Composition based on the painting by the artist A. Ryabushkin “Moscow girl of the 17th century”. Composition based on the painting by A.P. Ryabushkina "Moscow girl of the 17th century" Description of the painting girl of the 17th century

A.P. Ryabushkin painted the image of a Moscow girl in 1903. The painting depicts a young girl walking along the street. Her gait is graceful and graceful. With all her appearance, the young beauty shows how proud she is of being a Muscovite. By her appearance, it is impossible to understand to which class she belongs. The clothes indicate that she is not from a poor family, but neither is she from a rich one.

The girl's hands are hidden in a fur muff, and a high hat is sewn on her head, like a muff made of black fur. The garments are simple, no frills, and completely unadorned. Therefore, the girl most likely belongs to the middle class. She walks, pursing her lips and raising her head, showing her superiority with her whole appearance. Behind her back is a long blond braid, into which a simple red ribbon is woven, developing in the wind.

Unremarkable and nondescript buildings stand along the street. There is a lot of snow on the ground, probably the middle or end of winter. Against the background of white-gray snow, the girl looks especially bright. Her majestic posture immediately catches the eye. She is a Muscovite and is proud of it, it can be seen not only in her clothes, but also in the way she walks and presents herself. Many residents of remote villages were even afraid to dream of living in a beautiful, wonderful city. Therefore, the Moscow girl, as it were, boasts that she lives in a city that many only dream of.

The artist painted this image for a reason. He wanted to show the beauty of Russian girls: white skin, blush, long blond hair and a slender figure. White snow only emphasizes their beauty; against its background, beauty looks more advantageous. Russian beauties in winter look like snow queens and literally fascinate with their dazzling beauty. Therefore, it was during the winter season that A.P. Ryabushkin depicted the image of a Russian girl against the backdrop of white snow.

A.P. Ryabushkin is a famous Russian artist, Perov's favorite student at the Moscow School of Painting, the author of paintings about the village and historical and domestic works.

The painting “Moscow Girl of the 17th Century” depicts the artist’s favorite era. On the quiet snow-covered streets of Moscow there are huts and towers, stoves are heated, pies are baked, girls do needlework in the rooms. Lace, like frozen snow, hangs over the windows. On this December bright day, it is quiet in the lanes of Zamoskvoretsky. Everyone has already returned from the market, somewhere a dog is barking. Not warm and not cold. Air

light, soft snow.

There is a girl, light as this day, slightly blushing. A fur hat, high, a braid in ribbons, a pink fur coat with long sleeves beats against the snow. The high collar is embroidered with beads. He walks quickly, slightly closing his eyelids, stretching his sharp, tender chin forward. Not cheerful, not sad, she moves on this canvas and is about to leave, and someone else will appear behind her. And you can’t say that she was thinking, she just lowered her eyes: immodestly looking at passers-by. The girl is fragile and charming.

The soft pink color of the fur coat, trimmed with dark brown fur, is so harmonious with the snow ... And bright red - only in ribbons fluttering

yes in heels. Who is she? Unknown. And so this girl passes, refined and very Russian, filling the picture with the attractive power of the beautiful, typing on the soft snow with red heels.

Looking at the picture, we plunge into the distant world of Moscow of the 17th century, succumb to the charm of the heroine of the picture. (203 words)

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- an essay based on the painting by Ryabushkin, a Moscow girl of the 17th century

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- An essay based on the painting by Ryabushkin, a Moscow girl

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Ryabushkin - Moscow girl of the 17th century

The picture shows a young lady in expensive attire. From all her appearance it is clear that the girl is from a wealthy family. Boots, a fur coat, a hat, long hair with a satin ribbon and sleeves that stick out from under a fur coat make it clear that her clothes are clearly not peasant. The girl has a confident posture, a thin figure, a somewhat arrogant expression on her face, but it is clear that she rather depicts this and could easily laugh if any people or things around her make her laugh.

The painting shows movement. Although the girl is alone here and there is no one around on the Moscow street, it is clear that she is in a hurry somewhere and everything around her echoes. The tones of the picture are bright, which very much highlights a single person against the background of snow and makes you think only about her. Blushed cheeks and a lot of snow on the street reflect the classic Russian winter, with severe frosts and frosts.

The picture is somewhat amusing, the image of the young lady makes you smile and enjoy winter, brightness and lightness. Classical works of literature come to mind, and I want to know where she is in a hurry, on a date with her sweetheart, home or to her friends for carols, where she will warm up and drink tea.

Composition-description on the painting Moscow girl of the 17th century Grade 8

We can learn the history of the country from books in libraries, but how to see the landscapes of the past. So Ryabushkin's canvas "Moscow girl of the 17th century" shows his viewer the fashion of that time.

The picture is very simple in meaning. It does not contain any extra items that could distract the viewer from the center character of the canvas. We see a tall Russian girl. She walks through winter, snow-covered Moscow. There is not a soul on the street. The girl is surrounded by beautiful Moscow architecture, but Andrei Petrovich did not place much emphasis on the buildings. They are not clearly drawn and vague. But we can consider the color scheme of buildings. In the farthest corner is a cream-colored, small house. Behind him is a burgundy tall building. Perhaps this is a temple, but Ryabushkin did not show us this. And closer to the girl is a gray, wooden building.

The lady impressed me the most. Just look how proudly she walks down the street with her chin held high. It is clear that she is not a simple peasant woman. She is wearing a long red fur coat, which is about to touch the snow-white snow. The girl has a fur muff in her hands. The coat has no sleeves. The girl is dressed in a beautiful green sweater with patterns. The coat collar is also fur. The hat is high and furry, and a light brown braid develops from it, into which a bright red satin ribbon is woven. Thus, the girl wants to attract the attention of the opposite sex. She is probably unmarried and in search of a groom. If you look closely, you can see fir-tree noticeable earrings on the ears.

The red blush on her cheeks from the frost emphasizes her image. The girl walks in a small dimensional step through the city. She is proud of herself and her attire.

Not everyone could boast of such decoration in the 17th century. For ordinary peasants, such clothes were not available; only rich people could afford them. Many girls dreamed of looking like our heroine. Andrei Petrovich showed his audience of the XXI century the fashion of the past.

Andrey Petrovich Ryabushkin, a famous Russian artist who sang in his works the life of Moscow in the 17th century. The future master was born in an ordinary peasant family. It was the parents who instilled a love for art, since from an early age Andrei Petrovich painted icons with his father. The artist glorified himself in the genre of artistic painting. But, more unfortunately, Andrey Petrovich lived a little. At the age of 42, he died, but managed to leave behind a large baggage of paintings.

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Andrei Petrovich Ryabushkin is a Russian painter of the second half of the 19th century, a master of genre and historical painting. He is the author of paintings in which the life of Rus' of past centuries is shown very poetically and with a moderate sense of decorativeness.

In 1903, he created the painting "Moscow Girl of the 17th Century", thanks to which the viewer can get acquainted with the customs, fashion and life of Russia at that time.

Ryabushkin depicted one of the days of winter in Moscow. A certain girl is walking down the street without anyone nearby. She raised her head and lowered her eyes. The girl is lost in her thoughts. The viewer does not know where she is going. The dear sable hat and muff say that her family is well off. These guesses are confirmed by a long dyed coat, reaching to the floor, decorated with fluffy fur. Dark brown hair is neatly tied into a braid with a red ribbon. From under the hem, when walking, yellowish leather boots with red-colored heels are slightly visible.

The red color prevails in the girl's outfit, which at the time described was a synonym for the adjective "beautiful". Surely, this person knows her worth and cares about her attractiveness. Her natural beauty is her property.

Most likely, it is not very cold in the yard, and the girl gathered somewhere near the house, since she, being very wealthy, decided to go on foot, and not go by sleigh. It is clear that the heroine is in a hurry: her whole body is filled with movement, she walks with a sweeping step that is not characteristic of the usual girlish gait.

The canvas shows not the center of Moscow, but its remote area. Therefore, we do not see people on the street in such good weather.

In the background of the picture, the viewer can see a long structure of logs. Perhaps this is a warehouse, since there is not a single one, not even a small window, looking out onto the street. This fact allows, in turn, to make the assumption that the girl is the daughter of a merchant. And the representatives of this estate at that time had a greater opportunity for action than the noblewomen, who were called the recluses of the towers. They could leave the house unaccompanied, for example. They were also allowed to wear colorful clothes every day. Which is what the lady in question does. That's why she goes, straightening her back, proud of her position.

The composition of the canvas is built in such a way that the viewer cannot see the girl's face completely. He can't figure out where she's trying to get to. It seems that the heroine will take a few more steps and go beyond the frame of the picture, freeing her background, turning the canvas into a landscape sketch.

With the help of his work, Ryabushkin wanted not only to acquaint the viewer a little with the customs and life of Rus' in the 17th century, but, of course, to once again admire the natural beauty of Russian girls, which looks as beneficial as possible against the backdrop of white snow.