Golden mask presenters. Winners of the Golden Mask Award have been announced

2017 Golden Mask Award Winners in Ballet/Modern Dance

April 19 on stage Musical theater them. K.S. Stanislavsky and Vl.I. Nemirovich-Danchenko held the 23rd award ceremony "Golden Mask" 2017. The director of the ceremony was Nina Chusova, artist - Ksenia Peretrukhina, and the choreographer - Alexander Andriyashkin. The ceremony was attended by the Moscow Contemporary Music Ensemble, the " New ballet", artists of the Bolshoi Theater mime ensemble and Konstantin Chelkaev. The hosts of the evening are artists Anna Chipovskaya And Sergey Epishev.

The best ballet was the Yekaterinburg " Romeo and Juliet» Vyacheslav Samodurov.

Became the best dancer Igor Bulytsyn- he received a prize for the role of Mercutio in this ballet.

Best performance of modern dance - " All roads lead north"Ballet Moscow Theater (choreography by Karin Pontjes).

Best choreographer Anton Pimonov— he received the Mask for Violin Concerto No. 2, staged at the Mariinsky Theater.

Became the best dancer Victoria Tereshkina, who performed the role in Pimonov’s ballet.

Conductor Pavel Klinichev received a prize for ballet " Undine" (Big theater).

The work received a special prize from the Musical Theater Jury The_Marusya dance company Dialog Dance (Kostroma), choreography by Alexander Andriyashkin.

Photo: Dozado, courtesy of Golden Mask

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"Golden Mask 2017": Danila Kozlovsky, Elizaveta Boyarskaya, other heroes of the evening and the full list of laureates

Yesterday, the 23rd Golden Mask awards ceremony took place on the stage of the Moscow Stanislavsky and Nemirovich-Danchenko Musical Theatre. The number of nominees for the national theater award was a record - 213 directors, actors, artists, composers, and playwrights. Guests of the country's main theater award were Elizaveta Boyarskaya, Evgeny Mironov, Evgeny Tabakov, Anna Chipovskaya, Ingeborga Dapkunaite and many others. The award winners were actors Danila Kozlovsky and Evgenia Simonova, director Andrei Moguchiy, and conductor Teodor Currentzis. In total, 74 performances from 25 Russian cities were shown as part of the Golden Mask 2017 festival.

Danila Kozlovsky became the best dramatic actor for the main role in the play “Hamlet” at the Maly Drama Theater in St. Petersburg, and the best dramatic actress was Evgenia Simonova, who played in the play “Russian Novel” at the Mayakovsky Theater.

Vladimir MishukovDmitry Brusnikin

Andrei Moguchiy again became the best director - he was awarded for his work on the play “The Thunderstorm” at the St. Petersburg Bolshoi Drama Theater named after Tovstonogov. Last year, Moguchiy also won the best director award for the play “Drunk.”

Teodor Currentzis was recognized by the jury as the best conductor for the opera "La Traviata" at the Perm Opera and Ballet Theater named after Tchaikovsky.

Award guest Elizaveta Boyarskaya shared her impressions of the Golden Mask on her page on the social network Instagram.

Yesterday Danila received the Golden Mask in the Best Actor category for Hamlet! How infinitely happy I am! I couldn’t help but get it, he lives this role brilliantly, fiercely and passionately! The best of the best partners, the kindest and most sympathetic person, a faithful, caring friend, a devoted student, responsible, talented, unique, sensitive, subtle artist, beloved classmate! A man of rare soul! Deserves all the best and kindness! Congratulations from the bottom of my heart! Hooray!

Elizaveta Boyarskaya at the Golden Mask 2017 evening

"Golden Mask 2017"Nadezhda Pavlova (opera)

Prizes from the Union of Theater Workers for outstanding contribution to the development of theatrical art were received by Oleg Tabakov, Vladimir Etush, Rezo Gabriadze, Nikolai Marton, Aigum Aigumov, Irina Bogacheva, Andrey Borisov, Georgy Kotov (posthumously).

Full list of Golden Mask 2017 award winners:

The best major dramatic performance was “Russian Novel” at the Moscow Theater named after. Mayakovsky.

The jury recognized “Magadan/Cabaret”, Theater “Near the Stanislavsky House”, Moscow as the best dramatic performance of a small form.

The award for the best dramatic supporting role was given to Elena Nemzer, for the play “The Raven”, Alexandrinsky Theater in St. Petersburg.

The best dramatic actor was Holger Münzenmayr for his role as the Deacon in the play “Once Upon a Time” at the Drama Theater, Sharypovo.

The jury named Nikolai Roshchin the best dramatic artist for the play “The Raven”, Alexandrinsky Theater in St. Petersburg.

Elena Solovyova received the award as best costume designer for the play “Ship of Fools”, Theater “Gran”, Novokuybyshevsk.

Alexander Mustonen received the award for best lighting designer. Performance "Bald Cupid", Moscow Theater young viewer.

Marius Ivaskevicius was named the best playwright for “Russian Novel”, Theater named after. Mayakovsky, Moscow.

Best puppet show - "Kolino's composition", production center "KontArt", St. Petersburg.

Best Director based on dolls Natalya Pakhomova, "A Tale with eyes closed", "Hedgehog in the Fog", Moscow Puppet Theater.

The best puppet artist was Viktor Antonov, “Iron”, Puppet Theater of the Republic of Karelia, Petrozavodsk.

The award for the doll (actor's work) was given to Anna Somkina and Alexander Balsanov, "Kolino's essay", Producer Center "KontArt".

The Special Jury Prize of the Drama Theater and Puppet Theater was given to Igor Volkov, Vitaly Kovalenko, Elena Vozhakina - actors of the play "On the Other Side of the Curtain", Alexandrinsky Theater, St. Petersburg.

Best acting ensemble - in the play "Three Sisters", Red Torch Theater, Novosibirsk.

Best Opera Director - Richard Jones "Rodelinda", Bolshoi Theatre, Moscow.

Nadezhda Pavlova received the award as the best opera singer of La Traviata, Opera and Ballet Theater. Tchaikovsky, Perm.

Best male role in opera - Liparit Avetisyan, "Manon", Musical Theater named after. Stanislavsky and Nemirovich-Danchenko, Moscow.

"Romeo and Juliet", staged at the Yekaterinburg Opera and Ballet Theater, was named "Best Ballet Performance".

Best dance performance "All roads lead to the north", Ballet Moscow Theater, Moscow.

Pavel Klinichev received the Golden Mask as a ballet conductor. He was the only contender for this award - for three different performances, the prize was brought to him by "Ondine" of the Bolshoi Theater.

The play “Violin Concerto No. 2”, Mariinsky Theater, St. Petersburg received two “Golden Masks”: Anton Pimonov was awarded for the work of the choreographer/choreographer, Victoria Tereshkina was awarded for the best actress.

The award for the best ballet production went to the play "Romeo and Juliet" (choreographer Vyacheslav Samodurov, Yekaterinburg State Academic Opera and Ballet Theater), and the performer of the role of Mercutio Igor Bulytsyn also received the "Golden Mask".

The performance of the Krasnoyarsk Youth Theater "The Bandit and the King" received the "Golden Mask" as the best musical, and the Krasnoyarsk director Roman Feodori became the "Best Director in an Operetta-Musical".

Conductor Andrei Alekseev received the “Golden Mask” for “White. Petersburg”, Theater musical comedy, Saint Petersburg.

Maria Biork received the Golden Mask for her female role in the operetta-musical “Crime and Punishment”, Musical Theatre, Moscow. And the Golden Mask for Best Actor in an Operetta went to Viktor Krivonosov.

“Golden Mask” for the best supporting role in an operetta was received by Vladimir Galchenko, Drama Theater. Gorky, Samara.

The best composer was Eduard Artemyev "Crime and Punishment", Musical Theatre, Moscow.

Ethel Ioshpa received the Golden Mask Award for Best Artist in Musical Theatre.

Elena Turchaninova became the best costume designer, and Robert Wilson was recognized as the best lighting designer.

The special musical theater jury award was given to the play “Hercules”, Bashkir Opera and Ballet Theater, Ufa and the play “the_Marusya”, Kostroma.

First of all, experts from two councils, drama and music, reviewed 936 season premieres throughout Russia - from the Baltic to the Pacific Ocean. In 2017, for the first time on such a scale, the very important all-Russian program “Golden Mask in Cinema” was held: the ballet “Romeo and Juliet” staged by Vyacheslav Samodurov (Yekaterinburg Opera), “Life and Fate” by Lev Dodin, “The Thunderstorm” by Andrei Moguchy and “War” and the world" Pyotr Fomenko was seen in a live film broadcast by residents of 60 cities across the country.

At the opening of the award ceremony, the hall of the Stanislavsky and Nemirovich-Danchenko Theater stood in memory of Georgy Georgievich Taratorkin, the permanent president of the Golden Mask. A great actor and noble man, Georgy Taratorkin passed away on February 4, 2017.

The closing of “The Mask” traditionally begins with awards in the most unstable (despite constant efforts to develop it) genre of Russian theater - ​operetta and musical. The jury named Roman Feodori’s musical “The Bandit and the King” based on Babel’s “Odessa Tales” (Young Spectator Theatre, Krasnoyarsk) “Best Performance”. The best performance in the genre of “Contemporary Dance” is ​“All Paths Lead North” by Ballet Moscow (choreographer - ​Karine Pognes, to the music of David Monceau (both ​France). The jury's special prize went to the play "The Maroussia" - ​performance choreographer Alexander Andriyashkin, artistic solo by PR-manager of the dance company “Dialogue Dance” Marusya Sokolnikova (and this is the third “Mask” of the young contemporary dance troupe from Kostroma!).

The jury recognized “Romeo and Juliet” by Vyacheslav Samodurov and the Yekaterinburg Opera and Ballet Theater as the best performance in ballet (“The mask” of the ballet soloist was awarded to Igor Bulytsyn - ​Mercutio in this production). But 2017 somewhat broke the already familiar trend - not all opera and ballet Masks went to theaters in the Urals and Siberia. The Mariinsky Theater’s performance “Violin Concerto No. 2” to the music of Sergei Prokofiev was awarded two prizes: the “female” ballet “Mask” 2017 was awarded to Victoria Tereshkina, the prize in the category “Best Choreographer” was awarded to Anton Pimonov.

A soloist with the Mariinsky Ballet since 1999, Pimonov presented his first original production in 2013. In less than 4 years, the theater’s repertoire included 7 of his works.

Best conductor: Teodor Currentzis. Photo: RIA Novosti

Three “Masks” 2017 were awarded to Bob Wilson’s “La Traviata” at the Perm Opera and Ballet Theater: Nadezhda Pavlova, a rising star of the theater (the second Nadezhda Pavlova on the Perm stage - this time not ballet, but opera), was awarded for the role of Violetta, “conducting “The “Mask” was received by Theodor Currentzis (“the Ural Athenian” came on stage not in a tailcoat, but in a rocker leather jacket - ​and addressed the stalls with the words: “Christ is Risen!”, and the audience responded quite unanimously). Finally, the lighting designer’s “Mask” was given to the director himself - ​the greatest director and stage designer of our time, Robert Wilson (USA).

Liparit Avetisyan was recognized as the best soloist - Chevalier des Grieux in “Manon” at the Stanislavsky and Nemirovich-Danchenko Theater. The best opera performance of the season is “Rodelinda” at the Bolshoi Theater to the music of G.F. Handel, and the best opera director is its director Richard Jones (Great Britain). The Russian “Mask” 2017 has expanded greatly long list Jones's professional awards (only Laurence Olivier awards on this list - 7).

In “Mask” 2017, the “wandering” composer nomination reappeared. According to many theater professionals, there are more and more original new scores on the Russian stage: the flow does not dry up, and the nomination is clearly destined to become permanent. “Mask” 2017 was awarded to Eduard Artemyev for the musical “Crime and Punishment” (Musical Theatre, Moscow). Among the nominees was Georgy Firtich with a synthetic score woven from romance, cabaret, song, marching, and piercing orchestral elements for Georgy Trostyanetsky’s play “White. Petersburg" (Musical Comedy Theatre, St. Petersburg) - not a dramatization of the novel "Petersburg", but a free fantasy about the Neva capital in 1905 (suffice it to say that Trostyanetsky's long-suffering imperial couple sings a duet at the footlights of the romance "A girl sang in the church choir... "). Among the nominees was Alexey Sergunin with the opera “Doctor Haaz”, staged by Helikon. And Alexander Manotskov - with the minimalist and pagan virtuoso “The Snow Maiden” (Old House Theatre, Novosibirsk). Manotskov, chief culture hero performance, "Mask" 2017 did not receive - but "Snow Maiden" was awarded in the "Experiment" category.

The mask of a set designer in a musical theater was given to Ethel Yoshpa, a student of Dmitry Krymov, a graduate of the Russian Academy of Theater Arts in 2008 (for her work on Richard Strauss’s “Salome” at the New Opera). Director Nikolai Roshchin received the stage designer's mask for the drama for the artistic design of his play “The Raven” at the Alexandrinsky Theater. (Gozzi's fairy tale by Roshchin is magnificent and extremely gloomy: Prince Gennaro's ship is decorated with the skulls of unsuitable brides, the blackamoor Smeraldina floods the stage with cranberry blood. And in the dark blue sky float magnificent and terrible art objects, similar to the Star Wars armada, ready to land to the ground.)

A special project was recognized as the best performance at the Puppet Theater in 2017: Yana Tumina’s play “Kolino’s Work” (KontArt Production Center, St. Petersburg). It is based on a book by artist Sergei Golyshev about his son, a special boy Kolya. And the poems of Kolya himself (he is now 12 years old, he was at the “Mask” award ceremony - and rejoiced along with the director and actors Anna Somkina and Alexander Balsanov (the puppeteers’ “actor’s” mask also went to the play “Kolino’s Composition”). Gentle and The sad world of the train journey of the poet Kolya and his fictional girl Varya became one of the most humane performances of “Masks” 2017.

A new nomination in “Mask” 2017 is “Playwright”. This seems deeply true - and long overdue. Here in the competition there were three performances based on new plays written in Russian. “Sasha, Take Out the Garbage” by Natalya Vorozhbit (the play was staged by Viktor Ryzhakov at the Meyerhold Center) - a laconic and tragic Kiev chronicle of our days, a long conversation between his wife and the shadow of a Ukrainian officer who died “in the ATO zone.” About, in particular, how a Soviet lieutenant survives the collapse and twists of the 1990s, how he becomes a patriot of a new country that arose during the collapse of the empire. The play's inclusion in the competition says something about the dignity and professional independence of the 2017 Russian National Theater Awards.

The nomination also included “Peace.” Teleut Novels" by Vyacheslav Durnenkov and Maria Zelinskaya is a documentary story of the descendants of a small Siberian people who went through the 20th century together with everyone else: a melting pot of a single school, great construction projects and carriages.

But he received the first “Mask” from the playwright Marius Ivaskevicius - for the play “Russian Novel”, the basis of the play by Mindaugas Karbauskis and the Mayakovsky Theater about Tolstoy. (In an interview with Novaya, Ivaskevicius spoke about the essence of the play: “ Tolstoy, like Levin in the novel, had a family born after a disaster. Disasters of orphanhood. They both partly felt like they were the only survivor of a shipwreck in their youth. And so -​ this man is creating a huge family again.”. And further - about how the Yasnaya Polyana idyll, built by the firm hand of a genius, collided with reality.)

“Mask” 2017 for the role of Sofia Andreevna in “Russian Novel” was awarded to Evgenia Simonova. “Russian Romance” was also awarded as the best performance of a large form. The male acting “Mask” 2017 was awarded to Danila Kozlovsky - ​Hamlet in the play by Lev Dodin.

The best small-form performance was awarded to “Magadan/Cabaret” by Yuri Pogrebnichko and the theater “Near the House of Stanislavsky” - a new part of theatrical hypertext about the ruins of the Russian 20th century, shot point-blank (as always at the theater “Okolo”) with carriage and street melodies, trembling scraps romances, the dim light of railway lamps, overcoat dampness.

Pogrebnichko, by the way, received the “Mask” for the first time since 2003. (It was especially offensive for the theater and actress Liliya Zagorskaya in 2012, when the amazing play “Occupation is a Sweet Deed!”, which was heart-breaking for every veteran and disabled person of the Soviet Country, went without awards.) But... it was in the drama competition “Masks” - 2017 (as happens every year) passions began to boil: so many wonderful works were nominated that it’s a shame for some of them (and “The Mask” is one).

The jury's special prize for the acting ensemble was given to Timofey Kulyabin's "Three Sisters" (Red Torch Theater, Novosibirsk): the director's best work to date, the piercing Chekhov in the language of deaf-mute demons (here they speak with gestures, and the text of the play creeps across the video screens), the terrible Chekhov, the characters of which have thrown off the last uniform, the last corset - ​clear and sane Russian speech, but feel and speak with groans, moos, and writhing delirium tremens.

The second special prize of the drama jury went to the actors of the Alexandrinsky Theater playing “The Other Side of the Curtain” by Andriy Zholdak. And this is “Three Sisters” - ​surreal, subtly illuminated, full of alien wind and the noise of the waves of the cold polar sea. Here the souls of the Prozorov sisters and their relatives rush through space (apparently after the death of our planet), confirming the immortality of the word written according to the old spelling in 1900. Both “Three Sisters” by Kulyabin and “Beyond the Curtain” by Zholdak could also lay claim to the main “Masks”.

The list of nominees (28 directors were included in it in 2017 - and how can the jury choose between them?!) also included such worthy works from last season as “Uncle Vanya” by Mikhail Bychkov ( Chamber theater, Voronezh), “Kira Georgievna” by Sergei Zhenovach, “Last Date in Venice” by Dmitry Krymov with Alexander Filippenko, noble “Notes of a Young Doctor” by Grigory Kozlov (Masterskaya Theatre, St. Petersburg), the most spectacular “Ship of Fools” by Denis Bokuradze (theatre- studio "Gran", Novokuibyshevsk).

“Director’s” “Mask” 2017 was awarded to Andrey Moguchiy. His “Thunderstorm” (BDT named after Tovstonogov) is exactly an areal play on a screen of eternal puppets dressed in black (only Katerina in scarlet), types of Russian folk theater with all its fierce, murderous dramas. The powerful visuality of the early theater of the Moguchy and the classical tradition of the BDT have found a new synthesis. Vera Martynova’s set design for the play could rightfully lay claim to “The Mask” - the city of Kalinov, black as a young minimalist’s jacket, stitched with silver lightning God's Wrath, shaded by pillars of pale light: either the lanterns are playing on the landing stages and piers of the Volga, or Katerina’s beloved angels are descending and ascending...

“Golden Mask” (like a huge number of cultural and publishing institutions in Russia) was founded in the early 1990s. By the end of the current decade, when the entire wave of “quarter-century” anniversaries has passed, we will be able to estimate how many heroic projects the “hard time” gave birth to. How desperately their founders fought for these projects. How many load-bearing structures of the modern cultural process of the Russian Federation were created then - and survived, developed, and strengthened despite the wind of time.

But “Mask” is one of the most important initiatives in this long series. The festival and the award have become an institution for searching, selecting, and presenting new theatrical names to the professional community (and two or three years later, to the “general audience”). It would be worth writing about this separately, listing the first successes of the Mariinsky Ballet and the Novosibirsk Opera, conductor Currentzis and choreographer Baganova, the aspiring author Grishkovets, young directors Serebrennikov, Moguchey, Chernyakov, Krymov (it was, after all, everyone went through the “lifting mechanism” of “Masks”) .

And, as always, new names appeared in the “Masks” 2017 award nominations. Rising reputations became clearer. Ballet critics whispered to the dramatic: “Pay the closest attention” - and underlined a line in a narrow book with the names of the nominees, similar to the program of the St. Petersburg races with the participation of Vronsky and Frou-Frou.

The tradition is still alive. She in in a broad sense!) turned out to be resilient and capable of development.

How can you remember how it began! And what kind of death was seriously expected a quarter of a century ago...

On April 19, 2017, the winners of the 2017 Golden Mask Award were announced in Moscow. We supplemented the official verdict of the jury with an informal vote and are ready to sum up the results.

Overall predict official results Another “Mask” could have been done relatively easily. Nevertheless, the results of the audience vote, from our point of view, could add interesting details to the picture.

We, of course, were only interested in nominations related to musical theater - there were 11 of them.

Voting began quite late, on the night of April 17, 2017, which may have been our mistake: it was worth starting the process a few days earlier so that everyone interested in the results of the “Golden Mask” would certainly know about it. Then there would be more votes, and the results would be more legitimate. On the other hand, the late start allowed us not to make any extraordinary efforts to protect against cheating.

The results of this voting may be of some interest with one amendment: the Astrakhan Opera and Ballet Theater shared our publication on its VKontakte page, and therefore almost all of the first places in the opera categories of our voting were given to Astrakhan residents. The only thing we can regret in this regard is that other theaters did not follow the example of Astrakhan: in this case, our voting would also turn out to be a competition for the number of subscribers on social networks.

In the “Opera – Performance” nomination, the first place in the audience voting was taken by the production of “The Damnation of Faust” by the Astrakhan Theater, which received 701 votes, and the second place was taken by “The Maid of Orleans” by the Bashkir Theater (395 votes). “La Traviata” by the Perm Theater, which many considered the favorite of the race, received only 289 votes from the audience.

But the jury of “The Mask” recognized the best performance in the opera “Rodelinda” from the Bolshoi Theater (which was transferred to the Bolshoi stage from the English National Opera). In the audience voting, “Rodelinda” received 54 votes, surpassing only other Bolshoi Theater performances – “The Damnation of Faust” (46 votes) and “Katerina Izmailova” (44 votes).

In the “Opera – Conductor’s Work” nomination, the audience’s first place was Valery Voronin from Astrakhan for the performance “The Damnation of Faust” (530 votes), and the second was the official winner of the “Golden Mask” Teodor Currentzis with 315 votes.

The audience considered Konstantin Balakin (Astrakhan, “The Damnation of Faust”) the best work of the director in the opera - 432 votes, the second was Robert Wilson (210 votes) for his performance “La Traviata”. The official “Mask” in this category went to Richard Jones for “Rodelinda” at the Bolshoi Theater, and Robert Wilson, unexpectedly for many, turned out to be the best lighting designer.

Probably, only this result of the current “Golden Mask” caused excitement in the discussions. Yulia Bederova, in an article about the results of the competition, described this moment as a “playful decision of the jury,” and Vadim Zhuravlev (a regular author of the site and once a member of the Golden Mask jury) in his post on Facebook simply called it a “slap in the face” to Robert Wilson.

In the “Opera – Female Role” category, Evgenia Afanasyeva from MAMT won the first place among the audience for her role as Manon in Massenet’s opera of the same name (383 votes). The official jury recognized best hope Pavlova from the Perm Theater for the role of La Traviata in the play by Robert Wilson. In the audience vote, Nadezhda Pavlova received 221 votes for this role.

Audience choice for the best male role in an opera was given to Valery Fomin (Young Haaz, Doctor Haaz, Helikon Opera Theater - 120 votes). The real “Mask” in this nomination went to Liparit Avetisyan for Chevalier des Grieux in the operetta “Manon” at the Stanislavsky and Nemirovich-Danchenko Musical Theatre. In the audience vote, this singer was in fourth place on the list with 78 votes.

The audience voted “Romeo and Juliet” from Yekaterinburg (366 votes) as the best ballet performance, and the audience agreed with the Golden Mask jury.

The best work of a conductor in ballet was Pavel Klinichev’s work on the play “Ondine” at the Bolshoi Theater. He was the only nominee this year, and the audience felt that his work in Yekaterinburg on “Romeo and Juliet” deserved “The Mask” more: Klinichev with “Romeo” received 204 audience votes, and Klinichev with “Ondine” - 41.

According to the audience, the best choreographer was Vyacheslav Samodurov (“Romeo and Juliet, Yekaterinburg – 248 votes”), but the jury recognized the performance “Violin Concerto No. 2” by Anton Pimonov at the Mariinsky Theater as the best work by a choreographer/choreographer in ballet and modern dance. The audience voted for this production 25 times.

The audience considered Ekaterina Sapogova (“Romeo and Juliet, Yekaterinburg” – 214 votes) the best ballerina, and the jury considered Victoria Tereshkina (“Violin Concerto No. 2”, Mariinsky Theater). The audience put Tereshkina in third place (48 votes).

The best dancer according to the audience was Igor Bulytsyn (Mercutio, “Romeo and Juliet, Yekaterinburg” - 759 votes), and this is the second time this year when the opinion of the audience coincided with the opinion of the Golden Mask jury.

In the category “Composer’s Work in Musical Theatre”, the audience’s first place was Georgiy Firtich (the play “White. Petersburg – 84 votes”), but the jury recognized Eduard Artemyev first for his work on the play “Crime and Punishment” at the Moscow Musical Theater. Viewers voted for this work 66 times.

More than fifty winners were awarded the “Golden Masks” in Moscow. The list of theater award nominees includes all types and genres of performing arts: ballet, musical, drama, puppet theater. To select the best, this season experts looked at almost a thousand performances staged in more than a hundred Russian cities.

This was the largest theatrical marathon in the entire history of the Golden Mask. Over two and a half months, audiences saw 74 performances. The creators of the best of them took part in the last and most unpredictable presentation of this festival - the award ceremony. According to tradition, it takes place on the stage of the Musical Theater named after. Stanislavsky and Nemirovich-Danchenko. Only the names of the laureates in the nomination “For Contribution to the Development of Theater Art” were known in advance. This year's winners include Vladimir Etush, Rezo Gabriadze and Oleg Tabakov. The audience greeted them standing.

“You know, for almost 60 years I’ve been going on stage and I haven’t said anything yet, and people are applauding. So I’m used to it,” says People’s Artist of the USSR Oleg Tabakov.

For the first time in the history of “The Mask,” the applicant in the “Work of a conductor in ballet” category did not have to worry. The intrigue here was not who would receive the award, but for which particular performance. After all, all three nominations belong to one person, Pavel Klinichev. The jury recognized the ballet “Ondine” at the Bolshoi Theater as his best work.

“It’s nice to go to the ceremony knowing that you will still receive the Mask,” the conductor said.

By the way, the Bolshoi is the absolute record holder of this award. Six of his performances competed at once, and they were presented in 25 nominations. The result is three awards. In addition to Klinichev, Richard Jones, director of Handel's Rodelinda, celebrated the triumph. It was also recognized as the best opera. But the opera conductor of the year, as expected, was the conductor, artistic director of the Perm Opera and Ballet Theater. Tchaikovsky Teodor Currentzis. He is called a musical genius. This is the sixth Golden Mask to his name - this time for La Traviata.

“If you take some modern opera, about which you have absolutely no idea what this opera is about, you go inside, you research. And the operas that we think we know well, we don’t pay as much attention to them, think about it,” he says.

On the stage there is a black and white kingdom, but the guests have the whole palette of emotions. Some even ran around the stage, danced and sang with happiness.

But this holiday has sad notes. In February, the permanent president of the festival, Georgy Taratorkin, passed away. His memory was honored with a minute of silence. Igor Kostolevsky was unanimously elected as the new president.

“The festival is unique. There is no such festival in any country in the world. He demonstrates a very high level of both directing and acting. And what’s nice is that there are a lot of theaters from the provinces,” says Igor Kostolevsky.

In addition to Moscow and St. Petersburg, there are 23 more cities. For the first time, groups from Kemerovo, Naberezhnye Chelny, Norilsk, and Tver participated. The theater from the town of Sharypovo is also making its debut; there are only ten actors in this troupe. And immediately Holger Münzenmayer won the nomination “Supporting Actor” in the drama “Once Upon a Time.”

To be or not to receive an award for Danila Kozlovsky is not a question for the jury. They recognized his Hamlet as the best male role.

“I want to say thank you to my family - both my parents and my mother, who quite often asked me, where is her “Mask”? And today, finally, I can answer this question,” said the actor.

The toughest competition is in the Best Director in Drama category. There were 28 names on the shortlist for the award. Lev Dodin, Mindaugas Karbauskis, Timofey Kulyabin, Dmitry Krymov... remained sitting in their chairs. And the artistic director of the Bolshoi Drama Theater took the stage. Tovstonogov in St. Petersburg Andrey Moguchiy. He won this category for the second year in a row. His “Thunderstorm” is by no means just another attempt to update Ostrovsky.

“We looked more at folk roots, parable roots, fairy tale roots. The question of the archaic interested me more than the question of adaptation or connection to modernity,” explains the director.

The main prize for the best large-scale performance went to “Russian Novel” of the Mayakovsky Theater. The life story of Leo Tolstoy is shown through the eyes of his wife Sophia. For this role, Evgenia Simonova received the “Mask” as the best actress. Playwright Marius Ivaskevicius also received the award. The creators of the production jokingly revealed the secret of success: when you take on the biography of one of the greatest writers, you simply have no right to do anything bad.

You can see some of the Golden Mask nominees and winners in the best Russian films and TV series on the website