Tamara Miansarova the bitter truth about her life. Tamara Miansarova: biography, personal life, creativity. Pop singer career

The song “Black Cat” is often sung completely different people. But this is an indicator of the artist’s popularity! Tamara Miansarova sang once - and the song “went to the people”, and so it remained here. And the singer had a long, interesting life.

Tamara Grigorievna Remneva (the singer’s first surname) was born on March 5, 1931 in the Ukrainian city of Zinovievsk (now Kropivnitsky), in a family where songs were valued. Tamara first appeared on stage at the age of 4. Her father was a theater artist, her mother worked at a factory, but she won a vocal competition and moved with her daughter to Minsk, becoming opera singer.

Tamara spent her childhood in Minsk, where the war found her. She studied at the music school at the Minsk Conservatory. In 1951, Tamara went to Moscow and entered the piano department at the conservatory. However, she sang so well that a year later she was accepted into the vocal department. After graduating from the conservatory in 1957, she worked as an accompanist, but the cheerful girl was clearly hampered by boundaries classical performance. She wanted more.

Pop singer career

In 1958, at the III All-Union Competition of Variety Artists, Miansarova received third prize. Then she performs in concerts. He performs as a soloist at the Music Hall in the play “When the Stars Light Up.”

The leader of the jazz quartet, Igor Granov, was looking for a soloist in 1958. The beautiful Tamara, with a unique voice, a higher conservatory education (in fact, two) and a desire to sing, could not go unnoticed. And she began performing with a quartet.

And so it begins in 1958 new stage singer's life. Now Interesting Facts her victories line up one after another. There will be a triumphal procession along Soviet Union and a number of countries (it will be especially loved in Poland). Miansarova’s songs will sound from every open window; the song “Eyes on the Sand” will make more than one fan of her talent cry.

In 1962, the team as part of the delegation Soviet artists goes to the VIII World Festival of Youth and Students in Helsinki. And the song “Ai-lyuli” by L. Lyadova and B. Bryansky, performed by Tamara Miansarova, so touched the hearts of the audience and the jury that the singer received first prize and gold medal.

A year later, in 1963, Miansarova went to Sopot, to the International Song Festival, long before she captivated the public there. And here she became the winner. She sang “The Circle of the Sun” so that the audience felt everything that could be expressed with this song: the fear of a little girl who found herself amid the horror of occupied Minsk, and the desire of people for peace, and the desire for happiness for every person, regardless of faith, nationality and citizenship. From that moment Miansarova became an idol of Polish listeners, starred in musical film, gave concerts, recorded discs, and the song turned into her calling card.

Since 1964, Tamara Miansarova has been a popular performer in the Soviet Union. For her, the group “Three Plus Two” was assembled by Leonid Garin. She is greeted with delight, the photos are sold out instantly. She sings in the New Year's programs "Blue Light".

And again, Polish fame from Sopot warmed Miansarova with its rays - the song “Ryzhik” (a cover version of the Polish song “Rudy rydz” by Helena Majdanets) became super popular in our country. And a year later, “Black Cat” appeared (Authors: Yu. Saulsky and).

Decline of a career

In 1966, a song festival was held among 6 socialist countries of Europe. The USSR, East Germany, Czechoslovakia, Hungary, Bulgaria and Poland hosted singers, in each country there was a tour with a song from that country. Tamara Miansarova won 4 out of 6 rounds and turned out to be the winner of this musical marathon. This continues until 1970. And then they simply stopped inviting her on air, to concerts, and there was an unspoken ban on Miansarova, as sometimes happened with artists.

The year 1970 brought complete disappointment. According to Miansarova herself, her career was ruined by one high-ranking official who constantly persecuted her to no avail. There were no concerts, songs disappeared from radio and TV. Miansarova was forced to resign from the Mosconcert and leave Moscow. Next was the Donetsk Philharmonic. 12 years of traveling with concerts around Ukraine. Tamara Miansarova sang in many mining towns, and in 1972 she received the title of Honored Artist of the Ukrainian SSR.

Having returned in the 1980s, the singer, who was carried in her arms and cried from the sound of her living voice and artistic performance of each song, was no longer able to rise to her previous heights, but even now she is loved and listened to with pleasure in our country. By this time, a film about the singer in her youth was shot in Kyiv, and in Poland, Panorama magazine announced the 4 most popular singers for 25 years. They were Gott and Miansarova.

However, in the homeland, the former brilliance and popularity no longer happened. There were concerts, but much fewer than before. Miansarova taught vocals to students at GITIS, was invited to serve on the jury of competitions, participated in programs dedicated to retro music, received the title of People's Artist of Russia in 1996, and wrote a book.

In 2016 she celebrated her 85th birthday.

Personal life

A bright singer, a cheerful brunette, Tamara Miansarova has always enjoyed success with men, she was married four times, and had children. She's lived enough stormy life, which she wrote about in her book.

The first husband, Eduard Miansarov, was the singer’s childhood friend and the father of her son Andrei, after whose birth the young family broke up. Then a short marriage with Leonid Garin, who died six months after the wedding. Tamara Miansarova lived longer with Igor Khlebnikov, her administrator, and had a daughter, Ekaterina.

For the last 30 years, her husband has been Mark Feldman. Grandchildren: Andrey, Tamara and Anna. Alas, the talent of their mother and grandmother was not passed on to them.

In her later years, Miansarova’s family became involved in scandals with apartments and relationships with children.

Death

On the evening of July 12, 2017, Wednesday, at the First City Hospital of Moscow. According to Mark Feldman, a week before, Tamara Grigorievna was hospitalized with pneumonia. Doctors tried to save the singer, but the disease turned out to be stronger.

The biography of Tamara Miansarova, one of the most beloved pop performers of the Soviet Union, includes numerous professional and life ups and downs, inextricably linked with the history of our country.
The creative heritage of this talented singer is very diverse.

She could sing songs soulfully patriotic themes and at the same time easy and carefree to sing for children. In all cases, Miansarova was natural and loved by many generations domestic listeners. Off the stage, Tamara was considered a sympathetic, cheerful and charming woman.

The future singer with her maiden name Remneva was born on March 5, 1931 in the city of Kirovograd. Her dad's name was Grigory Remnev. He served in the theater musical comedy in Odessa. The mother was Anastasia Alekseeva, who chose the opera house in the Belarusian capital for her singing career.

At a young age, the girl often attended rehearsals choir group Kirovograd amateur performances, and at the age of four she first appeared on the stage of the city cultural center simultaneously as an artistic reader, dancer and singer. Literally immediately Tamara attracted the attention of others. Her performance was even written about in one of the Kirovograd newspapers.

After the father of a future star Soviet stage abandoned his wife and daughter, his mother took Tamara to Minsk, where they faced the war. At first, the family tried to break through the front line to their own, but the woman and her daughter failed and they had to return to Minsk, where they had a difficult time. best years Tamara. The girl studied music even during the occupation, as she dreamed of devoting her life to it.
After the war, the future singer went to music school, belonging to the Minsk Philharmonic. The girl’s graduation took place in 1951, after which Tamara became a student at the Moscow Conservatory.

Professor Lev Oborin took her to his piano course. Then future star Soviet pop music gave preference to Chopin, Liszt, Bach, Beethoven and other classics. In her second year, her expressive lyric soprano was noticed by prof. Dora Belyavskaya, after which the girl was transferred to the vocal department. She completed her conservatory education in 1957 and Miansarova was sent to GITIS to the position of accompanist. She didn’t last long here, as she dreamed of something completely different. Tamara knew for sure that she had to become a famous singer.
Miansarova took her first steps on the stage with only three songs. She decided to become a participant in the USSR pop artist competition, where she performed a Strauss waltz, accompanying herself on the piano. The jury really liked the young talented singer and it awarded Miansarova the 3rd prize, after which, under the guidance of teacher E. Kangar, she began to study pop vocals.
After a short period of time, Latsi Olah's orchestra was already accompanying the young singer. In 1958, Miansarova began performing with I. Granov’s jazz quartet. The capital's music hall loomed on her horizon in 1960. She was invited to the legendary play “When the Stars Light Up” with Kapitolina Lazarenko, Mark Novitsky, Lev Mirov and Mark Bernes.
In 1962, the 8th International Festival of Youth and Students was planned in the capital of Finland. Alexandra Strelchenko, Margarita Suvorova, Muslim Magomaev and Tamara Miansarova went there as part of the Soviet delegation. True, the heroine of our story was not going to perform in Helsinki, but unexpectedly, due to the illness of one of the performers, Miansarova was asked to replace him. As part of Igor Granov’s ensemble, the singer sang the song “Ai Lyuli” (composer Lyudmila Lyadova - poet Boris Bryansky) and the next morning woke up famous. This light song appealed to young people from all over the world. As a result, Miansarova was awarded the 1st prize of the competition.
The following year, Tamara won the laureate title at the Sopot Festival. As her new hit, Tamara chose the song “Let there always be sunshine” (composer Arkady Ostrovsky - poet Lev Oshanin). Before the festival, the management dissuaded Miansarova from choosing this song, considering it frivolous, but the girl did not give up and won, after which real fame fell on her.
The Gdansk audience of more than six thousand people stood and greeted the rising Soviet pop star. It was impossible to walk through the streets. Tamara gained crowds of fans, and the Polish press called Miansarova the “Moscow nightingale.” In the same country, she was invited to film the musical film “25 minutes with Tamara Miansarova,” which was shown on the TVP channel.
In 1964, Leonid Garin created the ensemble “Three Plus Two” to accompany the singer, and in next year A concert film was shot with participants of the Sopot Festival, among whom was the heroine of this story.

1966 began with the “Friendship” competition. Hungarian, Bulgarian, Polish, Czechoslovak, German and Soviet capitals were chosen to host it. The participants were given the task to learn one song from all the above-mentioned countries. Miansarova took four first places. Behind her was the performer from Bulgaria Lili Ivanova, who was her closest competitor.
In 1966, Polish television filmed a concert film with Miansarova's songs.
On June 5, 1969, the Leningrad Press House was sold out. On this day, an ensemble conducted by I. Kondakov with soloist Tamara Miansarova played here. In the Northern capital, a little later, Alexander Shurov and Nikolai Rykunin became her stage partners.

In the early 70s, the attitude of the official authorities towards the work of the Soviet pop star underwent a strange transformation. Miansarova was not allowed to go on foreign tours, the singer was not shown on TV and her CDs were stopped publishing, she did not perform in Moscow and Leningrad. Happened strange story with “Sunny Ballad,” a concert film that somehow ended up on the shelf. Viewers began to wonder about Tamara Miansarova’s nationality, suggesting that everything that was happening was connected with her desire to emigrate to Israel, where she had absolutely no intention of going.

At this time, the singer began working at the Donetsk Philharmonic and toured throughout the Soviet Union. Miansarova has been associated with the mining region for twelve years creative life. She traveled throughout the Donetsk region and often gave concerts right at the mines, for which she was awarded the title of Honorary Citizen of Donetsk.
In 1974, the Ukrainian SSR television filmed a concert film with Miansarova’s songs. She was accompanied by the ensemble conducted by E. Dergunov.
In the 80s, the singer finally had the opportunity to return to the capital, but she did not have much work here.
Only after Miansarova was awarded the title of People's Artist of Russia in 1996, the situation changed a little. It is worth noting that in 1972 she became an Honored Artist of the Ukrainian SSR, and later she was awarded the Order of the Badge of Honor. In addition, at one time Miansarova became the owner of such orders as “Three Elephants” in Laos, “Diplomat of Cambodia” and “Friendship of Peoples”.

In the 90s, the singer began touring actively again. She was greeted with joy in the most different corners our country. She spent creative meetings and prepared new ones concert programs. Miansarova's son Andrei arranged her popular songs of past years and released a CD. The singer has repeatedly sat on the jury of various competitions. For two years she was the chairman of the jury at the Golden Hit festival. She was invited to the Sopot Festival as a guest of honor. The singer also toured the USA.
Miansarova, with the status of a professor, took up teaching at GITIS. She was also invited to the youth house of creativity “On Taganka”. Among her students, it is worth highlighting Maxim Sytnik, Alika Smekhova and Yulian.
During the same period, she was invited to perform in retro programs, where Vladimir Troshin, Irina Brzhevskaya and other celebrities of the 50s-70s became Miansarova’s stage partners.
In 2004, the singer’s name star was installed on the capital’s “Star Square”. In February 2005, Miansarova sang on her anniversary concert in KZ "Russia".
Tamara Miansarova’s personal life was also eventful. As her first husband, she chose the pianist, future Honored Artist of Russia Eduard Miansarov. From this man Tamara has a son, Andrei, who also became a musician and played the keyboards in the legendary "Gems". She divorced her first husband in 1956.
For the second time, Tamara gave her heart and love to musician Leonid Garin, with whom she lived for only six months, since he died tragically in September 1979.
The singer’s third husband was her concert administrator Igor Khlebnikov, from whom Tamara Miansarova’s daughter Katya was born in 1971, who later became a poetess.
Concert director and musician Mark Feldman is Tamara Miansarova’s fourth husband. She lived with him until the end of her days.

1. At one time, a perfume factory in Poland released a new perfume named after the singer “Tamara”.
2. In the 80s, the Polish publication “Panorama” placed the singer in fourth place, the most famous performers for a quarter of a century. She found herself in the company of Charles Aznavour, Karel Gott and Edith Piaf.
3. Miansarova loved to sew and knit, and at one time she was engaged in dressing fur at professional level. She also devoted a lot of free time to drawing throughout her life.
4. In 2012, there was a program on television in which the singer’s son told many unpleasant things about his mother and her husband Mark Feldman. Miansarova did not remain in debt and outlined her version of events. She claimed that her son stole her money, car and dacha.

Shortly before her death, Tamara suffered a heart attack and also underwent surgery on the femoral neck. Lately the singer was very ill and practically did not get out of bed. The cause of death of Tamara Miansarova was stated by doctors as severe pneumonia. She passed away on July 12, 2017. The singer was buried at the Troekurovskoye cemetery.

Tamara Miansarova lived an interesting, sometimes very difficult life. At the peak of her pop career, the singer was loved by millions of her compatriots and was well received in other countries around the world, where she successfully toured to packed houses.
Miansarova was a very artistic singer; she not only performed songs beautifully, but also experienced them internally, which was expressed on stage in her facial expressions and gestures. Each composition of the singer turned into a mini-story with its own subtle lyrical digressions and joyful moments.
The creative biography of Tamara Miansarova was very eventful. The golden fund of the Russian song will forever include her “Black Cat”, “Top-Top, Baby Stomp”, “Letka Yenka” and other musical compositions.

Miansarova Tamara (born 03/05/1931) – Soviet, Russian singer. She works in the pop genre, her voice is lyric soprano. People's Artist RF.

early years

Tamara Grigorievna had maiden name Remneva, was born in the Ukrainian city of Zinovievsk (now Kropyvnytskyi). Her father was theater actor and singer, after the birth of his daughter he left the family. Mother Anastasia Fedorovna also appeared creative personality.

Tamara's childhood was quite difficult; her mother barely managed to feed her family. The girl's mother and relatives instilled a love for the song. Already at the age of four she made her debut on stage. Childhood years darkened war time, after the end of the war, Tamara suffered from tuberculosis and underwent long-term treatment. Tamara's mother had to endure injury and three years of exile.

After the mother returned from Siberia, the family settled in Minsk. Anastasia Fedorovna got a job at a local radio, and Tamara began attending a school for talented children at the conservatory. After graduating, the girl decided to enter the Moscow Conservatory, but met serious resistance from Belarusian teachers. They didn't even give her documents. But Tamara, not succumbing to obstacles, went to Moscow in 1951, where she presented a poster about her performance.

Child photo T.G. Miansarova

Having proven her abilities in practice, she easily passed entrance tests, and Moscow has already requested documents confirming graduation. She studied at the piano department, combining with classes at the vocal department.

Career development

After the conservatory in 1957 she became concertmaster of GITIS. She didn’t like this kind of work, and a few months later Tamara decided to devote herself to the stage. Musician I. Granov took up the task of preparing the singer to perform the pop genre. At the All-Union competition in 1958 she took third place. The young singer performed Strauss, accompanying herself on the piano. Afterwards she performed with L. Olah's orchestra, and since 1960 - at the Moscow Musical Theater.

Quite quickly, the conservatory graduate became a popular performer.

In 1962 she took part in the World youth festival. There she accidentally had to perform the song “Ai Lyuli”, for which she was awarded a gold medal. A year later music festival in Sopot she performed “Sunny Circle”, which became a real hit and brought the singer the Grand Prix. After the festival, the singer gained an army of fans and worldwide fame. A tour of Europe and numerous concerts followed. Miansarova was very much loved in Poland, where they released perfume in her honor, and also invited the singer to star in a musical film.

In 1964, the instrumental group “Three Plus Two” was formed for Tamara. At the same time, at the “Blue Light” she presented the song “Ryzhik”, and a year later - “Black Cat”. In 1966 she won the song competition"Friendship". A film concert of the singer was filmed on Polish television. She filled the halls and was at the peak of popularity, but in 1970 she suddenly disappeared from the screens and stopped touring. This happened due to a conflict with one of the influential people; such phenomena were not uncommon in those days.

Miansarova performed the song “Ryzhik” at the “Blue Light”, 1964

Miansarova resigned from the Mosconcert and agreed to work at the Donetsk Philharmonic, where she served for twelve years. In 1972 she became an Honored Artist of the Ukrainian Republic. In 1974, Miansarova’s film concert was released, filmed in Kyiv. After returning to Moscow, from 1988 to 1996 she was engaged in teaching. In 1989, her album “As if Yesterday” was released. After 1991, the singer took an active part in retro concerts beloved by viewers along with other popular performers in the past. In 1994 she gave a concert in New York. In 1996 she was nominated for the title of People's Artist.

Miansarova in the new century

In 2003, the singer took part in the TV show “Two Pianos”, as well as in the Tolyatti concert of Soviet pop stars. At the same time, the official website of the artist appeared. In 2004, Miansarova’s personal star was opened in Moscow. Two years later, the music video “Black Cat” was released. In 2007, an exhibition of Tamara Grigorievna’s concert outfits took place.

T. Miansarova with friends, 2000

In 2010, O. Nesterov dedicated one of the episodes of his program “In the Wave of My Memory” to Miansarova, a year later the issue “ Live broadcast"in honor of the singer's anniversary. In 2012, she released a book about her life. In 2014, she joined the call addressed to the Ukrainian president to restore order in Ukraine. Despite her advanced age, the artist is still loved by fans. She has about 140 songs in her repertoire, some of which she herself wrote music for.

Personal life

The singer, who had striking beauty and popularity, always had many suitors. She got married four times. The first husband was Eduard Miansarov, a famous pianist. They had known each other since childhood. The marriage turned out to be unhappy, both artists had a busy schedule that had a bad impact on family life, and after the birth of their son Andrei in 1956, the couple finally separated. son most was raised by my grandmother for a time. He graduated from the Moscow Conservatory and became a musician-arranger.

T. Miansarova with her husband M. Feldman

The second husband is composer L. Garin, they were together for only six months. Miansarova could not forgive his betrayal. A few years later, after a protracted divorce, he died. This was followed by an alliance with Igor Khlebnikov, the singer’s administrator. In 1971, their daughter Ekaterina was born. And again family life things weren’t going well, the husband began to raise his hand against Tamara. As a result, she took her daughter and moved to Moscow.

Now Miansarova is married to Mark Feldman ( concert director, musician), with whom he has lived for almost forty years. Last years illness confined her to bed. The faithful husband has been caring for her all this time. The family lives very modestly, accepting charitable help. Miansarova’s relationship with her son is complex; she has three grandchildren from him, who also have no connection with their grandmother. The singer's daughter was once hit by a car, after which she has serious problems with health and also needs financial support.

Soviet and Russian pop singer. Honored Artist of the Ukrainian SSR (1972),People's Artist of Russia (1996). The singer was also awarded the Order of the Diplomat of Cambodia and the Laotian Order of the Three Elephants.

In the repertoire TamaraMiansarovamore than 400 songs, manyof which they became known as hits. Journalists called her “the nightingale of Moscow,” and one of the Polish perfume factories released a new variety of perfume, named after the singer - “Tamara.”

Tamara Miansarova. Biography

Tamara Miansarova born on April 5, 1931 in the city of Kirovograd, Ukrainian SSR. Father - Remnev Grigory Matveevich, was an artist of Odessa musical theater dramas and comedies, then an artist. Mother - Alekseeva Anastasia Fedorovna, singer, worked in Minsk opera house. Tamara Grigorievna's husband - Mark Mikhailovich Feldman, violinist, director of concert groups. Son - Andrey Eduardovich Miansarov, pianist, composer. Daughter - Ekaterina Igorevna Khlebnikova, poetess. Grandchildren: Miansarov Andrey; Tamara, artist; Anna, studied at the Faculty of Economics.

Interest in music Tamara Miansarova hereditary. Her father and mother and two aunts sang in the church choir. Later, her parents took her with them to rehearsals amateur choir. Tamara made her debut at the age of 4, demonstrating singing, dancing, artistic reading. And the next day the local newspaper published the first “serious” review of her performance. Then the family moved to Minsk, where the war found them. But Tamara, even during that difficult time, did not stop making music.

In 1951 Tamara Miansarova graduated from the ten-year music school at the Minsk Conservatory and entered the piano department of the Moscow Conservatory, in the class of professor Oborina. She played Beethoven, Bach, Liszt, Chopin... From the 2nd year, the owner of a beautiful lyric soprano Tamara Miansarova began taking elective classes in the vocal department, where her teacher was a professor Dora Borisovna Belyavskaya. In 1957, after graduating from the conservatory, Tamara was assigned to GITIS as an accompanist. However, this work did not bring her satisfaction, and three months later she went into the stage.

In the repertoire of an aspiring singer Miansarova There were only three songs, and with them she risked taking part in the All-Union Variety Artists Competition. Miansarova captivated the jury with her brilliant performance of the Strauss waltz to her own accompaniment on the piano and was awarded third prize.

The famous teacher E. Kangar told her: “Girl, you have a great feel for the small form, you need to sing songs” and began to study with Miansarova.

At that time, Miansarova faced an acute question: what should she do - singing on stage or playing the piano? This question resolved itself. And this was facilitated by a lightning-fast and victorious ascent to the pop Olympus: Miansarova spent her first tour with great success, for some time she performed her program in the orchestra of the famous Latsi Olaha, and in 1960 she already performed at the Moscow Music Hall in the play “ When the stars light up"along with artists such as Mark Bernes, Kira Smirnova, Lev Mirov And Mark Novitsky, Kapitolina Lazarenko. Estrada eventually won, and the young artist could no longer part with her.

Most of all, Tamara Grigorievna remembered the victory at VIII World Festival youth and students in Helsinki in 1962. Her performance was not planned, and for her it was a real impromptu performance. Miansarova was in Finland for a long time creative group together with Muslim Magomayev, Margarita Suvorova, Alexandra Strelchenko and other Soviet performers. And suddenly it turned out that one of the artists fell ill and he urgently needed to look for a replacement. The choice fell on Tamara. She performed with the ensemble Igor Granov and sang a cheerful song by L. Lyadova to the poems of B. Bryansky “Ai Lyuli”. To the surprise of many and even Miansarova herself, this song became very popular, and all festival participants began to sing it, and the performer herself was awarded first prize and a gold medal.

In 1963, Miansarova became a laureate of the prestigious song festival in Sopot for her performance of A. Ostrovsky’s song to the verses of L. Oshanin “The Solar Circle” (“Let there always be sunshine”). Although, before leaving for the festival, the management was not enthusiastic about Miansarova’s decision to sing this particular song: they believed that they needed to sing something more serious.

The director of the ensemble, Igor Granov, did not approve of the singer’s choice and did not even want to rehearse with her. However, Tamara insisted on her opinion and turned out to be right. The success was literally stunning. In a song festival based on dance rhythms, a song-dialogue burst in, a song-call, a song-affirmation.

The Polish magazine Krai Rad wrote: “ Big hall The Gdansk shipyard is dripping with sentimentality and in a minute it seems to be floating on a tidal wave of melancholy... But, fortunately, the situation is saved by a charming representative of the Soviet Union..."

After the performance in Gdansk, 6.5 thousand spectators gave a standing ovation to the Soviet soloist. People recognized her on the street, quite strangers shook hands, hugged. The newspapers called her “the nightingale of Moscow,” and one of the local perfume factories released a new variety of perfume, named after the singer - “Tamara.” After Sopot, the singer began to include “Sunny Circle” in all her concerts, and for many years to come this song became business card Miansarova.

The most fruitful year for awards was 1966 for the singer. He brought her new luck.

In the capitals of six countries (USSR, East Germany, Czechoslovakia, Poland, Bulgaria, Hungary) the pop song competition “Friendship” was held, where each participant had to perform a song from the country where the tour took place. Miansarova won four first prizes at once, ahead of her main competitor, the Bulgarian singer Lili Ivanova.

Charming on stage, cheerful, lively and responsive in life, Tamara Miansarova is very short term gained enormous popularity among viewers. She toured a lot throughout the country and abroad, and wherever she performed, the halls were always crowded. Tamara Miansarova“entered the image” literally within a few minutes, and the birth of the image took place before the viewer’s eyes. The singer's genre range is unusually wide - from heroic musical ballads and dramatic vocal short stories to comic and children's songs.

In total, Tamara Miansarova’s repertoire includes more than 140 songs, many of which have become hits: “Moscow Streets”, “Melody of Love”, “Eyes on the Sand”, “For You”, “The City is Sleeping”, “Letka Enka”, “First Steps” (“Top-top, the baby is stomping”), “Kangaroo”, “Mom’s holiday”, “Ryzhik” (“Rudy-rydz”), “Let’s never quarrel”, “Black cat”, “Grandma, teach me to dance the Charleston ", "Ivan da Marya", "Birch", "Hands" and many others.

The singer’s resounding popularity could not be dampened even by an incomprehensible situation, when in the early 1970s some kind of vacuum formed around her. The singer suddenly became restricted from traveling abroad, her recordings disappeared from the television screen, and the recordings on the radio were demagnetized. The concert film “Sunny Ballad” made about Miansarova was put on the shelf. Rumors spread that the singer had left for Israel. The capital's concert halls turned out to be closed to her.

Meanwhile, Miansarova continued to travel a lot around the country, already from the Donetsk Philharmonic. Started with performances in mining towns and villages, in miners' clubs and even in mine offices, and, according to her, she has never met a more grateful and responsive public. Therefore, it is especially dear to her Chest sign“Miner's glory”, with which she was awarded in the Donbass. Then she returned to Moscow, but she was still not allowed to work under various pretexts. And this continued until 1988.

More than 30 years later, Tamara Miansarova, who previously had the title of Honored Artist of Ukraine (1972) and being a holder of the Order of the Badge of Honor, becomes People's Artist of Russia (1996). She was also awarded the Order of the Diplomat of Cambodia and the Laotian Order of the Three Elephants.

Tamara Grigorievna is popular again, and her work is in demand. The artist holds numerous meetings with the audience, prepares new song programs (“It’s too early for us to live with memories” by A. Mazhukov, poems by V. Menshikov, “I am an acacia” by A. Bilash, poems by L. Tatarchenko, “My Outback” by Y. Frenkel, poems I. Goff, “Fasicky Horses” by V. Vysotsky, in memory of V. Shukshin “Black Viburnum” by B. Kiselyov to poems by A. Zhigulin). CD of oldies released popular songs Miansarova in a new arrangement by the musician and composer, her son Andrey Miansarov. She is invited to all kinds of music competitions as a member of the jury, for two years she headed the jury of the international festival " Golden hit", was an honorary guest and a member of the jury of the Sopot Festival, and went on tour to America.

From 1988 to 1996 Tamara Grigorievna Miansarova taught vocals at GITIS. Her students were Julian, Alika Smekhova, Lada Maris, Maxim Sytnik. Then she teaches at the youth creativity center “On Taganka”.

Tamara Grigorievna Miansarova (nee Remneva). Born on March 5, 1931 in Zinovievsk (now Kropyvnytskyi, Kirovograd region, Ukraine) - died on July 12, 2017 in Moscow. Soviet and Russian pop singer (lyric soprano). Honored Artist of the Ukrainian SSR (1972). People's Artist of Russia (1996).

Tamara Remneva, widely known under the name Miansarova, was born on March 5, 1931 in the Ukrainian city of Zinovievsk, which later became Kirovograd, and now renamed Kropyvnytskyi.

Father - Grigory Matveevich Remnev (1903-1982), worked as an artist at the Odessa Musical Theater of Drama and Comedy, and later became an artist.

Mother - Anastasia Fedorovna Alekseeva (1905-1988), singer, worked as a soloist at the Minsk Opera House.

Since childhood, I was interested in music and planned to become a pianist. She studied at the music school at the Minsk Conservatory. As she recalled, she was literally obsessed with music: “I fell asleep at dawn, sitting under the piano on a mattress specially sewn by my mother.”

At the request of the school director, she, as a promising pianist in post-war Minsk, was given a personal two-room apartment(later, having become a student at the Moscow Conservatory, she exchanged it for a room in a Moscow communal apartment).

She graduated from the music school at the Minsk Conservatory in 1951.

In the same 1951 she entered the piano department Moscow Conservatory, in the class of Professor L. N. Oborin. At the same time, from the 2nd year, she studied optionally in the vocal department with Professor D. B. Belyavskaya.

In 1957, after graduating from the conservatory, she worked as an accompanist at GITIS, but soon switched to the stage and began performing her own solo concert numbers. This happened after in 1958 she was awarded third prize at the III All-Union Competition of Variety Artists, performing a Strauss waltz to her own accompaniment on the piano.

“I came to the All-Union Competition of Variety Artists as a musician, and left as a singer. I sang there just like that, without hope of success, and suddenly everything started spinning and spinning,” she recalled.

After the competition, Tamara Miansarova performed for some time with the Latsi Olah orchestra, and since 1960 she became a soloist at the Moscow Music Hall, participating in the play “When the Stars Light Up” together with Bernes, Mirov, Novitsky and Capitolina Lazarenko.

In 1958, Igor Granov created a jazz quartet (piano, double bass, drums, guitar). The ensemble's repertoire included works Soviet composers in his own arrangement and jazz classics. In search of a soloist, Granov draws attention to Tamara Miansarova, who recently left the music hall - a young singer with two highest musical education and a high voice of the classical range.

Having worked on her performance style, Igor Granov prepared Tamara to perform the pop repertoire.

As the singer said, at first she had problems with the repertoire, because composers wrote for already famous singers. “I sat down at the radio, caught foreign melodies and immediately wrote them down with notes - how do I professional musician it wasn't difficult. And then I ordered poems from poets based on this music. This is how “Letka-Enka” was born, “Grandma, teach me to dance the Charleston,” she recalled.

She worked closely with Leonid Derbenev, then an aspiring songwriter.

In 1962, at the VIII World Festival of Youth and Students in Helsinki, she was awarded first prize and a gold medal. She performed with Igor Granov’s ensemble and performed a cheerful song by L. Lyadova to the poems of B. Bryansky “Ai-lyuli”. “In the Finnish newspapers they called me that later. “Girl Ai-lyuli” - it was difficult for them to make out my last name,” the singer shared.

In 1963, Miansarova became a laureate International festival songs in Sopot for the performance of A. Ostrovsky’s song to the verses of L. Oshanin “The Solar Circle” (“Let there always be sunshine”). From this time on, the song will remain the singer’s calling card for many years.

In 1963, on the wave of great popularity in Poland, the singer starred in the musical film “25 minut z Tamarą Miansarową” (TVP).

Since 1964, she performed with the group “Three Plus Two” created especially for her by Leonid Garin (Viktor Prudovsky - piano, Adolf Satanovsky - double bass, Alexander Goretkin - drums).

In 1965, the singer performed several songs in a concert film (TVP) with the participation of Polish and foreign performers, V different time who performed at the Sopot festival (H. Hegerová, H. Kunicka, E. Rutten, Z. Sośnicka, V. Villas, B. Wilke).

Her performance of the Japanese song became a hit folk song"Golden key" During the first performance, accompanied by an ensemble directed by V. Pishchalnikov, Tamara Miansarova used a black fan, and the song was shot on black and white film.

Tamara Miansarova - Golden Key

On December 31, 1964, at the New Year's "Blue Light" Tamara Miansarova performed famous song about the mushroom “Ryzhik” (music by B. Klimchuk, lyrics by A. Eppel).

In 1965, at the New Year's "Blue Light" Tamara Miansarova performed her famous song "Black Cat" (Yu. Saulsky - M. Tanich). The song gained extreme popularity for many years.

Tamara Miansarova - Black Cat (1965)

In 1966, she won the “Friendship” pop song competition of the socialist countries. The competition consisted of six rounds, held in six countries (USSR, East Germany, Czechoslovakia, Poland, Bulgaria, Hungary), and under the terms of which each participant had to perform a song from the country where the tour took place. Tamara Miansarova won 4 first prizes at once, ahead of her main competitor, the Bulgarian singer Lili Ivanova.

In 1966, a film concert “Tamara Miansarova Sings” was filmed on Polish TV.

In 1970, while working at Mosconcert, Tamara Miansarova fell out of favor with influential cultural leaders, and she suffered an unenviable fate, which many representatives experienced more than once. national stage. As a result of the unspoken ban, she immediately fell into the category of “not allowed to travel abroad,” her performances disappeared from television and radio broadcasts, and her tour concert activity has become completely impossible.

Actual ban on professional activity led to the fact that she was forced to resign from Mosconcert and leave the capital in search of work. Fortunately, work was found in Donetsk regional philharmonic society, where she was invited, and where she subsequently worked for 12 years. "Here, by the way, at that time there was the best philharmonic society of all in the USSR. Miansarova, Obodzinsky, the Four U quartet, Symphony Orchestra“It was a very strong line-up,” the singer recalled. Tamara Miansarova is a full holder of the Order of Miner’s Glory.

In 1974, the concert film “Tamara Miansarova Sings” was shot in Kyiv. Musical accompaniment- ensemble led by Evgeniy Dergunov.

Tamara Miansarova’s repertoire includes more than 400 songs (in Russian, Ukrainian, Polish), many of which have become hits (“Black Cat”, “Ai-lyuli”, “Let there always be sunshine”, “Letka-enka”, “Ryzhik” , “Top-top”, “Grandma, teach me to dance”, “Let’s never quarrel”, “Kohaniy”, “ Wild geese", "Golden Key" and many others), but most of them were demagnetized in storage in the 1970s. as directed by the management.

In the 1980s she returned to Moscow, taught vocals at GITIS (from 1988 to 1996), at the Taganka Youth Art Center and at the Moscow Institute contemporary art. Professor Russian Academy theatrical arts(former GITIS).

She spoke about her teaching practice: “There were talented students. Larisa Gordiera, Julian, Alika Smekhova, Lada Maris, who sings in the play “Jesus Christ - Superstar”. I am proud that I gave them something in terms of profession.”

In the 1980s, the Polish magazine Panorama named the four most popular singers for 25 years. According to the magazine, the list of the best was made up of: Edith Piaf, Karel Gott, Charles Aznavour and Tamara Miansarova.

In 1988 she was a member of the jury of the International Song Festival in Sopot.

Since 1991, she has taken part in retro programs dedicated to Soviet song together with other performers of the 1950-1970s - Kapitalina Lazarenko, Irina Brzhevskaya, Vladimir Troshin. She often performed a medley of her most famous songs and they sang along with her, as before, devoted listeners asked her to sing a song about the Black Cat. This song was included in the repertoire of many contemporary performers- and the Bravo group, Evgeniy Osin.

Tamara Miansarova - Black Cat

Tamara Miansarova is the author of music for three songs: “My Russia”, “Song of Songs” and “Hands”. In 1994, with the Variety Theater Orchestra under the direction of V. Starostin, she performed and recorded the song “As if Yesterday” (Music by M. Raiko, lyrics by B. Shifrin).

In 1994, at the invitation of the famous American TV presenter Oleg Frisch, she performed in America.

In 2004, Miansarova’s personal star was installed on the “Square of Stars” in Moscow, and on February 9, 2005, anniversary evening V concert hall"Russia".

In September 2007, as part of the Flea Market exhibition, a collection of concert dresses was exhibited pop singer Tamara Miansarova.

In 2012, Tamara Miansarova’s book “Tamara Miansarova. Both in life and on stage.” It represents memories of life and career.

On February 21, 2014, she signed, together with Vasily Lanov, Joseph Kobzon, Elina Bystritskaya and cosmonaut Alexander Volkov, an appeal to the then President of Ukraine V.F. Yanukovych “to use all the power and strength that is in your hands to restore order in the country.”

“What happened to Tamara is Andrei’s fault. The daughter came to her, but the son did not. She was very worried. Two months before her death, she called him and asked him to come, but he never showed up,” said Mark Feldman.

Filmography of Tamara Miansarova:

1964 - Blue Light 1964 (film-play) - song "Ryzhik"
1965 - The squadron leaves for the west - the song "Asleep Paris"
1970 - Sunny Ballad
2005 - Motley Ribbon. Arkady Ostrovsky. The song stays with the person (documentary)
2007 - Let there always be me. Lev Oshanin (documentary)
2010 - Sung in the USSR (documentary)

Songs of Tamara Miansarova:

"Ai-lyuli"
"The Scarlet Flower"
"Grandma, teach me to dance"
"Ledum"
"Waltz of Parting"
"Eyes on the Sand"
"Bunches of Rowan"
"Let's never quarrel"
"Wild Geese"
"Golden Key"
"Kohay me"
"Kohaniy"
"Wings of Fortune"
"My swans"
"Letka-enka"
"Mom's holiday"
“Children copy us”
"Parasolki"
"Last call"
"May there always be sunshine"
"Dawn Years"
“Ryzhik” (cover version of the song “Rudy rydz”, the original was performed by Polish singer Helena Majdanec)
"Top-top"
"Black cat"