Composers of the 1st half of the 20th century. Contemporary classical composers. Works by contemporary composers. Sergei Petrovich Prokofiev

Contemporary composers. See the catalog of contemporary composers at musikaneo.com Classical music has stood the test of time and we agree that if a work is less than 100 years old, then it cannot be classical music. But what do conservatory graduates do, where are their works and how can they relate to classical music?

Classical music. In a narrow sense, the term refers to the period of classicism that dominated from 1750 to 1830. In a broad sense, classical music refers to any serious music that makes you think, requires listening attention and some emotional effort.

Musical periods. Musical eras and authors creating music in different periods are perfectly presented on musikaneo.com

Great Russian composers of the 20th century. All these individuals - the brightest representatives of their century, they can safely be called the great modern composers of the 20th century. It's not just composers born at the turn of the 20th century that are listed. Their works were already known during this period of time, or their creativity flourished in the 20th century.

Pakhmutova Alexandra Nikolaevna. Prokofiev Sergey Sergeevich. Rachmaninov Sergei Vasilievich. Sviridov Georgy Vasilievich. Skryabin Alexander Nikolaevich. Slonimsky Sergey Mikhailovich. Stravinsky Igor Fedorovich.

Khachaturyan Aram Ilyich. Shostakovich Dmitry Dmitrievich. Schnittke Alfred Garrievich. Shchedrin Rodion Konstantinovich.

Foreign composers of the 20th century.

Alban Breg. Anton Webern. Arnold Schoenberg. Bela Bartok. Villa-Lobos Heitor. Witold Lutoslawski. Gyorgy Ligeti. John Cage. George Gershwin.

Leonard Bernstein. Luigi Nono. Mikalojus Ciurlionis. Nadia Boulanger. Olivier Messiaen

Paul Hindemith. Charles Ives. Edward Benjamin Britten. Edgard Varèse. Yannis Xenakis.

Russian composers of the 21st century It is impossible to assign some music creators to a particular century. After all, many works of modern composers were published and deserved worthy attention both in the 20th century and in the 21st. This is especially true for living composers who managed to become famous for their highly artistic creations in the last century and continue to compose music in the current one. It's about about Rodion Konstantinovich Shchedrin, Sofia Asgatovna Gubaidulina and others.

However, there are also little-known Russian composers of the 21st century who created wonderful compositions, but their names did not manage to become popular.

Batagov Anton. Bakshi Alexander. Ekimovsky Victor. Karmanov Pavel. Korovitsyn Vladimir. Markelov Pavel. Martynov Vladimir. Pavlova Alla. Pekarsky Mark. Savalov Yuri. Savelyev Yuri. Sergeeva Tatyana.

Many of us managed to get from the 20th century to the 21st without a time machine. As they say, we live at the junction of two centuries. Therefore, when talking about who modern composers are and what century they belong to, we must take this into account. More recently, modernity was considered the 20th century. But when the 21st century arrived, the previous century automatically became the past.

Terminology

Before you start talking about the stated topic, you should decide on the necessary terminology. Firstly, what is classical music as such? Secondly, who are modern composers? Will help you understand these issues interesting opinion Stephen Fry. His books on the history of classical music are so delightful that sometimes it is impossible to tear yourself away from them. He defines the issues posed very clearly and very clearly.

Classical music. If we consider this term in the narrow sense of the word, it becomes clear that it refers to a fairly short period of classicism that dominated from 1750 to 1830. In a broad sense, classical music refers to any serious music that requires listening attention and some emotional effort.

Modern composers. It is generally accepted that classical music has stood the test of time. Accordingly, how can it be modern? A certain metamorphosis occurred precisely when we moved into the 21st century, leaving the 20th in the past. So it turns out that modern classical composers belong to the 20th century. What then to do with classical music in the 21st century? What is meant here is that it is used in the broad sense of the word - as serious music that makes you think and requires some kind of emotional effort.

Great Russian composers of the 20th century. List

The list below is not chronological, but alphabetical order. Of course, it is possible to single out or point out particularly outstanding ones. But since all these individuals are the brightest representatives of their century, they can safely be called so - the great modern composers of the 20th century. It's not just composers born at the turn of the 20th century that are listed. Their works were already known during this period of time, or their creativity flourished in the 20th century.

Foreign composers of the 20th century. List

Russian composers of the 21st century

It is impossible to assign some music creators to a particular century. After all, many works of modern composers were published and deserved worthy attention both in the 20th century and in the 21st. This is especially true for living composers who managed to become famous for their highly artistic creations in the last century and continue to compose music in the current one. We are talking about Rodion Konstantinovich Shchedrin, Sofia Asgatovna Gubaidulina and others.

However, there are also little-known Russian composers of the 21st century who created wonderful compositions, but their names did not manage to become popular.

Batagov Anton.
Bakshi Alexander.
Ekimovsky Victor.
Karmanov Pavel.
Korovitsyn Vladimir.
Markelov Pavel.
Martynov Vladimir.
Pavlova Alla.
Pekarsky Mark.
Savalov Yuri.
Savelyev Yuri.
Sergeeva Tatyana.

This list can be significantly expanded.

About contemporary composers

Pekarsky Mark (b. 1940). He became famous for his ensemble percussion instruments. The atmosphere at his concerts is conducive to laughter, since the composer can make good jokes while performing music (and during breaks).

Martynov Vladimir (b. 1946) - minimalist composer. It combines religiosity and “advancement.” The modern master of serious music is able to convey a lot with minimal means.

Ekimovsky Victor (b. 1947). Noteworthy are his programmatic works with bright names. These are “B” (music written for flutes and phonogram), “Siamese Concerto” (intended for two pianos), “Sublimation” (for symphony orchestra), "27 Destructions" (for percussion instruments) and many others.

(b. 1951). In her works one can feel the influence of A. Scriabin's music. Lots of flight, vibrations, fire. The second piano concerto attracts the attention of listeners with its dynamic development and a sudden ending that takes the listener to the Middle Ages and then brings him back.

Alla Pavlova (b. 1952) - emigrant composer. Currently lives in America. Her music is melodic and sad and mournful at the same time. She wrote six symphonies in minor keys, which are entire tragedies.

As we can see, the music of modern composers is diverse, amazing and attractive. Many of the creators love experiments and are looking for new forms. These include Bakshi Alexander (b. 1952). Among his works, “Unanswered Call”, written for violin, especially stands out, 6-7 mobile phones and string orchestra.

Markelov Pavel (b. 1967). One of his favorite areas is sacred music. He wrote symphonies for orchestra, free verse sonatas for piano, and 20 bell symphonies.

Children's contemporary composers

Prominent representatives are Yuri Savalov, Vladimir Korovitsyn, Yuri Savelyev.

Yuri Savalov was talented composer, an excellent teacher and a wonderful arranger. He enthusiastically led the orchestra at the Children's Music School. He was and good performer. He played keyboards and wind instruments. Each of his nine piano pieces has a subtitle: “Mother”, “Confession”, “Wind of Wandering”, “Inspiration”, “Ball in the Prince’s Castle”, “Prelude”, “March”, “Waltz”, “Lullaby”. They are all very interesting, diverse and beautiful.

Vladimir Korovitsyn was born in 1955. His work consists of music written in various romances, spiritual works written for choir, chamber and symphony orchestra. For children, he wrote a collection of children's songs called "Rejoice in the Sun" and "Children's Album" for piano. The plays are an excellent addition to the students' repertoire. The names of the plays accurately reflect their character and mood: “Thumbelina”, “Wooden Shoes”, “Variations of a Peasant with an Accordion”, “Emelya Rides on the Stove”, “Sad Princess”, “Girls’ Round Dance”.

Songs for children

Children's songs by modern composers are filled with optimism and cheerfulness. Despite the fact that some of them were created half a century ago, they remain not only relevant, but also quite modern. V. Shainsky, I. Dunaevsky, D. Kabalevsky, G. Gladkov are considered the most. We listen to their cheerful and playful songs with great pleasure, sing them ourselves and together with the children.

Not everyone knows that it was G. Gladkov who created the melodies from such popular films and cartoons as “Little Red Riding Hood”, “About Fedot the Archer”, “Children of Captain Grant”, “Po pike command", "Plasticine Crow" and others.

Another legendary creator of modern songs for children is V. Shainsky. He has over three hundred of them. It is enough to listen to “The Blue Carriage”, “Piggy”, “Chunga-Changa”, “Antoshka” and many others to understand how talented a composer he is.

So, modern composers are considered to be not only living or recently deceased composers of the 21st century, but also masters of the 20th century. Both of them created different genres and different types of music that deserve the attention of listeners and musicologists.

World classical music is unthinkable without the works of Russian composers. Russia, a great country with talented people and its cultural heritage, has always been among the leading locomotives of world progress and art, including music. The Russian school of composition, the successor of whose traditions was the Soviet and today's Russian schools, began in the 19th century with composers who united European musical art with Russian folk melodies, linking together the European form and the Russian spirit.

You can tell a lot about each of these famous people; they all have difficult, and sometimes even tragic fates, but in this review we tried to give only brief description life and work of composers.

1.Mikhail Ivanovich GLINKA (1804—1857)

Mikhail Ivanovich Glinka is the founder of Russian classical music and the first Russian classical composer to achieve world fame. His works, based on the centuries-old traditions of Russian folk music, were a new word in the musical art of our country.
Born in the Smolensk province, he received his education in St. Petersburg. The formation of the worldview and the main idea of Mikhail Glinka’s work was facilitated by direct communication with such personalities as A.S. Pushkin, V.A. Zhukovsky, A.S. Griboedov, A.A. Delvig. The creative impetus for his works was added by a many-year trip to Europe in the early 1830s and meetings with the leading composers of the time - V. Bellini, G. Donizetti, F. Mendelssohn and later with G. Berlioz, J. Meyerbeer. Success came to M.I. Glinka after the production of the opera “Ivan Susanin” (“Life for the Tsar”) (1836), which was enthusiastically received by everyone; for the first time in world music, Russian choral art and European symphonic and operatic practice were organically combined, as well as a hero similar to Susanin appeared, whose image summarizes best features national character. V.F. Odoevsky described the opera as “a new element in Art, and a new period begins in its history - the period of Russian music.”
The second opera is the epic “Ruslan and Lyudmila” (1842), work on which was carried out against the backdrop of Pushkin’s death and in the difficult living conditions of the composer, due to the deeply innovative nature of the work, it was received ambiguously by the audience and the authorities and brought difficult experiences to M.I. Glinka . After that, he traveled a lot, alternately living in Russia and abroad, without stopping composing. His legacy includes romances, symphonic and chamber works. In the 1990s, Mikhail Glinka's "Patriotic Song" was the official anthem of the Russian Federation.

Quote from M.I. Glinka: “To create beauty, you yourself must be pure in soul.”

Quote about M.I. Glinka: “The entire Russian symphonic school, like an entire oak tree in an acorn, is contained in the symphonic fantasy “Kamarinskaya”. P.I.Tchaikovsky

Interesting fact: Mikhail Ivanovich Glinka was not in good health, despite this he was very easy-going and knew geography very well, perhaps if he had not become a composer, he would have become a traveler. He knew six foreign languages, including Persian.

2. Alexander Porfirievich BORODIN (1833—1887)

Alexander Porfirievich Borodin, one of the leading Russian composers of the second half of the 19th century, in addition to his talent as a composer, was a chemist, doctor, teacher, critic and had literary talent.
Born in St. Petersburg, from childhood everyone around him noted his unusual activity, passion and abilities in various fields, primarily in music and chemistry. A.P. Borodin is a Russian composer-nugget, he had no professional music teachers, all his achievements in music thanks to independent work on mastering compositing techniques. The formation of A.P. Borodin was influenced by the work of M.I. Glinka (as indeed all Russian composers of the 19th century), and the impetus for intensive study of composition in the early 1860s was given by two events - firstly, his acquaintance and marriage with the talented pianist E.S. Protopopova, and secondly, a meeting with M.A. Balakirev and joining creative community Russian composers, known as the "Mighty Handful". In the late 1870s and 1880s, A.P. Borodin traveled and toured a lot in Europe and America, met with leading composers of his time, his fame grew, he became one of the most famous and popular Russian composers in Europe at the end of the 19th century. th century.
The central place in the work of A.P. Borodin is occupied by the opera “Prince Igor” (1869-1890), which is an example of national heroic epic in music and which he himself did not have time to complete (it was completed by his friends A.A. Glazunov and N.A. Rimsky-Korsakov). In "Prince Igor", against the backdrop of majestic paintings historical events, reflected the main idea of the composer’s entire work - courage, calm greatness, spiritual nobility of the best Russian people and the mighty strength of the entire Russian people, manifested in the defense of their homeland. Despite the fact that A.P. Borodin left a relatively small number of works, his work is very diverse and he is considered one of the fathers of Russian symphonic music, who influenced many generations of Russian and foreign composers.

Quote about A.P. Borodin: “Borodin’s talent is equally powerful and amazing in symphony, opera and romance. His main qualities are gigantic strength and breadth, colossal scope, swiftness and impetuosity, combined with amazing passion, tenderness and beauty." V.V. Stasov

Interesting fact: the chemical reaction of silver salts of carboxylic acids with halogens, resulting in halogenated hydrocarbons, which he was the first to study in 1861, is named after Borodin.

3. Modest Petrovich MUSORGSKY (1839—1881)

Modest Petrovich Mussorgsky is one of the most brilliant Russian composers of the 19th century, a member of the " Mighty bunch". Mussorgsky's innovative creativity was far ahead of its time.
Born in the Pskov province. Like many talented people, from childhood showed abilities in music, studied in St. Petersburg, was, according to family tradition, military. The decisive event that determined that Mussorgsky was not born for military service, and for music, it was his meeting with M.A. Balakirev and joining the “Mighty Handful”. Mussorgsky is great because in his grandiose works - the operas "Boris Godunov" and "Khovanshchina" - he captured dramatic milestones in music Russian history with a radical novelty that Russian music had not known before him, showing in them a combination of mass folk scenes and a diverse wealth of types, the unique character of the Russian people. These operas, in numerous editions, both by the author and by other composers, are among the most popular Russian operas in the world. Another outstanding work of Mussorgsky is the cycle of piano pieces "Pictures at an Exhibition", colorful and inventive miniatures permeated with a Russian theme-refrain and Orthodox faith.

Mussorgsky's life had everything - both greatness and tragedy, but he was always distinguished by genuine spiritual purity and selflessness. His last years were difficult - unsettled life, lack of recognition of creativity, loneliness, addiction to alcohol, all this determined him early death at 42, he left relatively few works, some of which were completed by other composers. The specific melody and innovative harmony of Mussorgsky anticipated some features musical development 20th century and played an important role in the formation of the styles of many world composers.

Quote from M.P. Mussorgsky: “The sounds of human speech, as external manifestations of thought and feeling, must, without exaggeration and violence, become music that is truthful, accurate, but artistic, highly artistic.”

Quote about M.P. Mussorgsky: “The original Russian sounds in everything that Mussorgsky created” N.K.Roerich

Interesting fact: at the end of his life, Mussorgsky, under pressure from his “friends” Stasov and Rimsky-Korsakov, renounced the copyright to his works and donated them to Tertius Filippov

4. Peter Ilyich Tchaikovsky (1840—1893)

Pyotr Ilyich Tchaikovsky, perhaps the greatest Russian composer of the 19th century, raised the unprecedented height Russian musical art. He is one of the most important composers of world classical music.
A native of the Vyatka province, although his paternal roots are in Ukraine, Tchaikovsky showed from childhood musical abilities, however, my first education and work was in the field of jurisprudence. Tchaikovsky was one of the first Russian “professional” composers; he studied music theory and composition at the new St. Petersburg Conservatory. Tchaikovsky was considered a “Western” composer, as opposed to the popular figures of the “Mighty Handful”, with whom he had good creative and friendly relations, but his work is no less permeated with the Russian spirit, he managed to uniquely combine the Western symphonic heritage of Mozart, Beethoven and Schumann with the Russians traditions inherited from Mikhail Glinka.
The composer led active life- was a teacher, conductor, critic, public figure, worked in two capitals, toured in Europe and America. Tchaikovsky was a rather emotionally unstable person; enthusiasm, despondency, apathy, hot temper, violent anger - all these moods changed in him quite often; being a very sociable person, he always strived for loneliness.
To highlight something best from Tchaikovsky's work - difficult task, he has several works of equal size in almost all musical genres- opera, ballet, symphony, chamber music. The content of Tchaikovsky's music is universal: with inimitable melodicism it embraces images of life and death, love, nature, childhood, it reveals works of Russian and world literature in a new way, and reflects the deep processes of spiritual life.

Composer quote:
“I am an artist who can and should bring honor to my Motherland. I feel great artistic strength in myself, I have not yet done even a tenth of what I can do. And I want to do this with all the strength of my soul.”
“Life has beauty only when it consists of alternation of joys and sorrows, of the struggle between good and evil, of light and shadow, in a word - of diversity in unity.”
"Great talent requires great hard work."

Quote about the composer: “I am ready to stand as a guard of honor day and night at the porch of the house where Pyotr Ilyich lives - that is how much I respect him.” A.P.Chekhov

Interesting fact: Cambridge University awarded Tchaikovsky the title of Doctor of Music in absentia and without defending a dissertation, as did the Paris Academy Fine Arts elected him a corresponding member.

5. Nikolai Andreevich RIMSKY-KORSAKOV (1844—1908)

Nikolai Andreevich Rimsky-Korsakov is a talented Russian composer, one of the most important figures in the creation of an invaluable Russian musical heritage. His unique world and worship of the eternal all-encompassing beauty of the universe, admiration for the miracle of existence, unity with nature have no analogues in the history of music.
Born in the Novgorod province, according to family tradition he became a naval officer, and visited many countries in Europe and the two Americas on a warship. Musical education received first from his mother, then taking private lessons from pianist F. Canille. And again, thanks to M.A. Balakirev, the organizer of the “Mighty Handful,” who introduced Rimsky-Korsakov into the musical community and influenced his work, the world has not lost a talented composer.
The central place in Rimsky-Korsakov’s legacy is made up of operas - 15 works demonstrating the diversity of genre, stylistic, dramatic, compositional solutions composer, nevertheless having a special style - with all the richness of the orchestral component, the main ones are melodic vocal lines. Two main directions distinguish the composer’s work: the first is Russian history, the second is the world of fairy tales and epics, for which he received the nickname “storyteller.”
In addition to direct independent creative activity N.A. Rimsky-Korsakov is known as a publicist, compiler of collections folk songs, in which he showed great interest, and also as a completer of the works of his friends - Dargomyzhsky, Mussorgsky and Borodin. Rimsky-Korsakov was the creator of a school of composition; as a teacher and director of the St. Petersburg Conservatory, he trained about two hundred composers, conductors, and musicologists, among them Prokofiev and Stravinsky.

Quote about the composer: “Rimsky-Korsakov was a very Russian man and a very Russian composer. I believe that this primordially Russian essence of his, his deep folk-Russian basis should be especially appreciated today.” Mstislav Rostropovich

The work of Russian composers of the late 19th - first half of the 20th century is a holistic continuation of the traditions of the Russian school. At the same time, the concept of an approach to the “national” affiliation of this or that music was named; there is practically no direct quotation of folk melodies, but the intonational Russian basis, the Russian soul, remains.

6. Alexander Nikolaevich SKRYABIN (1872 - 1915)

Alexander Nikolaevich Scriabin is a Russian composer and pianist, one of the brightest personalities of Russian and world musical culture. Scriabin's original and deeply poetic creativity stood out for its innovation even against the backdrop of the birth of many new trends in art associated with changes in public life at the turn of the 20th century.
Born in Moscow, his mother died early, his father could not pay attention to his son, as he served as ambassador to Persia. Scriabin was raised by his aunt and grandfather, and showed musical talent from childhood. At first he studied in the cadet corps, took private piano lessons, and after graduating from the corps he entered the Moscow Conservatory, his classmate was S.V. Rachmaninov. After graduating from the conservatory, Scriabin devoted himself entirely to music - as a concert pianist-composer, he toured Europe and Russia, conducting most time abroad.
The peak of Scriabin's compositional creativity was the years 1903-1908, when the Third Symphony (" Divine Poem"), symphonic "Poem of Ecstasy", "Tragic" and "Satanic" piano poems, 4th and 5th sonatas and other works. "Poem of Ecstasy", consisting of several themes-images, concentrated creative ideas Sryabin is his brightest masterpiece. It harmoniously combines the composer's love for the power of a large orchestra and the lyrical, airy sound of solo instruments. Embodied in the "Poem of Ecstasy" is colossal Vital energy, fiery passion, strong-willed power makes an irresistible impression on the listener and today retains the power of its impact.
Another masterpiece of Scriabin is “Prometheus” (“Poem of Fire”), in which the author completely updated his harmonic language, departing from the traditional tonal system, and for the first time in history this work was supposed to be accompanied by color music, but the premiere, for technical reasons, was held without lighting effects.
The last unfinished “Mystery” was the plan of Scriabin, a dreamer, romantic, philosopher, to appeal to all of humanity and inspire it to create a new fantastic world order, the union of the Universal Spirit with Matter.

Quote from A.N. Scriabin: “I’m going to tell them (people) - so that they... do not expect anything from life except what they can create for themselves... I’m going to tell them that there is nothing to grieve about, that there is no loss So that they are not afraid of despair, which alone can give rise to real triumph. Strong and powerful is the one who has experienced despair and defeated it."

Quote about A.N. Scriabin: “Scriabin’s work was his time, expressed in sounds. But when the temporary, transient finds its expression in creativity great artist, it acquires permanent meaning and becomes enduring." G. V. Plekhanov

7. Sergei Vasilyevich Rahmaninov (1873 - 1943)

Sergei Vasilyevich Rachmaninov is the world's largest composer of the early 20th century, a talented pianist and conductor. Creative image Rachmaninov the composer is often defined by the epithet “the most Russian composer,” emphasizing in this brief formulation his merits in uniting the musical traditions of the Moscow and St. Petersburg schools of composition and in creating his own unique style, which stands out in the world musical culture.
Born in the Novgorod province, with four years began to study music under the guidance of his mother. He studied at the St. Petersburg Conservatory, after 3 years of study he transferred to the Moscow Conservatory and graduated with a large gold medal. He quickly became known as a conductor and pianist, and composed music. The disastrous premiere of the innovative First Symphony (1897) in St. Petersburg caused a creative composer's crisis, from which Rachmaninov emerged in the early 1900s with a formed style that united Russian church song, outgoing European romanticism, modern impressionism and neoclassicism - and all this is full of complex symbolism. In that creative period his best works are born, including the 2nd and 3rd piano concertos, the Second Symphony and his most favorite piece- poem "Bells" for choir, soloists and orchestra.
In 1917, Rachmaninov and his family were forced to leave our country and settle in the USA. For almost ten years after leaving, he composed nothing, but toured extensively in America and Europe and was recognized as one of the greatest pianists of the era and a major conductor. For all his hectic activity, Rachmaninov remained a vulnerable and insecure person, striving for solitude and even loneliness, avoiding the annoying attention of the public. He sincerely loved and missed his homeland, wondering if he had made a mistake by leaving it. He was constantly interested in all the events taking place in Russia, read books, newspapers and magazines, and helped financially. His last works - Symphony No. 3 (1937) and "Symphonic Dances" (1940) were the result creative path, incorporating all the best of his unique style and a mournful feeling of irreparable loss and longing for his homeland.

Quote from S.V. Rachmaninov:
“I feel like a ghost wandering alone in a world that is alien to me.”
"The most high quality All art is its sincerity."
"Great composers have always and first of all paid attention to melody as the leading principle in music. Melody is music, the main basis of all music... Melodic inventiveness, in the highest sense of the word, is the main life goal composer.... For this reason, the great composers of the past showed so much interest in the folk melodies of their countries."

Quote about S.V. Rachmaninov:
“Rachmaninoff was created from steel and gold: Steel is in his hands, gold is in his heart. I can’t think about him without tears. I not only admired the great artist, But I loved the person in him.” I. Hoffman
"Rachmaninov's music is the Ocean. Its waves - musical - begin so far beyond the horizon, and lift you so high and lower you so slowly... that you feel this Power and Breath." A. Konchalovsky

Interesting fact: during the Great Patriotic War Rachmaninov gave several charity concerts, the proceeds from which he sent to the Red Army Fund to fight the Nazi occupiers.

8. Igor Fedorovich STRAVINSKY (1882-1971)

Igor Fedorovich Stravinsky is one of the most influential world composers of the 20th century, a leader of neoclassicism. Stravinsky became a “mirror” of the musical era; his work reflects a multiplicity of styles, constantly intersecting and difficult to classify. He freely combines genres, forms, styles, choosing them from centuries of musical history and subjecting them to his own rules.
Born near St. Petersburg, he studied at the Faculty of Law of St. Petersburg University, independently studied musical disciplines, took private lessons from N. A. Rimsky-Korsakov, this was Stravinsky’s only composer school, thanks to which he mastered the composition technique to perfection. He began composing professionally relatively late, but his rise was rapid - a series of three ballets: “The Firebird” (1910), “Petrushka” (1911) and “The Rite of Spring” (1913) immediately brought him to the ranks of composers of the first magnitude.
In 1914 he left Russia, as it turned out, almost forever (in 1962 there were tours in the USSR). Stravinsky is a cosmopolitan, having been forced to change several countries - Russia, Switzerland, France, and eventually stayed to live in the USA. His work is divided into three periods - “Russian”, “neoclassical”, American “mass production”, the periods are divided not by the time of life in different countries, but by the author’s “handwriting”.
Stravinsky was a very highly educated, sociable person, with a wonderful sense of humor. His circle of acquaintances and correspondents included musicians, poets, artists, scientists, businessmen, and statesmen.
Stravinsky's last highest achievement - "Requiem" (Funeral Hymns) (1966) absorbed and combined the previous artistic experience composer, becoming the true apotheosis of the master’s creativity.
One unique feature stands out in Stavinsky’s work - “uniqueness”, it was not without reason that he was called “the composer of a thousand and one styles”, constant change of genre, style, plot direction - each of his works is unique, but he constantly returned to designs in which one can see Russian origin, Russian roots are heard.

Quote from I.F. Stravinsky: “I have been speaking Russian all my life, I have a Russian syllable. Maybe this is not immediately visible in my music, but it is inherent in it, it is in its hidden nature.”

Quote about I.F. Stravinsky: “Stravinsky is a truly Russian composer... The Russian spirit is indestructible in the heart of this truly great, multifaceted talent, born of the Russian land and closely connected with it...” D. Shostakovich

Interesting fact (fable):
Once in New York, Stravinsky took a taxi and was surprised to read his last name on the sign.
-Are you a relative of the composer? - he asked the driver.
- Is there a composer with such a surname? - the driver was surprised. - Hear it for the first time. However, Stravinsky is the name of the taxi owner. I have nothing to do with music - my last name is Rossini...

9. Sergei Sergeevich PROKOFIEV (1891—1953)

Sergei Sergeevich Prokofiev is one of the largest Russian composers of the 20th century, pianist, and conductor.
Born in the Donetsk region, he became involved in music from childhood. Prokofiev can be considered one of the few (if not the only) Russian musical “prodigies”, from the age of 5 he was engaged in composing, at the age of 9 he wrote two operas (of course, these works are still immature, but they show a desire to create), at the age of 13 he passed the exams at St. Petersburg Conservatory, among his teachers was N.A. Rimsky-Korsakov. The beginning of his professional career caused a storm of criticism and misunderstanding of his individual, fundamentally anti-romantic and extremely modernist style; the paradox is that, while destroying academic canons, the structure of his compositions remained faithful to classical principles and subsequently became a restraining force of modernist all-denying skepticism. From the very beginning of his career, Prokofiev performed and toured a lot. In 1918, he went on an international tour, including visiting the USSR, and finally returned to his homeland in 1936.
The country has changed and Prokofiev’s “free” creativity was forced to give in to the realities of new demands. Prokofiev's talent blossomed with renewed vigor - he wrote operas, ballets, music for films - sharp, strong-willed, extremely precise music with new images and ideas, laid the foundation for Soviet classical music and opera. In 1948, three tragic events occurred almost simultaneously: his first Spanish wife was arrested on suspicion of espionage and exiled to camps; a Resolution of the Poliburo of the Central Committee of the All-Union Communist Party of Bolsheviks was issued in which Prokofiev, Shostakovich and others were attacked and accused of “formalism” and the harm of their music; happened sharp deterioration health of the composer, he retired to the dacha and practically never left it, but continued to compose.
Some of the most striking works of the Soviet period were the operas “War and Peace” and “The Tale of a Real Man”; the ballets “Romeo and Juliet” and “Cinderella”, which have become a new standard of world ballet music; oratorio "Guardian of Peace"; music for the films "Alexander Nevsky" and "Ivan the Terrible"; symphonies No. 5,6,7; piano works.
Prokofiev’s work amazes with its versatility and breadth of themes, its originality musical thinking, freshness and originality constituted an entire era in the world musical culture of the 20th century and had a powerful impact on many Soviet and foreign composers.

Quote from S.S. Prokofiev:
“Can an artist stand aside from life?.. I adhere to the conviction that a composer, like a poet, sculptor, painter, is called upon to serve man and the people... He, first of all, is obliged to be a citizen in his art, to sing human life and lead a person to a bright future..."
"I am a manifestation of life, which gives me the strength to resist everything unspiritual"

Quote about S.S. Prokofiev: "... all facets of his music are beautiful. But there is one completely unusual thing. Apparently, we all have some failures, doubts, just... Bad mood. And in such moments, even if I don’t play or listen to Prokofiev, but just think about him, I receive an incredible charge of energy, I feel a great desire to live and act.” E. Kissin

Interesting fact: Prokofiev loved chess very much, and enriched the game with his ideas and achievements, including the “nine” chess he invented - a 24x24 board with nine sets of pieces arranged on it.

10. Dmitry Dmitrievich SHOSTAKOVICH (1906 - 1975)

Dmitry Dmitrievich Shostakovich is one of the most important and performed composers in the world, his influence on modern classical music is immeasurable. His creations are true expressions of inner human drama and chronicles of difficult events of the 20th century, where the deeply personal is intertwined with the tragedy of man and humanity, with the fate of his native country.
Born in St. Petersburg, he received his first music lessons from his mother, graduated from the St. Petersburg Conservatory, upon entering which its rector Alexander Glazunov compared him to Mozart - so he amazed everyone with his beautiful musical memory, a keen ear and a gift for composition. Already in the early 20s, by the end of the conservatory, Shostakovich had a baggage of his own works and became one of the best composers countries. World fame came to Shostakovich after winning the 1st International competition Chopin in 1927.
Until a certain period, namely before the production of the opera "Lady Macbeth" Mtsensk district", Shostakovich created like freelancer- “avant-garde”, experimenting with styles and genres. The severe demolition of this opera, organized in 1936, and the repressions of 1937 marked the beginning of Shostakovich’s subsequent constant internal struggle to express his views through his own means in the conditions of state imposition of trends in art. In his life, politics and creativity are very closely intertwined, he was praised by the authorities and persecuted by them, he occupied high positions and was removed from them, awarded and was on the verge of arrest for himself and his relatives.
A soft, intelligent, delicate person, he found his own form of expression creative principles in symphonies, where he could speak the truth about time as openly as possible. Of all Shostakovich’s extensive creativity in all genres, it is the symphonies (15 works) that occupy central place, the most dramatically intense are the 5,7,8,10,15 symphonies, which became the pinnacle of Soviet symphonic music. A completely different Shostakovich reveals himself in chamber music.
Despite the fact that Shostakovich himself was a “home” composer and practically never traveled abroad, his music, humanistic in essence and truly artistic in form, quickly and widely spread throughout the world and was performed by the best conductors. The magnitude of Shostakovich’s talent is so immense that full comprehension of this unique phenomenon of world art is still ahead.

Quote from D.D. Shostakovich: “True music is capable of expressing only humane feelings, only advanced humane ideas.”

The work of Russian composers of the late 19th - first half of the 20th century is a holistic continuation of the traditions of the Russian school. At the same time, the concept of the approach to the “national” affiliation of this or that music has changed; there is practically no direct quotation of folk melodies, but the intonational Russian basis, the Russian soul, has remained.

(1872 — 1915)

- Russian composer and pianist, one of the brightest personalities of Russian and world musical culture. Scriabin's original and deeply poetic creativity stood out as innovative even against the backdrop of the birth of many new trends in art associated with changes in social life at the turn of the 20th century.

Born in Moscow, his mother died early, his father could not pay attention to his son, as he served as ambassador to Persia. Scriabin was raised by his aunt and grandfather, and showed musical talent from childhood. At first he studied in the cadet corps, took private piano lessons, and after graduating from the corps he entered the Moscow Conservatory, his classmate was S.V. Rachmaninov. After graduating from the conservatory, Scriabin devoted himself entirely to music - as a concert pianist-composer he toured in Europe and Russia, spending most of his time abroad.

The peak of Scriabin's compositional creativity was the years 1903-1908, when the Third Symphony ("Divine Poem"), the symphonic "Poem of Ecstasy", "Tragic" and "Satanic" piano poems, 4th and 5th sonatas and other works were released.

"Poem of Ecstasy" , consisting of several themes-images, concentrated Sryabin’s creative ideas and is his bright masterpiece. It harmoniously combines the composer's love for the power of a large orchestra and the lyrical, airy sound of solo instruments. The colossal vital energy, fiery passion, and strong-willed power embodied in the “Poem of Ecstasy” makes an irresistible impression on the listener and retains the power of its impact to this day.

Another masterpiece of Scriabin is "Prometheus"(“Poem of Fire”), in which the author completely updated his harmonic language, departing from the traditional tonal system, and for the first time in history this work was supposed to be accompanied by color music, but the premiere, for technical reasons, took place without lighting effects.

Last unfinished "Mystery" was the idea of Scriabin, a dreamer, romantic, philosopher, to appeal to all of humanity and inspire it to create a new fantastic world order, the union of the Universal Spirit with Matter.

Quote from A. N. Scriabin: “I’m going to tell them (people) so that they... do not expect anything from life except what they can create for themselves... I’m going to tell them that there is nothing to grieve about, that there is no loss. So that they are not afraid of despair, which alone can give rise to real triumph. Strong and mighty is the one who has experienced despair and overcome it.”

Quote about A. N. Scriabin: “Scriabin’s work was his time, expressed in sounds. But when the temporary, the transitory finds its expression in the work of a great artist, it acquires permanent meaning and becomes enduring.” G. V. Plekhanov.

(1873 — 1943)

Sergei Vasilyevich Rachmaninov is the world's largest composer of the early 20th century, a talented pianist and conductor. The creative image of Rachmaninoff the composer is often defined by the epithet “the most Russian composer,” emphasizing in this brief formulation his merits in uniting the musical traditions of the Moscow and St. Petersburg schools of composition and in creating his own unique style, which stands out in the world musical culture.

Born in the Novgorod province, at the age of four he began studying music under the guidance of his mother. He studied at the St. Petersburg Conservatory, after 3 years of study he transferred to the Moscow Conservatory and graduated with a large gold medal. He quickly became known as a conductor and pianist, and composed music.

The disastrous premiere of the innovative First Symphony (1897) in St. Petersburg caused a creative composer's crisis, from which Rachmaninov emerged in the early 1900s with a mature style that united Russian church song, outgoing European romanticism, modern impressionism and neoclassicism, all full of complex symbolism. During this creative period, his best works were born, including the 2nd and 3rd piano concertos, the Second Symphony and his most favorite work, the poem “The Bells” for choir, soloists and orchestra.

In 1917, Rachmaninov and his family were forced to leave our country and settle in the USA. For almost ten years after leaving, he composed nothing, but toured extensively in America and Europe and was recognized as one of the greatest pianists of the era and a major conductor.

For all his hectic activity, Rachmaninov remained a vulnerable and insecure person, striving for solitude and even loneliness, avoiding the annoying attention of the public. He sincerely loved and missed his homeland, wondering if he had made a mistake by leaving it. He was constantly interested in all the events taking place in Russia, read books, newspapers and magazines, and helped financially. His last works - Symphony No. 3 (1937) and "Symphonic Dances" (1940) were the result of his creative path, incorporating all the best of his unique style and a mournful feeling of irreparable loss and longing for his homeland.

Quotes from S.V. Rachmaninov:

“I feel like a ghost wandering alone in a world that is alien to him.”

“The highest quality of all art is its sincerity.”

“Great composers have always and first of all paid attention to melody as the leading principle in music. Melody is music, the main basis of all music... Melodic inventiveness, in the highest sense of the word, is the main life goal of the composer... For this reason, the great composers of the past showed so much interest in the folk melodies of their countries.”

Quote about S.V. Rachmaninov:

“Rachmaninov was created from steel and gold: Steel in his hands, gold in his heart. I can’t think about him without tears. I not only admired the great artist, but loved the person in him.” I. Hoffman

“Rachmaninov’s music is the Ocean. Its waves - musical - begin so far beyond the horizon, and lift you so high and lower you so slowly... that you feel this Power and Breath.” A. Konchalovsky

Interesting fact: During the Great Patriotic War, Rachmaninov gave several charity concerts, the proceeds from which he sent to the Red Army Fund to fight the Nazi occupiers.

8. Igor Fedorovich Stravinsky

(1882-1971)

Igor Fedorovich Stravinsky is one of the most influential world composers of the 20th century, a leader of neoclassicism.

Stravinsky became a “mirror” of the musical era; his work reflects a multiplicity of styles, constantly intersecting and difficult to classify. He freely combines genres, forms, styles, choosing them from centuries of musical history and subjecting them to his own rules.

Born near St. Petersburg, he studied at the Faculty of Law of St. Petersburg University, independently studied musical disciplines, took private lessons from N. A. Rimsky-Korsakov, this was Stravinsky’s only composer school, thanks to which he mastered the composition technique to perfection. He began composing professionally relatively late, but his rise was rapid - a series of three ballets: “The Firebird” (1910), “Petrushka” (1911) and “The Rite of Spring” (1913) immediately brought him into the ranks of composers of the first magnitude.

In 1914 he left Russia, as it turned out, almost forever (in 1962 there were tours in the USSR). Stravinsky is a cosmopolitan, having been forced to change several countries - Russia, Switzerland, France, and eventually stayed to live in the USA.

His work is divided into three periods - “Russian”, “neoclassical”, American “mass production”, the periods are divided not by the time of life in different countries, but by the author’s “handwriting”.

Stravinsky was a very highly educated, sociable person, with a wonderful sense of humor. His circle of acquaintances and correspondents included musicians, poets, artists, scientists, businessmen, and statesmen.

Stravinsky's last highest achievement, Requiem (Funeral Hymns) (1966), absorbed and combined the composer's previous artistic experience, becoming the true apotheosis of the master's work.

One unique feature stands out in Stravinsky’s work - “unrepeatability”, it was not for nothing that he was called “the composer of a thousand and one styles”, constant change of genre, style, plot direction - each of his works is unique, but he constantly returned to designs in which Russian origin is visible, audible Russian roots.

Quote from I.F. Stravinsky: “I’ve been speaking Russian all my life, my syllable is Russian. Maybe this is not immediately visible in my music, but it is inherent in it, it is in its hidden nature."

Quote about I.F. Stravinsky: “Stravinsky is a truly Russian composer... The Russian spirit is indestructible in the heart of this truly great, multifaceted talent, born of the Russian land and vitally connected with it...” D. Shostakovich

Interesting fact (fable): Once in New York, Stravinsky took a taxi and was surprised to read his last name on the sign.
—Are you a relative of the composer? - he asked the driver.
— Is there a composer with such a surname? — the driver was surprised. - Hear it for the first time. However, Stravinsky is the name of the taxi owner. I have nothing to do with music - my last name is Rossini...

9. Sergei Petrovich Prokofiev

(1891-1953)

Sergei Sergeevich Prokofiev is one of the largest Russian composers of the 20th century, pianist, and conductor.

Born in the Donetsk region, he became involved in music from childhood. Prokofiev can be considered one of the few (if not the only) Russian musical “prodigies”, from the age of 5 he was engaged in composing, at the age of 9 he wrote two operas (of course, these works are still immature, but they show a desire to create), at the age of 13 he passed the exams in St. Petersburg Conservatory, among his teachers was N.A. Rimsky-Korsakov.

The beginning of his professional career caused a storm of criticism and misunderstanding of his individual, fundamentally anti-romantic and extremely modernist style; the paradox is that, while destroying academic canons, the structure of his compositions remained faithful to classical principles and subsequently became a restraining force of modernist all-denying skepticism. From the very beginning of his career, Prokofiev performed and toured a lot. In 1918, he went on an international tour, including visiting the USSR, and finally returned to his homeland in 1936.

The country has changed and Prokofiev’s “free” creativity was forced to give in to the realities of new demands. Prokofiev's talent blossomed with renewed vigor - he wrote operas, ballets, music for films - sharp, strong-willed, extremely precise music with new images and ideas, laid the foundation for Soviet classical music and opera.

In 1948, three tragic events occurred almost simultaneously: his first Spanish wife was arrested on suspicion of espionage and exiled to camps; a Resolution of the Poliburo of the Central Committee of the All-Union Communist Party of Bolsheviks was issued, in which Prokofiev, Shostakovich and others were attacked and accused of “formalism” and the harm of their music; There was a sharp deterioration in the composer's health; he retired to his dacha and practically never left it, but continued to compose.

Some of the most striking works of the Soviet period were the operas “War and Peace” and “The Tale of a Real Man”; the ballets “Romeo and Juliet”, “Cinderella”, which have become a new standard of world ballet music; oratorio “Guardian of Peace”; music for the films “Alexander Nevsky” and “Ivan the Terrible”; symphonies No. 5,6,7; piano works.

Prokofiev's work is striking in its versatility and breadth of themes; the originality of his musical thinking, freshness and originality constituted an entire era in the world musical culture of the 20th century and had a powerful impact on many Soviet and foreign composers.

Quote from S.S. Prokofiev: “Can an artist stand aside from life?.. I adhere to the conviction that a composer, like a poet, sculptor, painter, is called upon to serve man and the people... He, first of all, is obliged to be a citizen in his art, to glorify human life and lead people to a bright future..."

“I am a manifestation of life, which gives me the strength to resist everything unspiritual”

Quote about S.S. Prokofiev: “... all facets of his music are beautiful. But there is one completely unusual thing here. Apparently, we all have some failures, doubts, just a bad mood. And in such moments, even if I don’t play or listen to Prokofiev, but just think about him, I receive an incredible charge of energy, I feel a great desire to live and act.” E. Kissin

Interesting fact: Prokofiev loved chess very much, and enriched the game with his ideas and achievements, including the “nine” chess he invented - a 24x24 board with nine sets of pieces arranged on it.

(1906 — 1975)

Born in St. Petersburg, he received his first music lessons from his mother, graduated from the St. Petersburg Conservatory, upon entering which its rector Alexander Glazunov compared him to Mozart - so he amazed everyone with his excellent musical memory, keen ear and gift for composition. Already in the early 20s, by the end of the conservatory, Shostakovich had a baggage of his own works and became one of the best composers in the country. World fame came to Shostakovich after winning the 1st International Chopin Competition in 1927.

Until a certain period, namely before the production of the opera “Lady Macbeth of Mtsensk”, Shostakovich worked as a free artist - an “avant-garde”, experimenting with styles and genres. The severe demolition of this opera, organized in 1936, and the repressions of 1937 marked the beginning of Shostakovich’s subsequent constant internal struggle to express his views through his own means in the conditions of state imposition of trends in art.

In his life, politics and creativity are very closely intertwined, he was praised by the authorities and persecuted by them, held high positions and was removed from them, he and his relatives were awarded and were on the verge of arrest.

A gentle, intelligent, delicate person, he found his form of expressing creative principles in symphonies, where he could speak the truth about time as openly as possible. Of all Shostakovich’s extensive creativity in all genres, it is the symphonies (15 works) that occupy the central place; the most dramatically intense are the 5, 7, 8, 10, 15 symphonies, which became the pinnacle of Soviet symphonic music. A completely different Shostakovich reveals himself in chamber music.

Despite the fact that Shostakovich himself was a “home” composer and practically never traveled abroad, his music, humanistic in essence and truly artistic in form, quickly and widely spread throughout the world and was performed by the best conductors. The magnitude of Shostakovich’s talent is so immense that full comprehension of this unique phenomenon of world art is still ahead.

Quote from D. D. Shostakovich:“True music is capable of expressing only humane feelings, only advanced humane ideas.”

Melodies and songs of the Russian people inspired creativity famous composers second half of the 19th century century. Among them were P.I. Tchaikovsky, M.P. Mussorgsky, M.I. Glinka and A.P. Borodin. Their traditions were continued by a whole galaxy of outstanding musical figures. Russian composers of the 20th century are still popular.

Alexander Nikolaevich Scriabin

Creativity of A.N. Scriabin (1872 - 1915), a Russian composer and talented pianist, teacher, and innovator, cannot leave anyone indifferent. In his original and impulsive music, mystical moments are sometimes heard. The composer is attracted and attracted by the image of fire. Even in the titles of his works, Scriabin often repeats words such as fire and light. He tried to find the possibility of combining sound and light in his works.

The composer's father, Nikolai Alexandrovich Scriabin, was a famous Russian diplomat and active state councilor. Mother - Lyubov Petrovna Skryabina (nee Shchetinina), was known as a very talented pianist. She graduated with honors from the St. Petersburg Conservatory. Her professional activity began successfully, but soon after the birth of her son she died of consumption. In 1878, Nikolai Alexandrovich completed his studies and received an appointment to the Russian embassy in Constantinople. The future composer's upbringing was continued by his close relatives - his grandmother Elizaveta Ivanovna, her sister Maria Ivanovna and his father's sister Lyubov Alexandrovna.

Despite the fact that at the age of five Scriabin mastered playing the piano, and a little later began to study musical compositions, according to family tradition, he received a military education. He graduated from the 2nd Moscow Cadet Corps. At the same time, he took private lessons in piano and music theory. Later he entered the Moscow Conservatory and graduated with a small gold medal.

At the beginning of his creative activity, Scriabin consciously followed Chopin and chose the same genres. However, even at that time his own talent had already emerged. At the beginning of the 20th century, he wrote three symphonies, then “Poem of Ecstasy” (1907) and “Prometheus” (1910). It is interesting that the composer supplemented the Prometheus score with a light keyboard part. He was the first to use light music, the purpose of which is characterized by revealing music by the method of visual perception.

The composer's accidental death interrupted his work. He never realized his plan to create “Mystery” - a symphony of sounds, colors, movements, smells. In this work, Scriabin wanted to tell all of humanity his innermost thoughts and inspire them to create a new world, marked by the union of the Universal Spirit and Matter. His most significant works were only the preface to this grandiose project.

Famous Russian composer, pianist, conductor S.V. Rachmaninov (1873 - 1943) was born into a wealthy noble family. Rachmaninov's grandfather was a professional musician. His mother gave him his first piano lessons, and later they invited music teacher A.D. Ornatskaya. In 1885, his parents sent him to a private boarding school with the professor of the Moscow Conservatory N.S. Zverev. Order and discipline in educational institution had a significant influence on the formation of the future character of the composer. He later graduated from the Moscow Conservatory with a gold medal. While still a student, Rachmaninov was very popular among the Moscow public. He has already created his “First Piano Concerto”, as well as some other romances and plays. And his “Prelude in C sharp minor” became a very popular composition. Great P.I. Tchaikovsky drew attention to graduation work Sergei Rachmaninov - the opera “Oleko”, which he wrote under the impression of the poem by A.S. Pushkin "Gypsies". Pyotr Ilyich achieved its production at the Bolshoi Theater, tried to help with the inclusion of this work in the theater’s repertoire, but unexpectedly died.

From the age of twenty, Rachmaninov taught at several institutes and gave private lessons. By invitation famous philanthropist, theatrical and musical figure Savva Mamontov, at the age of 24 the composer becomes the second conductor of the Moscow Russian private opera. There he became friends with F.I. Chaliapin.

Rachmaninov's career was interrupted on March 15, 1897 due to the non-acceptance of his innovative First Symphony by the St. Petersburg public. Reviews of this work were truly devastating. But the composer’s biggest disappointment was the negative review left by N.A. Rimsky-Korsakov, whose opinion Rachmaninov greatly valued. After this, he fell into a prolonged depression, from which he managed to get out of it with the help of the hypnotist N.V. Dalia.

In 1901, Rachmaninov completed work on the Second Piano Concerto. And from this moment his active creative activity as a composer and pianist began. Rachmaninoff's unique style united Russians church hymns, romanticism and impressionism. He considered melody to be the main leading principle in music. This found its greatest expression in the author’s favorite work, the poem “Bells,” which he wrote for orchestra, choir and soloists.

At the end of 1917, Rachmaninov and his family left Russia, worked in Europe, and then went to America. The composer had a hard time experiencing the break with his homeland. During the Great Patriotic War he gave charity concerts, the proceeds from which were sent to the Red Army Fund.

Stravinsky's music is distinguished by its stylistic diversity. At the very beginning of his creative activity, it was based on Russian musical traditions. And then in the works one can hear the influence of neoclassicism, characteristic of the music of France of that period and dodecaphony.

Igor Stravinsky was born in Oranienbaum (now Lomonosov), in 1882. The father of the future composer Fyodor Ignatievich is a famous Opera singer, one of the soloists Mariinsky Theater. His mother was pianist and singer Anna Kirillovna Kholodovskaya. From the age of nine, teachers taught him piano lessons. After graduating from high school, at the request of his parents, he entered the law faculty of the university. For two years, from 1904 to 1906, he took lessons from N.A. Rimsky-Korsakov, under whose guidance he wrote his first works - a scherzo, a piano sonata, and the suite “Faun and Shepherdess”. Sergei Diaghilev highly appreciated the composer's talent and offered him cooperation. The result of the joint work was three ballets (staged by S. Diaghilev) - “The Firebird”, “Petrushka”, “The Rite of Spring”.

Shortly before the First World War, the composer left for Switzerland, then to France. A new period begins in his work. He is studying musical styles XVIII century, writes the opera “Oedipus Rex”, music for the ballet “Apollo Musagete”. His author's handwriting changed several times over time. The composer lived in the USA for many years. His last famous work"Requiem". A special feature of the composer Stravinsky is the ability to constantly change styles, genres and musical directions.

Composer Prokofiev was born in 1891 in a small village in the Yekaterinoslav province. The world of music was opened to him by his mother, a good pianist who often performed works by Chopin and Beethoven. She became a real musical mentor for her son and, in addition, taught him German and French.

At the beginning of 1900, young Prokofiev managed to attend the ballet “The Sleeping Beauty” and listen to the operas “Faust” and “Prince Igor”. The impression received from the performances of Moscow theaters was expressed in own creativity. He writes the opera "The Giant" and then the overture to " Deserted shores" The parents soon realize that they cannot continue teaching their son music. Soon the aspiring composer, at the age of eleven, was introduced to the famous Russian composer and teacher S.I. Taneyev, who personally asked R.M. Gliera to do with Sergei musical composition. S. Prokofiev passed the entrance exams to the St. Petersburg Conservatory at the age of 13. At the beginning of his career, the composer toured and performed a lot. However, his work caused misunderstanding among the public. This was due to the features of the works, which were expressed in the following:

modernist style;
destruction of established musical canons;
extravagance and ingenuity of compositional techniques

In 1918, S. Prokofiev left and returned only in 1936. Already in the USSR, he wrote music for films, operas, and ballets. But after he was accused, along with a number of other composers, of “formalism”, he practically moved to live in the country, but continued to write musical works. His opera “War and Peace”, ballets “Romeo and Juliet”, “Cinderella” have become the property of world culture.

Russian composers of the 20th century, who lived at the turn of the century, not only preserved the traditions of the previous generation of creative intelligentsia, but also created their own, unique art, for which the works of P.I. remained as models. Tchaikovsky, M.I. Glinka, N.A. Rimsky-Korsakov.