Auguste Renoir is a hardworking and bright impressionist. Renoir paintings Renoir paintings with names of flowers

Pierre Auguste Renoir (1841 - 1919) - French painter-impressionist, graphic artist and sculptor. | Part-1: Stages of the path and genre painting.

Pierre Auguste Renoir (French Pierre-Auguste Renoir; February 25, 1841, Limoges - December 2, 1919, Cagnes-sur-Mer) - French painter, graphic artist and sculptor, one of the main representatives of impressionism. Renoir is known primarily as a master of secular portraiture, not devoid of sentimentality; he was the first of the impressionists to gain success among wealthy Parisians. In the mid-1880s. actually broke with impressionism, returning to the linearity of classicism, to Engrism. Father of the famous director.

Auguste Renoir was born on February 25, 1841 in Limoges, a city located in south-central France. Renoir was the sixth child of a poor tailor named Léonard and his wife, Marguerite.
In 1844, the Renoirs moved to Paris, and here Auguste entered the church choir at the great cathedral of Saint-Eustache. He had such a voice that the choir director, Charles Gounod, tried to convince the boy’s parents to send him to study music. However, in addition to this, Auguste showed a gift as an artist, and when he was 13 years old, he began to help the family by getting a job with a master, from whom he learned to paint porcelain plates and other dishes. In the evenings, Auguste attended painting school.


"Dance at Bougival" (1883), Boston Museum fine arts

In 1865, at the house of his friend, artist Jules Le Coeur, he met a 16-year-old girl, Lisa Treo, who soon became Renoir's lover and his favorite model. In 1870, their daughter Jeanne Marguerite was born, although Renoir refused to officially acknowledge his paternity. Their relationship continued until 1872, when Lisa left Renoir and married someone else.
Creative career Renoir's career was interrupted in 1870-1871, when he was drafted into the army during the Franco-Prussian War, which ended in a crushing defeat for France.

Pierre-Auguste Renoir, Alina Charigot, 1885, Art Museum, Philadelphia


In 1890, Renoir married Alina Charigot, whom he had met ten years earlier, when she was a 21-year-old seamstress. They already had a son, Pierre, born in 1885, and after their marriage they had two more sons - Jean, born in 1894, and Claude (known as "Coco"), born in 1901 and who became one of the most beloved models father.

By the time his family finally formed, Renoir had achieved success and fame, was recognized as one of the leading artists in France and managed to receive from the state the title of Knight of the Legion of Honor.

Renoir's personal happiness and professional success were overshadowed by illness. In 1897, Renoir broke right hand, falling off a bicycle. As a result, he developed rheumatism, from which he suffered for the rest of his life. Rheumatism made it difficult for Renoir to live in Paris, and in 1903 the Renoir family moved to an estate called “Colette” in the small town of Cagnes-sur-Mer.
After an attack of paralysis in 1912, despite two surgical operations, Renoir was confined to wheelchair, however, he continued to write with a brush that the nurse placed between his fingers.

In the last years of his life, Renoir gained fame and universal recognition. In 1917, when his Umbrellas were exhibited at the London National Gallery, hundreds of British artists and art lovers sent him congratulations, saying: “From the moment your picture was hung alongside the works of the Old Masters, we experienced the joy that our contemporary took his rightful place in European painting" Renoir's painting was also exhibited at the Louvre, and in August 1919 the artist last time visited Paris to look at her.


On December 3, 1919, Pierre Auguste Renoir died in Cagnes-sur-Mer from pneumonia at the age of 78. He was buried in Essois.

Marie-Félix Hippolyte-Lucas (1854-1925) - portrait of Renoir 1919


1862—1873 Choice of genres

« Spring bouquet"(1866). Harvard University Museum.

At the beginning of 1862, Renoir passed the exams at the School of Fine Arts at the Academy of Fine Arts and enrolled in Gleyre's workshop. There he met Fantin-Latour, Sisley, Basil and Claude Monet. Soon they became friends with Cezanne and Pizarro, and this is how the core formed future group impressionists.
IN early years Renoir was influenced by the works of the Barbizons, Corot, Prudhon, Delacroix and Courbet.
In 1864, Gleyre closed his workshop and his studies ended. Renoir began to paint his first canvases and then for the first time presented the painting “Esmeralda dancing among the tramps” to the Salon. It was accepted, but when the canvas was returned to him, the author destroyed it.
Having chosen genres for his works in those years, he did not change them until the end of his life. This is a landscape - “Jules le Coeur in the forest of Fontainebleau” (1866), everyday scenes - “Splashing Pool” (1869), “Pont Neuf” (1872), a still life - “Spring Bouquet” (1866), “Still Life with a Bouquet and a Fan” (1871), portrait - “Lisa with an umbrella” (1867), “Odalisque” (1870), nude - “Diana the Huntress” (1867).
In 1872, Renoir and his friends created the Anonymous Cooperative Partnership.

1874—1882 Struggle for recognition

"Bal at the Moulin de la Galette" (1876). Orsay Museum.

The first exhibition of the partnership opened on April 15, 1874. Renoir presented pastels and six paintings, including “Dancer” and “Lodge” (both 1874). The exhibition ended in failure, and the members of the partnership received an offensive nickname - “Impressionists”.
Despite poverty, it was during these years that the artist created his main masterpieces: “Grand Boulevards” (1875), “Walk” (1875), “Ball at the Moulin de la Galette” (1876), “Nude” (1876), “Nude” V sunlight"(1876), "Swing" (1876), "First departure" (1876/1877), "Path in the tall grass" (1877).
Renoir gradually stopped participating in impressionist exhibitions. In 1879, he presented to the Salon the full-figure “Portrait of the Actress Jeanne Samary” (1878) and “Portrait of Madame Charpentier with Children” (1878) and achieved universal recognition, and subsequently financial independence. He continued to paint new canvases - in particular, the now famous Boulevard of Clichy (1880), Luncheon of the Rowers (1881), and On the Terrace (1881).

1883-1890 "Ingres period"

"Great Bathers" (1884-1887). Museum of Art, Philadelphia.

Renoir visited Algeria, then Italy, where he became closely acquainted with the works of the classics of the Renaissance, after which he artistic taste changed. Renoir painted a series of paintings “Dance in the Country” (1882/1883), “Dance in the City” (1883), “Dance in Bougival” (1883), as well as such paintings as “In the Garden” (1885) and “Umbrellas” (1881/1886), where the impressionist past is still visible, but Renoir’s new approach to painting is revealed.
The so-called “Ingres period” opens. Most famous work of this period - “Great Bathers” (1884/1887). For the first time, the author used sketches and outlines to construct the composition. The lines of the drawing became clear and defined. The colors lost their former brightness and saturation, the painting as a whole began to look more restrained and colder.

1891-1902 “Mother of Pearl Period”

"Girls at the Piano" (1892). Orsay Museum.

In 1892, Durand-Ruel opened a large exhibition of Renoir's paintings, which was a great success. Recognition also came from government officials - the painting “Girls at the Piano” (1892) was purchased for the Luxembourg Museum.
Renoir traveled to Spain, where he became acquainted with the works of Velazquez and Goya.
In the early 90s, new changes took place in Renoir's art. An iridescence of color appeared in the pictorial manner, which is why this period is sometimes called “mother-of-pearl.”
At this time, Renoir painted such paintings as “Apples and Flowers” ​​(1895/1896), “Spring” (1897), “Son Jean” (1900), “Portrait of Madame Gaston Bernheim” (1901). He traveled to the Netherlands, where he was interested in the paintings of Vermeer and Rembrandt.

1903-1919 "Red Period"

"Gabriel in a Red Blouse" (1910). Collection of M. Wertham, New York.

The “pearl” period gave way to the “red” period, so named because of the preference for shades of reddish and pink flowers.
Renoir still painted sunny landscapes, still lifes with bright colors, portraits of his children, naked women, created “A Walk” (1906), “Portrait of Ambroise Vollard” (1908), “Gabriel in a Red Blouse” (1910), “Bouquet of Roses” (1909/1913), “Woman with a Mandolin” (1919).

In the movie "Amelie" the neighbor main character Ramon Dufael has been making copies of Renoir's Luncheon of the Rowers for 10 years.
A close friend of Auguste Renoir was Henri Matisse, who was almost 28 years younger than him. When A. Renoir was essentially bedridden due to illness, A. Matisse visited him every day. Renoir, almost paralyzed by arthritis, overcoming the pain, continued to paint in his studio. One day, observing the pain with which each brush stroke was given to him, Matisse could not stand it and asked: “Auguste, why don’t you leave painting, you’re suffering so much?” Renoir limited himself to answering: “La douleur passe, la beauté reste” (The pain passes, but beauty remains). And this was the whole of Renoir, who worked until his last breath.

Pierre Auguste Renoir (French: Pierre-Auguste Renoir; February 25, 1841, Limoges - December 3, 1919, Cagnes-sur-Mer) - French painter, graphic artist and sculptor, one of the main representatives of impressionism. Known, first of all, as a master of secular portraits, not devoid of sentimentality. Renoir was the first of the Impressionists to gain success among wealthy Parisians. In the mid-1880s. he actually broke with impressionism, returning to the linearity of classicism, to “engrism.” Father of the famous director Jean Renoir.

Auguste Renoir was born on February 25, 1841 in Limoges, a city in south-central France. Renoir was the sixth child of 7 children of the poor tailor Leonard Renoir (1799-1874) and his wife Marguerite (1807-1896).

In 1844, the Renoirs moved to Paris. Here Auguste enters the church choir at the great Saint-Eustache Cathedral. He had such a voice that the choir director, Charles Gounod, tried to convince the boy’s parents to send him to study music. But besides this, Auguste showed the gift of an artist. When he was 13 years old, he began helping the family by getting a job with a master, from whom he learned to paint porcelain plates and other utensils. In the evenings, Auguste attended painting school.

In 1865, at the house of his friend, artist Jules Le Coeur, he met 16-year-old Lisa Treo. She soon became Renoir's lover and his favorite model. In 1870, their daughter Jeanne Marguerite was born - although Renoir refused to officially acknowledge his paternity. Their relationship continued until 1872, when Lisa left Renoir and married someone else.

Renoir's creative career was interrupted in 1870-1871, when he was drafted into the army during the Franco-Prussian War, which ended in a crushing defeat for France.

In 1890, Renoir married Alina Charigot, whom he had met ten years earlier, when she was a 21-year-old seamstress. They already had a son, Pierre, born in 1885. After the wedding, they had two more sons - Jean, born in 1894, and Claude (known as "Coco"), born in 1901 and who became one of his father's favorite models. By the time his family finally formed, Renoir had achieved success and fame, was recognized as one of the leading artists in France and managed to receive from the state the title of Knight of the Legion of Honor.

Renoir's personal happiness and professional success were overshadowed by illness. In 1897, he broke his right arm in a fall from his bicycle. As a result, he developed rheumatism, from which the artist suffered for the rest of his life. This made it difficult for Renoir to live in Paris, and in 1903 the Renoir family moved to an estate called "Colette" in the small town of Cagnes-sur-Mer.

After an attack of paralysis that occurred in 1912, despite two surgical operations, Renoir was confined to a wheelchair, but continued to paint with a brush that a nurse placed between his fingers.

In the last years of his life, Renoir gained fame and universal recognition. In 1917, when his Umbrellas were exhibited at the London National Gallery, hundreds of British artists and art lovers sent him congratulations, saying: “From the moment your picture was hung alongside the works of the Old Masters, we experienced the joy that our contemporary took his rightful place in European painting.” Renoir's painting was also exhibited at the Louvre. In August 1919, the artist visited Paris for the last time to look at her.

On December 2, 1919, at the age of 79, Pierre Auguste Renoir died in Cagnes-sur-Mer from pneumonia. He was buried in Essois.

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Pierre Auguste Renoir (French: Pierre-Auguste Renoir). Born February 25, 1841 in Limoges - died December 3, 1919 in Cagnes-sur-Mer. French painter, graphic artist and sculptor, one of the main representatives of impressionism. Renoir is known primarily as a master of secular portraiture; he was the first of the Impressionists to find success with wealthy Parisians. In the mid-1880s. actually broke with impressionism, returning to the linearity of classicism, to Engrism. Father of the famous director Jean Renoir.

Auguste Renoir was born on February 25, 1841 in Limoges, a city located in south-central France.

Renoir was the 6th child of 7 children of the poor tailor Leonard Renoir (1799-1874) and his wife Marguerite (1807-1896).

In 1844, the Renoirs moved to Paris, and here Auguste entered the church choir at the great Saint-Eustache Cathedral. He had such a voice that the choir director, Charles Gounod, tried to convince the boy’s parents to send him to study music. However, in addition to this, Auguste showed a gift as an artist, and when he was 13 years old, he began to help the family by getting a job with a master, from whom he learned to paint porcelain plates and other dishes. In the evenings, Auguste attended painting school.

At the beginning of 1862, Renoir passed the exams at the School of Fine Arts at the Academy of Fine Arts and enrolled in Gleyre's workshop. There he met with Fantin-Latour, Sisley, Basil and. They soon became friends with Cezanne and Pissarro, and this is how the backbone of the future group of impressionists was formed.

In his early years, Renoir was influenced by the works of the Barbizonians, Corot, Prudhon, Delacroix and Courbet.

In 1864, Gleyre closed his workshop and his studies ended. Renoir began to paint his first canvases and then for the first time presented the painting “Esmeralda dancing among the tramps” to the Salon. It was accepted, but when the canvas was returned to him, the author destroyed it.

Having chosen genres for his works in those years, he did not change them until the end of his life. This is a landscape - “Jules le Coeur in the forest of Fontainebleau” (1866), everyday scenes - “Splashing Pool” (1869), “Pont Neuf” (1872), a still life - “Spring Bouquet” (1866), “Still Life with a Bouquet and a Fan” (1871), portrait - “Lisa with an umbrella” (1867), “Odalisque” (1870), nude - “Diana the Huntress” (1867).

In 1865, at the house of his friend, the artist Jules Le Coeur, he met a 16-year-old girl Lisa Treo, who soon became Renoir's lover and his favorite model.

In 1870, their daughter Jeanne Marguerite was born, although Renoir refused to officially acknowledge his paternity. Their relationship continued until 1872, when Lisa left Renoir and married someone else.

Renoir's creative career was interrupted in 1870-1871, when he was drafted into the army during the Franco-Prussian War, which ended in a crushing defeat for France.

In 1872, Renoir and his friends created "Anonymous Cooperative Partnership".

The first exhibition of the partnership opened on April 15, 1874. Renoir presented pastels and six paintings, including “Dancer” and “Lodge” (both 1874). The exhibition ended in failure, and members of the partnership received an offensive nickname - “Impressionists”.

Despite poverty, it was during these years that the artist created his main masterpieces: “Grand Boulevards” (1875), “Walk” (1875), “Ball at the Moulin de la Galette” (1876), “Nude” (1876), “Nude” in the sunlight" (1876), "Swing" (1876), "First departure" (1876/1877), "Path in the tall grass" (1877).

Renoir gradually stopped participating in impressionist exhibitions. In 1879, he presented to the Salon the full-figure “Portrait of the Actress Jeanne Samary” (1878) and “Portrait of Madame Charpentier with Children” (1878) and achieved universal recognition, and subsequently financial independence.

He continued to paint new canvases - in particular, the famous “Boulevard of Clichy” (1880), “The Rowers’ Breakfast” (1881), and “On the Terrace” (1881).

Renoir visited Algeria, then Italy, where he became closely acquainted with the works of the classics of the Renaissance, after which his artistic taste changed. The source of inspiration during this period was Ingres, which is why art historians call this period in the artist’s work “Ingres.” Renoir himself called this period “sour.” He painted a series of paintings “Dance in the Country” (1882/1883), “Dance in the City” (1883), “Dance in Bougival” (1883), as well as such paintings as “In the Garden” (1885) and “Umbrellas” (1881/1886), where the impressionist past is still visible, but Renoir’s new approach to painting is revealed: environment

written in an impressionistic manner, the figures are outlined with clear lines. The most famous work of this period is"Big Bathers" (1884/1887). For the first time, the author used sketches and outlines to construct the composition. The lines of the drawing became clear and defined. The colors lost their former brightness and saturation, the painting as a whole began to look more restrained and colder. For of this work

posed: Alina Sharigo - the artist's wife and Suzanne Valadon - Renoir's model and artist, mother of Maurice Utrillo. In 1890, Renoir married Alina Charigot

By the time his family finally formed, Renoir had achieved success and fame, was recognized as one of the leading artists in France and managed to receive from the state the title of Knight of the Legion of Honor.

, whom he met ten years earlier, when she was a 21-year-old seamstress. They already had a son, Pierre, born in 1885, and after their marriage they had two more sons - Jean, born in 1894, and Claude (known as "Coco"), born in 1901 and who became one of the most beloved models father.

Renoir traveled to Spain, where he became acquainted with the works of Velazquez and Goya.

In the early 90s, new changes took place in Renoir's art. An iridescence of color appeared in the pictorial manner, which is why this period is sometimes called “mother-of-pearl.”

At this time, Renoir painted such paintings as “Apples and Flowers” ​​(1895/1896), “Spring” (1897), “Son Jean” (1900), “Portrait of Madame Gaston Bernheim” (1901). He traveled to the Netherlands, where he was interested in the paintings of Vermeer and Rembrandt.

The “pearl” period gave way to the “red” period, so named because of the preference for shades of reddish and pink flowers.

In 1892, Durand-Ruel opened a large exhibition of Renoir's paintings, which was a great success. Recognition also came from government officials - the painting “Girls at the Piano” (1892) was purchased for the Luxembourg Museum.

Renoir's personal happiness and professional success were overshadowed by illness. In 1897, Renoir broke his right arm after falling from his bicycle. As a result, he developed rheumatism, from which he suffered for the rest of his life. Rheumatism made it difficult for Renoir to live in Paris, and in 1903 the Renoir family moved to an estate called “Colette” in the small town of Cagnes-sur-Mer.

After an attack of paralysis in 1912, despite two surgical operations, Renoir was confined to a wheelchair, but continued to paint with a brush that a nurse placed between his fingers.

In the last years of his life, Renoir gained fame and universal recognition. In 1917, when he "Umbrellas" were exhibited in the London National Gallery, hundreds of British artists and simply art lovers sent him congratulations, which said: “From the moment your painting was hung in the same row with the works of the old masters, we felt the joy that our contemporary took his rightful place in European painting.”

Renoir's painting was also exhibited at the Louvre, and in August 1919 the artist visited Paris for the last time to look at it.

On December 2, 1919, Pierre Auguste Renoir died in Cagnes-sur-Mer from pneumonia at the age of 78. He was buried in Essois. The outstanding French painter, sculptor, and graphic artist Pierre Auguste Renoir lived a long and fruitful life. During his life he created more than a thousand paintings

, the price of which at auctions today ranges from several tens to several hundred million dollars.

Family and childhood Pierre Auguste Renoir was born in 1841 into a poor, large family of a tailor. He was the sixth child. When he was very young, the family moved to Paris, where Renoir grew up. WITH early age he was forced to start earning a living, but his parents found something he liked. As Auguste’s brother said, his parents saw the boy drawing with charcoal on the walls and decided to send him as an apprentice to a porcelain painting workshop. The director of the church choir in which the boy sang seriously insisted that he be sent to study music, since he had excellent inclinations. But Auguste was lucky; in the workshop he learned the basics decorative arts paintings and felt attracted to fine arts . In the evenings he was able to visit free school

painting.

In 1861, Renoir entered the School of Fine Arts, working hard in a workshop on and later painting fans, he was able to save money for his studies. Auguste also visits the workshop of C. Gleyer, where he studied alongside A. Sisley, C. Monet and F. Basil. He often went to the Louvre, where he was most inspired by the works of A. Watteau, O. Fragonard, V. Boucher.

In the early 60s, Renoir became close to the artists who would later become the basis of the Impressionist community. In 1864, after completing his studies, Renoir began to work independently. At this time he tries himself in different genres and opts for a set that will remain faithful all his life: everyday scenes, nudes and landscapes. Auguste Renoir, whose works during this period were still influenced by the Barbizons, Courbet, Corot, and Prud'hon, gradually developed his own style of writing.

Finding a way in art

After graduation, the artist Pierre-Auguste Renoir sets out on a difficult voyage to gain fame and ensure income. The times of poverty, searches and stormy Parisian life are coming. Renoir communicates a lot with his friends in the studio: Sisley, Basil, Monet, they heatedly discussed the paths of new art and about authorities. For young artists, E. Manet was a great figure, who in the mid-60s became close to the group of future impressionists. Auguste Renoir, whose works are not yet in demand, paints a lot from life, a group of comrades often goes out to the open air. The artist had very little money, and he shared an apartment either with C. Monet or with A. Sisley.

Impressionism and Renoir

The beginning of the 60s is the time of the formation of impressionism. Young artists, inspired by their works, strive to find new expressive forms, trying to overcome the academicism of painting of previous eras. The 70s were the time of maturation of impressionism. The first exhibition of artists took place in 1874 new school, which was named after the work of C. Monet “Impression. Rising Sun" On it, Renoir shows six canvases, including “The Lodge” and “Dancer,” but he, like the entire exhibition, was not successful. Impressionism proclaimed new philosophy and technique, special color scheme becomes important, artists strive to convey on canvas a momentary impression of the phenomenon. At this time, Auguste Renoir, whose works were also created in the style of impressionism, worked a lot; he created a whole galaxy of masterpieces: “Ball at the Moulin de la Galette”, “Swing”, “Nude in Sunlight”. Gradually, the paths of the Impressionists and Renoir diverged; he stopped participating in community exhibitions, preferring to go in my own way. In the late 70s - early 80s, Renoir gained a certain fame, and with it orders. He paints paintings that he exhibits at the Salon, in particular, the work “Cup of Hot Chocolate” and “Portrait of Madame Charpentier with Children.” Such an exhibition provided an opportunity to receive orders that poor Renoir needed. Also at this time he writes famous works: “Boulevard of Clichy”, “The Rowers’ Breakfast”, “On the Terrace”.

Years of glory

The sale of paintings allowed Renoir to travel; he visited Algeria and Italy, and painted many landscapes. He also gets the opportunity to live outside the city, where he always had a nature. The gallery of paintings by Renoir Pierre Auguste is replenished with such works as “Umbrellas”, the “Dances” series, “Great Bathers”. The years from 1883 to 1890 are called the “Ingres” period, since the artist was somewhat influenced by this painter. At this time, Pierre Auguste Renoir became the most popular. The life and work of the artist gain stability. He was able to achieve a decent income; among his customers there are many representatives of the new bourgeoisie, his paintings are exhibited in Brussels, London, and Paris. At this time he travels a lot, enjoys life and works a lot. Renoir was always distinguished by his high efficiency, he experienced real pleasure from painting and devoted himself to the work to the fullest.

"Mother-of-pearl" period

The last decade of the 19th century is called the artist’s “pearl” period. Auguste Renoir, whose works retained their individuality, begins to experiment with color transitions, which gives his paintings a special charm. During this period, the artist created such masterpieces as “Son Jean”, “Spring”, “Figures in the Garden”, “Still Life with Anemones”. These works are filled with special light and the skill of a great artist.

The last years of his life the artist suffered from illness, this prevented him from writing, although he creates whole line significant work. But at this time he gave preference to sculpture.

Private life

Biography of Auguste which is in best museums world, uneventful. Although there were many women in his life, he wrote a lot from female nature, but he was happily married. He married in 1890 Alina Sharigo, a girl of peasant origin who was calm about her husband’s hobbies. She gave birth to Renoir three sons, one of whom, Jean, became a famous film director of the 20th century.

Renoir's happy life was overshadowed by illness; he was never distinguished good health, but after an arm injury in 1897, he developed arthritis, which led to almost complete immobility at the end of his life. But, overcoming the pain, Renoir continued to work until the very end. last day life. The artist died on December 2, 1919.

Unknown and interesting biography facts

Auguste Renoir is a Chevalier and Officer of the Legion of Honor, awarded for his achievements in painting in 1900 and 1911.

Renoir's work was "The Ball at the Moulin de la Galette", which was sold at auction for $78 million.

The most large collection Renoir's works were collected by Albert Barnes, who was literally obsessed with the artist. He even bought weak student works; in addition, in his collection there are many works of the “pearl” and “red” periods and rare paintings recent years life.

Portrait of the actress Jeanne Samary - a portrait by Auguste Renoir, a young actress of the Comedie Française theater, painted in 1877. Stored in Moscow, in the Pushkin Museum. A. S. Pushkin.
In 1877-1878, Renoir painted four portraits of Jeanne Samary, each of which is significantly different from the others in size, composition, and color. Before her marriage, Jeanne Samary lived not far from Renoir’s studio on Rue Frochot and often came to sit with him. Portrait of the actress Jeanne Samari (1878, State Hermitage Museum)
This portrait of Jeanne Samary is considered one of the most impressionistic portraits in the artist's entire oeuvre. Jeanne, at once smiling and thoughtful, is depicted in an exquisite blue-green dress against a pink background. The actress rests her chin on her left hand, the wrist of which is framed by a bracelet. Her reddish hair flutters slightly different sides. In this portrait, Renoir managed to emphasize best features of his model: beauty, grace, lively mind, open and relaxed look, radiant smile. The main colors that make up the painting are shades of pink and green. The artist’s style of work is very free, sometimes to the point of carelessness, but this creates an atmosphere of extraordinary freshness, mental clarity and serenity.


Ball at the Moulin de la Galette was exhibited at the 3rd Impressionist Exhibition in 1877 (along with The Swing) and is considered Renoir's major work of the mid-1870s.
Since 1879, the painting has been in the collection of the French Marchand and artist Gustave Caillebotte. After his death in 1894, it became the property of the state as an inheritance tax, and in 1896 it was transferred to the Museum in the Luxembourg Gardens. Since 1929, the painting has been in the collection of the Louvre, from where in 1986 it was transferred to the Orsay Museum, where it is still located.
In 1876, Renoir rented a studio with a garden in Montmartre, which was located near the Moulin de la Galette, a restaurant with dance hall in the upper part of Montmartre, which got its name from the mill located near it. In good weather, the main action took place on the street, where tables and benches were arranged in a circle. Renoir liked such a fun, relaxed atmosphere, and here he began to create the first sketches of the future painting. He asked his friends to pose for the picture, so some of them can be recognized among those dancing and sitting at the tables. When painting this picture, the artist coped with the difficult task of depicting the reflection of the sun's glare breaking through the foliage of the acacia trees on the faces and clothes of dancing and sitting people


“The Paddling Pool” (French: La Grenouillère) - painting French artist Pierre Auguste Renoir, painted in 1869.
The “Splash Pool” was a café on the water, located on a pontoon moored to the bank of the Seine, standing in a small branch of the river and connected to the island by a bridge spanning a tiny island. In this place on the Seine between Chatou (French: Chatou) and Bougival, northwest of Paris, there was a whole group of islands where Parisians came to rest. These places are described in detail by the Goncourt brothers ("Manette Salomon"), Emile Zola and Maupassant.