Kuindzhi birch grove description. Arkhip Ivanovich Kuindzhi, “Birch Grove”

] Original taken from netta_stropha in Arkhip Ivanovich Kuindzhi. "Birch Grove"

The illusion of light was his god, and there was no artist equal to him in achieving this miracle of painting
— Ilya Efimovich Repin

"Birch Grove"Kuindzhi, dated 1879, made a huge impression on contemporaries and to this day is perhaps the most famous work artist. Of course, in line with the traditions of the Wanderers, the picture became innovative, breaking the canons of harsh realism in painting with its social background of plots and tragic colors.

Birch Grove 1879

They call it "Birch Grove" bright picture Kuindzhi, permeated with light, glowing.
I think it is just as dramatic as the painter’s other works. Behind the birch trees in the foreground, highlighted by the sun's rays, rises mysterious forest with gloomy interlacing of trunks with massive dark crowns, while the tops of the “front” birches, probably transparent, trembling, are not visible, only guessed. In the very foreground of the picture there are thick shadows. In general, there are a lot of condensed saturated colors in the picture, perhaps, however, less than in many other works of Kuindzhi. The jubilant afternoon, the enveloping warmth of the sun, concentrated in the center of the composition, attracts attention and gives “Birch Grove” some kind of melancholy - sadness that the day will soon give way to evening and the grove will be plunged into darkness.
The painting clearly shows the Art Nouveau style with its conventional decorativeness - in the clear, somewhat magical design of the birch trunks. However, the edge of the forest with its flowering plants and the pond covered with delicate duckweed, painted in slightly blurred colors, exudes the spirit of impressionism.

Another “Birch Grove”, created in 1901, seems even more impressionistic. It is a grove of smoky air and light pearlescent light, at once dreamy and majestic in its quiet peace. A charmingly soft, thoughtful, magnificent landscape that has also received fame and recognition.

Birch Grove 1901

The artist painted several more paintings and sketches called “Birch Grove”.
I like "Birch Grove" - autumn landscape and "Birch Grove. Spots sunlight" - sad, completely impressionistic works with an amazing harmony of golden light and ocher flowers of the grove, with shining midday greenery and shimmering sunlight in the summer grove with "Spots of Sunlight".
A talented contrast with the bizarre dense colors - ultramarine, purple and malachite - of a birch grove at night ("Forest"), written in a typical manner for Kuindzhi, in the spirit of ancient fairy tales and legends.

Birch Grove 1898-1908

Birch Grove 1880s

Birch Grove 1879

Birch Grove Variant-sketch of the painting of the same name from 1879

Birch Grove (Forest) 1880s

Birch Grove. Spots of sunlight 1890-1895

"Birch Grove"- painting by Russian artist Arkhip Kuindzhi (1841/1842-1910), painted in 1879. The painting is part of the collection of the State Tretyakov Gallery. The size of the painting is 97×181 cm.

1. History
2 Description
3 Reviews
4 Other paintings
5 See also
6 Notes
7 Links

Story

The painting “Birch Grove” was first shown in 1879 at the 7th exhibition of the Association of Mobile art exhibitions(“Itinerants”) Both artists and spectators who visited the exhibition noted the unusualness of the painting, which was later destined to become one of the most famous paintings Kuindzhi.

Description

The picture was painted by the artist in the style romantic landscape. As in other paintings by Kuindzhi, a significant effect is achieved by unusual combinations of light and color, a sharp contrast of sun and shadow, which creates the impression of very bright sunlight. The upper part of the birches is not shown, only the trunks and small green branches that stand out are visible light green against the backdrop of a dark green forest. The painting is divided into two parts by a stream flowing through the center.

Reviews

Arkhip Kuindzhi, “Birch Grove”, 1901

Art critic Vladimir Petrov wrote this in his article dedicated to the 150th anniversary of the birth of Arkhip Kuindzhi:

Finally, in “Birch Grove” Kuindzhi’s inherent “sun worship” was especially vividly and directly embodied. Having depicted what seemed to be the most everyday Central Russian motif - a forest edge, where a stream runs among the white-trunked birches, lost in the grass, he created a “hymn” to the life-giving light pouring from the sky. The uplifting and festive sound of the imagery of the painting was achieved by the artist with the help of a bold generalization and intensity of contrasts, glowing in the sun and shaded color forms and zones, as well as the rhythmic certainty of the landscape, reminiscent of a kind of natural pattern and, to some extent, decoration - a wonderful background for a human life unworthy of his play.

Other paintings

Kuindzhi also wrote several more paintings and sketches entitled “Birch Grove”. One of the paintings, painted in 1901, is in the National art museum Belarus.

Notes

1 2 Kuindzhi Arkhip Ivanovich - Birch Grove (HTML). State Tretyakov Gallery, www.tretyakovgallery.ru. Retrieved July 2, 2012. Archived from the original on October 8, 2012.
1 2 Collection: world art culture- Kuindzhi Arkhip Ivanovich - Birch Grove (1879) (HTML). Russian general education portal, artclassic.edu.ru. Retrieved July 2, 2012. Archived from the original on October 8, 2012.
1 2 Vladimir Petrov. Article for the 150th anniversary of Kuindzhi (HTML). www.kuinje.ru. Retrieved July 2, 2012. Archived from the original on September 28, 2012.
Arkhip Ivanovich Kuindzhi. Gallery of the artist's paintings - Images of birches (HTML). www.kuinje.ru. Retrieved July 12, 2012. Archived from the original on October 8, 2012.
Kuindzhi - Gallery in alphabetical order - “B” (HTML). Arkhip Ivanovich Kuindzhi, kuinji.ru. Retrieved July 2, 2012. Archived from the original on October 8, 2012.
Collection: world artistic culture - Kuindzhi Arkhip Ivanovich - Birch Grove (1901) (HTML). Russian general education portal, artclassic.edu.ru. Retrieved July 12, 2012. Archived from the original on October 8, 2012.

Birch Grove (painting by Kuindzhi) Information About

Plan

1.What do I see in the painting “Birch Grove”.

2.Why do I like the painting “Birch Grove”.

In the painting “Birch Grove” the artist depicted a clear summer day. I see a green meadow illuminated by the sun and slender white-trunked birch trees.

The leaves on the birch trees are a soft emerald color. A cool, swampy stream flows between the trees. There is not a cloud in the pale blue sky. And in the distance you can see a dense green forest.

I really like the painting “Birch Grove”. She creates a joyful mood. I want to sit in the shade under a tree and listen to the murmur of a brook and the singing of birds.

Essay based on the painting by A.I. Kuindzhi Birch Grove, grade 5

Plan

2. Masterpiece of painting “Birch Grove”.

3.Why I like “Birch Grove”.

More from early childhood Arkhip Kuindzhi showed great talent to drawing. During his life, the master created a huge number of paintings, most of which are dedicated to nature. Kuindzhi is a recognized master of landscape. One of his most famous works is “Birch Grove”.

Arkhip Ivanovich was very fond of Russian birch and painted “Birch Grove” in several versions. In the foreground of the picture are white-trunked beauties illuminated by the sun. It was as if they had escaped from a dark forest, visible in the distance, into an emerald clearing and were now dancing around a cool stream. There is shade under the crowns of birch trees; it’s nice to hide there from the scorching summer heat.

The picture looks so real that when you look at it, it seems that it is about to touch your facial lungs a breath of wind. You want to look at “Birch Grove” and look at it, it attracts the eye. The sad mood immediately improves. I think that there is no person who would not like this work.

painting by A. Kuindzhi Birch Grove photo

Essay based on the painting by A.I. Kuindzhi Birch Grove, grade 6

Plan

1. A word about the artist.

2. Kuindzhevskaya “Birch Grove”.

3.Feelings evoked by “Birch Grove”.

The famous Russian landscape painter Arkhip Ivanovich Kuindzhi was born in Russia in the city of Mariupol, but his nationality is Greek. Kuindzhi had a memorable appearance: he was tall, muscular, very strong man with dark skin and magnificent curly hair. Since childhood, Arkhip Ivanovich loved to draw and did it wherever possible. Almost all of Kuindzhi’s works are devoted to the description of nature. He is considered a master landscape painting.

The canvas “Birch Grove” is considered a masterpiece of landscape painting. In its center is a large Forest Glade, on which the main characters of the picture are located - birches. The clearing looks so real that it seems you can jump in there, hug a birch tree and smell its bark. The birches, like friends, gathered in groups of two or three and seemed to be keeping secrets about something.

Artist with great love wrote every branch of the trees. At the same time, the forest in the background of the picture looks like a large green silhouette without drawing details. It seems to me that the painting depicts the beginning of summer, because the green of the grass and leaves is still a delicate emerald shade, which occurs only in June. Above the forest there is a very clear, almost transparent sky with a bluish tint. There is not a breeze in the forest. The clearing seems brightly lit by the sun, the sun is everywhere, although it is not in the picture. And this magical effect is present on many of his canvases. The painting gives me a feeling of joy, happiness and peace. It must be very nice to look at her when it’s winter and frost.

Isaac Ilyich Levitan is an artist who has rightfully gained a reputation as the creator of a “mood landscape.” Nature in his paintings shines with the gentle light of love. Such is Levitan’s painting “Birch Grove,” which the master created at the age of twenty-nine.

Origins

The artist’s biography is shrouded in mystery - he did not like to talk about his childhood and family, and during his lifetime he destroyed his entire archive. A bundle of letters found after his death contained the warning: “Burn without reading,” which was done. From the few recollections of his contemporaries, it can be established that Levitan showed the gift of a draftsman very early and became familiar with this type of art. At the age of 13, he became a student at the Moscow School of Painting, Sculpture and Architecture. His teachers were Polenov and Savrasov - the most famous at that time Russian artists. Levitan's painting "Birch Grove" reminds us of the inextricable and deep connection that unites our landscape painters, who so keenly felt the nature of the wonderful

A landscape painter without equal

The teachers' paintings captured the imagination of young Levitan. He was especially fascinated by the idea of embodying on canvas the very soul of nature, its multifaceted moods. Isaac Ilyich spoke of his teacher A. Savrasov as a painter who knew how to find deeply intimate, unusually touching features in the ordinary, which are so strongly felt in the Russian landscape. The first works of the young Levitan were a little reminiscent of the teacher’s style. Elegiac moods, twilight shades, gloomy and brooding objects - swamps, whirlpools, abandoned rural churchyards - everything demonstrated the closeness of the aesthetics of Levitan's canvases in a creative manner Savrasova.

But very soon the student demonstrated his own pictorial “language”, by which everyone now unmistakably recognizes him.

Levitan's painting “Birch Grove”: history of creation

These were the years of rapprochement with the wonderful Russian writer Anton Chekhov. Together with the Chekhov family, Levitan vacationed near the village of Babkino. It was there that Levitan’s magnificent painting “Birch Grove” was born. The master created it for four years, finishing work on the Volga. Today this masterpiece is exhibited in the State Tretyakov Gallery in Moscow.

Breath of the Russian forest

Isaac Levitan's "Birch Grove" should begin with the fact that the real object from which the artist painted trees shining with pearls and emeralds was the Plyos Grove.

This small but expressive painting exudes a mood of unaccountable joy, freshness and optimism. How does Levitan achieve such emotional power? Of course, there is a fusion of skill and harmony here, which formed the basis inner world artist.

Play of light and shadow

Why is Levitan’s painting “Birch Grove” attractive to a specialist? Analysis of the techniques and techniques used by the artist allows us to restore the unique features of the master’s brush. The entire space of the picture is filled only with grass, in which blue and yellow sparkles of flowers sparkle, trunks, shiny green crowns: the sky is not visible, neither an animal nor a bird flashes anywhere. Nevertheless, the forest lives! We feel his fresh breath, hear the cheerful rustling of leaves. The artist skillfully conveys the movement of warm rays, spiritualizing the landscape with reverent tenderness and joy. Two birch trees in the foreground amaze with their lyricism and verisimilitude. Pink and warm brown spots lay softly on the trunks. The painting evokes spontaneity and light clean rhythm of impressionism.

Contemporaries claim that Levitan's friend Anton Pavlovich Chekhov told the author that in this picture, like in no other, one can feel the smile of a brilliant artist.

Russian artist A.I. Kuindzhi became known to the public thanks to his landscapes in the style of romanticism. But not a single one of his works gave him as much fame as his painting “Birch Grove,” created in 1879, brought him. this work made the audience fall in love with her so much that for a long time after its first appearance at the exhibition, all the critics talked only about this painting, and a stream of people wanted to look at “ pure beauty", as this work was called, everything did not dry out. The artist was touched by this attitude towards his work strangers, at first he was embarrassed by the girl who suddenly came to him national glory, but afterwards I was especially proud of this picture. So much so that I decided to write several versions of it so that everyone could see the painting. He also painted many similar paintings on this topic. Birch became an integral part of most of his paintings.

The author does not focus on detail; he does not try to highlight every leaf on the tree or flower on the ground. The main thing for the artist is to convey the contrast of light and shadow, a certain struggle between light and dark. It is contrast that creates the mood.

Most researchers note precisely the mood conveyed by the canvas. In art, this task is much more important than simply conveying features - a clear image of tree branches, branches, grass and every flower. The main thing is to be able to express the feeling that arises when examining the canvas.

In fact, Kuindzhi depicted only a small fragment of a birch grove, what he could see at one glance, without looking around, without raising his head. These are a few birch trunks. Even their crowns did not fit into the picture. Kuindzhi does not need them at all - he believes that the audience’s imagination will imagine them. Here it is important for the artist to be able to convey the victory of light, to depict how the rays of the bright sun change everything around.

The foreground shows dense vegetation over which a shadow falls. The grass literally becomes one with the water of the same shade from the swampy stream. The pond divides the canvas into two even parts.

The middle ground of the picture is created by thin and light birch tree trunks. Behind them hides a meadow heated by the rays of the heavenly body.

In the background is the grove of birch trees that gave the name to the work. A piece of clear sky is visible above the trees.

The birches do not stand one by one, as is usually the case, but in small groups. It seems as if the girlfriends were scattered in pairs to gossip about the secret: they leaned towards each other to hear better, and whispered secrets.
Thanks to the clearly expressed lines in the picture, a certain geometric pattern. Indeed, decorativeness is one of the features of Kuindzhi’s work.

In addition, sometimes it seems that the author has gone too far with the amount of colors - this picture is so rich and colorful. In fact, the author used only shades of green and blue, as well as contrasting white and black colors. But the play of light and shadow allows our gaze to complete in our minds other shades that may appear before the gaze of a person who finds himself in a birch grove on a sunny summer day.

Looking at this picture, a person will certainly want to smile and begin to enjoy the bright sunny day, even if in reality there is a blizzard blowing outside the window and a blizzard howling.