a drop of green
Grey White + Add a little black
Pearl gray White + Add black, a little blue
Medium brown Yellow + Add red and blue, white for lightening, black for dark.
Red-brown Red & yellow + Add blue and white to brighten
Golden brown Yellow + Add red, blue, white. More yellow for contrast
Mustard Yellow + Add red, black and a little green
Beige Take brown and gradually add white until a beige color is obtained. Add yellow for brightness.
Off white White + Add brown or black
Pink gray White + Drop of red or black
Gray-blue White + Add light gray plus a drop of blue
Green-gray White + Add light gray plus a drop of green
Gray coal White + add black
Lemon yellow Yellow + add white, a little green
Light brown Yellow + add white, black, brown
Fern green color White + add green, black and white
Forest green color Green + add black
Emerald green Yellow + add green and white
Light green Yellow + add white and green
Aquamarine White + add green and black
Avocado Yellow + add brown and black
Royal purple Red + add blue and yellow
Dark purple Red + add blue and black
Tomato red Red + add yellow and brown
Mandarin, orange Yellow + add red and brown
Reddish chestnut Red + add brown and black
Orange White + add orange and brown
Burgundy red color Red + add brown, black and yellow
Crimson Blue + add white, red and brown
Plum Red + add white, blue and black
Chestnut
Honey color White, yellow and dark brown
Dark brown Yellow + red, black and white
Copper gray Black + add white and red
Eggshell color White + yellow, a little brown
Black Black Use black as coal

Color mixing chart 2

Mixing paints
black= brown+blue+red in equal proportions
black= brown+blue.
gray and black= blue, green, red and yellow are mixed in equal proportions, and then one or the other is added by eye. it turns out we need more blue and red
black= it turns out if you mix red, blue and brown
black=red, green and blue. You can additionally add brown.
bodily= red and yellow paint... just a little bit. After kneading, if it turns yellow, add a little red, if a little yellow paint turns pink. If the color turns out to be very saturated, add a piece of white mastic and mix again
dark cherry= red + brown + a little blue (cyan)
strawberry= 3 parts pink + 1 part red
Turkiz= 6 parts sky blue + 1 part yellow
silver gray= 1 hour black + 1 hour blue
dark red= 1 part red + a little black
rust color= 8 hours orange + 2 hours red + 1 hour brown
greenish= 9 hours sky blue + a little yellow
dark green= green + a little black
lavender=5 parts pink + 1 part purple
bodily= a little copper color
nautical=5h. blue+1 hour green
peach=2h. orange + 1 tsp. dark yellow
dark pink=2h. red+1 hour brown
Navy blue=1h. blue+1h. Sereneviy
avocado= 4h. yellow + 1 part green + a little black
coral=3 hours pink + 2 hours yellow
gold= 10 hours yellow + 3 hours orange + 1 hour red
plum = 1 part purple + a little red
light green= 2 hours purple + 3 hours yellow

red + yellow = orange
red + ocher + white = apricot
red + green = brown
red + blue = violet
red + blue + green = black
yellow + white + green = citric
yellow + cyan or blue = green
yellow + brown = ocher
yellow + green + white + red = tobacco
blue + green = sea ​​wave
orange + brown = terracotta
red + white = coffee with milk
brown + white + yellow = beige
light green=green+yellow, more yellow,+white= light green

lilac=blue+red+white, more red and white, +white= light lilac
lilac= red and blue, with red predominating
Pistachio paint obtained by mixing yellow paint with a small amount of blue