Artist Bruni Fedor paintings. Fyodor Antonovich Bruni paintings. Masterpiece by Bruni F.A. – painting “The Copper Serpent”

F. Bruni – famous artist, who devoted himself to religious painting, was awarded many honorary orders, painted many excellent paintings, painted the most famous temples Russia.

© Artist Bruni. Biography of the artist Bruni. Paintings, description of paintings by artist Bruni

Fyodor Antonovich Bruni (1799-1875) - great Russian artist of Italian origin. Bright representative painting schools. Fedor Bruni's real name is Fidelio, but after arriving in Russia, he changed his name to Russian. Fidelio Bruni was born on June 10, 1799 in Milan. His father Antonio Bruni was an artist and restorer. Together with his family, he moved to Russia, where he was a painting restorer and engaged in ceiling painting. Following the example of his father, Fyodor decided to become an artist and entered the Educational School at the Academy of Arts. He turned out to be a very capable student, and was soon awarded a silver medal and received the title of artist. After training, the father sent his son to Italy, where the aspiring painter further improved his technique.

Fyodor Bruni painted his first serious painting at the age of 22. The painting “The Death of Camilla, Horace’s Sister” was exhibited in the Capitol and brought Fedor his first fame. In Russia, for the same picture he was awarded the title of academician. No less famous paintings the painter began: “Prayer for the Chalice”, “ Copper serpent", "Awakening of the Graces", "Bacchae Singing Cupid", "Sleeping Nymph" and many others. He also became famous for painting St. Isaac's Cathedral in St. Petersburg. He was the curator of the Hermitage art gallery and was engaged in purchasing new works for the collections of the St. Petersburg museum. From 1855 he was the rector of the Academy of Arts in the department of painting and sculpture. Died August 30, 1875. Currently, the burial place of Fyodor Antonovich Bruni is located in the Tikhvin cemetery of the Alexander Nevsky Lavra.

Self-portrait

Bacchante singing Cupid

Prince Oleg nails his shield to the gates of Constantinople

Copper serpent

Awakening of the Graces

(1799-1875)

F. A. Bruni is the son of a Swiss Italian, “a master of painting and sculpture,” who in 1807 moved with his family to Russia. In 1809, Fyodor Bruni was admitted to the Educational School at the St. Petersburg Academy of Arts, then studied in the class historical painting A. E. Egorov and V. K. Shebuev; graduated from the Academy of Arts in 1818.

In the spring of 1820, at the invitation of Princess Z. A. Volkonskaya, he went to Italy, worked hard and seriously there and gained fame early. The painting "The Death of Camilla, Horace's Sister" (1824) brought him great success. This work of classicism, exemplary in its strict style, revealed some features that make the artist similar to the art of romanticism. Features of romanticism also appeared in other works of Bruni - in “Portrait of Z. A. Volkonskaya in the costume of Tancred” (1820s), and especially in the painting “Bacchante, Singing Cupid” (1828), which was distinguished by its joyful sensuality. The artist could move further along this path, enriching himself with the new things that romanticism brought, but Bruni remained in the position of academicism.

Professional achievements young artist were evaluated, and he received the most important order to copy two paintings by Raphael in the Vatican for the Academy of Arts. Believing in his own abilities, Bruni set out to create a great work himself, choosing an episode from the Old Testament as the plot for it - the story of the Brazen Serpent set up by Moses.

However, in 1836 he had to interrupt the work he had begun and return to St. Petersburg, where he and K.P. Bryullov were appointed 2nd degree professors at the Academy of Arts. He took up teaching with passion, and the students paid him with loyalty.

At the beginning of 1837, he performed “Portrait of A. S. Pushkin on his deathbed,” which was reproduced in lithography and gained wide popularity. Nevertheless, the need to continue the work he had begun forced him to leave for Italy in 1838 and spend another two and a half years there.
The completed "Copper Serpent" was delivered to St. Petersburg in 1841, where it was a wild success, comparable only to a triumph." Last day Pompeii" by K. P. Bryullov. The skill of the painter, who managed to build an expressive multi-figure composition on a huge (565x852 cm) canvas, subordinate light and color to the drama of the plot, was indisputable, and a touch of some exaltation acted on the imagination of the audience. However, the picture belonged to yesterday - the decrepit and degenerating academicism, and this with fatal inevitability determined the further decline of the artist’s great talent.

Is it true, life path Bruni continued as smoothly as he began. “The Copper Serpent” was purchased for 70,000 rubles for the Hermitage (now in the State Russian Museum), and its author received an honorary order for paintings in St. Isaac’s Cathedral, which was still under construction. He approached the matter with his characteristic conscientiousness, visited Rome twice, gaining experience in working in monumental art. By 1845, the artist had made all 25 cardboard paintings and carried out some of them himself, and supervised the execution of the rest personally.

Bruni gradually achieved a high position: in 1855 he became rector of the Academy of Arts. He constantly sat on various honorary commissions. But he took up painting less and less, and in the last decade of his life he almost never picked up a brush.
The artist became more and more distant from people, even from his own students, who sometimes did not see their teacher for weeks. In addition, his position as a zealous guardian of the foundations of academicism gave rise to hostility towards him among young people. In 1871, as a result of intrigues, he was forced to leave the post of rector and retained only the leadership of the mosaic workshop, which he himself had organized. Bruni spent his last years in the arrogant loneliness of a man who had long buried the best that was in his soul.

Bruni Fedor Antonovich is a Russian artist of historical and religious painting. Born in Moscow in 1800. His father Antonio Bruni, an Italian who moved to Russia during the reign of Paul I, was a painting restorer and ceiling painter. His works, executed in the Mikhailovsky Palace, date back to the reign of Paul I; Subsequently, he was engaged in work in Moscow, commissioned by Prince Kurakin.

In Moscow, on June 23, 1800, a son was born into the Bruni family, named Fidelio. In his eleventh year, the boy, who showed a great love for drawing, was assigned to the Academy of Arts in St. Petersburg, where he studied under the guidance of Egorov, Ivanov the Elder and especially Shebuev, who was his painting professor. For his first successes, young Bruni was awarded a silver medal, and in 1818 he completed the course and received the title of artist with the right to the rank of XIV class.

Prayer for the Chalice, 1834–1836, Russian Museum

Copper serpent, 1841, Russian Museum, St. Petersburg

Death of Camilla, sister of Horace, 1824, Tretyakov Gallery

His father, finding that the artistic education of nineteen-year-old Fidelio was still insufficient, decided, on the advice of Shebuev, to send his son to Italy for further improvement in painting. Study of exemplary works ancient artists finally determined the direction of the young Fidelio, renamed in Russia Fedor, just as Bryullo was called Bryullov. Having painted several paintings, Bruni, who had not yet reached the age of 22, began to paint his first big picture("The Death of Camilla, Horace's Sister"), which was exhibited in the Capitol in 1824 and brought its author considerable fame; it appeared in St. Petersburg only 10 years later, and for it Bruni received the title of academician.

The works of Bruni's first stay in Rome include: "Saint Cecilia", " Holy Family", "The Bacchante Singing Cupid", "The Meeting of T. Tasso with his Sister", "The Virgin and the Eternal Child", "The Sleeping Nymph" and several more paintings and portraits. In addition, Bruni painted copies of two frescoes by Raphael: "The Expulsion of Iliodor from the Temple of Jerusalem" and "Galatea". Four large images date back to the same period of Bruni's activity: "The Virgin and Child in Her Arms", "The Savior in Heaven", "The Annunciation" and the famous "Prayer of the Cup" - a painting located in the Hermitage In the early thirties, Bruni began to paint a colossal painting: “The Raising of the Brass Serpent by Moses,” but before he could finish it, he was called from Rome to St. Petersburg to work in St. Isaac’s Cathedral and to teach at the Academy of Arts.

Virgin and Child in Roses, 1843, Tretyakov Gallery

Bacchante Singing Cupid, 1828, Russian Museum

Apostle John, 1840s, Museum “Culture of the Russian North”

Bruni arrived in St. Petersburg in 1836, painted several images over the course of two years and composed a large painting of the Intercession for the altar of the Kazan Cathedral Blessed Virgin Mary". "In 1838 he found it possible to return to Rome, and wrote "The Intercession" there and completed his work in 1840 great work: “The Copper Serpent,” which made an unusually strong impression in Rome. IN next year This painting was transported to St. Petersburg and exhibited in one of the halls of the Winter Palace. All the printed reviews of that time about this painting were filled with almost limitless praise for this work, which was truly remarkable in the composition and arrangement of groups, in the typicality and expression of figures and faces, in general color, although far from brilliant, corresponds to the content of the terrible biblical event. In this painting Bruni showed in full force all my deep, academic knowledge of drawing. In one of the halls of the Russian school in the Hermitage, the “Copper Serpent” is located next to the painting by Karl Bryullov – “The Last Day of Pompeii”.

Going to Italy for the third time, Bruni was engaged in cardboard paintings of those paintings that he was later to paint on the walls of St. Isaac's Cathedral. In 1845, he brought 25 cardboards to St. Petersburg, which were the subject of praise from art connoisseurs in Rome; some of them were executed in fresco in St. Isaac's Cathedral by Bruni himself, others by various artists under his personal direction. On the attic of the cathedral there are: “The Creation of the World”, “The Flood”, “The Savior presenting the Apostle Peter with the keys to the Kingdom of Heaven”, “The Appearance of the Lord to the Apostles after the Resurrection”. In a semicircle above the attic: “The Creator, who blesses all created things”, “The Holy Spirit in the host of angels”; on the plafond: “The Introduction of the Firstborn Son into the Universe,” “The Second Coming of the Son of God,” “The Prophets on the Bones,” and “When the stars were created, all the angels praised Me.” The execution of the listed works was completed in 1853, but, in addition to them, Bruni managed to paint an iconostasis for the Orthodox Church in Stuttgart.

The Virgin and Child on the way to Egypt, 1838, Tretyakov Gallery

Awakening of the Graces, 1827, Tretyakov Gallery

Bacchant, 1858, Tretyakov Gallery

Having been appointed curator of the Hermitage art gallery in 1849, he devoted himself to this work with love; twice he was sent abroad to purchase paintings that served to replenish the Hermitage Gallery. In 1855, Bruni took the position of rector of the department of painting and sculpture at the Academy of Arts, and in 1866 the mosaic department at the Academy came under his jurisdiction. Bruni was extremely hardworking and prolific, which was facilitated, of course, by the constant support of orders from the government and private individuals.

Head of Christ with a crown of thorns, private collection

In addition to historical and religious paintings, Bruni also painted portraits - the latter, however, were few in number. His main strength was in composition and correctness of drawing; in his paintings one can see a lot of academic knowledge, which was replenished by the artistry of the content, and often by feeling. His “Prayer for the Cup” depicts Christ, full of sorrow and foreknowledge of the suffering awaiting Him, and makes a strong impression; a repetition of this painting made by Bruni is in the church of the Academy of Fine Arts. His “Bacchae and Cupid” takes him to a completely different world and is full of passionate bliss; This picture is painted colorfully and tenderly. It is very regrettable that his often grandiose compositions, located in St. Isaac's Cathedral, have suffered greatly from time to time, like all the others painted there on the walls.

IN last years Throughout his life, Bruni was engaged in composing cardboard images of the Cathedral of the Savior in Moscow. To the list of his works given above, we must add another thirty sheets of drawings from Russian history, engraved by him with strong vodka (etching). At all artistic activity Bruni occupies an honorable place in the history of Russian painting, and the appearance of works by him and Karl Bryullov constituted an era in Russian art. Although during Bruni’s lifetime other and new trends in Russian art began, what he did was necessary and taught a lot. Engraving did little to popularize Bruni's paintings. The "Copper Serpent" in woodcut was featured in various illustrated editions; "The Death of Camilla" is reproduced only as an outline engraving; “Prayer for the Chalice” was lithographed by Kozlov and engraved by Zakharov; “The Mother of God Sleeping with the Child Waking on Her Knees” was engraved on steel and placed in the book: “Pictures of Russian Painting” by V. Kukolnik. Of Bruni’s students, K.D. Flavitsky, the author of the painting “Princess Tarakanova”, now in the gallery of P.I., was especially talented. Tretyakov in Moscow. Premature death did not allow this gifted artist to fully define himself. Bruni Fedor Antonovich died in 1875 in St. Petersburg. Article by F. Petrushevsky from Encyclopedic Dictionary Brockhausa F.A. and Efron I.A.

The beautiful Carla Bruni is known as a charismatic top model and the third wife of the former French president. However, few people know that in the biography of Carla Bruni there was a place not only for the podium and high-profile marriage, but also for creativity. Full name models - Carla Gilberta Bruni Tedeschi.

Future star born in Italian city Turin December 23, 1968. The penchant for creativity, perhaps, began thanks to Carla’s talented parents. Mother Mariza worked as an accompanist. The girl's father, Alberto Bruni, composed music for opera roles and also worked in the industrial sector. Carla was informed that her father was not her own only after the death of Alberto Bruni. The girl's biological father, Maurizio Remert, a successful businessman, did not maintain contact with the child. Bruni grew up in large family: Carla has a brother who is no stranger to creativity, and an equally talented sister who became an actress.

The Bruni family lived in their native Turin until 1974. That year, Italy was kept in fear by a terrorist organization. Criminals kidnapped children. The fear of Karla's parents for their children was so strong that they decided to change their country of residence. So the Bruni family moves to France. Carla enters school, masters playing the piano and guitar, and seriously plans to tie future fate with art. The girl even enters the Sorbonne to study art history. However, fate decided otherwise: Bruni did not graduate from college, succumbing to the seductive charm of star life and the fashion world.

Model business

Initially, the girl did not dream of becoming a top model. Karla was brought to the advertising agency by a banal desire to earn extra money. Moreover, Carla’s external parameters turned out to correspond to model standards: Carla Bruni’s height is 175 centimeters, and her weight is 55 kilograms. However, unexpected luck awaited the beauty: a contract with the City Models agency brought her many highly paid contracts.

The first photo shoot, in which the aspiring model participated, was held as part of advertising campaign fashion brand Guess. Carla Bruni's photos impressed fashion critics so much that subsequent job offers were not long in coming. Famous fashion houses wanted to get Bruni as the face of their products. Carla’s life was filled with a string of magazine covers and advertising posters, camera spotlights and microphones of journalists dreaming of an interview with the beauty. Cult French and Italian designers considered it a blessing to invite Bruni as a model to the catwalk.

In the early 1990s, Carla turned out to be one of the highest paid models in the world: in two years, the girl managed to earn $7 million. Bruni has collaborated with Prada and Max Mara, Dolce&Gabbana and Chanel, Christian Dior, Givenchy... the list goes on and on. Brands whose names make fashionistas gasp were at Bruni’s feet.

Carla Bruni's style never left the lips of women and men; the beauty was imitated and envied. However, not everything came as easily as it seemed from the outside: behind such dizzying fame were painstaking work and hard efforts on oneself. Carla clearly understood that the world of fashion, so sweet on the outside, was inside a constant tough struggle for a place under the spotlight.

The girl carefully monitored her shape and health, ate exclusively low-calorie foods and ran three kilometers every day. Only thanks to incredibly tough discipline and unbending willpower, Karla managed to stay on the fashion pedestal for quite a long time.

Music and poetry

It seemed that the most interesting things were just beginning, but at the age of 29, Karla was bored with the world of fashion. Bruni, having experienced all the delights and hardships of fame as the first beauty, decided to end her modeling career. The girl did not face the question of what to do next: musical education reminded me of myself. Carla Bruni decided to sing.

The first album of the aspiring singer Bruni was released in 2003. It is worth noting that the vast majority of compositions were composed by Carla herself. The album Quelqu"un m"a dit (“Someone Told Me”) received no less praise than Carla’s first appearance on the podium. The success turned out to be both simply unexpected and incredibly stunning: copies sold reached a million copies, and Carla Bruni’s songs were heard on all TV channels and radio stations. A year later, Bruni received the title " Best Singer of the Year” is the highest award that performers in France can dream of.

Carla Bruni's subsequent albums also caused a storm of delight among fans, and the song “Loneliness” (Soledad) topped the charts in France and abroad for several weeks. Karla did not escape her passion for acting. The model took part in the filming of 17 films, among which “Midnight in Paris” and “Paparazzi” by Alain Berberyan stand out.

Personal life

Carla Bruni's personal life was no less vibrant than her modeling and stage career. The beauties were listed among the suitors, and even, at that time, the former owner construction company. In 2003, Carla became a mother for the first time. The son of the model Orellan was born from young man named Raphael Enthoven. Bruni was ten years older than her lover. This union, despite the age difference, seemed strong, but the idyll lasted only four years. In 2007, the couple separated.

In the same year, rumors began to spread in the press about Carla Bruni’s connection with the current head of the country, who at that time had divorced his second wife and was completely free. In 2008, the lovers got married. For Carla Bruni this was the first official marriage. Family life did not change at all the lifestyle that Karla was used to leading. The woman continued to record songs, act in films and video clips, and even sometimes participated in modeling shows. Carla Bruni's husband was not at all opposed to such an active creative life wife and supported his beautiful wife.

In this marriage, which turned out to be truly happy, Carla Bruni's daughter, Julia, was born. Despite their mother’s busy schedule, Carla Bruni’s children were never left without parental warmth and attention. Karla once admits to journalists that only children and family seem to her to be the most important thing in the life of both an ordinary woman and the first lady.

Carla Bruni now

Until recently, the model, actress and singer continued to be actively involved in creativity, organizing charity projects and shining with new ideas. A couple of years ago Instagram and others social media photographs of Carla flew around, in which the woman did not look like herself. Evidence indicated that the cause of the strange appearance Bruni suffered from unsuccessful plastic surgery or carelessly performed “beauty injections”.

Already in 2017, Carla Bruni pleased fans with the news that preparations are underway for the release of a new music album, which will be called French Touch. This time the model and singer will present a performance not own songs, and covers of compositions by iconic world stars: ABBA, The Clash and others. A video clip for the song Enjoy The Silence has already appeared online.

Discography

• 2003 - Quelqu"un m"a dit
• 2007 - No Promises
• 2008 - Comme si de rien n'était
• 2013 - Little French Songs