Konstantin Vasiliev model. Konstantin Alekseevich Vasiliev Soviet artist
Konstantin Alekseevich Vasiliev(September 3, 1942, Maykop - October 29, 1976, Vasilyevo, Tatar ASSR, RSFSR) - Soviet artist, widely known for his works on epic and mythological themes.
Creative heritage Vasiliev is multifaceted and diverse and has more than 400 works of painting and graphics: portraits, landscapes, surreal compositions, paintings on fairy tales, on topics of ancient and modern Russian history. The deep symbolism of painting, combined with the original color scheme of the canvases - the widespread use of silver-gray and red and their shades - make Vasiliev’s paintings recognizable and original.
Born in Maikop (Adygei Autonomous Okrug) during the German occupation of the city. Since 1949 he lived in the village of Vasilyevo near Kazan. Studied at the Kazan Art School (1957-1961). He worked as a drawing and drawing teacher in a high school and as a graphic designer. Vasiliev’s creative heritage is extensive: paintings, graphics, sketches, illustrations, sketches for painting a church in Omsk. Works from the early 1960s. marked by the influence of surrealism and abstract expressionism (“String”, 1963; “ Abstract compositions", 1963). In the late 1960s gt. abandoned formalistic searches and worked in a realistic manner.
Vasiliev turned to folk art: Russian songs, epics, fairy tales, Scandinavian and Irish sagas, and “Eddic poetry.” He created works on mythological subjects, heroic themes of the Slavic and Scandinavian epics, about the Great Patriotic War (“Marshal Zhukov”, “Invasion”, “Forty-First Parade”, “Longing for the Motherland”, 1972-1975).
He also worked in the genre of landscape and portrait (“Swans”, 1967; “Northern Eagle”, 1969; “At the Well”, 1973; “Waiting”, 1976; “Man with an Eagle Owl”, 1976). Author of a graphic series of portraits of composers and musicians: “Shostakovich” (1961), “Beethoven” (1962), “Scriabin” (1962), “Rimsky-Korsakov” (1962) and others; graphic cycle to R. Wagner’s opera “The Ring of the Nibelungs” (1970s).
Participant in the republican exhibition “Satirist Artists of Kazan” (Moscow, 1963), exhibitions in Zelenodolsk and Kazan (1968-76). In the 1980-90s. a number of personal exhibitions of Vasiliev took place in many cities
Alekseevich, whose paintings will be discussed in this article, is not one of the famous artists whose works are sold at auctions for fabulous sums. However, this fact does not at all diminish his services to domestic art. During his short life, the painter, also known under the pseudonym Konstantin Velikoross, left about 400 works, among which the most interesting are paintings of fairy tales and historical subjects, portraits, landscapes, graphics, paintings in a surreal style.
short biography
Soviet artist Konstantin Vasiliev was born in 1942 in the German-occupied city of Maikop (Krasnodar Territory). His father Alexey Alekseevich is a native of St. Petersburg, an engineer, a lover of literature and nature. The mother of the future, Claudia Parmenovna, was from a family of Saratov peasants.
After the war, the boy and his parents moved to Kazan, and in 1949 to the picturesque village of Vasilyevo located below. Since childhood, Konstantin was fond of drawing and showed an unprecedented talent for writing for his age. watercolor paintings. For four years(from 1957 to 1961) he studied at the Kazan Art School. After graduation, he taught drawing and drafting at a high school, and also worked as a graphic designer.
Turning to surrealism and expressionism
Like many painters, for some time I was in search of my artistic style Vasiliev Konstantin Alekseevich. His paintings early period reminiscent of the surreal works of Picasso and Dali. These include “Apostle”, “String”, “Ascension”. Having become fascinated by surrealism, Vasiliev quickly lost interest in it, believing that with its help it was impossible to achieve expression of deep feelings on canvas.
The Soviet artist associated the next stage of his work with expressionism. During this period, such paintings as “Icon of Memory”, “Sadness of the Queen”, “Music of Eyelashes”, “Vision” came out from under his brush. However, the master soon abandoned expressionism, considering this direction in art superficial and incapable of expressing deep thoughts.
Creating paintings in Russian style
The artist Konstantin Vasiliev, whose biography and work are described in this publication, was able to truly open up only after he began to paint landscapes native land. Nature inspired him to create paintings in the original Russian style. Gradually, he began to supplement the landscapes with images of people. At the same time, Konstantin Alekseevich became interested in studying historical literature, Russian epics and myths. The more he learned about the past of his people, the more he wanted to reproduce scenes from their lives on canvas. It was here that the artist managed to maximize his talent. Drawing inspiration from Russian culture, Vasiliev writes his most famous works: “Northern Eagle”, “Waiting”, “Man with an Owl”. Konstantin Alekseevich also became famous as a battle painter. He is the author of the portrait of Marshal Zhukov, the paintings “Farewell of the Slavic Woman”, “Parade of the 41st”, “Longing for the Motherland”.
Konstantin Vasiliev is an artist who created his masterpieces to music. When he painted, Russians sounded in his studio folk songs, patriotic works of the war years, works by Shostakovich and other classical composers. The love of music is also reflected in the work of Konstantin Alekseevich. In the early 60s, he created a whole series of graphic portraits famous composers(“Rimsky-Korsakov”, “Shostakovich”, “Beethoven”, “Mozart”, “Debussy”, etc.).
Criticism of the artist, his death
Unfortunately, Konstantin Alekseevich Vasiliev could not achieve recognition of his talent. His paintings, accused of Russian fascism, were persecuted by the communist authorities. They were mercilessly criticized and called “non-Soviet”. The masters repeatedly called to stop painting. Only a few times during his life the artist’s works were lucky enough to attend exhibitions held in Moscow, Kazan and Zelenodolsk.
The death of Konstantin Vasiliev put an end to his creativity. The artist, who was only 34 years old, was hit by a train. It happened on October 29, 1976, a few days after he finished work on his most famous painting"The Man with the Eagle Owl." Konstantin Vasilyevich was buried in his native village of Vasilyevo, in the very birch grove where he loved to draw inspiration from nature.
early stage of creativity
According to pictures different periods It’s interesting to watch how Vasiliev’s skills have improved over the years. His work "The Ascension", written in 1964, is an imitation of Salvador Dali, who has a work with similar themes. However, taking a closer look at the painting by the Soviet artist, you can see completely new interpretation stories about the ascension of Christ. Vasiliev’s Jesus is depicted not as killed, as is customary, but alive. His face expresses concern about future fate humanity. Konstantin Vasiliev is an artist who, with the help of his canvas, declared: not only the soul of the Savior, but also his body, is not subject to death.
“Icon of Memory” was created in the years when Konstantin Alekseevich was in search of his own style and created paintings in the genre this work the artist’s work is not just a romantic collage, it represents memories of his tender feelings for a girl named Lyudmila. Konstantin fell in love with her at the age of 20. After breaking up with the young lady, he destroyed all her photographs. Scraps of Lyudmila’s photographs were kept by the artist’s mother. They subsequently served as the basis for the creation of the “Icon...”, symbolizing the image of the creator’s lost love.
Vasiliev Konstantin Alekseevich: pictures of the last years of his life
Shortly before his death, Vasiliev paints the painting “Waiting,” which depicts a Russian beauty with a candle in her hands. The girl looks out the window covered with frost, waiting for one of her relatives. It is unknown who the heroine of the picture is looking at. Probably a groom who was delayed somewhere on the road, but maybe a husband who does not return from the war for a long time. In the girl’s face, illuminated by the candle flame, one can see concern for loved one. The master painted the fire on canvas with luminous paint, making it look very realistic. Vasiliev painted this picture for his mother’s birthday, which is why many people think that he depicted her as a young lady at a young age.
“The Man with the Eagle Owl” is the pinnacle of Konstantin Alekseevich’s creativity and, by sad coincidence, his last job. On it the master depicted a wise man life experience a gray-haired old man holding a candle in his right hand. He is tired, but he has a long way to go long road. An eagle owl sits on his outstretched left arm. The old man rises above the snow-covered ground, looking into the distance with a stern gaze. Over his head - starry sky, and at his feet there is a fire made of a paper scroll with the name of the artist. Viewers perceive the plot of the film differently. Some people see God in the old man, but for others he is the embodiment of earthly wisdom. The picture makes an indelible impression on others. I want to stay near it longer and try to see what the artist wanted to tell humanity about.
Name: Konstantin Vasiliev
Age: 34 years
Activity: artist
Family status: wasn't married
Konstantin Vasiliev: biography
Konstantin Vasiliev – Soviet painter, whose works received a calling after the death of the author. Behind short life the artist left a great legacy, the significance of which is highly appreciated by experts in Russia and abroad.
The author's biography is 34 years of life. Konstantin Alekseevich Vasiliev was born on September 3, 1942 in Maykop. Father Alexey Alekseevich is from a Leningrad working-class family. He took part in three wars: the First World War, the Civil War and the Great Patriotic War. In peacetime, he held senior positions in the industrial sector. Mother Claudia Parmenovna was 20 years younger than her husband. She was related to an outstanding painter.
The young family lived in Maykop, where they faced the hardships of wartime. Alexey Alekseevich went to partisan detachment, and the wife did not have time to evacuate from the city and ended up under German occupation, where a month later she gave birth to a boy. The family had three children - a son and 2 daughters.
At the end of the war, the family moved to the village of Vasilyevo, 30 km from Kazan. The new place charmed young Kostya with the beauty of nature. Subsequently, he captured many of the local views in landscapes, which were excellent. In addition, in the vicinity of Vasilyevo there were the true pearls of Tatarstan: the Raifa Mother of God Monastery, the Volga-Kama Nature Reserve, the island town of Sviyazhsk, and the Church of the Exaltation of the Cross. After the death of the painter, the Vasiliev House-Museum was added to the attractions.
The father “responsible” for the move, an avid hunter and fisherman, fell in love with these places and decided to settle with his family here. Before the construction of the Kuibyshev Reservoir, the full-flowing Volga flowed here, framed by steep banks, hidden from view in the morning by bluish fogs. One of the artist’s paintings, “Above the Volga,” is inspired by the poetry of this region.
Since childhood, Kostya avoided noisy games with peers, preferring quiet fishing with his father, studying literature and the history of painting with his mother. His talent for drawing was discovered early. As a preschooler, he depicted his surroundings, and later deftly copied the masterpieces of other authors. The boy admired creativity. “Bogatyrs” is the first painting recreated by a child in the smallest details colored pencils, and “The Knight at the Crossroads” is the second.
By chance, Kostya had the opportunity to get out of Vasilyevo for serious training. In 1954 in " Komsomolskaya Pravda"published an announcement about the recruitment of students to the capital's art boarding school at the Institute named after. The qualifying competition was huge, but the boy passed all the exams with straight A's and, having received a place, moved to Moscow at the age of 12.
The school was one of three educational institutions similar type and level of training in the USSR. The same boarding schools operated in Kyiv and Leningrad. MSSHH (Moscow Art high school) was located in Lavrushinsky Lane opposite Tretyakov Gallery, which served as a training base for students.
Young Vasiliev spent hours at the Tretyakov Gallery. Here for the first time I saw “Bogatyrs” live, which amazed him in early childhood. I studied the works of art collected in the halls and searched for a form of creative expression. At the age of 15, he painted a self-portrait, the technique of which is not at all similar to the work of a student, but to the work of a mature author.
After 2 years, Kostya had to return home. According to one version, the reason was the death of his father, according to another, the young man’s passion for abstract art and surrealism, which were not held in high esteem in the USSR. He completed his education in 1961. He received a diploma with honors as a theater decorator from the Kazan Art School at the age of 19. The final work – sketches of the stage design for the fairy tale play “The Snow Maiden” – has not survived.
Painting
Vasiliev's creative heritage consists of works of various genres. Graphics, sketches, illustrations, paintings and even temple paintings – the author’s “arsenal” is great. The greatest popularity was brought by works in the “fairytale” style, dedicated to legends, epics and myths, but the acquisition of its own “sound” was preceded by years of search.
In the early 60s, the author turned to abstractionism and surrealism. Following artistic expression and, comprehended and became disillusioned with the formal search. He compared superficial surrealism with a jazz adaptation of opera. He wrote several works in the specified style: “String”, “Ascension”.
“The only thing that makes surrealism interesting,” said Konstantin Alekseevich, “is its purely external effectiveness, the ability to openly express in a light form momentary aspirations and thoughts, but not deep-seated feelings.”
Then he became interested in expressionism, where there was great content, but again came to the realization that there is no depth behind form. This period includes “Quartet”, “The Queen’s Sadness”, “Vision” and others. In parallel with creative experiments, he worked in portraiture and landscape genres. He wrote “Autumn” and “Forest Gothic”, full of color and sensuality of nature. In the 60s he created a series of portraits of geniuses musical world from to .
By the end of the decade he returned to realistic manner painting and then became interested in epics: Scandinavian sagas, Slavic epics, admired the Elder and Younger Edda, learned German in order to read the texts in the original. The reconstruction of German mythology in The Ring of the Nibelung captured Vasiliev.
While creating a series of paintings, I sang parts from the opera to get into the mood for work. The culmination of the work was the canvas “Valkyrie over the slain warrior” (also known as “Valkyrie over the slain Siegfried”), dedicated to the final cycle of the epic opera “Death of the Gods”.
The epic series, based on Russian folklore, traditions and beliefs, included the paintings “Ilya Muromets and Gol Kabatskaya”, “Avdotya Ryazanka”, “The Battle of Kulikovo”, illustrations for the fairy tale “Sadko” and other works.
Since 1969, he “professed” symbolic realism. The first work in the direction was the mythological “Northern Eagle”. At the same time, Vasiliev first signed the work with the pseudonym “Konstantin Velikorus”. It is worth noting that the theme of snow, winter, and the harsh peoples of the North was the leitmotif of creativity, an allegory of strong characters and real people: brave and courageous. The works “Svyatovit”, “Veles” and “Man with an Eagle Owl” were executed in the same style, the names of which were given by the artist’s friends after the author’s death.
In 1972-1975 he wrote a number of works of battle painting, dedicated to events and the heroes of the Great Patriotic War: “Parade of the 41st”, “Invasion”. The portrait of a marshal, executed in a deliberately pompous manner, made the commander look like a Roman emperor, which did not correspond to the recognized canons of painting of that time. The work was supposed to be the first in a series of portraits, but it turned out to be the only one. “Longing for the Motherland” and “Farewell of a Slav” belong to the same block.
Personal life
Little is known about the artist’s personal life. Anatoly Doronin, who founded the Museum, wrote about the painter’s romantic feelings in the book “Rus’ Magic Palette”. Slavic culture Konstantin Vasiliev in Moscow. At the age of 17, the artist fell in love with Lyudmila Chugunova, painted pictures for her, read poetry, but his first love turned out to be unhappy.
Attachment to a graduate of the Kazan Conservatory, Elena Aseeva, ended in an unsuccessful marriage proposal, but the girl’s portrait is now successfully exhibited at the author’s posthumous exhibitions. In adulthood, he met Elena Kovalenko, but the painful experience of past relationships did not allow the artist to develop the romance into something serious.
According to contemporaries, the painter was a vulnerable and delicate person. In the photo he looked thoughtful and a little sad, as if immersed in continuous creative search. On walks, according to friend Gennady Pronin, he liked to remain silent, giving his interlocutor the role of “first violin.”
Death
The artist's life was tragically cut short in 1976. Together with his friend Arkady Popov, the painter was returning from a city in the vicinity of Kazan - Zelenodolsk, where an exhibition of local authors was taking place. The official cause of death was an accident - the young people were hit by an express train. The bodies were found on the railroad tracks.
However, family and friends believed that there were many inconsistencies in the version, for example, how the adult men did not hear the train approaching or why they ended up several hours away from Zelenodolsk at the Lagernaya station, where the tragedy occurred. The artist was buried in his native village of Vasilyevo.
Paintings
- 1961 – “Shostakovich”
- 1963 – “String”
- 1967 – “Swans”
- 1969 – “Northern Eagle”
- 1969 – “Svyatovit”
- 1971 – “Valkyrie over the slain warrior”
- 1973 – “At the Well”
- 1973 – “Forest Gothic”
- 1974 – “Ilya Muromets and Gol Kabatskaya”
- 1976 – “Waiting”
- 1976 – “The Man with the Eagle Owl”
Attention!!! The raiders intend to take away the museum building!!! Detailed information on the official website: http://vasilyev-museum.ru Watch the video message from the museum director!!!
One of the greatest Russian artists, without a doubt, can be called the magnificent Konstantin Vasiliev. Really, Vasiliev's paintings are simply magnificent. They are capable of bewitching anyone who takes a closer look at them and tries to understand and hear them. Alas, the artist himself is not very popular - his paintings are not sold at auctions for millions of dollars, and in general his work is not very actively advertised, unlike the work of “alternatively gifted artists.” Moreover, it makes sense to talk about this great man.
Biography of Konstantin Vasiliev
The future was born great artist on September 3, 1942 in Maykop, Adygea Autonomous Okrug. However, in order to better understand the paintings of the great artist, one should not only know what biography of Konstantin Vasiliev, but also about his ancestors. We should start with the fact that he is a descendant famous artist Ivan Ivanovich Shishkin (on his mother’s side), famous for his painting “Morning in pine forest" Perhaps heredity played some role in Konstantin’s work, or maybe the upbringing and sensitive approach of his parents. But he started drawing as a child. His first masterpiece was a reproduction of the painting “Three Heroes”, drawn in pencil. Later there were more and more. He didn’t start drawing right away own paintings, but when crucial moment came in his work, his paintings truly captivated everyone who saw them.
Creativity of Konstantin Vasiliev
Having spent a little time searching and working even in abstract style(“String”, “Abstract Compositions”) artist Konstantin Vasiliev completely abandoned this style, preferring realism to it. And between 1961 and 1976 he wrote hundreds of brilliant, amazing paintings. Each of them seems like a real window into a world of fantasy, amazing world, which does not exist and never existed. Or maybe it was? Maybe he was just trying to portray the ancestors of his people? Be that as it may, he wrote only a small part of what he could have written. But he died in 1976 at the age of only 34. There are still a lot of unclear circumstances surrounding his death, to which law enforcement agencies prefer to turn a blind eye.
“Cold” style of Konstantin Vasiliev
The paintings of the artist Konstantin Vasiliev are amazing in themselves. Perhaps his work cannot be confused with any other - the very atmosphere of his magnificent creations is too specific, amazing and recognizable.
True, it is precisely because of this style that many people who see his paintings consider them cold and lifeless. But is it? Can Vasiliev’s paintings be called lifeless? I think no. But then why are they so cold? What else can you expect from a man who painted pictures about northern peoples? After all, the great artist was mainly glorified by those paintings that depict Russian and Scandinavian gods and heroes of legends and sagas. Although there are many of his paintings that depict ordinary Russian people. Or not simple ones? In any case, when painting, he was guided by northern people. Severe, strong, taciturn, discreet and unshakable.
And, perhaps, it would be foolish to expect from northern people the brightness, animation and fun that distinguish the paintings of French and Italian masters. painted pictures to show how different the heroes of his creations are from other peoples. The harsh, sometimes even cruel, climate gave birth to the corresponding people. They do not appreciate expensive jewelry and beautiful promises. But they like reliable weapons and doing the right thing. But they don’t understand other values and won’t want to accept them.
Therefore, if you like the brightness of masquerades, the puffy colors of the Amazon jungle, then paintings by Konstantin Vasiliev not for you. But if you feel the call of your ancestors, the voice native land, then it will be enough just to peer into the depths of the paintings for a few seconds to feel - yes, this is the land on which my ancestors were born, lived and died - the most powerful, kind, wise and courageous.
So, do not confuse severity and taciturnity with coldness and lifelessness.
War in the paintings of Konstantin Vasiliev
One of the trends in which the artist became famous is the theme of war. And here we are talking about a variety of wars. The artist does not distinguish between who went to battle - a resident of Rus', Russian Empire or Soviet Union. One thing is enough for him - he knows that a Russian is coming to battle. Moreover, none of the heroes of the films fight an unfair battle. None of the heroes comes to someone else's house. But every hero goes out to protect his land so that the enemy does not enter his native home. And it doesn’t matter who came to his land - the Serpent Gorynych, a Mongol or any other enemy - each of them will remain in Russian soil, unable to capture more land than is needed for the grave.
Indeed, it is enough to look into the eyes of any of the warriors who drew their sword to defend their Motherland to understand that these amazing people are not afraid of death. Much more terrible for them is dishonor and inability to protect the land of their ancestors and pass it on to their descendants.
However, for Konstantin Vasiliev, war is not primarily murder and death. This is simply the protection of our native land, in which there is always a place for beauty. What is it worth alone? painting Valkyrie, depicting the daughter of Odin, perfect in her beauty. Yes, it does not have the ardor and heat of hot southern beauties, drinking young wine and sunbathing under the rays of the gentle sun. By and large, the only thing that gives life to this picture is the mane of golden hair blown by the wind. Her eyes and face are filled with peace and expectation. Very soon she will have to pick up another warrior who gave his life in battle, honestly clutching the sword to the end. Or maybe not a sword? Could it be a Mosin rifle, PPSh, AK-47 or AK-104? Perhaps, to this day, the daughters of Odin have not forgotten that their sacred duty is to accompany the brave warriors who died defending their homeland to Valhalla - the abode for true warriors?
And the Valkyrie herself is not a fragile brown-eyed beauty whom you want to hit. No, this is the daughter of the great North. Blue eyes, a firm look, weapons and scaly armor indicate that she is not only the daughter of a great warrior, but is also capable of standing up for herself. She is strong and at the same time beautiful so that it takes your breath away when you look into her amazing eyes. That's why painting Valkyrie truly charming. The girl is a true embodiment of strength, perseverance and beauty, which distinguishes northern people Russians. Maybe this is exactly what the artist Konstantin Vasiliev wanted to convey in his magnificent creations?
Vasiliev’s painting “Man with an eagle owl”
Indeed, it is stupid to argue with the fact that The paintings of the artist Konstantin Vasiliev enchant and fascinate. But one of them stands apart from the rest. This painting is the latest creation of Konstantin Vasiliev. It, unlike other paintings, never received a name from the creator. And at the same time, it is she who breathes cold confidence and firmness; you just need to take a closer look at her. Of course this Vasiliev’s painting “Man with an eagle owl”.
The picture is full of symbolism, to understand which you do not need to be an expert who has been studying the intricacies of the work of different artists for decades.
The painting depicts a tall old man. The years and losses that left wrinkles on his face did not break the son of the great North. Left hand he holds a whip above his head - an eagle owl sits on the whip, which is a symbol of wisdom. In his right hand he clutches a candle - a symbol of truth. And near the old man’s feet lies a flaming parchment. There are only two words written on it and the date – Konstantin Velikoross 1976.
This is exactly what Vasiliev often called himself - Konstantin the Great Russian - considering it his creative pseudonym. But the title of the film was not given for a simple reason - he tragically died in 1976.
What is this? Was it by chance that the great artist added a burning parchment to the picture of the old man, which indicated his name and the year in which he died?
What does this detail bring? big picture? Doom and senselessness of struggle? Not at all. After all, the smoke rising from the burning parchment turns into a young oak tree, which is destined to become a mighty giant. Can this symbolism also be called a mere accident? Or did the master want to say something to those who could hear him?
History of the Konstantin Vasiliev Museum
Of course, a master of such caliber and scope as Konstantin Vasiliev simply could not help but be awarded his own museum. Memorial Museum is located in the urban village of Vasilyevo, in Kazan you can see a gallery named after him. Exhibitions of his paintings took place in Bulgaria, Spain and Yugoslavia.
But, of course, the largest Museum of Konstantin Vasiliev located in Moscow, in Lianozovsky Park.
It was opened in 1998 and it was there that admirers of the great master’s work could enjoy his paintings. The Club of Konstantin Vasiliev’s creativity lovers was also opened here.
Alas, the museum has been under threat of closure for several years now. The fact is that it is located in a park that occupies a considerable area - 2.5 hectares. Of course, for Moscow businessmen, such an area means entire residential complexes and profits of tens of millions of dollars. Therefore, everything was used - courts, arson and even an attempted takeover. So far, the museum administration, with the support of volunteers, is struggling, but repelling all attacks, like the heroes of Vasiliev’s paintings. But how long will their strength last? Will it not turn out that in our time such heroism is not needed at all, since money has replaced it? Time will show…
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